DEPAS ErnestLivre Rare Book
52 résultats
1850101226- Partition. 9 pages. Des rousseurs.
182015094P. Pacini 1820 br. (tiré d'un recueil). in-4, titre, 12pp., (cot. 19)
188027346London: Richard Bentley & Son 1880. 1st one-volume edition. Not in NCBEL. Original green publisher's cloth with gilt lettering to spine & boards stamped in blind professionally recased. Eps replaced. VG extremity wear/cloth dull. 2 413 3 pp. Publisher advert last 2 pp. Frontispiece. Crown 8vo. <br/><br/>A novel set against the background of the 1862-63 Lancashire cotton famine. Richard Bentley & Son hardcover books
187396982- Partition. 5 pages. Défraîchi. Papier légèrement bruni. Taches brunes. Partition intacte.
1807269901807 Paris : Imprimerie du Conservatoire JANET & Cotelle ,sd - [ca.1807]- 1 partituur (24 p.) ; 35 cm.rousseurs
190099917727Leipzig et Berlin C.F Leipzig et Berlin C.F. Peters, Bureau de Musique, SD (vers 1900), In-4 demi chagrin vert, dos orné de fleurons dorés. Bien relié, bel exemplaire.
1840180561840 Paris: SOCIETE POUR LA PUBLICATION DE LA MUSIQUE CLASSIQUE (vers 1840) Folio.reliure demi basane,dos lisse orne de filets dores,etiquette de titre rouge 261 p.gravees Half , , with marbled boards Parts. Hardcover RISM HH3353. *
18983163CB2 Bnd. Leipzig u.a. Brüssel, London u. New York, Breitkopf & Härtel, 1898. 4°. 37 S.; 11 S. Orig.-Broschur (Gebrauchsspuren). = "Violin - Bibliothek".
18983163CBLeipzig u.a. Brüssel, London u. New York, Breitkopf & Härtel, 1898. 4°. 37 S.; 11 S. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bnd. (Gebrauchsspuren). = "Violin - Bibliothek".
190096965- Partition. 19 pages. Défraîchi. Papier bruni. Taches brunes.
186011122P. Leduc 1860 demi-percaline rouge. 4 parties en 1 vol. in-4, 4 titres et 164pp.,
190047694Couverture rigide. Cartonnage, légèrement défraîchi. 26 x 33 cm. 62 pages. Pages de garde froissées.
1900125842- Reliure demi-basane. 27 x 35 cm. 124 pages. Rousseurs. Petit manque en coin du premier plat.
1900135176- Reliure demi-basane, 28 x 33 cm. Légèrement défraîchi. Rousseurs. 108 + 124 + 37 + 55 pages.
1860169401860 demi-parchemin, cartonnage marbré. in-4, 101pp. P. Aulagnier (cot. AA34) (ca. 1860)
190019623Paris, Durdilly vers 900 Paris, Durdilly vers 1900. In-8 broché de 36 pages
185127299Paris, G. Brandus / Dufour et Cie, s.d. [1851]. Un vol. au format gd in-4 (348 x 267 mm) à pagination multiple. Reliure de l'époque de demi-vélin ivoire, dos lisse orné de doubles filets dorés, pièce de titre de maroquin émeraude, titre doré, tranches mouchetées.
19009993429Enoch Paris Enoch SD (vers 1900), collection Litolff, In-4 de 92 pages, percaline éditeur marron. Premier feuillet détaché.
19009993430Enoch Paris Enoch SD (vers 1900), In-4 de 284 pages. dernier feuillet détaché.
189099936086Leipzig C.F. Peters SD Leipzig C.F. Peters SD (vers 1890), In-4 demi chagrin noir, 248 pages. Trés bon état.
182046032Paris Crochard 1820. Uncut with orig. printed wrappers Juin-issue. In "Annales de Chimie et de Physique Par MM. Gay-Lussac et Arago" Tome XIV Juin issue pp. 113-222. Entire issue in orig. wrappers. Savart's paper: pp. 113-172 and 3 folded engraved plates. <br/><br/><em>First printing of a pioneer paper on the acoustics of the violin and on the construction of the Trapezoidal Fiddle."In his earliest work Savart gave the first explanation of the function of certain parts of the violin. To learn how vibrations are transmitted from the strings to the rest of the instrument he induced vibrations in a free wood plate by passing a vibrating string over a bridge at its center; he also used Chladni’s sand-pattern technique to observe the resulting nodal lines. Savart showed that the bridge transmits the string’s vibrations; that the plate can be made to vibrate at any frequency; and that the corresponding mode is a modification of an unforced mode. He demonstrated that the sound post also serves to transmit vibrations and he explained that it therefore should not be placed under a nodal line. Thinking that symmetry and regularity would produce the best tone Savart built a trapezoidal violin with rectangular sound holes. When the instrument was played before a committee that included Biot the Composer Cherubini and other members of the Academy of Sciences and the Académie des Beaux-Arts its tone was judged as extremely clear and even but somewhat subdued."DSB.The issue also contains Eilhard Mitscherlich' famous paper in the first French version "Sur la Relation qui existe entre la forme cristalline et les proportions chimiques" pp. 172-190. </em> unknown
182046029Paris Crochard 1820. No wrappers. In "Annales". In "Annales de Chimie et de Physique Par MM. Gay-Lussac et Arago" Tome XIV Juin issue pp. 113-222. Entire issue offered with halftitlepage to vol. 14. Savart's paper: pp. 113-172 and 3 folded engraved plates. Plates with some scattered brownspots. <br/><br/><em>First printing of a pioneer paper on the acoustics of the violin and on the construction of the Trapezoidal Fiddle."In his earliest work Savart gave the first explanation of the function of certain parts of the violin. To learn how vibrations are transmitted from the strings to the rest of the instrument he induced vibrations in a free wood plate by passing a vibrating string over a bridge at its center; he also used Chladni’s sand-pattern technique to observe the resulting nodal lines. Savart showed that the bridge transmits the string’s vibrations; that the plate can be made to vibrate at any frequency; and that the corresponding mode is a modification of an unforced mode. He demonstrated that the sound post also serves to transmit vibrations and he explained that it therefore should not be placed under a nodal line. Thinking that symmetry and regularity would produce the best tone Savart built a trapezoidal violin with rectangular sound holes. When the instrument was played before a committee that included Biot the Composer Cherubini and other members of the Academy of Sciences and the Académie des Beaux-Arts its tone was judged as extremely clear and even but somewhat subdued."DSB.The issue also contains Eilhard Mitscherlich' famous paper in the first French version "Sur la Relation qui existe entre la forme cristalline et les proportions chimiques" pp. 172-190. </em> unknown
1900101155- Partition. 4 pages. Quelques taches brunes.
187929849London: Richard Bentley and Son 1879. Hardcover. First Edition First Impression. 4.5 x 7in. 277pp.; 308pp.; 335pp. Publisher's blind-stamped cloth boards with gilt titling. All 3 volumes are in VERY GOOD condition showing typical shelf rubbing of the extremities spines and endpapers lightly toned over-opened in several places throughout otherwise the bindings are strong and tight the texts are clean and unmarked and the boards remain distinct. As pictured. Richard Bentley and Son hardcover
