962 résultats
185720025tMALLORCA: Imprenta de Pedro José Gelabert 1857. 8º.- 77 pags.- Rústica con cubiertas originales. . Imprenta de Pedro José Gelabert unknown
1992Q-0634072447Ricordi 1992-05-31. paperback. New. New. In shrink wrap. Looks like an interesting title! Ricordi paperback
3385073049.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
412131Hardcover. Fair. In Italian. Libretto and score. Probably 19th century. Red marbled cover has chips and bumps but is sound. Marbled front endpaper. A lot of fading and marks to edges of pages and text block. Gilt lettering to leather spine. hardcover
1986Q-0793522285GS LIBRETTO 5 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! GS LIBRETTO 5 paperback
2005Q-0634095382Ricordi 2005-02-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Ricordi paperback
1985Q-0769278469Alfred Music 1985-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
2012DADAX0486271137Dover Publications 2012-07-17. paperback. New. 8.25x1.00x11.00. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
2000Q-8875926670Ricordi 2000-05-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Ricordi paperback
2006SONG0041370082Ricordi 2006-01-01. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Ricordi paperback
45912155like new. unknown
As New English Paperback. Roy. 8vo (24 x 17 cm). In English and Italian with abstracts in Turkish. [Liii], 272 p., ills. With a CD in it end-pocket. Giuseppe Donizetti Pasha: Musical and historical trajectories between Italy and Turkey.= Giuseppe Donizetti Pascia: Traiettorie musicali e storiche tra Italia e Turchia (Saggi E Monografie 7). [With a CD].
184031312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. <br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. <br/><br/>The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. <br/><br/>Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. <br/><br/>The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618.<br/><br/>"This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown books
183733497Milano: Gio. Ricordi 1837. 5 numbers. Oblong folio. Disbound. Engraved.<br/><br/>- Cavatina nell'Introduzione: Cruda funesta smania PN 8986. 8 pp.<br/>- Cavatina: Regnava nel silenzio PN 8987. 9 1 blank pp.<br/>- Duetto: Il pallor funesto orrendo PN 8989 / 10083. 16 pp.<br/>- Aria: Ah cedi o piu seiagure PN 8990. 6 pp.<br/>- Recit e Cavatina: Regnava nel silenzio PN 10079. 11 1 blank pp. A revised edition of PN 8987.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Slightly worn and soiled; spines frayed; "Il pallor." more heavily worn. From the plates of the first edition. Inzaghi IN. 55 pp. 173.<br/><br/>Lucia di Lammermoor to a libretto by Salvadore Cammarano after Walter Scott's novel The Bride of Lammermoor 1819 premiered in Naples at the Teatro San Carlo on 26 September 26 1835.<br/><br/>"Both historically and artistically Lucia deserves its reputation. When it was new it was regarded as the apogee of high Romantic sensibility. The clear plot which trims away much of Scott's accessory detail possesses the stark tautness of a tale by Poe. It is no coincidence that Flaubert employed it as an important point of reference in the downward course of Emma Bovary that quintessential victim of Romantic illusions."<br/><br/>"Although all the principal roles are vocally challenging their music is uniformly grateful. The score contains scant sign of the unevenness that afflicts a number of Donizetti's works. Cammarano's libretto moved him deeply and inspired by his recent first exposure to Paris Donizetti produced what is certainly his masterpiece." William Ashbrook in Grove Music Online. Gio. Ricordi unknown books
3639897048.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
185033587Napoli: B. Girard e Ci. PNs 2691 2693 2697 2833 4550-67 1850. Oblong folio. Dark red leather-backed dark green cloth boards spine in decorative compartments gilt titling gilt. 190 pp. Each number with separate caption title and secondary pagination. Engraved.<br/><br/>Title with catalogue of pieces from the opera including 5 alternative arrangements. Re-engraved with Girard's later address Largo S. Ferdinando 49.<br/><br/>Handstamp "Scuola di Canto dei Mo. Lombardini" to title and several pages throughout. <br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. <br/><br/>Binding somewhat worn scuffed and bumped; remnants of paper label to spine; free front endpaper lacking; shaken Rather worn throughout; moderately thumbed and foxed; creases and fraying to some corners; ape repairs to title and several leaves. An early edition later issue. Inzaghi IN. 53 p. 169.<br/><br/>Gemma di Vergy a tragedia lirica in two acts to a libretto by Giovanni Emanuele Bidera after the play Charles VII by Alexandre Dumas premiered in Milan at the Teatro alla Scala on 26 December 1834.<br/><br/>"Although Gemma is perhaps vocally the most daunting role Donizetti ever composed for a soprano being designed for Giuseppina Ronzi De Begnis Donizetti's favourite prima donna during the 1830s the opera retained its popularity in Italy until well into the 1860s. Musically the score has great merits. Gemma's aria finale - consisting of a prayer of imprecation on her husband's second marriage succeeded by a change of heart and her resolution to enter a convent which in turn leads into the eloquent Larghetto 'Un altare ed unabenda' and the despairing cabaletta 'Ah chi m'accusa' forms a classic test for a dramatic soprano d'agilità . The role of the Saracen Tamas composed for Domenico Reina is dramatically effective and his Allegro giusto in Act 1 'Mi toglieste a un sole ardente' was long a popular showpiece for tenors; on more than one occasion its libertarian sentiments prompted demonstrations against repression." William Ashbrook in Grove Dictionary of Opera. B. Girard e Ci. [PNs 2691, 2693, 2697, 2833, 4550-67] unknown books
183033412Milan: Epimaque et Pascal Artaria PNs 58-67 1830. TROMBETTA Giuseppe arranger. Oblong octavo. Vellum-backed marbled boards with decorative rectangular paper label with manuscript titling to upper manuscript titling to spine. 96 pp. total in various paginations. Engraved. On wove paper.<br/><br/>With small embossed crown with initials "FG" beneath to upper blank margin of title.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/><br/>Binding somewhat worn rubbed and scuffed; head of spine chipped; free front endpaper lacking. Scattered light foxing. First Edition of this arrangement later issue. Rare. OCLC no copies in North American libraries. Inzaghi IN. 23 p. 143. Bergamo Catalogue p. 133 27.<br/><br/>An opera romantica in 3 acts to a libretto by Domenico Gilardoni after La fille de l'exilé 1819 by Pixérécourt Otto premiered in Naples at the Teatro Nuovo on 13 May 1827. Epimaque et Pascal Artaria [PNs 58-67] unknown books
184031312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. <br /> <br /> From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br /> <br /> Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. <br /> <br /> The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. <br /> <br /> Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. <br /> <br /> The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618.<br /> <br /> "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online.<br /> <br /> Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown
9788597009620-11-05458Atlas. New. Atlas unknown
RO50053353LEON GRUS. NON DATE. In-8. En feuillets. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Quelques rousseurs. 254 pages de partitions. Page de titre illustrée en noir et blanc par Barbizet. Couverture illustré en couleur par De Longprez. Manque sur les coiffes, au dos de l'ouvrage. Cahier désolidarisés.. . . . Classification Dewey : 780.26-Partitions
RO50038764LEON GRUS. non daté. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 252 pages. Partiton pour Piano et chant + paroles. Tampon sur la page titre n'altérant pas la lecture de la partiton. Titre et filets en doré sur le dos. Illustration en noir et blanc de BARBIZET en page titre.. . . . Classification Dewey : 780.26-Partitions
RO50049633G. RICORDI & C.. NON DATE. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 240 pages de partitions. Portrait de Gaetano Donizetti en noir et blanc sur le premier plat. Annotations au dos de l'ouvrage. Premier plat et page de titre désolidarisés. Petites déchirures aux extrémités des pages, sans conséquences sur la lecture. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
2017__1520550898Independently published 2017. Paperback. New. 813 pages. Portuguese language. 9.00x6.00x1.84 inches. Independently published paperback
0486271137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3004LC083<p>Drama Lyrico em 5 actos para se representar no R.T. de S. Carlos Typographia de P.A. Borges. Lisboa. 1845.</p>_x000d_<p>De 15x10 cm. Com 119 págs. Brochado.</p>_x000d_<p>Exemplar com falta da capa posterior da brochura e com defeitos na capa anterior da brochura.</p>_x000d_<p>Contém texto bilingue em italiano e português do libreto da ópera de Donizetti sobre o rei D. Debastião.</p> I-99-D-30 unknown
