Hochleitner, Martin [Hrsg.]Antiquariat.de
1 819 résultats
201561588BBSalzburg, Salzburg Museum, 2015. 4°. 28 x 22 cm. 223 (1) Seiten. Gebundener Original-Pappband. (= Ausstellungskataloge des Salzburg Museum, Band 35).
HB fort vol. in-8°, 740 pages, illustrations hors texte N/B, exemples mus., nomencl., index, reliure pleine toile, dos lisse, pièce de titre, couverture et dos cons. Bel exemplaire. [HA-2] [CA-31]
319pp., with music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, M108932
in-12, 184 p., abdt ill. in-t., discogr., bibliographie, broché [FL-8]
16.5X23.5 cm. 23+xxi+777 pages. Softcover. Cover edge's slightly chafed. Spine edge's slightly chafed. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
23.5x15.5 cm. xxi+777 pages. Softcover. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Estratto da "Chigiana", rassegna annuale di studi musicologici. Vol. 26-27, nuova serie, 6-7. In 8°, pp. 35-52, ill. in b/n n.t. Bross. edit. In ottime condizioni.
167pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Westfälischen Wilhelms-Universität zu Münster Westf.), stamp at verso of title page, text is clean and bright, good condition, M108966
in-8, 383 pp., illustrations, 2 index, broché. Tres bel exemplaire, très frais. [NAN-4]
xi + 323pp., illustrated with music examples, 27cm., softcover, Doctoral Dissertation (Univesiteit van Amsterdam, the Netherlands), stamp at verso of t.p., text is clean and bright, weight: 1.1kg., M109511
grand in-8°, XIV-173 pages + planches, broche, couv. Bel exemplaire. [GD8-7]
207pp., 23cm., brochure originale, dans la série "Bibliothèque Internationale de Musicologie", non coupé, qqs. cachets ex-libris du propriétaire précédent, bon état, M94836
xii + 476pp. geïllustreerd met figuren in tekst + 5 uitvouwbare tabellen, 4e herschreven druk, exemplaar van de collectie van de Belgische musicoloog René Lenaerts (met zijn handtekening en ex-dono ex-libris), 25cm., gecart. uitgeversband (hoekjes licht gedeukt), goede staat, M94204
in-8°, 994 colonnes + 1 fascicule 15 pp.: discographie, abondamment illustre en N&B, reliure d"editeur skyvertex bordeaux sous jaquette illustree, tete jaspee. Bel exemplaire (acrocs a la jaquette). [CA-6]
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Armenian. Color and b/w ills. 30, [2] p. Signed and inscribed by Papazian. Hin Skutary yev mer p'voghots'y. [= Old Scutari and our street].
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Armenian. 143, [1] p. B/w and color ills. Signed and inscribed by Papazian. Vonferenvia. Yerazhshtavan Banakhosutiwnk.
164pp. + 3pp. theses, 24cm., softcover, text in German, Doctoral Dissertation (Rijks-Universiteit te Utrecht, Netherlands), stamp at verso of t.p., text is clean and bright, M109359
br. La condotta delle voci è l'arte musicale della combinazione dei suoni nel tempo. L'insegnamento di questa fondamentale tecnica di composizione è tuttora prevalentemente basato sulla scrittura a più parti nello stile del corale barocco, circostanza che porta molti musicisti a domandarsi perché, in un'epoca di sconfinato pluralismo stilistico, si continui a fare riferimento a una teoria tanto vetusta e limitata. Attingendo a decenni di importanti ricerche scientifiche, in questo libro David Huron propone una spiegazione accessibile dei fondamenti cognitivi e percettivi di questa tecnica e di molti dei suoi fenomeni, tra cui la prevalenza percettiva della voce superiore, il raddoppio delle note degli accordi, le ottave dirette, le note di abbellimento e la sensazione musicale che certi suoni "portino" in una certa direzione. Huron dimostra così che le tradizionali regole della condotta delle voci sono in linea, in modo pressoché perfetto, con le moderne spiegazioni scientifiche della percezione uditiva. Guardando oltre la scrittura nello stile del corale, Huron prova inoltre che i principi percettivi ormai assodati possono essere sfruttati per comporre, analizzare e comprendere criticamente qualsiasi tipo di scrittura, dalla melodia accompagnata di una canzone alla strumentazione sinfonica, dall'arrangiamento per gruppo jazz fino all'astratta musica elettroacustica. Un punto di accesso ideale sia per i musicisti interessati alla cognizione musicale sia per gli appassionati desiderosi di capire quali siano i fondamenti scientifici che sostengono le regole, spesso fin troppo astratte, della musica.
195961036CBCelle, Chrysander Verlag im Hermann Moeck Verlag, 1959. 4°. 25 x 34 cm. 268 Seiten. Original-Halblederband mit goldgeprägtem Deckeltitel im Original-Pappschuber.
192762860BBWolfenbüttel, Kallmeyer, 1927. 8°. 22 x 16 cm. VIII, 214 Seiten. Original-Karton.
23X15.5 cm. 434 pages. Hardcover. In good conditions.
RARE orchestral score of a concerto for violoncello and orchestra titled "Almost a Tree" written by the eminent Japanese composer of contemporary classical music Shin-ichiro Ikebe (b.1943), also renowned for the scores for many films by Akira Kurosawa and other Japanese film directors (Kurosawa's 'Kagemusha', 'Dreams', 'Rhapsody in August', 'Madadayo'; Masahiro Shinoda's 'MacArthur's Children', Shohei Imamura's 'Warm Water Under a Red Bridge'). The concerto was written in 1996 for the Cencury Orchestra Osaka who gave the commission and the first performance. 360x260 mm. 45 pages. Softcover. Cover rubbed and slightly wrinkled. Cover and pages upper corner wrinkled. [SUMMARY]: This extremely rare orchestral score of a symphony by an important contemporary Japanese composer is in good condition.
SIGNED BY COMPOSER with DEDICATION dated March 1986 to the renowned Israeli conductor Uri Segal (b.1944), who, among his other posts, founded in 1990 the Century Orchestra in Osaka, Japan, and was its chief conductor through 1998, subsequently becoming the its Laureate Conductor. RARE orchestral score of Symphony No.3, titled "EgoPhano", composed in 1984 by the eminent Japanese composer of contemporary classical music Shin-ichiro Ikebe (b.1943), also renowned for the scores for many films by Akira Kurosawa and other Japanese film directors (Kurosawa's 'Kagemusha', 'Dreams', 'Rhapsody in August', 'Madadayo'; Masahiro Shinoda's 'MacArthur's Children', Shohei Imamura's 'Warm Water Under a Red Bridge'). The symphony was commissioned by the Nihon Symphony Foundation, and premiered on May 25, 1984 by the New Japan Philharmonic Orchestra, conducted by Michiyoshi Inoue, in Tokyo Bunka Kaikan. 360x260mm. 79 pages. Softcover. Cover slightly rubbed and slightly wrinkled. Cover corners and spine wrinkled. Spine edges and hinges rubbed. Composer's signed dedication on front inner cover. [SUMMARY]: This extremely rare orchestral score of a symphony by an important contemporary Japanese, signed with dedication to an Israeli eminent conductor, is in good condition.
SIGNED BY COMPOSER with DEDICATION dated March 1996 to the renowned Israeli conductor Uri Segal (b.1944), who, among his other posts, founded in 1990 the Century Orchestra in Osaka, Japan, and was its chief conductor through 1998, subsequently becoming the its Laureate Conductor. RARE orchestral score of Symphony No.5, titled "Simplex", composed in 1990 by the eminent Japanese composer of contemporary classical music Shin-ichiro Ikebe (b.1943), also renowned for the scores for many films by Akira Kurosawa and other Japanese film directors (Kurosawa's 'Kagemusha', 'Dreams', 'Rhapsody in August', 'Madadayo'; Masahiro Shinoda's 'MacArthur's Children', Shohei Imamura's 'Warm Water Under a Red Bridge'). The symphony was commissioned by the Tokyo Metropolitan Symphony Orchestra, and premiered on 8th September 1990 by Tokyo Metropolitan Symphony Orchestra, conducted by Kazushi Ohno, at Tokyo Metropolitan Hall. 365x255mm. 74 pages. Softcover. Cover and spine slightly rubbed and slightly wrinkled. Cover corners wrinkled. Spine edges rubbed. Composer's signed dedication on front inner cover. [SUMMARY]: This extremely rare orchestral score of a symphony by an important contemporary Japanese composer, signed with dedication to an Israeli eminent conductor, is in good condition.
