MASSENET J.Livre Rare Book
1 103 résultats
RO50011458Au ménestrel. XXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. 7 pages. Gravure noire et blanche en couverture.. . . . Classification Dewey : 780.26-Partitions
1895RO50021662Au ménestrel. 1895. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 9 pages. Gravure couleur de H. Viollet en couverture. Plats détachés. Déchirures.. . . . Classification Dewey : 780.26-Partitions
RO50064416Au ménestrel. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 9 pages de partitions en noir et blanc. Couverture partiellement désolidarisée. Tampon et ex-libris à l'encre sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
188129466Paris: G. Hartmann G. H. 1190 1881. Large octavo. Quarter dark red calf with red textured cloth boards spine in gilt-ruled compartments with titling gilt; marbled endpapers. 1f. recto decorative title verso blank 1f. recto half title verso blank i notes on first performance and named cast list ii-iii contents i note 341 i blank pp.<br/><br/>Named cast includes Vergnet Manoury Gresse Fontaine Boutens Mansuède M. Duvivier Bl. Deschamps and Lonati. Occasional performance markings in pencil.<br/><br/>Binding worn scuffed and slightly shaken; corners bumped; head and tail frayed. Slightly worn and soiled; some signatures split or partially split; occasional light foxing; annotations in pencil to free front endpaper; small circular publisher's handstamp to lower margin of title; first leaf of music torn at inner margin and partially detached. Lacking half-title. First Edition.<br/><br/>Hérodiade with a libretto by P. Milliet and H. Grémont after Flaubert's Hérodias was first performed in Bruselles at the Théâtre de la Monnaie in December of 1881 under the direction of Stoumon and Calabrési. <br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann [G. H. 1190] unknown books
188429469Paris: Au Ménestrel Heugel & Cie. PNs H. et Cie. 7742 G. H. 1190 1884. Large octavo. Quarter dark red calf with dark red textured cloth boards spine in gilt-ruled compartments with titling gilt. 1f. recto decorative half title verso blank 1f. recto decorative title verso blank i recto notes on first performance and named cast lists ii contents i blank 355 i blank pp.<br/><br/>Named cast for first performance in Brussels includes Vergnet Manoury Gresse Fontaine Boutens Mansuède M. Duvivier Bl. Deschamps and Lonati and for first performance in Paris Jean de Reszké V. Maurel Édouard de Reszké Villani Paroli Mignoni Fidès-Devriès Tremelli and Hallary. <br/><br/>Binding slightly worn rubbed bumped and scuffed. Slightly worn; some marginal tape repairs; small handstamps to half-title title and cast leaf. Fourth edition.<br/><br/>Conceived on a grand scale Hérodiade was first performed in Brussels at the Théâtre de la Monnaie on December 19 1881 under the direction of Stoumon and Calabrési and in Paris at the Théâtre Italien on February 1 1884 under the direction of Maurel and Corti. <br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [PNs H. et Cie. 7742, G. H. 1190] unknown books
188423045Paris: Au Ménestrel. Heugel & Cie PNs H. et Cie. 7742.; G.H. 1190. 1884. Large octavo. Quarter dark brown leather with marbled boards raised bands on spine in decorative compartments gilt marbled endpapers red edges. 1f. half title 1f. title i named cast list ii-iii description of scenes iv blank 367 pp.<br/><br/>Cast list includes Edmond Vergnet and Léon Gresse for the Brussels performance and Jean de Reszké Édouard de Reszké Victor Maurel Fidès Devriès and Wilhelmina Tremelli for the Paris performance.<br/><br/>Binding slightly worn and rubbed; some foxing heaviest to the first and last leaves; publishers' round and oblong handstamps to title and named cast list; one signature partially detached; minor staining. This edition represents the revised version of the opera issued to coincide with the Paris performance at the Théâtre Italien on February 1 1884.<br/><br/>Based on the story by Gustave Flaubert Hérodiade was first performed in Brussels in the Théâtre de la Monnaie on December 19 1881.<br/><br/>It is generally regarded as the best of the composer's three attempts at traditional grand opera. The work's strength lies in "familiar Massenet territory: erotic obsession particularly in the musical characterization of Herod. Until the turn of the century the opera was staged frequently on both sides of the Atlantic. In part because its five leading roles are rewarding to star singers it has never fallen out of the repertory." Rodney Milnes in Grove Music Online. Au Ménestrel... Heugel & Cie [PNs H. et Cie. 7742.; G.H. 1190.] unknown books
RO50032072Propriété du compositeur. sans date. In-Folio. En feuillets. Etat passable, 1er plat abîmé, Dos satisfaisant, Intérieur frais. 6 pages. Ornement en couverture.. . . . Classification Dewey : 780.26-Partitions
1909LRB791Paris: Heugel & Cie Au Ménestrel 1909 Titre : Hérodiade - Partition pour chant et pianoAuteur : Massenet JulesLibrettistes : Paul Milliet Henri Grémont Armand ZanardiniÉditeur : Heugel & Cie Au MénestrelLieu : ParisDate : 1909Référence éditeur : H. & Cie 7342Langue : Français avec traduction anglaise en sous-texteFormat : grand in-4 partition vocaleReliure : demi-basane marbrée dépoque dos lisse orné de filets et titre doré plats de papier marbréDescription : Partition vocale complète de lopéra en 4 actes et 7 tableaux. Joli titre imprimé en vert et orange. Page de distribution mentionnant les créations de Bruxelles 1881 Paris 1884 et reprise à lOpéra de Paris 1921. Cachet de léditeur Au Ménestrel. Copyright Heugel 1909 impressions relevées 1910 sur certaines pages. Papier uniformément bruni avec quelques rousseurs et petites taches marginales reliure solide avec légers frottements dusage. Hardcover. Good. Heugel & Cie (Au Ménestrel) hardcover
188129466Paris: G. Hartmann G. H. 1190 1881. Large octavo. Quarter dark red calf with red textured cloth boards spine in gilt-ruled compartments with titling gilt; marbled endpapers. 1f. recto decorative title verso blank 1f. recto half title verso blank i notes on first performance and named cast list ii-iii contents i note 341 i blank pp.<br /> <br /> Named cast includes Vergnet Manoury Gresse Fontaine Boutens Mansuède M. Duvivier Bl. Deschamps and Lonati. Occasional performance markings in pencil.<br /> <br /> Binding worn scuffed and slightly shaken; corners bumped; head and tail frayed. Slightly worn and soiled; some signatures split or partially split; occasional light foxing; annotations in pencil to free front endpaper; small circular publisher's handstamp to lower margin of title; first leaf of music torn at inner margin and partially detached. Lacking half-title. First Edition.<br /> <br /> Hérodiade with a libretto by P. Milliet and H. Grémont after Flaubert's Hérodias was first performed in Brussels at the Théâtre de la Monnaie in December of 1881 under the direction of Stoumon and Calabrési. <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann [G. H. 1190] unknown
1881017027G. Hartmann, Editeur reliure Rigide Décorative Paris 1881 341 pages en format 19 - 27 cm - reliure rigide en cuir au dos avec titre en dorure
1909LRB791Heugel & Cie (Au Ménestrel) Paris 1909 Langue : Français, avec traduction anglaise en sous-texte — Format : grand in-4, partition vocale — Reliure : demi-basane marbrée d'époque, dos lisse orné de filets et titre doré, plats de papier marbré
RO50063757Au ménestrel. Non daté. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Rousseurs. 355 pages. Couverture désolidarisée. Couverture partiellement déchirée. Nombreuses rousseurs sur les pages de garde, couverture et page de titre mais peu en intérieur.. . . . Classification Dewey : 780.26-Partitions
1929RO30337947Stock. 1929. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos frotté, Papier jauni. 55 pages. Coins frottés. Dos fané.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1922RO80060324STOCK. 1922. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 55 pages.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
4312Paris, G. Hartmann, Éditeur, sans date (vers 1890). In-quarto (27,3 cm) (4) feuillets, 341, (1) pages. Couverture illustrée conservée. Reliure demi-chagrin lie de vin, dos à nerfs orné de fleurons et filets dorés, plats et gardes marbrés. Reliure frottée aux plats, coins et coupes. Bel état général. [ G. H. 1190 ].
35992Au Ménestrel/Heugel Cuir Paris
33728P., Calmann-Lévy, 1914, in 8° brtoché, 55 pages ; couverture fanée.
101857784X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428953700.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390528006.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391994787.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
201354350Fone, 2013. SACD 132 CD SACD
QWA-17420Montréal, Les Editions de l'Homme, 2020, in-8 br., 200 p., préface de Jean-François Lépine, Madeleine Poulin et Raymond Saint-Pierre, 8 planches photos h.-t., très bon état.
2006RO80212838Massenet. 02-2006. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 195 pages.. . . . Classification Dewey : 56-Catalogue
53705Editions du Cerf "Parole présente" 1991, in-12 broché, 143 p. (très bon exemplaire ; non réédité) Au-delà de l'usurpation de l'aînesse de son frère, cette grande figure biblique qu'est Jacob est toujours remarquable pour nous en ce qu'il a fondé la libre rencontre entre l'homme et Dieu.
