1 103 résultats
RO50003770Au ménestrel. sans date. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 3 pages. Illustré d'une gravure noire et blanche en couverture.. . . . Classification Dewey : 780.26-Partitions
188029554Paris: G. Hartmann PN G.H. 1093 1880. Large octavo. Original publisher's blue cloth-backed blue decorative printed wrappers with printed titling to spine. 1f. recto polychrome title verso blank 1f. half-title within decorative device verso named cast list 1f. recto contents verso blank 214 pp. <br /> <br /> With an autograph inscription signed by the composer "J. Massenet" to Madame de Grandval the composer Marie-Félicie Clémence de Reiset 1828-1907 and dated 1880 to upper outer corner of half-title.<br /> <br /> With small oval publisher's handstamp to blank lower outer corner of title. <br /> <br /> Wrappers worn; splitting at spine; chipped at edges. Somewhat worn; moderately foxed; signatures separated; some edges chipped and with small tears; lacking final page of music supplied in photocopy; some bleeding to inscription. First Edition. <br /> <br /> First performed in Paris at the Opéra on 22 May 1880. <br /> <br /> "La Vierge completed in 1878 is a 'légende sacrée' with a text by Grandmougin and a considerable cast. Its four scenes are 'The Annunciation' 'The Wedding at Cana' 'Good Friday' and 'The Assumption'; there is a Galilean Dance during the wedding scene. The single movement that makes up the Good Friday scene is one of Massenet's best creations broad in conception and strongly dramatic in character but the work has never found favour with the exception of the prelude to the last scene 'Le dernier sommeil de la Vierge' featuring a solo cello and muted strings." Hugh Macdonald in Grove Music Online. <br /> <br /> We would like to thank Mr. Bernard Peyrotte of Librairie Arioso in Paris for kindly informing us of the identity of the person to whom Massenet inscribed the present score. G. Hartmann [PN G.H. 1093] unknown
RO50044617AU MENESTREL / HEUGEL ET CIE. NON DATE. In-Folio. Broché. Etat d'usage, Tâchée, Dos fané, Quelques rousseurs. 3 pages de partitions. Premier plat illustré en couleur par Barbizet. Annotations au crayon à papier sur quelques phrases. Tampon sur le premier plat. Quelques déchirures sur les bords des pages.. . . . Classification Dewey : 780.26-Partitions
188029554Paris: G. Hartmann PN G.H. 1093 1880. Large octavo. Original publisher's blue cloth-backed blue decorative printed wrappers with printed titling to spine. 1f. recto polychrome title verso blank 1f. half-title within decorative device verso named cast list 1f. recto contents verso blank 214 pp. <br/><br/>With an autograph inscription signed by the composer "J. Massenet" to Madame de Grandval the composer Marie-Félicie Clémence de Reiset 1828-1907 and dated 1880 to upper outer corner of half-title.<br/><br/>With small oval publisher's handstamp to blank lower outer corner of title. <br/><br/>Wrappers worn; splitting at spine; chipped at edges. Somewhat worn; moderately foxed; signatures separated; some edges chipped and with small tears; lacking final page of music supplied in photocopy; some bleeding to inscription. First Edition. <br/><br/>First performed in Paris at the Opéra on May 22 1880. <br/><br/>"La Vierge completed in 1878 is a 'légende sacrée' with a text by Grandmougin and a considerable cast. Its four scenes are 'The Annunciation' 'The Wedding at Cana' 'Good Friday' and 'The Assumption'; there is a Galilean Dance during the wedding scene. The single movement that makes up the Good Friday scene is one of Massenet's best creations broad in conception and strongly dramatic in character but the work has never found favour with the exception of the prelude to the last scene 'Le dernier sommeil de la Vierge' featuring a solo cello and muted strings." Hugh Macdonald in Grove Music Online. <br/><br/>We would like to thank Mr. Bernard Peyrotte of Librairie Arioso in Paris for kindly informing us of the identity of the person to whom Massenet inscribed this score. G. Hartmann [PN G.H. 1093] unknown books
16866G. Hartmann 215 pages Grand In-8. Sans date. Demi-Cuir titré au dos en lettres dorées 1er plat de la couv. conservé. 215 pages. Partitions musicales
RO50041642HEUGEL & Cie.. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages de partitions. Tampon de Heugel.. . . . Classification Dewey : 780.26-Partitions
0364679271.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364899042.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364126663.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666670676.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019227370.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197051570EMI Classics 1970 14x13x1cm. 1970. CD.
34787Couverture rigide. Bon/1916. in-8. Paris 1916 in-8 358pp reliure demi-chagrin Très bel exemplaire illustré par les meilleurs artistes! Musique originale par Massenet. unknown
191634787Paris, 1916, in-8, 358pp, reliure demi-chagrin, Très bel exemplaire illustré par les meilleurs artistes! Musique originale par Massenet. 358pp
RO50054164AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Bon état, Tâchée, Dos satisfaisant, Intérieur acceptable. 9 pages de partitions. Premier plat illustré en couleur monochrome par A. Barbizet. Tampon sur le premier plat ainsi que sur la première page. Poème de Ennery, Gallet et Blau.. . . . Classification Dewey : 780.26-Partitions
RO50052220AU MENESTREL / HEUGEL & CIE. NON DATE. In-4. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 5 pages de partitions. Premier plat illustré en noir et blanc par Barbizet. Tampons sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50054165AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 5 pages de partitions. Premier plat illustré en couleur monochrome par A. Barbizet. Tampon sur le premier plat. Poème de Ennery, Gallet et Blau.. . . . Classification Dewey : 780.26-Partitions
RO50052635G. HARTMANN. NON DATE. In-8. Relié demi-cuir. Etat passable, Plats abîmés, Dos abîmé, Quelques rousseurs. 355 pages de partitions. Page de titre illustrée en couleur par Clairig. Opéra de Ad. d'Ennery, L. Gallet et Ed. Blau. Tampon sur la page de titre. A Mes chers directeurs et ami E. Ritt et P. Gailhard. Compositeur et titre doré au dos de l'ouvage. Manques en coiffes et coins rognés sur la couverture. Quelques pages désolidarisées.. . . . Classification Dewey : 780.26-Partitions
0243979304.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
RO50033484G.HARTMANN. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages avec table thématique des morceaux et premier plat illustré d'une gravure noir et blanc de Barbizet .. . . . Classification Dewey : 780.26-Partitions
188528834Paris: G. Hartmann PN G.H. 1571 1885. Large octavo. Auarter dark red cloth with textured red cloth boards spine in compartments gilt titling gilt; marbled endpapers. 1f. recto half-title within decorative border verso blank 1f. recto illustrated title in printed in dark ivory blue and gold verso blank 1f. recto dedication verso blank i notes on first performance and named cast list ii-iii contents iv blank 355 i blank pp.<br/><br/>Named cast includes Fidès-Devriès Bosman Jean de Reszké Édouard de Reszké Melchissédec Plançon Lambert Balleroy Girard and Sentein with ballets by Mérante.<br/><br/>Binding slightly worn; boards partially detached; spine defective and mostly lacking; front free endpaper chipped and detached. Some signatures split or partially split; small publisher's handstamp to lower margin of title. First Edition later issue.<br/><br/>Le Cid to a libretto by D'Ennery E. Blau and Gallet after P. Corneille was first performed in Paris at the Opéra on November 30 1885.<br/> <br/>"It reverted to the grand style for the benefit of the Paris Opéra. Corneille's drama had served many earlier composers including Bizet whose Don Rodrigue remains a very substantial fragment and Debussy with a similarly unfinished Rodrigue et Chimène. The libretto provided ample opportunities for Spanish and Moorish colour which Massenet exploited with his customary flair particularly in the still popular ballet movements. There is a clear kinship with the Meyerbeer/Verdi principle of casting the heroic passions of individuals against a backdrop of larger conflicts and the vision of Don Rodrigue in which St Jacques of Compostella promises him victory in the war with the Moors contributes a devotional flavour to the mix. G. Hartmann [PN G.H. 1571] unknown books
34597318like new. unknown
1726381242.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
44262G. Hartmann, éditeur ( G.H. 1571 ) sd, album relié demi-toile, couverture conservée, 356pp; partition pour chant & piano - très bon état
1384Affiche originale de la création au Théâtre national de l’Opéra, le 30 novembre 1885. Imprimée sur papier blanc cassé par Lemercier, 1886 (54/73 cm).