67 résultats
189571501ABLeipzig, Seemann (um 1895). (6), 325, (3) S., OLwd. (etw. berieben). Schnitt stärker stockfl., das erste Bl. mit 2 Namenszügen. Insges. wohlerhalten. EA. OLwd. (etw. berieben). Schnitt stärker stockfl., das erste Bl. mit 2 Namenszügen. Insges. wohlerhalten. EA.
189831157ADresden und Leipzig, Verlag von Carl Reißner, 1898. Ca. 20 x 14 cm. 3 Blätter Verlagswerbung, 3 Blätter, 325 (1) Seiten, mit 1 Abbildung, 1 Blatt Verlagswerbung. Original-Leinenband.
189627251ABZürich, Orell, Füssli und Comp., 1896. Gross-8°. 25 S. Mit 1 gest. Portrait von Robert Leemann. Orig.-Broschur = "Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich", Nr. 84.
189627251ABZürich, Orell, Füssli und Comp., 1896. Gross-8°. 25 S. Mit 1 gest. Portrait von Robert Leemann. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 27251A = "Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich", Nr. 84.
187531570Wien: Ant. Diabelli und Comp. Friedrich Schreiber PN F.S. 6541 1875. SCHUBERT Franz 1797-1828. Folio. 1 title 2-7 1 blank pp. Engraved.<br/> <br/>Somewhat worn and browned; slightly foxed. Re-issue from first edition plates with "F.S." preceding the plate number with "Druck von A. Eckel in Wien" to lower left of first page of music. LW A42/11. Searle 558/11. Raabe 243/11. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. Ant. Diabelli und Comp. [Friedrich Schreiber] [PN F.S. 6541] unknown books
189031557Mayence: Les fils de B. Schott PN 6490 1890. BELLINI Vincenzo 1801-1835. Folio. 1f. printed title 9 1 blank pp. Engraved.<br/><br/>Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper corner of title and several pages. Musicseller's handstamp to foot of title.<br/><br/>Moderate offsetting; pagination in ink to upper corners; "Bellini's" in ink above title with underlining in red ink. First Edition later issue. LW A74. Searle 391. Raabe 130.<br/><br/>Liszt composed his Réminiscences des Puritains de Bellini in 1836 and from this adapted the Polacca into the present Introduction et Polonaise in 1841. Les fils de B. Schott [PN 6490] unknown books
186431533Leipzig: Gustav Heinze PN G. 61 H. 1864. Folio. 1f. title 3-25 1 blank pp. Lithographed.<br/><br/>Small oval musicseller's handstamp to foot of title.<br/><br/>Slightly worn and browned; spine splitting. Lithographic re-issue of the first edition. LW H12. Searle 123. Raabe 458. LC Catalog 26.<br/><br/>Liszt's Fantasie über ungarische Volksmelodien was dedicated to Hans von Bülow who premiered the work on June 1 1853 in Pest with Ferenc Erkel conducting. It is based on the same melody used for the Hungarian Rhapsody No. 14 which was written at the same time and also dedicated to Bülow. Gustav Heinze [PN G. 61 H.] unknown books
189859199Leipzig, Verlag Breitkopf&Härtel, 1898. origi.Broschur, 8°, 426 Seiten.
1895RO50004129G. Schirmer. 1895. In-8. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 39 pages. Ornements couleur en couverture.. . . . Classification Dewey : 780.26-Partitions
18822020187Leipzig: Breitkopf und Hartel 1882. First Edition. Hardcover. Good. Tall octavo 234 pages half morocco speckled papers spine worn top joint splitting <br/><br/>Edited by Lina Ramann. Essays on Goethe Weimar music. etc. Breitkopf und Hartel hardcover
18802020161Leipzig: Breitkopf und Hartel 1880. First Edition. Hardcover. Good. Tall octavo half morocco speckled papers spine worn top joint splitting. <br/><br/>Edited by La Mara. Breitkopf und Hartel hardcover
18822020185Leipzig: Breitkopf und Hartel 1882. First Edition. Hardcover. Good. Tall octavo 273 pages half morocco speckled papers spine worn top joint splitting <br/><br/>Edited by Lina Ramann. Essays on Robert Schumann Berlioz Clara Schumann Robert Franz John Field. Breitkopf und Hartel hardcover
18812020184Leipzig: Breitkopf und Hartel 1881. First Edition. Hardcover. Good. Tall octavo half morocco speckled papers spine worn <br/><br/>Edited by Lina Ramann. Essays on Church Music George Sand Thalberg Robert Schumann Louis de Rouchand La Scala Heinrich Heine Berlioz Italian music Breitkopf und Hartel hardcover
1900V10653Berlin & Stuttgart (W.Spemann) 1900 (= Erste Ausgabe). 8°, Originalkarton, 624 S., 1 Frontispiece
1882074912Leipzig: Breitkopf & Härtel 1882. Franz Liszt's Gesammelte Schriften Bd. 4; VIII 273 S.; mit Register; übertragen von E. Ramann; fliegender Vorsatz mit Besitzerstempel Titelblatt mit Besitzervermerk Kanten berieben Ecken leicht gestaucht Rücken professionell erneuert. Erste Auflage. Leinen. Befriedigend. 244 cm. Breitkopf & Härtel Hardcover
188746578Leipzig, Breitkopf und Härtel, 1887. Gr.-8°. Mit einigen Notenbeispielen. VIII, 315 S., Mod. HLwd. m. goldgepr. Rückentitel.
185531566Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved.<br/><br/>Plate numbers and imprint of Brandus from their first edition of 1850.<br/><br/>From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. <br/><br/>Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1.<br/><br/>Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown books
185531566Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved.<br /> <br /> Plate numbers and imprint of Brandus from their first edition of 1850.<br /> <br /> From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. <br /> <br /> Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1.<br /> <br /> Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown
186131545Leipzig: C. F. Kahnt PN 787 1861. Folio. 1f. title within decorative shield engraving 3-11 1 blank pp. Engraved.<br/><br/>Contents: 1. Vor der Schlacht; 2. Nicht gezagt; 2. Es rufet Gott uns mahnend.<br/><br/>Musicseller's handstamp to foot of title.<br/><br/>Spine reinforced with tape; slightly worn and browned; corners and edges frayed; dampstaining to right margin just touching music; title soiled; offsetting to caption titles. Second Edition with German titles. LW A207. Searle 511. Raabe 202. LC Catalog 164.<br/><br/>Liszt's transcriptions of his three works for men's chorus S. 560/4-6 originally published in 1845. C. F. Kahnt [PN 787] unknown books
188720303Boston: Oliver Ditson 1887. First US Edition. 8vo pp. 233. Engraved frontispiece portrait a very good tight copy bound in brown cloth. DeBeaufort was editor and translator of The Life and Letters of George Sand. Oliver Ditson unknown books
186131545Leipzig: C. F. Kahnt PN 787 1861. Folio. 1f. title within decorative shield engraving 3-11 1 blank pp. Engraved.<br /> <br /> Contents: 1. Vor der Schlacht; 2. Nicht gezagt; 2. Es rufet Gott uns mahnend.<br /> <br /> Musicseller's handstamp to foot of title.<br /> <br /> Spine reinforced with tape; slightly worn and browned; corners and edges frayed; dampstaining to right margin just touching music; title soiled; offsetting to caption titles. Second Edition with German titles. LW A207. Searle 511. Raabe 202. LC Catalog 164.<br /> <br /> Liszt's transcriptions of his three works for men's chorus S. 560/4-6 originally published in 1845. C. F. Kahnt [PN 787] unknown
184140942Leipzig: Fred. Hofmeister PN2269 1841. Folio. Ivory wrappers with manuscript titling to upper. 1f. recto title verso blank 3-31 i blank pp. Engraved.<br /> <br /> Slightly worn browned and thumbed; small chips and tears to outer margin of title with minor loss; some upper outer corners slightly turned. <br /> <br /> Wrappers slightly worn browned and stained with small chips to outer edge and spine. Searle 412. Raab 221. Fred. Hofmeister [PN]2269] unknown
185031576Wien: Tobias Haslinger PN C.H. 7775 1850. SCHUBERT Franz 1797-1828. Octavo. Original publisher's dark pink printed wrappers with contents of Schwanengesang Winterreise Lob der Thränen and Die Rose to upper. 1 title 2-7 1 blank pp. Engraved. Song text printed to p. 2<br/><br/>Wrappers with imprint of Carl Haslinger quondam Tobias.<br/><br/>Wrappers somewhat worn and soiled. Dampstain to lower inner margin; occasional offsetting. First Edition later issue. LW A45. Searle 557. Raabe 242. LC Catalog 183. Hoboken 10 92.<br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. Tobias Haslinger [PN C.H. 7775] unknown books
184123488Paris, Richault, o. J. (1841). 15 S. in Kupferstich. 4°. OBrosch. (etw. lädiert, gebräunt und stark fleckig, Rückenbereich mit Klebeband verstärkt).
183317381BBerlin, Enslin (Ferdinand Müller), 1833. 8°, 4 Blatt, 262 Seiten Original-Ganzleinenband der Zeit (angeschmutzt, Rückenvergoldung teils abgeblättert; Rücken mit kleiner Fehlstelle)
