557 résultats
2018BN110312Brepols 2018. 2018. Camille Saint-Saëns Le Carnaval des animaux : Facsimile Edition of the Autograph Manuscript <br/><br/>Camille Saint-Saëns Le Carnaval des animaux : Facsimile Edition of the Autograph Manuscript Brepols unknown
191318230Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 7 mars 1913.Lettre d'une page recto verso. Petites déchirures. Bon état. Format in-12° (19x15).
20147explaining that he appreciates very much his request but is "bowled over with work. Please excuse me" 3 sides 8vo. St. Germain-en-Laye 26th May n.y. circa unknown
33004taken from an autograph album "England is a delightful country. respectfully." 1 side 4to. with another entry underneath no place 2nd June A fine example for framing unknown
19919971600Edwin Mellen Press Ltd 1991. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item550grams ISBN:0773495274 Edwin Mellen Press Ltd hardcover
192018229Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 12 aout 1920.Lettre d'une page recto verso. Petites déchirures. Lettre coupée en 2. Etat satisfaisant. Format in-4°(27x21).
187926260Paris: Durand Schoenewerk PN D.S. & Cie. 2551 1879. Large octavo. Half mid-blue cloth with marbled boards speckled edges marbled endpapers. 1f. dedication 1f. decorative title printed in red and blue 1f. engraved frontispiece portrait of Etienne Marcel by G. Fraipont after A. de Neuville 1f. named cast list 1f. table of contents 365 i blank pp.<br /> <br /> Named cast includes Delrat Stéphanne Plançon De Grave Echetto Baron Nerval Reine Mézeray Amélie Luigini Legénisel Bonnefond Morfer and Frédéric.<br /> <br /> Publisher's and vendor's handstamps to lower blank margin of title.<br /> <br /> Binding very slightly worn and rubbed; minor soiling and wear to outer edge. Occasional very light soiling not affecting music. A very attractive copy overall. First Edition. Ratner II p. 99.<br /> <br /> First performed at the Grand Theatre in Lyons on 8 February 1879. <br /> <br /> Saint-Saens and Gallet took as subject matter for their historical drama the life of Etienne Marcel hero of the 1358 popular rebellion during the regency of the Dauphin Charles. The subject held contemporary resonance in the rebuilding of Paris following the destruction of the Commune. Durand Schoenewerk [PN D.S. & Cie. 2551] unknown
187726236Paris: Choudens Père et Fils PN A.C. 3558. 1877. Large octavo. Quarter contemporary green calf with textured green paper boards rules and titling gilt to spine. 1f. title within decorative borders engraved by J. Bourgeois 1f. dedication to Albert Libon by the composer 1 named cast list for the first performance and table of contents 2-304 pp. Text in French.<br /> <br /> With vendor's handstamp to lower margin of title and printer's note to the lower margin of table of contents "Paris Imp. Fouquet. Baudon Gr.".<br /> <br /> Binding slightly worn rubbed and bumped. Slightly browned; occasional light stainiing; many leaves with light to moderate foxing or mold especially to margins. First Edition of the first version. Ratner II p. 73.<br /> <br /> Le Timbre d'argent to a libretto by Jules Barbier and Michel Carré was first performed at the Théâtre Lyrique in Paris on February 23 1877.<br /> <br /> "Composed in 1864-5 for the Théâtre Lyrique Paris the opera was kept from the stage first by the theatre's bankruptcy then by the Franco-Prussian War and was not played until 1877. In the meantime Saint-Saëns had recomposed the dialogue to form a grand opera version which was not played until 1913. The music is enormously fluent and versatile . There are some bold scenic ideas including a theatre seen from the back of the stage and some fanciful transformations. It seems no coincidence that the opera's 18 performances in 1877 exactly coincided with Offenbach's first concentrated labours on Les contes d'Hoffmann." Hugh Macdonald in Grove Music Online. Choudens Père et Fils [PN A.C. 3558.] unknown
189026255Paris: Durand et Schoenewerk PN D.S. 4025 1890. Large octavo. Quarter contemporary black morocco with textured red paper boards rules and titling gilt to spine marbled endpapers. 1f. half-title 1f. illustration of a scene from the opera 1f. title i facsimile of 2 medallions under which the text "Benvenuto fecit" is printed i note regarding the mise en scène i named cast list for the first performance ii table of contents i blank 391 i blank pp. Text in French. <br /> <br /> With publisher's handstamp to lower outer corner of half-title. Supplement "Annexe" to pp. 388-391.<br /> <br /> Binding slightly worn rubbed and bumped; partially split at joints. Slightly browned; scattered foxing heavier to some leaves; several corners slightly creased. With occasional performance markings including accidentals slurs and breath marks in pencil. First Edition of the first version. Ratner II p. 205.<br /> <br /> Ascanio to a libretto by Louis Gallet after Paul Meurice's play Benvenuto Cellini was first performed at the Paris Opéra on 21 March 1890. <br /> <br /> "Composed in 1887-8 Ascanio makes a grand opera of a play of intrigue set in Paris in 1539. Meurice whom Saint-Saëns knew well had collaborated with Alexandre Dumas père on his novel Benvenuto Cellini published in 1843 and had fashioned a successful play from the story in 1852. To avoid confusion with Berlioz's opera the title was changed even though Cellini is still the principal character in the drama and a scene in the play where Cellini runs out of metal when casting a statue was not included. The choice of an episode from Cellini's life that took place in France at the court of François I satisfied Saint-Saëns' longstanding desire to base his operas on French history and by casting the third act as a fête at Fontainebleau a departure from Meurice's play he found an opportunity for an extensive divertissement of 12 dances very much in the spirit and to some extent in the style of French Baroque opera." Hugh Macdonald in Grove Music Online. Durand et Schoenewerk [PN D.S. 4025] unknown
189026602Paris: Durand et Schoenewerk PN D.S. 4025 1890. Large octavo. Quarter contemporary red morocco with marbled boards raised bands on spine in decorative compartments gilt marbled endpapers. 1f. half-title 1f. illustration of a scene from the opera 1f. title i facsimile of 2 medallions under which the text "Benvenuto fecit" is printed i note regarding the mise en scène i named cast list for the first performance ii table of contents i blank 391 i blank pp. <br /> <br /> With publisher's partial handstamp to lower outer corner of half-title. Supplement "Annexe" to pp. 388-391.<br /> <br /> Binding slighty worn rubbed and bumped. Minor foxing. Contemporary musical notation somewhat smudged.<br /> <br /> An attractive copy overall. First Edition of the first version. Ratner II p. 205.<br /> <br /> Ascanio to a libretto by Louis Gallet after Paul Meurice's play Benvenuto Cellini was first performed in Paris at the Opéra on March 21 1890. <br /> <br /> "Composed in 1887-8 Ascanio makes a grand opera of a play of intrigue set in Paris in 1539. Meurice whom Saint-Saëns knew well had collaborated with Alexandre Dumas père on his novel Benvenuto Cellini published in 1843 and had fashioned a successful play from the story in 1852. To avoid confusion with Berlioz's opera the title was changed even though Cellini is still the principal character in the drama and a scene in the play where Cellini runs out of metal when casting a statue was not included. The choice of an episode from Cellini's life that took place in France at the court of François I satisfied Saint-Saëns' longstanding desire to base his operas on French history and by casting the third act as a fête at Fontainebleau a departure from Meurice's play he found an opportunity for an extensive divertissement of 12 dances very much in the spirit and to some extent in the style of French Baroque opera." Hugh Macdonald in Grove Music Online. Durand et Schoenewerk [PN D.S. 4025] unknown
19932209180421063Meridian 1993-09-18. Audio CD. Like New. CD plays perfectly & the case looks good. Meridian unknown
654366588Ashgate Publishing Company pp. 174 . Hardback. New. Ashgate Publishing Company hardcover
1996BN149467Rodopi B.V. 1996. 1996. Softcover. De l'être en lettres: L'autobiographie épistolaire de George Sand <br/><br/>De l'être en lettres: L'autobiographie épistolaire de George Sand Anne E. McCall Saint-Saëns Rodopi B.V. paperback
2001BN245449Durand 2001. 2001. Softcover. Trio Op 92 N 2 Vl-Vlc-Piano En Mi Mineur MUSIQUE D'ENSEM <br/><br/>Trio Op 92 N 2 Vl-Vlc-Piano En Mi Mineur MUSIQUE D'ENSEM Camille Saint-Saëns Durand paperback
BN87991Münster: Coppenrath Verlag. Der Karneval der Tiere - Mit Langspielplatte <br/><br/> Münster: Coppenrath Verlag unknown
43506Dorbon-Ainé - édition originale In-8 25 cm 130pp. un des 500 exemplaires numéroté sur papier Edogawa du Japon quelques marques d'usage sur la couverture ecr unknown
4318Paris, Durand et Schoenewerk, Éditeurs, (1890). In-4 (27 cm) (7) feuillets, 391, (1) pages, illustré d’un frontispice par G. Clairin, gravé par Michelet. Reliure demi-chagrin marron, dos à nerfs orné de fleurons et filets dorés, plats et gardes marbrés, tranches jaspées. Coins et coupes légèrement frottés. Très bel état. Édition originale. [ D. S. 4025 ].
19969051839782Brill 1996. New. <p><strong>Author:</strong> Anne E. McCall Saint-Saëns</p><p><strong>Publisher:</strong> Brill</p><p><strong>ISBN:</strong> 9789051839784</p><p><strong>Release Date:</strong> 1996</p><p><strong>Languages:</strong> French</p><p><strong>Binding:</strong> Paperback</p><p><strong>Number Of Pages:</strong> 276</p><p><strong>Details:</strong> No detailed description available for ""De l'être en lettres"".</p> Brill paperback
1996__9051839782Rodopi 1996. Paperback. New. 273 pages. French language. 8.30x5.80x0.90 inches. Rodopi paperback
1996x-031329481XPraeger Pub Text 1996. Hardcover. New. 229 pages. 9.75x6.50x1.00 inches. Praeger Pub Text hardcover
19851Paris, Calmann-Lévy, Bibliothèque contemporaine, [Impr. de Lagny], s.d. [1909]. In-12 ; IV-(fx-titre, titre, dédicace, avant-propos)-324 pp. Pleine percaline à la Bradel, pièce de titre, couvertures jaunes imprimées, conservées, signet.
Paris, Calmann-Lévy, 1885. In-12 ; 3ff (fx-titre, titre, dédicace)-XXXI pp (introduction)-318 pp. Demi-chagrin rouge, dos à 5 nerfs, pièce de titre (couvert non conservées). Edition originale. Bel exemplaire.
RO30092221CALMANN-LEVY. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 246 pages.. . . . Classification Dewey : 840.091-XX ème siècle
16-6174Paris: Association of French Homes 1919. 4o. 32.5 x 24cm. Printed cover with another cover printed in colors and a list of cultural events.On May 10 1919 the Association of French Homes organized a "Franco-American Matinee" at the Palais du Trocadéro in Paris to celebrate Mother's Day. This event took place shortly after the First World War and highlighted the burgeoning relationship between France and the United States.At the end of World War I: In 1919 France was still recovering from the devastation of war. Americans who had served in the expeditionary force were familiar with the country and efforts were being made to strengthen cultural ties between the two nations.Provenance: Fond de l'Imprimerie STERN 47 passage des Panoramas à Paris.Le Graveur Stern ou Stern Graveur est une société française d’imprimerie et de gravure fondée à Paris en 1834 dans le passage des Panoramas bien connu pour ses gravures de haute qualité dont : les menus de repas de la haute société les titres de bourse les boutons de manchettes les médailles les billets de Banque les cartes de visites et autres passeports diplomatiques. Graveur imprimeur à Paris Stern Graveur atelier spécialisé dans la gravure de papier à lettre invitations faire-part monogrammes chevalières armoriées cartes de voeux.La Maison Stern et Aumoitte a été fondée en 1836 par Monsieur Aumoitte qui s'associe à un jeune graveur Moïse Stern. Cette association dure jusqu'à la fin des années 1850 puis Moïse Stern reprend la Maison. L'ex-libris de la Maison Stern devient un grand « S » dans lequel se loge un lion dressé la patte antérieure reposant sur le monogramme « MS » entrelacé. Une main brandissant un outil de graveur et deux pièces d'armure un gant et le casque complètent la composition. En 1867 et en 1889 la Maison Stern se voit décerner la Médaille d'Or lors de ces deux expositions universelles. Par la suite Moïse Stern sera occasionnellement membre du jury qui décerne cette médaille. Dans les années 1890 M.Stern associe son fils René à l'entreprise qui prend le nom de Stern et fils. René Stern reprend la boutique à son compte en 1904. Parmi ses prestigieux clients la Maison Stern a eu l'honneur de compter l'Elysée pour ses menus et ses invitations les ambassades la noblesse et les grandes entreprises françaises et étrangères. Chacun participe depuis longtemps au renom de la Maison. Depuis les générations se sont succédé avec aujourd'hui une volonté très forte de conserver et valoriser un savoir-faire et des techniques qui tendent à disparaître.Engraver and printer in Paris Stern Graveur was a workshop specializing in the engraving of letterheads invitations announcements monograms heraldic signet rings and greeting cards. The Maison Stern et Aumoitte was founded in 1836 by Mr. Aumoitte who partnered with a young engraver Moïse Stern. T.his partnership lasted until the late 1850s when Moïse Stern took over the company. The Maison Stern bookplate became a large "S" containing a rearing lion its foreleg resting on the intertwined monogram "MS." A hand brandishing an engraver's tool and two pieces of armor a glove and a helmet complete the composition. In 1867 and 1889 the Maison Stern was awarded the Gold Medal at these two World's Fairs. Moïse Stern would later occasionally serve as a member of the jury that awarded this medal. In the 1890s. Mr. Stern brought his son René into the business which took the name Stern et fils. René Stern took over the shop in 1904. Among its prestigious clients Maison Stern has had the honor of counting the Élysée Palace for its menus and invitations embassies the nobility and major French and foreign companies. Each has long contributed to the Maison's reputation. Paris: Association of French Homes , 1919 unknown
005931Various. Library Compilation . Hardcover. Very Good/None as Issued. EX-LIB. Collection of 9 variously sized soft cover librettos bound by The Free Public Library of Concord MA in Feb 1943 as Volume 2 of two. Black boards w/gilt spine lettering/NF. The librettos are: 1 L'AMORE DEI TRE RE Tragic Poem in 3 Acts Sem Benelli; the original Italian with English translation by R.H. Elkin published by Fred. Rullman for the Chicago Civic Opera Co; text Near New & bright. 2 LUCIA DI LAMMERMOOR Donizetti published by Oliver Ditson Boston; Italian/English text and music of princial airs; text Near New soft cover discolored & chipped. 3 LA JUIVE The Jewess in 5 acts Havlevy Fred. Rullman for the Chicago Civic Opera Co; text/Near New; discoloration to cover. 4 THAIS Lyric Comedy in 3 acts music by Jules Massenet; French/English text; printed as performed at the Manhattan Opera House under the direction of Oscar Hammerstein for the Boston Opera House by Fred. Rullman; Text/As New w/trace margin discoloration cover/Fine. 5 DON GIOVANNI Mozart with Italian/English text; Oliver Ditson Boston. Text/Near New w/curled corners to upper corner of last pgs. Cover/NF. 6 LA BOHÉME Puccini Italian/English text. Published by G. Ricordi New York. Text/As New w/trace margin discoloration. Cover/NF w/pencil notations. 7 MADAMA BUTTERFLY Puccini Italian/English text. Published by Boosey New York for the Boston Opera Co.Text/As New. Cover/NF w/edge discoloration. 8 SNEGOUROTCHKA The Snow Maiden Rimsky-Koraskoff French/English text. Fred. Rullman for the Chicago Civic Opera Co. Text/As New; with edge wear. Cover w/edge discoloration & wear. And 9 SAMSON AND DALILAH Camille Saint-Saëns French/English text. Fred. Rullman for the Boston Opera House. Text/As New. Cover/NF w/light soiling. <br/> <br/> Various hardcover
