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39864Milano (Milan) Ricordi 1973 in 4 (27x20) 1 volume broché, couverture illustrée en couleurs, 280 pages [1]. Partition de musique notée. Gaetano Donizetti, 1797-1848. Drama tragico in due parti di Salvatore Cammarano. Acura di Mario Parente. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1839102816ABLeipzig, Breitkopf & Härtel, (1839). 33 x 27 cm. Mit lithogr. Titelblatt u. 154 S. (ab S. 3 gestoch. Notenblätter). Halblederbd. der Zeit. - Plattennummer 6060. - Gutes bis sehr gutes Ex.
1996DADAX0882848097Alfred Music 1996-10-01. paperback. New. 8.75x0.25x11.50. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
101964494X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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3563232598.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364297166.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986Q-0634071106RICORDI 1986-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! RICORDI paperback
1162086181.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1168922178.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1853253128Paris : Pacini 1853. First Edition. Hardcover. Good copy in the original gilt-blocked cloth over marble boards. Panel edges somewhat dulled and dust-toned as with age. Corners sharp with an overall tight bright and clean impression. Physical description; 3232p. Subject; Opera - Italian - 19th century. Paris : Pacini hardcover
184031312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. <br /> <br /> From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br /> <br /> Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. <br /> <br /> The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. <br /> <br /> Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. <br /> <br /> The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618.<br /> <br /> "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online.<br /> <br /> Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown
1986SONG0634071106Ricordi 1986-11-01. paperback. Used: Good. 8.00x0.79x10.75. Buy with confidence. Excellent Customer Service & Return policy. Ricordi paperback
1245849204.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
398711 leaf. Oblong quarto 210 x 284 mm.<br /> <br /> Four measures in keyboard score from the duet between Lucia and Edgardo in Act I Scene IV set to the words "A' miei voti in vovo il cielo" From all danger be guarded for ever. Notated in ink at the blank lower margin of an original accomplished drawing depicting a male and female figure in costume presumably the characters Lucy and Edgardo in Donizetti's opera. Signed and dated by the artist in ink: "Clelia de Vera d'Aragona fece 14 Luglio 1838." In pen watercolor and brown wash with highlights in light gray gouache.<br /> <br /> Slightly worn; quite browned; offsetting from contact with another leaf of textual manuscript creating a slightly bleached appearance; small binding holes and fraying to left edge. Partial watermark most probably of the English paper maker J. Whatman.<br /> <br /> Provenance<br /> Christie's Rome 13 December 2001 Lot 337. Lucia di Lammermoor with a libretto by Salvatore Cammarano was first performed in Naples at the Teatro San Carlo on 26 September 1835. <br /> <br /> "It . very quickly became one of the most universally popular operas of the nineteenth century. . Donizetti himself writing to Ricordi three days after the première was in a rare state of excited exaltation: 'Lucia di Lammermoor went on . It pleased and it pleased very much if I am to believe in the applause and the compliments I received. I was called out many times the singers even more often. . Its title role has been impersonated by almost every soprano since 1835 who has supposed herself or has been supposed by others to have sufficient agility and enough dependable very high tones; the role of Edgardo has been favored by most of the non-Wagnerian tenors . The opera's second-act sextet 'Chi mi frena in tal momento' achieved an almost unique universal familiarity . The 'Mad Scene' became the chosen proving ground and applause-gatherer for an apparently unending succession of prima donnas. . With Rossini operatically inactive and Bellini dead Lucia di Lammermoor went far toward establishing Donizetti as the most eagerly sought-for of living Italian composers of opera - and therefore of all Italian composers - for the rest of his active life." Weinstock: Donizetti pp. 110-111 <br /> <br /> The artist was presumably a member of the historic Italian family De Vera d'Aragona of Naples. <br /> <br /> A unique and attractive document despite defects as noted. unknown
a77112Milano c. 1857 date on music advertisment inside rear cover. Giovanni Ricordi . Piano score. Oblong 4to. 91p. original green printed wraps fully decorated with vignette illustrations of cherubim and dancing girls and interior of concert hall etc . VG cover light wear and light soiling; text near fine page edges light ripled. Scarce in original wrapper. Pictures available on request. . paperback
M2446Königstadt 1843. . Broadsheet. Uncut. As Giustinano sgr Giuseppe Bien as Belisario sgr Cleto Capitini as Antonia debut by Ersilia Ranzi. unknown
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