Guidobaldi N. (cur.)MareMagnum
1 819 résultats
ill., br. L'iconografia musicale, settore di studi attualmente in rapida espansione, si occupa delle rappresentazioni figurative a contenuto musicale. In che modo, nel corso dei secoli, la musica è stata tradotta in immagini? E quali informazioni l'analisi iconografica può fornirci sulle molteplici maniere in cui la musica è stata eseguita, idealizzata, caricata di significati simbolici? Con questi interrogativi si confrontano studiosi provenienti da diversi orizzonti disciplinari, affrontando un vasto arco di tematiche che spaziano dall'antichità ai nostri giorni e proponendo nuove prospettive di ricerca.
cm. 18 x 25,5, 120 pp. con 36 tavv. f.t. Studi e testi per la storia della musica Sommario: Musica bella citt? ideale; Imprese musicali; L'altro Iubal; La musica di Federico. 349 gr. 120 p.
Complet en 2 tomes, xxxii + 1220pp. (pagination continuée), 24cm., br.orig., cachet au verso de la page de titre, texte frais, bon état, poids: 2kg., [Version revue d'une thèse de Doctorat d'Etat, 1983], M109345
155pp., with music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Grades eines Doktors der Philosophie der Philosophischen Fakultät der Freien Universität Berlin), stamp at verso of title page, text is clean and bright, good condition, M108926
128pp.+ 10 illustrations out of text & 68 folding plates containing transcriptions of music scores for songs, 27cm., text in German, in the series "Musée royal de l'Afrique centrale, Tervuren, Belgique. Annales in-8, sciences humaines" no.50, good condition, with a summary in French, C94881
Lower corner very lightly bumped else book is fine. Light shelfwear to DJ. ; In this bold work, Thomas Habinek offers an entirely new theoretical perspective on Roman cultural history. Although English words such as "literature" and "religion" have their origins in Latin, the Romans had no such specific concepts. Rather, much of the sense of these words was captured in the Latin word carmen, usually translated into English as "song." Habinek argues that for the Romans, "song" encompassed a wide range of ritualized speech, including elements of poetry, storytelling, and even the casting of spells. Habinek begins with the fraternal societies, or sodalitates, which predated the Republic and endured into the Imperial era, and whose rites, although adapted over time to different deities and cults, were from the beginning centered on song (perhaps most notably in the ancient Carmen Saliare). He goes on to show how this early use of song became a paradigm for cultural reproduction throughout Roman history. Ritual mastery of the chaos of everyday life, embodied and enacted in song, produced and transmitted the beliefs on which Roman culture was founded and by which Roman communities were sustained. By the emergence of the Empire, "song," in all of its senses, served in particular to reproduce the power of the state, organizing relations of power at every level of society. ; 344 pages
Includes colorful plates. 15.5X23.5 cm. xvi+507 pages. Softcover. Cover edges slightly chafed. Side of front cover is slightly folded. Spine slightly wrinkled. Page's sides slightly dirty. Else in good condition.
x + 80pp., met 21 illustraties, 24cm., gebroch., enkele stempeltjes, Doctoraal proefschrift (Rijks-universiteit Groningen, Nederland), tekst helder, goede staat, M109010
IN ENGLISH, HEBREW, GERMAN, FRENCH AND SPANISH. Contains 6 CDs. 31x22 cm. 136 pages. Hardcover. In good condition.
viii + 288pp., with illustrations in colour and in bl/w, 26cm., publisher's hardcover, illustrated dustwrapper, very good, M95093
213pp., with some illustrations and music examples, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Erziehungswissenschaftlichen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M109040
Estratto da "Rivista italiana di Musicologia". Vol. III, n° 2, 1968. In 8°, pp. 215-232, ill. in b/n n.t. Bross. edit. Ottime condizioni.
x + 348pp., signé avec dédicace par l'auteur, brochure originale (dos peu restauré), non coupé, 25cm., bon état, M95179
47pp., with music examples in text, 21cm., text in German, Doctoral dissertation (Inaugural-Dissertation der Philosophischen Fakultät der Friedrich-Alexander-Universität Erlangen), stamp at verso of title page, text is clean and bright, good condition, M109031
135pp., 30cm., br., texte en fraçais, mémoire présenté en vue de l'obtention du titre de licencié en musicologie (Université Catholique de Louvain), peu d'annotations, sinon en bon état, M109516
18809622EBBerlin, A. Hofmann & Co., 1880. 8°. 21 x 14 cm. VIII, 341 Seiten. Original-Leinenband mit goldgeprägtem Deckel- und Rückentitel. (= Die moderne Oper; [1]).
190161043CBBerlin, Allgemeiner Verein für Deutsche Literatur, 1901. 8°. 22 x 16 cm. 361 Seiten. Original-Pappband mit goldgeprägtem floralem Buchschmuck. Rundum-Goldschnitt. Handeinband.
195845574BBKassel, Basel, London, New York, Bärenreiter, 1958. Groß-8°. 24,5 cm. 236 Seiten, 20-seitige Notenbeilage. Original-Leinenband.
cm. 18 x 25,5, 124 pp. Biblioteca dell'?Archivum Romanicum? - Serie I: Storia, Letteratura, Paleografia Ita / Ing 275 gr. 124 p.
IN HEBREW AND ENGLISH. 21.5x23.5 cm. 94 pages. Softcover. In good condition.
Series of 9 volumes (out of 13 volumes published so far), in 12 physical volumes, 24x17cm., publisher’s green hardcover bindings with gilt lettering (some spines bit sunfaded), text and interior are clean and bright and in very good condition (looks unread), [Content: Volume I: Stablein Bruno (ed.), Hymnen – Die mittelalterlichen Hymnenmelodien des Abendlanden (xviii + 723pp., 1956) // Volume II: Stäblein Bruno & Landwehre-Melnicki Margareta (eds.), Die Gesänge der altrömischen Graduale (viii,166 + 724pp., 1970) // Volume III: Weiss Gunther (ed.), Introitus-Tropen I : Das Repertoire der südfranzösischen Tropen des 10. und 11. Jahrhunderts (xlii + 470pp., 1970) // Volume IV: Hiley, David (ed.), Missale Carnotense - Missale aus Chartres (972 + 67pp., in 2 physical volumes, 1992) // Volume V: Dobszay László /& Szendrei Janka (eds.), Antiphonen (in 3 physical volumes:) 1. Teilband: Antiphonen im 1. Modus, 2. Teilband: Antiphonen im 2. bis 6. Modus, 3. Teilband: Antiphonen im 7. und 8. Modus (1348pp., 1999) // VII: Schlager Karlheinz (ed.), Alleluja-Melodien I (bis 1100) - 411 Melodien der römischen Messe (xxxii + 682pp., 1968) // VIII: Schlager Karlheinz (ed.), Alleluja -Melodien II (ab 1100) - 470 Melodien des späten Mittelalters (viii + 917pp., 1987) // XI: Van der Werf, Hendrik (ed.), Trouvères-Melodien I (xvi + 616pp., 1977) // XII: Van der Werf, Hendrik (ed.), Trouvères-Melodien II (xiv + 745pp., 1979)], [From the editor: “One still uncharted area of European music history is monophonic chant from early Christian times to the end of the Middle Ages. It is the goal of Monumenta Monodica Medii Aevi to open up the genres of this extensive and many-sided repertoire which was crucial to the evolution of polyphonic music. Over a period of nearly forty years the founder of this series, Bruno Stäblein, collected source material dispersed in libraries and archives in many countries and stored it on microfilm at the Institute for Music Research, University of Würzburg. This extensive collection of over 4.000 manuscripts from some 300 libraries in thirteen countries makes it possible to produce critical editions on a broad foundation of sources. Like the overall division of the series, each volume classifies the material systematically and introduces it with detailed accounts of the music's style, history, liturgical usage and other relevant matters. If necessary, the volume is broken down with appropriate indices. Each volume also contains a critical report and facsimiles from the sources.” The publisher’s new price for our set was 3700 euro], total weight: 16kg., M106771
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [vi], 304 p., musical scores. Mehter musikisi. Bestekâr mehterler, mehter havalari. Turkish / Ottoman military band. First Edition.
RARE early edition of a piano-vocal score of The Seasons (Die Jahreszeiten) - an oratorio by Joseph Haydn (Hob.XXI:3) in an arrangement (for singers with piano accompaniment) by Ferdinand Ries (1784-1838), a German composer and a friend, pupil and secretary of Ludwig van Beethoven. First performed in April 1801 in Vienna, the oratorio was published by Breitkopf & Härtel in 1802. 225x260mm. 193 pages. Hardcover. Cover rubbed and stained. Cover edges and corners bumped and peeling. Tattered sticker on front cover. Bottom corner of front cover and some pages missing or worn - NO damage to text/music. Spine missing. Spine hinges tattered. Cover, pages 1-14 and 185-193 almost detached. Binning coming loose. Pages wavy and yellowing. [SUMMARY]: This extremely rare early edition of a classical masterpiece has sustained some damage, but is otherwise in good condition. PLEASE NOTE: This book's cover is very worn, loose or missing. If you'd like, we can send this book to be rebound for an extra charge.
197261003CBBudapest, Editio Musica, 1972. 4°. 25 x 34 cm. Unpaginiert. 20 Blatt. Original-Leinenband.
xiii + 329pp., 3rd printing, publisher's hardcover in cloth (corners slightly bumped), 24cm., copy from the collection of the Belgian musicologist prof.dr. René Bernard Lenaerts (with his signature and ex-dono ex-libris tipped in), good condition, M94158
