Camille Saint-SaensBiblio.com
221 résultats
B9781020022197Hardback. New. hardcover
0364792078.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0331660156.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
025903701X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1870877761870. Fine. An exceedingly rare Saint-Saëns unpublished score novembre 1870 33.20 x 24.50 cm un bifeuillet Unpublished and signed autograph score by Camille Saint-Saëns. Two pages of handwritten music for solo voice and piano on an oblong bifolium with twenty staves. Autograph inscription on the first page signed by Saint-Saëns with his signature and date ""Nov. 1870"" appearing again on the second page. Trace of vertical fold with a tiny tear along the fold a small marginal tear on 1 cm of the first page without damage to the manuscript. An exceptional unpublished autograph manuscript of a Persian melody for voice and piano composed by Camille Saint-Saëns during the Siege of Paris in November 1870 enriched with a autograph inscription: 'A Geneviève Bréton / Hommage de respectueux dévouement' To Geneviève Bréton / In homage with respectful devotion signed and dated on the second page 'Nov 1870 C. Saint Saëns'. The lyrics of the piece were directly inspired by its dedicatee the fiancée of the painter and tenor Henri Regnault 'the most musical of all the painters' Saint-Saëns École buissonnière translation by Edwin Gile Rich who was the first performer of several other Mélodies persanes. Geneviève Bréton a cultured and passionate woman was a fixture in the literary and artistic salons of her time surrounded by composers painters and the young Parnassian poets of her generation. Saint-Saëns likely met her through his friend the orientalist painter Henri Regnault a Prix de Rome laureate with whom she fell madly in love in Italy in 1867. A handsome young man already celebrated for his art Regnault also fascinated Saint-Saëns with his 'exquisite tenor; voice . alluring in its timbre and irresistible in its attractiveness just as he was himself' as the composer would later recall in 1913. Regnault premiered several of his compositions: 'In 1868 Regnault was the first to embody the role of Samson in the second act of the celebrated opera Samson et Dalila created during a private evening performance. Saint-Saëns renewed their collaboration by entrusting the artist with two of the Mélodies persanes composed for tenor voice.' Manon Bertaux. The Mélodies persanes op. 26 based on verses by the Parnassian poet Armand Renaud consist in their published version of three works for tenor Sabre en main Au Cimetière Tournoiement and three for contralto La Brise La Splendeur vide La Solitaire. They form one of Saint-Saëns's most famous cycles and belong to the golden age of French mélodie. This manuscript for voice and piano with its ardent colourful tone can unquestionably be linked to this set of melodies begun in June 1870 and sold by Saint-Saëns to his publisher Hartmann shortly afterwards. However Manon Bertaux's research has shown that 'the composer sold Hartmann an incomplete cycle having composed his final melodies at the beginning of the Siege of Paris from September onward"". Dated November 1870 our melody - as far as we know unknown to biographers and musicologists - is one of those composed in the midst of the Franco-Prussian war: 'Serving as a National Guard during the Siege of Paris Saint-Saëns continued his activities as a musician and composer alongside his duties guarding the ramparts'. It appears that both the text and music of this composition remained entirely unpublished and were never sent to Hartmann. For his part the painter Henri Regnault enlisted as a maverick also risked his life in an attempt to break the siege much to the dismay of Geneviève who confided her worries in her now famous diary Ramsay 1985. The young lovers had finally become engaged after years of opposition from the young woman's mother. Saint-Saëns likely offered this exquisite melody to Geneviève as a betrothal gifta radiant piece of warmth for the anxious young woman and here is the first of its two verses: « Ka-douja la chanteu-se Au manteau noir Qu'on trouve sous l'y-eu-se Quand unknown
1391680138.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18504587like new. unknown
3795755069.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
654366588Ashgate Publishing Company pp. 174 . Hardback. New. Ashgate Publishing Company hardcover
19542676200601014G.Schirmer 1954-01-01. Sheet music. Very Good. Nice looking book has minor edge wear. slightly faded. G.Schirmer unknown
2001BN245449Durand 2001. 2001. Softcover. Trio Op 92 N 2 Vl-Vlc-Piano En Mi Mineur MUSIQUE D'ENSEM <br/><br/>Trio Op 92 N 2 Vl-Vlc-Piano En Mi Mineur MUSIQUE D'ENSEM Camille Saint-Saëns Durand paperback
0484610139.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
024386633X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0266265421.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
63018Choudens Père et fils Paris 1877 In-4 28 cm 304pp. texte musical reliure demi-chagrin de l'epoque quelques rousseurs sur les premieres pages de garde Nb-0204 Opera représenté sur le Théâtre National Lyrique le 23 février 1877 unknown
16-6174Paris: Association of French Homes 1919. 4o. 32.5 x 24cm. Printed cover with another cover printed in colors and a list of cultural events.On May 10 1919 the Association of French Homes organized a "Franco-American Matinee" at the Palais du Trocadéro in Paris to celebrate Mother's Day. This event took place shortly after the First World War and highlighted the burgeoning relationship between France and the United States.At the end of World War I: In 1919 France was still recovering from the devastation of war. Americans who had served in the expeditionary force were familiar with the country and efforts were being made to strengthen cultural ties between the two nations.Provenance: Fond de l'Imprimerie STERN 47 passage des Panoramas à Paris.Le Graveur Stern ou Stern Graveur est une société française d’imprimerie et de gravure fondée à Paris en 1834 dans le passage des Panoramas bien connu pour ses gravures de haute qualité dont : les menus de repas de la haute société les titres de bourse les boutons de manchettes les médailles les billets de Banque les cartes de visites et autres passeports diplomatiques. Graveur imprimeur à Paris Stern Graveur atelier spécialisé dans la gravure de papier à lettre invitations faire-part monogrammes chevalières armoriées cartes de voeux.La Maison Stern et Aumoitte a été fondée en 1836 par Monsieur Aumoitte qui s'associe à un jeune graveur Moïse Stern. Cette association dure jusqu'à la fin des années 1850 puis Moïse Stern reprend la Maison. L'ex-libris de la Maison Stern devient un grand « S » dans lequel se loge un lion dressé la patte antérieure reposant sur le monogramme « MS » entrelacé. Une main brandissant un outil de graveur et deux pièces d'armure un gant et le casque complètent la composition. En 1867 et en 1889 la Maison Stern se voit décerner la Médaille d'Or lors de ces deux expositions universelles. Par la suite Moïse Stern sera occasionnellement membre du jury qui décerne cette médaille. Dans les années 1890 M.Stern associe son fils René à l'entreprise qui prend le nom de Stern et fils. René Stern reprend la boutique à son compte en 1904. Parmi ses prestigieux clients la Maison Stern a eu l'honneur de compter l'Elysée pour ses menus et ses invitations les ambassades la noblesse et les grandes entreprises françaises et étrangères. Chacun participe depuis longtemps au renom de la Maison. Depuis les générations se sont succédé avec aujourd'hui une volonté très forte de conserver et valoriser un savoir-faire et des techniques qui tendent à disparaître.Engraver and printer in Paris Stern Graveur was a workshop specializing in the engraving of letterheads invitations announcements monograms heraldic signet rings and greeting cards. The Maison Stern et Aumoitte was founded in 1836 by Mr. Aumoitte who partnered with a young engraver Moïse Stern. T.his partnership lasted until the late 1850s when Moïse Stern took over the company. The Maison Stern bookplate became a large "S" containing a rearing lion its foreleg resting on the intertwined monogram "MS." A hand brandishing an engraver's tool and two pieces of armor a glove and a helmet complete the composition. In 1867 and 1889 the Maison Stern was awarded the Gold Medal at these two World's Fairs. Moïse Stern would later occasionally serve as a member of the jury that awarded this medal. In the 1890s. Mr. Stern brought his son René into the business which took the name Stern et fils. René Stern took over the shop in 1904. Among its prestigious clients Maison Stern has had the honor of counting the Élysée Palace for its menus and invitations embassies the nobility and major French and foreign companies. Each has long contributed to the Maison's reputation. Paris: Association of French Homes , 1919 unknown
50-16840International Music Company. Paperback. Acceptable. Edited by Sergius Kagen. Acceptable condition with wear and water stains on cover. Spine is taped up some pencil markings inside but completely legible. International Music Company paperback
19932209180421063Meridian 1993-09-18. Audio CD. Like New. CD plays perfectly & the case looks good. Meridian unknown
19969051839782Brill 1996. New. <p><strong>Author:</strong> Anne E. McCall Saint-Saëns</p><p><strong>Publisher:</strong> Brill</p><p><strong>ISBN:</strong> 9789051839784</p><p><strong>Release Date:</strong> 1996</p><p><strong>Languages:</strong> French</p><p><strong>Binding:</strong> Paperback</p><p><strong>Number Of Pages:</strong> 276</p><p><strong>Details:</strong> No detailed description available for ""De l'être en lettres"".</p> Brill paperback
1996BN149467Rodopi B.V. 1996. 1996. Softcover. De l'être en lettres: L'autobiographie épistolaire de George Sand <br/><br/>De l'être en lettres: L'autobiographie épistolaire de George Sand Anne E. McCall Saint-Saëns Rodopi B.V. paperback
1996__9051839782Rodopi 1996. Paperback. New. 273 pages. French language. 8.30x5.80x0.90 inches. Rodopi paperback
A9780313294815Hardback. New. This history of women in early modern Spain opens the field by examining the position of women in religious political literary and economic life. Drawing on both historical and literary approaches the contributors challenge the portrait of Spanish women as passive and marginalised. hardcover
43362Plon-Nourrit In-32 11 cm 72pp. quelques rousseurs éparses couverture a rabats de l'éditeur A22-A1 unknown
2298Early 20th-century manuscript copy. In blue buckram. Gilt green morocco title vignette on front panel. Written on music manuscript paper marked “J. E. & Co. / Protokoll Schutzmarke / No. 1 / 10 linig.â€. Few notes musical marks and corrections in pencil. Binding rubbed at the extremities. Pages yellowed due to aging. Otherwise in fine condition. Early 20th-century manuscript copy. In blue buckram. Gilt green morocco title vignette on front panel. Written on music manuscript paper marked “J. E. & Co. / Protokoll Schutzmarke / No. 1 / 10 linig.â€. 10 leaves; 16 pages MS score. An early manuscript copy of Saint-Saëns’ organ transcript of Liszt’s La Prédication Aux Oiseaux or Die Vogelpredigt.<br /> As part of a pair of pieces for solo piano Deux légendes Liszt composed St. François d'Assise: La prédication aux oiseaux in 1863. Saint-Saëns finished the composition of the organ reduction before 1878 April and the transcript was first published by Rózsavölgyi & Co. in 1899. unknown
1019925043.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
