Gaetano DonizettiBiblio.com
962 résultats
0366450247.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396544011.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
cm. 17 x 24,5, 48 pp. con 4 tavv. f.t. Quaderni dell'Accademia Chigiana 116 gr. 48 p.
0364788917.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391960580.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
183833430Paris: Marquerie Frères 1838. Octavo. Half brown morocco with matching cloth boards raised bands on spine decorative devices and titling gilt. 1f. title 1f. contents 240 pp. Engraved. Text in Italian. With an elaborate engraved title page by Hibon and A. Lafon. <br/><br/>Former owner's name "S.L. Norris" gilt to upper board.<br/><br/>Binding slightly rubbed. Sligthly browned and foxed; trimmed within platemark. An early edition. Inzaghi IN. 41 p. 156.<br/><br/>L'elisir d'amore a melodramma giocoso in 2 acts to a libretto by Felice Romani after Scribe's Le philtre 1831 premiered in Milan at the Teatro alla Cannobiana on 12 May 1832. Donizetti arrived in Paris on 21 October 1838 and the work was first performed at the Théâtre-Italien there on 17 December 1839 to great acclaim<br/><br/>"Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale or from the sharply differentiated tones of Nemorino and Belcore in the 'Venti scudi' duet to the comic irony in the duet for Adina and Dulcamara 'Quanto amore!' which sets off the potion as charm against the charm of Adina herself. The apparently effortless outpouring of melody arouses wonder especially as it is never melodiousness for its own sake but always describes some aspect of character; moreover there are those moments of genuine pathos 'Adina credimi' and 'Una furtiva lagrima' for instance that keep this comedy from seeming merely heartless or cruel. Ultimately the continuing appeal of L'elisir lies in the appropriateness of Donizetti's music to this bucolic variant of the 'male Cinderella' myth. Nemorino's good-heartedness and his singleness of purpose win out in spite of potions and unforeseen inheritances." William Ashbrook in Grove Music Online. Marquerie Frères unknown books
185231245Napoli: Stabilimento Musicale Partenopeo Successore di B. Girard e Co. PNs 10407-10420 10422-10427 2163-2165 2197 2320 2324 5757 1852. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original light pink publisher's printed wrappers bound in. 1f. recto title verso blank 1f. recto cast list and table of contents verso blank 5-226 pp. Each number with separate caption title and pagination. Engraved.<br/><br/>Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn bumped and scuffed. Minimal foxing throughout primarily confined to margins. Later edition later issue. Inzaghi IN. 41 pp. 155-7.<br/><br/>Girard's first edition of L'elisir d'amore appeared circa 1833. This new issue from 1852 contains many new plates alongside the older ones.<br/><br/>L'elisir d'amore to a libretto by Felice Romani after Eugène Scribe's text for Auber's Le philtre 1831 was first performed at the Teatro Cannobiana in Milan on May 12 1832.<br/><br/>"Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale or from the sharply differentiated tones of Nemorino and Belcore in the 'Venti scudi' duet to the comic irony in the duet for Adina and Dulcamara 'Quanto amore!' which sets off the potion as charm against the charm of Adina herself. The apparently effortless outpouring of melody arouses wonder especially as it is never melodiousness for its own sake but always describes some aspect of character; moreover there are those moments of genuine pathos 'Adina credimi' and 'Una furtiva lagrima' for instance that keep this comedy from seeming merely heartless or cruel. Ultimately the continuing appeal of L'elisir lies in the appropriateness of Donizetti's music to this bucolic variant of the 'male Cinderella' myth. Nemorino's good-heartedness and his singleness of purpose win out in spite of potions and unforeseen inheritances." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Stabilimento Musicale Partenopeo, Successore di B. Girard e Co. [PNs 10407-10420, 10422-10427, 2163-2165, 2197, 2320, 2324, 5757 unknown books
21281Paris: chez Pacini,reliure epoque demi basane dos lisse titré usé,avec manque de 8cm en pied,Plate no.: 3591. Vocal score.ca. 1832?; 209 p.gravées.Partition entièrement gravée.TRES RARE
RO50059719ENOCH PERE & FILS. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 44 pages de partitions. Page de titre illustrée en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50055958BERNARD LATTE. XIX° SIECLE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 3 pages de partitions. Tampon sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50054068BERNARD LATTE. XIX° SIECLE. In-Folio. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. 10 pages de partitions. Tampons sur la première page.. . . . Classification Dewey : 780.26-Partitions
RO50004017Chez PACINI. sans date. In-4. En feuillets. Etat du neuf, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 10 pages.. . . . Classification Dewey : 780.26-Partitions
1839160860Paris: chez Marquerie freres 1839. Edition de Luxe. hardcover. Half red calf with marbled boards gilt spine lettering. Good heavily rubbed Opera buffa first performed in 1832 chez Marquerie freres hardcover
08461Madame Ve Launer. Hardcover. Good. Custom bound in paper boards with a leather spine and corners the binding is heavily worn with the backstrip almost entirely gone the front label reads "Doughty." The title page is coming loose the score is engraved tanned with some foxing as well no publication date. Not named cast. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Madame Ve Launer hardcover
2006RO30088716OPERA NATIONAL DE BORDEAUX. Octobre 2006. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 49 pages. Nombreuses photos en noir et blanc dans le texte et hors texte.. . . . Classification Dewey : 792-Théâtre
In-8, cartonato editoriale, sovracoperta, pp. 139, con numerose illustrazioni in bianco e nero e a colori nel testo. In ottimo stato (nice copy).
RO50049633G. RICORDI & C.. NON DATE. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 240 pages de partitions. Portrait de Gaetano Donizetti en noir et blanc sur le premier plat. Annotations au dos de l'ouvrage. Premier plat et page de titre désolidarisés. Petites déchirures aux extrémités des pages, sans conséquences sur la lecture. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
2007R260136030THEATRE DU CAPITOLE, TOULOUSE. 2007. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Programme de 84 pages. Premier plat illustré en couleurs. Quelques photos et illustrations en couleurs et noir et blanc, dans et hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
SA20A-00966G. Ricordi & C. Used - Good. Good condition. New edition. Italian. operas vocal scores books in Italian G. Ricordi & C. unknown
1019746246.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
MUSI1225Milano Paramica / LaMa House 2009. Quer 4°. 20 Bll. mit farb. Illustr. Orig.-Kart. Text in deutscher italienischer englischer und spanischer Sprache. Edizione italiana inglese spagnola e tedesca ISBN: 978-88-89582-59-6 Printed with vegetable inks. [Milano], Paramica / LaMa House 2009. unknown
1961GB008BLZK1OI3N00G. Schirmer Inc. 1961. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. G. Schirmer, Inc. hardcover
196129003New York: G. Schirmer 1961. Hardcover. Very Good. 11.0x7.8x1.1in. spine faded bookplate on front pastedown. <br>Ed. 2421. Vocal score in Italian and English. <br>384pp 2.22lb 11.0x7.8x1.1in G. Schirmer hardcover
C3060Cetra Classics. Very Good. 2 CDs case booklet and liner all in very nice condition. Cetra Classics unknown
412131Hardcover. Fair. In Italian. Libretto and score. Probably 19th century. Red marbled cover has chips and bumps but is sound. Marbled front endpaper. A lot of fading and marks to edges of pages and text block. Gilt lettering to leather spine. hardcover
