156 résultats
1854009988<p>Stuttgart Esslingen: Schreiber und Schill s.d. 1854 Un volume 22x325 cm di 2-208-4-40-4-40-6 pagine legatura moderna in tutta tela muta. Qualche fioritura soprattutto alle prime e ultime pagine firma di possesso alla pagina di titolo che al retro ha una dedica più recente a penna in italiano una fotocopia del titolo su carta antica è acclusa. Il nome italiano di varie piante è segnato lievemente a matita sulle prime tavole. Vecchia riparazione senza perdite ad uno strappo alle tavole XXI e XXXI. 52 doppie pagine di litografie colorate a mano con piante e fiori. In lingua tedesca. Uno degli erbari più affascinanti della metà dell'800 con le litografie colorate a mano anni dopo le nuove edizioni vennero litografate direttamente a colori. Peso: 1100 gr.</p> Schreiber und Schill
18334684AB1833. 2. verm. und verb. Aufl. Stuttgart und Tübingen J. G. Cotta 1833. 8 gef. 1 kol. lith. Taf. XXVII 962 S. Neuer Hldr.-bd. Ziegenfuß II493; Hirsch/H. V149; ADB XXXII634. - Gotthilf Heinrich Schubert 1780-1860 Schüler Schellings praktizierte in Altenburg Freiburg und Dresden. 1809-16 war er Direktor der Realschule in Nürnberg seit 1819 lehrte er Naturgeschichte an der Univ. Erlangen und seit 1827 in München. Er popularisierte die Naturphilosophie Schellings beeinflußte stark die deutsche Romantik und befaßte sich mit tierischem Magnetismus Hellsehen und Träumen. - Etwas gebräunt. Gelöschter Stempel auf Titel. unknown
183926065Königsberg Bornträger 1839-46. Bound in 6 cont. uniform hcalf. Richly gilt backs. Stamps on titles. unknown
183926065Königsberg, Bornträger, 1839-46. Bound in 6 cont. uniform hcalf. Richly gilt backs. Stamps on titles.
1850292423Stuttgart.: Schreiber & Schill. circa 1850. Color pictorial boards. Good Lacking the spine covers worn missing a small piece at the corner of the title page many plates detached lacking one plate #27. 33x21.5 cm. German text. weight: 1.2 lb. 29 of 30 double-page chromolithograph plates. Lacks plate #27. Schreiber & Schill. hardcover
185811035Braunschweig: Henry Litolff's Verlag 1858. Boards. Good. Zehn Bändes im Zwei Ten volumes bound in two. Volume One: 2 159 2 154 2 154 2 150 2 151 pages. Contains Bändes I-V each with separate title page and contents. Imprint is Braunschweig Henry Litolff's Verlag. Volume Two: 2 159 3 149 3 144 2 168 2 168 pages. Contains Bändes VI-X each with separate title page and contents. VI-IX Bändes have imprint "Braunschweig Henry Litolff's Verlag. Paris and Bruxelles: Enoch Pere et Fils; London: L. Schutte & Co." Bände X imprint is Braunschweig Henry Litolff's Verlag. Half leather over marbled boards gilt spine lettering. Head of volume two spine chipped and front joint cracked roughly three inches from the top. Bindings worn overall. Still a sound usable set. Boards. A scarce compiled collection of music and lyrics mostly in German. Printed note at the base of many pages notes "Litolff's Bibliothek classischer Compositionen : Schubert's Lieder Gesänge und Balladen"<br/><br/>Litolff was a composer but is best known for his classical music publishing. Wikipedia referencing Grove Music Online notes: "Litolff became friends with the music publisher Gottfried Meyer of Braunschweig English: Brunswick Germany; and after Meyer's death he married the widow Julie in 1851 having finally been granted a divorce from Elisabeth as a new citizen of Brunswick. This second marriage lasted until 1858 when he divorced her and once again moved to Paris." OCLC dating is very inconsistent from early 1860s to 1880s.<br/><br/>Based on the liklihood that Litolff would have set up his operation in Braunschweig when he lived there and expanded to Paris when he moved we've dated these volumes to circa 1858 the end of his second marriage. Henry Litolff's Verlag unknown books
183021060Vienne: Ant. Diabelli u. Comp. PN C. et C. No. 3539-3540 1830. 2 volumes. Oblong folio. 1f. title 1 blank 2-21; 1 title 2-25 pp. Engraved. <br/><br/>Slightly browned; some minor foxing; early tape to spines; pencilled fingering; contemporary ownership inscription to corner of Cahier 2; small oval handstamp of Scharfenberg & Luis in New York to foot of titles to both parts slightly trimmed to Cahier 1. Third edition. Deutsch 819/1-6. Hoboken 13 203 and 204. <br/><br/>"Schubert's most original contribution to the keyboard repertory is arguably his music for piano duet. His unusual interest in the march scarcely stemmed from any enthusiasm for war but rather from the great range of stylistic possibilities it afforded from funeral march to evocations of toy soldiers. The best of these marches which include the six Grandes marches of 1824 exploit the full range of four hands while preserving a sense of intimate conversation." Maurice J.E. Brown Eric Sams and Robert Winter in Grove Music Online. Ant. Diabelli u. Comp. [PN C. et C. No. 3539-3540] unknown books
1830214156J. Schuberth & Co. Leipzig. A. Diabelli u. Comp. Wien. N. Simrock Bonn. Les Fils de B. Schott Bruxelles. Eduard Hallberger Stuttgart. Breitkopf & Härtel Leipzig. William Hall & Son New York. 1830. Hardcover Die Jahresangabe ist ungefähr. Der Band ist an den Kanten und Ecken bestoßen. Die Innenseiten sind randfleckig. J. Schuberth & Co., Leipzig. A. Diabelli u. Comp., Wien. N. Simrock, Bonn. Les Fils de B. Schott, Bruxelles. Eduard Hallberger, hardcover
184423502Wien: Ant: Diabelli und Comp: PN D. & C. No. 4014 1844. Oblong folio. Unbound. 1f. decorative series title printed in sepia: "Franz Schubert's nachgelassene musikalische Dichtungen für Gesang und Pianoforte. 14te Lieferung" i title i catalogue of series listing vols. 1-40 with note "Werden fortgesetzt" 3-11 i blank pp. Engraved.<br/><br/>Slightly worn and soiled. First Edition later issue. Deutsch pp. 422 and 266. Not in Deutsch: Schuberts Goethe-Lieder. Hoboken 14 572. Hirsch IV 650. Heck 201.<br/><br/>The first issue of the present edition was published in 1832. The present edition is the fourteenth of fifty installments in the series publication of which was not completed until 1850. <br/><br/>Schubert notated the vocal part of D716 in the bass F clef but despite its low range Diabelli changed it to the violin G clef and added some variants at the upper octave to make it performable for higher voices. <br/><br/>D. 450 exists in two versions; the present edition includes the second. The first version was not published until 1895 as part of the complete edition. The German translation from Aeschylus The Eumenides is by Johann Mayrhofer 1787-1836 a friend of the composer. Ant: Diabelli und Comp: [PN D. & C. No. 4014] unknown books
183026791Wien: Tobias Haslinger PN T.H. 5027 1830. Oblong folio. Unbound. 1f. title 1 blank 2-17 i blank pp. Engraved.<br/><br/>Printed from worn plates. Slightly foxed; stain to central portion of title; dampstaining to outer margins; slightly foxed; rust marks to inner margin of outer bifolium. First Edition second issue. Deutsch pp. 537-538. Raab p. 296 A-2. Hoboken 13 317. Weinmann Senefelder-Steiner-Haslinger 2 p. 8. <br/><br/>The two songs were composed in 1825 as a pair to text by Johann Ladislaus Pyrker Pyrker von Felső-Eör Oberwart 1772-1847 Austrian poet and Roman Catholic bishop. Tobias Haslinger [PN T.H. 5027] unknown books
183386547ABStuttgart, Cotta, 1833. 2., sehr vermehrte und verbesserte Auflage. Mit 8 (davon 1 farb.) lithogr. Taf. 27, 962 Seiten. Marmor. Pappband der Zeit. - Ecken etwas bestossen, Name auf vord. Innenspiegel, sonst schönes Expl. in guter Erhaltung. 2
183623492Wien: Ant. Diabelli und Comp. D. & C. No. 5849 1836. Folio. Disbound. Pianoforte: i title 2-23 i blank pp.; Violino: i blank 2 7 i blank pp. Engraved. <br /> <br /> Fingering in pencil to first two measures of Violino part.<br /> <br /> Slightly worn and soiled; minor dampstaining to title of Pianoforte part; Violino part lacking pp. 3-6. First Edition. Deutsch p. 233. Hoboken 14 500. Hirsch IV 615.<br /> <br /> The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5849] unknown
184423502Wien: Ant: Diabelli und Comp: PN D. & C. No. 4014 1844. Oblong folio. Unbound. 1f. decorative series title printed in sepia: "Franz Schubert's nachgelassene musikalische Dichtungen für Gesang und Pianoforte. 14te Lieferung" i title i catalogue of series listing vols. 1-40 with note "Werden fortgesetzt" 3-11 i blank pp. Engraved.<br /> <br /> Slightly worn and soiled. First Edition later issue. Deutsch pp. 422 and 266. Not in Deutsch: Schuberts Goethe-Lieder. Hoboken 14 572. Hirsch IV 650. Heck 201.<br /> <br /> The first issue of the present edition was published in 1832. The present edition is the fourteenth of fifty installments in the series publication of which was not completed until 1850. <br /> <br /> Schubert notated the vocal part of D716 in the bass F clef but despite its low range Diabelli changed it to the violin G clef and added some variants at the upper octave to make it performable for higher voices. <br /> <br /> D. 450 exists in two versions; the present edition includes the second. The first version was not published until 1895 as part of the complete edition. The German translation from Aeschylus The Eumenides is by Johann Mayrhofer 1787-1836 a friend of the composer. Ant: Diabelli und Comp: [PN D. & C. No. 4014] unknown
1850007598Paris France: LIBRAIRIE FRANCAISE ET ETRANGERE 1850. Book. Very Good. Hardcover. 1st Edition. First Edition n.d circa 1850. original illustrated boards with bumping marks and creasing. 30 plates I-XXX all present each A3 approx double pages superb colour illustrations and in excellent condition. Uncommon. LIBRAIRIE FRANCAISE ET ETRANGERE Hardcover
183223454Vienne: Ant. Diabelli et Comp. PN D. et C. No. 3537 1832. Oblong folio. Disbound. i title 2-31 i blank pp. Engraved. Edges colored in green.<br /> <br /> Foliation in manuscript in red crayon to upper right corners of rectos from "52" title to "66."<br /> <br /> Staining to inner portions of each leaf; some minor foxing and soiling. A later edition. Not in Deutsch. Hoboken 13 162. The first edition was published as "Grande Sonate" by Sauer & Leidesdorf in Vienna in 1823. <br /> <br /> "Schubert's most original contribution to the keyboard repertory is arguably his music for piano duet. Although familiar from the 18th century keyboard music for four hands was largely restricted to ephemeral pieces or utilitarian arrangements of orchestral works. Mozart invested the genre with more ambition but as with the lied it was Schubert who took a marginal genre and made it central. His earliest works for piano duet were three fantasies D1 9 48 while a modest rondo D608 from January 1818 and four polonaises D599 and a sonata D617 of Mozartian proportions composed in Zseliz during the summer of that year mark the beginning of Schubert's sustained interest in the genre." Maurice J.E. Brown Eric Sams and Robert Winter in Grove Music Online. Ant. Diabelli et Comp. [PN D. et C. No. 3537] unknown
181753752BBBand 1-3 (von 7). Leipzig, bei Heinrich Reclam. (Band 3): Erlangen, Verlag von Carl Heyder 1817-1833. Klein-8°. VI, 437 S.; X, 486 S.; VIII, 379 S. Halblederbände der Zeit mit goldgeprägtem Rückentitel und etwas Rückenvergoldung.
1827603L4Various: Various Publishers 1827-1840. Leather. Good. 7" by 4.5". None. A sammelband of nineteenth century mostly French essays and biographies on education and the role of education in a lovely quarter calf binding with marbled boards Comprising of five separate works bound as one. The first work is a memoir of the German educator and author Bernhard Heinrich Overberg translated from its original German into English. He was a key player in the reformation of schools during the late eighteenth early nineteenth century. The second work to this book is a critical work on the schools in Geneva by J a Dufour. The third work is a work on the purpose of popular education by Marc Viridet. The fourth work is a further essay on the council of education and has been translated from the original German with no indication of author or translator. The fifth and final work to this book is an English title by Henry George Watkins and discusses the alternates to a formal education and gives advice to apprentices engaged in trades or profession. Watkins' view is that 'the sooner young people begin to be instructed in some honest trade it is better for them'. Watkins praises the apprenticeship and this method of education. The first four works are in French with the fifth and final work in English. In a quarter calf binding with marbled paper boards. Externally very smart with patches of minor rubbing to the joints and to the extremities. Light rubbing to the boards and some minor bumping to the extremities. Rear hinge has failed with the backstrip lifting from the text-block. Internally firmly bound. Small tear to the title page of 'Considerations'. Pages to the first four works are bright with the pages to 'Affectionate Advice' being age toned due to paper used. Just the occasional light spots to pages. Good Various Publishers hardcover
18405395542 pieces of music the first three pieces are by Mrs. Richard H. Rogers and are INSCRIBED to a Mr. Pratten former owner possibly by the composer next piece is by F.H. S. Pendleton and is SIGNED and dedicated by the composer to Mr. Pratten on title page the collection also includes four pieces by Austin Phillips and eight pieces by Franz Schubert - Ave Maria Sleepest thou fair maiden The Fisher-Maiden On mossy bank reclining The passing bell Calm as a child in its cradle reposing Weep not for friends departed plus Thro' the night's dark shadows steling with engraved front cover also includes Rosalie by Beethoven plus The Rose of Killarney by Collier/Lee Hurrah for the Emerald Isle by Diggs/ Hodson Una Furtiva Lagrima by Donizetti Kathleen Mavourneen by F. Nicholls Crouch Merrily merrily goes our bark by W. H. Grattann and more on reverse of one cover is a contemporary handwritten piece titled "Aria" "Adelaida" by "Alice" dated 1874 with a small colour illustration of a butterfly by the writer Published by S. J. Piggott; Cramer, Addison & Beale, et al. hardcover
18315639Wien bei Ant. Diabelli & comp. N°3707 1831 in-4 oblong, faux-titre, 19pp., en ff.
18285638Wien bei Ant. Diabelli und Comp. 1828 in-4 oblong, 11ff., en ff. graben N°1132 Cu.2878
183623491Wien: Ant. Diabelli und Comp. D. & C. No. 5848. 1836. Folio. Disbound. Pianoforte: i title 2-15 i blank pp.; Violino: i blank 2-7 i blank pp. Engraved. <br/><br/>Former early owner's signature "Marie Bödeker" to lower right corner of title. Caption title of Violino part corrected in pencil from "No. 1" to "No. 2."<br/> <br/>Spine of Pianoforte part reinforced with paper tape but frayed; some creases to lower outer corners. Outer bifolium of Violino part partially detached. Both parts moderately foxed and soiled with edges browned and frayed; impression occasionally light. First Edition. Deutsch p. 232. Hoboken 14 499. Hirsch IV 615.<br/><br/>The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5848.] unknown books
183223454Vienne: Ant. Diabelli et Comp. PN D. et C. No. 3537 1832. Oblong folio. Disbound. i title 2-31 i blank pp. Engraved. Edges colored in green.<br/><br/>Foliation in manuscript in red crayon to upper right corners of rectos from "52" title to "66."<br/><br/>Staining to inner portions of each leaf; some minor foxing and soiling. A later edition. Not in Deutsch. Hoboken 13 162. The first edition was published as "Grande Sonate" by Sauer & Leidesdorf in Vienna in 1823. Ant. Diabelli et Comp. [PN D. et C. No. 3537] unknown books
183023484Vienne: Ant. Diabelli & Comp. PN D. et C. No. 3552 1830. Oblong folio. Disbound with remnants of sewing. i title 2-23 i blank pp. Engraved. Edges marbled.<br/><br/>Title leaf moderately foxed stained and with small hole to center not affecting text paper reinforcement to all edges with additional repairs; some soiling and foxing; final leaf laid down to new blank leaf; spine reinforced with paper tape; most leaves partially detached; other minor imperfections. First Edition. Deutsch 886/968b p. 626. Hoboken 14 465. Hirsch IV 600. Heck 173.<br/><br/>Both marches are somewhat uncharacteristically in 6/8 meter. Ant. Diabelli & Comp. [PN D. et C. No. 3552] unknown books
183026786Wien: Joseph Czerný PN J. Cz. No. 334 1830. Small oblong folio. Full modern red cloth. 1 title 2-11 i blank pp. Engraved. <br/><br/>Faded signature "Richard Paul" to lower right corner of title.<br/><br/>Slightly foxed; tear to pp. 7-8 professionally repaired; additional repairs to final leaf. First Edition second issue distinguished by the absence of a watermark. Raab p. 368k A-2. Deutsch p. 345. Hoboken 14 434. WorldCat 11 copies of which 3 are in the U.S. at the Morgan Library Harvard and Brigham Young.<br/><br/>Text by Friedrich Schiller 1759-1806. Joseph Czerný [PN J. Cz. No. 334] unknown books
182723466Wien: Ant. Diabelli und Comp. PN D. et C. No. 2486 1827. Oblong folio. Sewn. i title 2-7 i blank pp. Engraved. <br/><br/>Some soiling and foxing; title slightly stained.<br/><br/>An uncut copy. First separate edition. Deutsch p. 463. Hoboken 13 300 with watermark. Hirsch IV 549. Heck 111 or 113. The first edition without opus number was published as a supplement to the Wiener Zeitschrift für Kunst Theater und Mode March 25 1823.<br/><br/>With text by Karl Gottfried von Leitner 1800-1890. Ant. Diabelli und Comp. [PN D. et C. No. 2486] unknown books