57 résultats
1980024535London: MacMillan 1980. Venti volumi 255 cm legatura editoriale in tutta tela con titolo e dorature al dorso. In lingua inglese. Ottime condizioni. Il più famoso e completo dizionario di musica e musicisti. NB- Per numero di volumi dimensioni e peso sono da prevedere spese di spedizione extra. MacMillan unknown
191447712Paris.: Lucien Vogel. n.d. 1914. Loose as issued in original publisher's pink printed card portfolio with flaps and cloth tie paper label with printed title in purple with vignette to front cover portfolio with some wear to edges and spine. Oblong folio. 402 x 446 mm. Leaf with title by Charles Martin recto 'Préface' and 'Choral Inappétissant' verso by Erik Satie the plate 'Comédie Italienne' with pochoir colour titled at lower right and 20 leaves each with title border and vignette recto by Martin and song with printed music by Erik Satie verso final leaf with 'Table' recto and justification verso. One of the finest and most charming of the Art Deco portfolios.From the edition limited to 900 copies on Hollande à la forme with this one of 675 examples with one colour plate ' . contenant la musique et une seule planche en frontispice .'.An album of music by Erik Satie 'Sports et Divertissements' was printed by Studium and the colour plates after Charles Martin were 'enluminées' by the pochoir master Jules Saudé.The sports and pastimes of pre-war France in the present work are as follows: 'Balançoire' 'La Chasse' Comédie Italienne' - see the frontispiece 'La Mariée' 'Colin-Maillard' 'La Pêche' 'Yachtin'g 'Bain de Mer' 'Le Carnaval' 'Le Golf' 'La Pieuvre' 'Les Courses' 'Les Quatre Coins' 'Pique Nique' 'Water-Chute' 'Le Tango' 'Traineau' 'Flirt' 'Feu d'Artifice' 'Le Tennis'. Lucien Vogel. hardcover
192979902Paris: Imprimerie de la presse française 1929. Fine. Imprimerie de la presse française Paris s. d. 1929 27 x 35 cm un double feuillet et une feuille volante First edition of this program for the concert commemorating the death of Erik Satie held in Arcueil-Cachan on 30 June 1929. Our copy retains the photographic reproduction of the bust of Erik Satie modeled by Robert Caby in September 1925. A handsome copy despite a few minute marginal spots. Imprimerie de la presse française unknown
28543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement.<br /> In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. Alan Satié unknown
0486413918New. Brand new and still unused unknown
191421006Paris: Lucien Vogel 1914. First Edition. Limited Edition. Hardcover Portfolio with buckram cloth spine paper pasted onto boards second large paper laid onto this paper for title. Custom Quarter Calf Clamshell Box with Art Deco fabric pasted down on other surfaces. Very Good. Charles Martin. No. 95 of 225 with a total issue of 900 copies. Folio 40 by 44 cm. 20 pochoir plates 20 pages of Satie's music with music notation. The music score is printed but can easily be mistaken for manuscript handwritten with a fountain pen. The Martin pochoir plates are magnificent and although they were created before the supposed debut of Art Deco in 1923 they capture perfectly the Art Deco aesthetic. The clamshell box is 42.5 by 47.5 cm and 4 cm deep. The boards of the portfolio have a considerable amount of soiling with several dampstains overlapping on the front cover but the design of the front cover still impresses and it suffers no significant loss of integrity in our view -- the dampstains could pass as deliberate marbling we think on the underlying paper and even to some extent on the title overlay sheet. The portfolio is lacking its ribbon ties and there are a few chips on the spine edge of this paper. The first title leaf has a fair amount of foxing and dusty soiling in its margins with less on successive leaves. Most leaves have a modicum of soiling virtually always by the edges and not significantly disconcerting in our view. Early leaves do has some edge roughness including short closed tears and light creasing. Best to consult our photos to get a solid idea of what we are loosely describing. The clamshell box has some scuffs on the calf and other light wear. Overall we consider this a quite attractive copy and can comfortably peg it as Very Good. Lucien Vogel hardcover
1923145578Arcueil-Cachan: 21 February 1923. The composer writes in French to the editorial secretary of the avant-garde literary periodical Les Feuilles libres. He asks for feedback on an enclosed "chronicle" no longer present and enquires when "our dear Director" - Marcel Raval the editor-in-chief of the journal - is scheduled to return. This letter is apparently unpublished. Les Feuilles libres was published between 1918 and 1928. It was significant to the 1920s avant-garde movement in Paris contributors including Pablo Picasso and Jean Cocteau. Satie's contributions appeared between 1922 and 1924. The work he refers to in the letter is likely "The Expired" which appeared in the "Musical Chronicle" section of the accompanying March/April 1923 issue of the journal. Satie was a closer correspondent of Raval 1900-1956. In another letter dated 21 October 1924 he addresses him as "Mon cher Directeur & Ami" refers to "how kind you have always been to me" and describes Les Feuilles libres as "delightful" Volta pp. 196-7. He ends the present letter with a wish "that he come back quickly!" The letter is signed with Satie's distinctive monogram. "His signature was often replaced by a kind of logo: his initials harmoniously intertwined in the manner of the seals employed by the fin-de-siècle painters influenced by Japanese art" Volta p. 12. Bifolium leaf size: 182 x 137 mm of plain paper. Handwritten in black ink across one side totalling ten lines of text. Together with a typed English translation on yellow paper with the comment below "The reference to 'our dear Director' is Marcel Raval" annotated top left in pen identifying Satie as the writer. Creased along folds else fine. Ornella Volta Satie Seen Through His Letters 1989. unknown