962 résultats
185933417Milano: Giovanni Ricordi PNs 13551-13579 1859. Oblong folio. Disbound. 1f. title printed within decorative light teal blue border 1f. named cast list contents 3-253 1 blank pp. Engraved.<br/><br/>Named cast list includes Giorgio Ronconi Gaetano Rossi Domenico Donzelli Sofia Löwe Luigia Abbadia and Teresa Ruggeri.<br/><br/>Contemporary owner's signature "Geo. Sweet" to upper outer corner of title with handstamp of Tams Witmark to blank lower margin and blindstamp of Tito Ricordi dated April 1859 to lower outer corner.<br/><br/>Wrappers lacking. Slight dampstaining to lower margin throughout; light foxing to outer leaves; occasional markings in pencil. First Italian edition later issue. Published shortly after the French edition. Inzaghi IN. 71 p. 191. Bergamo Catalogue p. 127 54. Gaspari III p. 301.<br/><br/>A melodramma in three acts to a ibretto by Gaetano Rossi and Donizetti after the play by François Ancelot Maria Padilla premiered in Milan at La Scala on 26 December 1841.<br/><br/>"One of the most unfairly neglected of Donizetti's mature operas Maria Padilla contains a wealth of brilliant and dramatically powerful music." William Ashbrook in Grove Dictionary of Opera. Giovanni Ricordi [PNs 13551-13579] unknown books
183033414Milano: Epimaco e Pascquale Artaria PNs 128-136 1830. CONCONE Paolo Giuseppe 1801-1861 arranger. Oblong octavo. Original publisher's printed boards paper title label to spine. 1f. illustrated lithographic title 82 pp. Engraved. With publisher's catalogue to verso of lower wrapper.<br/><br/>With lithograph by Le Brass depicting a scene from Act I Scene VI of the opera. <br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding somewhat worn rubbed and soiled; dampstain to upper right. Scattered light foxing. First Edition of this arrangement. Rare. OCLC one copy only in Switzerland. Inzaghi IN. 22 p. 142.<br/><br/>A melodramma in 2 acts to a libretto by Jacopo Ferretti after Simeone Antonio Sografi Olivo e Pasquale premiered in Rome at the Teatro Valle on 7 January 1827. Epimaco e Pascquale Artaria [PNs 128-136] unknown books
183033412Milan: Epimaque et Pascal Artaria PNs 58-67 1830. TROMBETTA Giuseppe arranger. Oblong octavo. Vellum-backed marbled boards with decorative rectangular paper label with manuscript titling to upper manuscript titling to spine. 96 pp. total in various paginations. Engraved. On wove paper.<br/><br/>With small embossed crown with initials "FG" beneath to upper blank margin of title.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/><br/>Binding somewhat worn rubbed and scuffed; head of spine chipped; free front endpaper lacking. Scattered light foxing. First Edition of this arrangement later issue. Rare. OCLC no copies in North American libraries. Inzaghi IN. 23 p. 143. Bergamo Catalogue p. 133 27.<br/><br/>An opera romantica in 3 acts to a libretto by Domenico Gilardoni after La fille de l'exilé 1819 by Pixérécourt Otto premiered in Naples at the Teatro Nuovo on 13 May 1827. Epimaque et Pascal Artaria [PNs 58-67] unknown books
182933413Milan: Epimaque et Pascal Artaria PNs 58-67 1829. TROMBETTA Giuseppe arranger. Oblong octavo. Original publisher's printed boards paper title label to spine. 1f. title printed in blue and black 96 pp. Engraved. With publisher's catalog to verso of lower wrapper. On laid paper.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding somewhat worn and rubbed; free front endpaper lacking. Scattered light foxing. First Edition of this arrangement first issue. Inzaghi IN. 23 p. 143. Bergamo Catalogue p. 133 27.<br/><br/>An opera romantica in 3 acts to a libretto by Domenico Gilardoni after La fille de l'exilé 1819 by Pixérécourt the present work premiered in Naples at the Teatro Nuovo on 13 May 1827. Epimaque et Pascal Artaria [PNs 58-67] unknown books
185226482Paris: Schonenberger PNs S. 1828 1188 1852. Octavo. 1f. title i thematic table of contents i publisher's catalog 162 pp. Engraved.<br/><br/>Vendor's handstamp to lower margin of title.<br/><br/>Lacking wrappers with remnants of modern green paper to spine. Moderately foxed; some leaves stained; repairs to margins of some leaves affecting several measures of music. Later edition. Lesure II pp. 395-396. OCLC no. 7618582.<br/><br/>Poliuto a tragedia lirica to a libretto by Salvadore Cammarano after Pierre Corneille's play Polyeucte was first performed at the Teatro San Carlo in Naples on November 30 1848.<br/><br/>"Never very successful in Paris Les Martyrs enjoyed some circulation in an Italian translation as I martiri but in Italy the more compact three-act Poliuto was generally preferred. Its performance history there began in 1848 when it received its première in Naples soon after Donizetti's death; the recent granting of a constitution there made the mounting of the banned work seem a political gesture as well as an artistic one. Throughout the 19th century it was put on periodically as a vehicle for such dramatic tenors as Tamberlik and Tamagno. It has had some notable revivals: at La Scala in 1940 with Gigli and Caniglia and in 1960 with Corelli and Callas; in 1977 at the S Carlo; and in Vienna in 1986 with Carreras. A Rome revival in 1988 followed a text that removed many years' editorial accretions. Les martyrs too has been revived notably in Venice in 1978." William Ashbrook in Grove Music Online. Schonenberger [PNs S. 1828, 1188] unknown books
183631274Napoli: B. Girard e Ci. PN 3068 1836. Oblong folio. Sewn. 11 pp. 1 blank. Engraved.<br/><br/>Inscriptions to title in three hands: "Sr. Palombis " in faded black ink "N Spada" in blue ink "eseguito il 3 ottobre 1858" in brown ink.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Spine reinforced with contemporary paper tape partially split. Edges slightly frayed and with small tears; several corners creased; minor foxing and staining throughout. From the first Naples edition. Inzaghi IN. 56 pp. 175-7.<br/><br/>Belisario was composed to a libretto by Salvadore Cammarano after Luigi Marchionni's adaptation of Eduard von Schenk's Belisarius 1820. It premiered at the Teatro La Fenice in Venice on February 4 1836. <br/><br/>The duet "Se vederla a me non lice" is from the finale of Act 2 in which Irene prepares to lead her blinded father Belisarius into exile. The premiere was sung by Celestino Salvatori and Antonietta Vial. "The tenderness and intensity of their duet . prefigures another Verdi speciality the father-daughter duet." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e Ci. [PN 3068] unknown books
198030259Melville N.Y.: Belwin Mills PN 9397 1980. Folio. Original publisher's green printed wrappers. 1f. recto title verso blank i reproduction incipits and named cast list 2-159 i blank pp. <br/><br/>Named cast list includes Grisi Albertazzi Rubini Morelli Tamburini and Marliano. <br/><br/>Wrappers slightly worn. Kalmus Vocal Scores 9397. Belwin Mills [PN 9397] unknown books
185331257Napoli: Successori della Ditta Girard e Co. PNs 3616-31 3872-3 4292-4 1853. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original yellow publisher's printed wrappers bound in. 1f. recto title verso blank 8 pp. Sinfonia 3-150 pp. Each number with separate caption title and pagination. Engraved.<br/><br/>Endpapers watermarked with a fleur-de-lis. With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn bumped and scuffed. Light browning to title; minimal foxing throughout primarily confined to margins. First Edition of the revised version later issue. Inzaghi IN. 61 pp. 180-2. The first edition of Roberto Devereux was revised by Girard with the changes Donizetti made for the 1838 performance in Paris PNs 4292-4. This later issue has "Successori della Ditta" added to the title indicating that it was issued shortly after Girard's imprint changed in 1853. <br/><br/>Roberto Devereux to a libretto by Salvadore Cammarano after François Ancelot's tragedy Élisabeth d'Angleterre 1829 was first performed in Naples at the Teatro S Carlo on October 28 1837.<br/><br/>"The portrait of Queen Elizabeth I in Roberto Devereux is the most imposing of Donizetti's representations of that character who also appears in Elisabetta al castello di Kenilworth and Maria Stuarda and the role must rank as one of the great acting and singing opportunities in the bel canto repertory. Musically the score has much to commend it. As in other Donizetti operas the first act moves in a rather leisurely manner with a sequence of full arie di sortita; the pace accelerates to a dramatic climax in a briefer Act 2; then Act 3 like that of Lucia is a sequence of three powerful scenes."<br/><br/>"Particularly impressive are Elizabeth's entrance aria the duet for Sarah and Essex the trio-finale to Act 2 the Prison Scene of Essex and Elizabeth's aria-finale. Everywhere the score shows the sure hand of a composer in control of his materials. The powerful prelude to the Prison Scene recalls the opening of Act 2 of Fidelio. Elizabeth's final Larghetto 'Vivi ingrato' is a fine example of a melody developing in a long emotional arc of searing poignancy and of Donizetti's sensitive response to the expressive colour of the words." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Successori della Ditta Girard e Co. [PNs 3616-31, 3872-3, 4292-4] unknown books
183336254Milano: F. Lucca PNs 900 904 905 912 e 913 914 and 915 1833. Oblong folio. Original blue wrappers with publisher's large ivory printed title label to upper. Engraved. Uncut. With text in Italian. On high quality paper.<br/><br/>Contains the following 6 complete numbers all with secondary pagination:<br/>- Scene e Duetto. In un etasi che uguale. 19 i blank pp. secondary pagination 49-67. PNs 900 L900L.<br/>- Duetto. Colei Safronia. 17 i blank pp. secondary pagination 87-103. PNs 904 P904P z904z. <br/>- Seguito del finale primo. Torquato! mira. Il Fratel t'invia 35 i blank pp. secondary pagination 104-138. PNs 905 n905n.<br/>- Scena e duetto. Poco dunque ti pare. 13 i blank pp. secondary paginatio 183-197. PNs 912 e 913 R912-913R R913R.<br/>- Sei mia . 34 pp. secondary pagination 198-231. PN 914.<br/>- Perche dell'aure in sen Gran scena ed aria. Eseguita dal Sigr. Giorgio Ronconi. 27 i blank pp. secondary pagaination 232-258. PNs 915 Z915Z.<br/><br/>Upper portion of first page of many numbers blank where title imprint etc. would be added for subsequent commercial publication.<br/><br/>Wrappers slightly worn and soiled spine reinforced with dark ivory tape. Minor internal browning; edges dusty. CPM Vol. 17 p. 259. Bergamo catalogue 80 complete plate nos. 897-915. Inzaghi 46. <br/><br/>A "melodramma semiserio" in three acts to a libretto by Jacopo Ferretti after Giovanni Rosini's Torquato Tasso and to a lesser degree Carlo Goldoni 's Tasso Johann Wolfgang von Goethe 's Tasso and Byron 's The Lament of Tasso Donizetti's Torquato Tasso was first performed in Rome at the Teatro Valle on 9 September 1833.<br/><br/>"Eleonora's expressive sortita 'Io l'udia nei suoi bei carmi' and her duet with the poet that follows 'Colei Sofronia' are notable passages. The finest music in the score however comes in the last act with Tasso's Larghetto 'Perché dell'aure in sen' leading into a touching dialogue with chorus; this culminates in a mournful cantabile to form the lyric section of the tempo di mezzo and is followed by an elegiac cabaletta in C major. As in Anna Bolena Donizetti here expanded the structure of the aria-finale to fill out an entire scene." William Ashbrook in Grove Music Online.<br/><br/>One of the earliest publications issued by Lucca. [F. Lucca] [PNs 900, 904, 905, 912 e 913, 914 and 915] unknown books
030282Miami: Warner Bros. Publications. n.d. 283p. music original stiff wrappers with metal ring binding. Warner Bros. Publications unknown books
2005030283Milano: Ricordi 2005. Opéra en cinque actes de.Eugene Scribe. Riduzione per canto e painofort.a cura Mary Ann Smart. lxix 447p. music original stiff wrappers quarto format Opera vocal score series. Ricordi unknown books
1969030363New York: Edwin F. Kalmus 1969. 212p. music stiff wrapeprs Kalmus vocal scores 6161. Edwin F. Kalmus unknown books
1980030362Milano: Ricordi 1980. Libretto di Michele Accursi. Partitura. 497p. b/w port. music original stiff wrappers quarto format Opera full score series. Ricordi unknown books
006221Milano: Presso Epimaco e Pasquale Artaria. Half Vellum. Marbled paper on boards. Very Good. N.d. circa 1830s. Oblong 19.5 by 26.5 cm. The pagination is disorganized with a return to page one several times then many numbers skipped and ending on page 112 but it seems that the book is complete as published. Partial hand-coloring of the title page including of the lettering and the copper engraved illustration beneath. Scarce -- no copies found on OCLC First Search. This Donizetti opera had its premier in 1833 and thus this published piano version based on the opera score is both early and quite possibly the first published piano reduction of the score. Condition: soiling of the vellum spine and light wear to the binding generally. Occasional light foxing and soiling to the interior but mostly clean and tight. <br/><br/> Presso Epimaco e Pasquale Artaria hardcover books
030365N.pl: N.pub. n.d. Paroles de MM. de Saint-Georges et Bayard; musique de G. Donizetti: partition piano et chant. Addenda--recitatives. 265p. original stiff printed wrappers quarto format. N.pub unknown books
1992UDONLUC00DADover 1992. Very Good. Donizetti Gaetano. Lucia di Lammermoor in Full Score. NY: Dover 1992. 511pp. 4to. Paperback. Book condition: Very good. Dover paperback books
1926030366New York: G. Schirmer 1926. The Italian libretto based on Walter Scott's novel; the English version by Natalia Macfarren. With an essay on the story of the opera by E. Irenaeus Stevenson. xii 249p. music original green cloth quarto format. G. Schirmer unknown books
1974030367London: Egret House for the Donizetti Society 1974. Libretto by Felice Romani after Victor Hugo's play. 241p. music original stiff wrappers quarto format Collected works. Series 1; operas 3. Egret House for the Donizetti Society unknown books
2001030369Milano: Casa Ricordi Editore and Fondazione Donizetti di Bergamo 2001. Tragedia lirica in three by Salvadore Cammarano. Reduction for voice and piano based on the critical edition of the orchestral score by William Ashbrooks and Roger Parker. l 276p. musi original stiff wrappers quarto format. Ricordi opera vocal socre series; Critical edition of the operas of Gaetano Donizett. Casa Ricordi Editore and Fondazione Donizetti di Bergamo unknown books
030370Melville NY: Belwin Mills Publishing Corp. n.d. 159p. music original stiff printed wrappers Kalmus vocal scores 9397. Belwin Mills Publishing Corp unknown books
2404JS156<p>Tragedia Lirica posta in Musica e Ridotta per il Piano Forte da. Marquerie Frères. Paris. S. d.</p>_x000d_<p>De 225x185 cm. Com iii 244 págs. Encadernação em tela encerada com ferros a ouro na lombada cortes das folhas mosqueadas e folhas de guarda decorativas. Profusamente ilustrado no texto com partituras.</p>_x000d_<p>Exemplar com manchas de humidade nas folhas.</p> SACO JS701-9 hardcover
1390361861.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1332319041.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2505ET1487<p>By. With Italian words and a new English adaptation by Charles Lamb Kenney. Edited by Arthur Sullivan and J. Pittman. Boosey and Co. London. S.d.</p>_x000d_<p>De 255x18 cm. Com iv 244 págs. Encadernação com lombada em pele e ferros a ouro e folhas de guarda em papel decorativo. Profusamente ilustrado com pautas musicais. </p>_x000d_<p>Exemplar com etiqueta da Raul de Almeida Encadernador no verso da folha de guarda picos de acidez nas folhas preliminares e carimbo oleográfico de posse na folha de rosto. </p> SACO ET139-05 unknown
133275483X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
