103 résultats
187224089Leipzig: Breitkopf & Härtel PN 6397 1872. Folio. Disbound. 1f. title 3-19 i blank pp. Lithographed. <br/><br/>Inscription in brown ink to verso of title: "Herrn C. Weikert zur Erinnerung an Ida Graß."<br/><br/>Slightly soiled; edges browned; spine frayed; title partially detached; some bleed-through of inscription to upper margin of title; small oval publisher's handstamp to foot of title. Later edition. Hofmann p. 69. Hoboken 15 49. Breitkopf & Härtel [PN 6397] unknown books
190023390London: Novello Ewer and Co 1900. Cloth. Very Good. 2 v 162 2 ads pages. 8vo. Publisher's original black pebbled cloth blank. Front endpaper lacking. Paper label of conductor B.J. Lang on front cover and title page. All edges gilt. Cloth. Conductor B.J. Lang's copy. He conducted this work at The Cecilia in Boston March 31 1892 copy of program laid in. Manuscript notations sporatically throughout presumably in his hand. "Ever since its founding in 1876 The Boston Cecilia has enjoyed a history remarkable for its many fine conductors. The great B.J. Lang in his 33 years of leadership established a pattern of introducing new works to Boston audiences alongside standard repertoire. Many of those unknown pieces joined the canon—the Bach Mass in B Minor and Brahms Requiem to name but two. Among his novel ideas and new pieces now forgotten Lang had the audacity to program Bach for a Victorian audience whose taste ironically found "antique" music decidedly old-fashioned. The Cecilia as it was then known has long held a central place in the performing arts in this city. Antonin Dvo ák led the chorus in Boston's first performance of his Requiem in 1892. It premiered Beethoven's Missa Solemnis here and later sang it under Max Fiedler at the dedication of Symphony Hall in 1900. Commissioned by countryman Serge Koussevitsky Igor Stravinsky composed his Symphony of Psalms for the Boston Symphony when Cecilia in 1930 sang the choral part in the American premiere six days after its world debut in Switzerland. During those years Arthur Fiedler brought Cecilia through the Depression and World War II as the official chorus of the Boston Symphony. Under Koussevitzy this was a period of prominence if not independence." website of Boston Cecelia. Novello, Ewer and Co unknown books
1897MUSI0332Stuttgart u. Leipzig, Deutsche Verlags-Anstalt 1897. Front.-Portr., 3 Bl., 278 S., 1 Bl., OLn., Rücken u. Kanten berieben. Mit Bleistift-Anmerkungen vor dem Titelbl. sowie etlichen Markierstift-Anstreichungen des Cellisten Tobias Kühne Erste Ausgabe; enth. Namen- u. Sachregister [2 Warenabbildungen]
187224095Leipzig: Breitkopf & Härtel PN 7834 1872. Octavo. Modern quarter mid-tan morocco with titling gilt to upper: "Schumann Quartetto Op. 41 N. 1" original dark yellow publisher's printed wrappers bound in. 1f. title 1-39 i blank pp. Title lithographed music engraved. <br/><br/>Text to upper wrapper identical with title; publisher's catalog with prices in Marks and Pfennig to verso of lower.<br/><br/>With handstamp: "E. Grandi Musica Pianoforti Strumenti musicali accesori Piazza Campo Marzio 3 Roma Telefono 11-444" to lower right corner of upper wrapper and title. Provenance: Small blindstamp of the noted American composer David Diamond 1915-2005 to upper right corner of title with "Roma Dicembre 1951" in his autograph to verso of rear endpaper.<br/><br/>Some minor foxing; upper outer corner of upper wrapper and first three leaves slightly creased; small stains and paper imperfection to one leaf; small publisher's handstamp to lower right corner of title.<br/><br/>A very good copy overall. First Edition later issue from plates of the first edition with new title adding price in Marks. Not in Hofmann McCorkle or Hoboken. <br/><br/>The first edition first issue of all three quartets appeared in 1848. Breitkopf & Härtel [PN] 7834 unknown books
19001BislCg0028London & New York: Novello & Company Ltd./Novello Ewer & Co. 1900. Book. Good. Decorative Hardcover Cloth. Novello's Original Octavo Edition. 8vo or 8° Medium Octavo: between 6" - 9" tall . 162 v pp. A rare hard-to-find out-of-print collectible gem! A great copy! Well bound copy with extensive wear and use. Copy with clean text and moderate browning/tanning/foxing on page edges not affecting text. Cover boards moderately detached from the spine and re-taped with adhesive tape. No publishing year given. Publishing year gleaned from other sources therefore it is an approximation. No dust jacket. Novello & Company Ltd./Novello, Ewer & Co. Hardcover
187224095Leipzig: Breitkopf & Härtel PN 7834 1872. Octavo. Modern quarter mid-tan morocco with titling gilt to upper: "Schumann Quartetto Op. 41 N. 1" original dark yellow publisher's printed wrappers bound in. 1f. title 1-39 i blank pp. Title lithographed music engraved. <br /> <br /> Text to upper wrapper identical with title; publisher's catalog with prices in Marks and Pfennig to verso of lower.<br /> <br /> With handstamp: "E. Grandi Musica Pianoforti Strumenti musicali accesori Piazza Campo Marzio 3 Roma Telefono 11-444" to lower right corner of upper wrapper and title. Provenance: Small blindstamp of the noted American composer David Diamond 1915-2005 to upper right corner of title with "Roma Dicembre 1951" in his autograph to verso of rear endpaper.<br /> <br /> Some minor foxing; upper outer corner of upper wrapper and first three leaves slightly creased; small stains and paper imperfection to one leaf; small publisher's handstamp to lower right corner of title.<br /> <br /> A very good copy overall. First Edition later issue from plates of the first edition with new title adding price in Marks. Not in Hofmann McCorkle or Hoboken. <br /> <br /> The first edition first issue of all three quartets appeared in 1848. Breitkopf & Härtel [PN] 7834 unknown
190056828Leipzig: A. Schumann; Printed By Hesse & Becker. Very Good. 1900. First Edition. Hardcover. 12 complete issues of the softcover magazine including covers bound in one original pictorial cloth binding. Cloth soiled and worn tiny hole to spine. Patterned eps. Contents VG. Text in German. An erotic men's magazine circa 1900. ; quarto . A. Schumann; Printed By Hesse & Becker hardcover
190033green cloth wear at bindings front and rear covers. two previous owners name front fly leaf no other writing clean index of songs gold gilt lettering<br /> c.f.peters
1900BOOKS030768ILeipzig: C. F. Peters. Nearly fine copies in the original gilt-decorated cloth. nd ca. 1900. Revised ed. hardcover. 4to 1071 pp. New edition revised by Alfred Dorfell provided with fingering by Richard Schmidt . C. F. Peters hardcover
1839RO80170496EDITION CLASSIQUE A. DURAND & FILS. 1839. In-4. Broché. Etat d'usage, Couv. partiel. décollorée, Dos satisfaisant, Quelques rousseurs. 30 pages de partitions musicales. D. & F. 9372. Quelques rousseurs à l'intérieur sans conséquence sur à l'intérieur. Tampon sur le premier plat et sur la page de titre. Tâches sur le 4ième plat.. . . . Classification Dewey : 780.26-Partitions
185024107Leipzig: Fr. Kistner PN 1743 1850. Folio. Unbound. Score for use as pianoforte part: 1f. title with decorative border 3-29 i blank pp. Violin: 6 pp.; Violoncello: 6 pp. Title lithographed music engraved. <br/><br/>Browned; outer bifolium reinforced at spine with some tears and loss; final leaf torn with repairs and minor loss to notation; handstamp of Novello Ewer & Co. London to foot of title. First Edition. Hofmann p. 193. McCorkle p. 389. Hoboken 15 145. Fr. Kistner [PN] 1743 unknown books
185316032BLeipzig, F. Whistling, 1853. Gr.-8°, VI, (1), 133, (1) Seiten Schwarzer Pappband der Zeit mit Rückentitel und dreiseitigem Rotschnitt Leicht stockfleckig
1891235298Leipzig : Breitkopf und Härtel 1891. Fourth Edition. Hardcover. Near fine copy quarter cloth over marble boards with gilt-blocked label to the spine. Remains well-preserved overall; tight bright clean and sharp-cornered. Edition; 4. Aufl. Physical description; 2 v : ill. ; 23 cm. Notes; Contains indexes. Subjects; Schumann Robert 1810-1856. Music. Genres; Bibliography. Illustrated. Leipzig : Breitkopf und Härtel hardcover
188024798Leipzig: C. F. Peters PN 4441 1880. Folio. Attractively bound in quarter mid-tan calf with raised bands on spine in compartments tooled in gilt and black black leather label with titling gilt marbled boards. i lithographic title within olive green decorative border by F. Baumgarten i table of contents 1f. part title: Erster Theil 3-54 1f. part title: Zweiter Theil 57-154 part title: Dritter Theil 157-282 pp. Lithographic transfer from engraved plates.<br/><br/>The title also advertises a piano-vocal score by Woldemar Bargiel a piano reduction without text by Theodor Kirchner and a reduction for piano four-hands by August Horn.<br/><br/>Slightly worn browned and foxed; title slightly stained. Hoffmann p. 333. C. F. Peters [PN 4441] unknown books
188024798Leipzig: C. F. Peters PN 4441 1880. Folio. Attractively bound in quarter mid-tan calf with raised bands on spine in compartments tooled in gilt and black black leather label with titling gilt marbled boards. i lithographic title within olive green decorative border by F. Baumgarten i table of contents 1f. part title: Erster Theil 3-54 1f. part title: Zweiter Theil 57-154 part title: Dritter Theil 157-282 pp. Lithographic transfer from engraved plates.<br /> <br /> The title also advertises a piano-vocal score by Woldemar Bargiel a piano reduction without text by Theodor Kirchner and a reduction for piano four-hands by August Horn.<br /> <br /> Slightly worn browned and foxed; title slightly stained. Hoffmann p. 333. C. F. Peters [PN 4441] unknown
186441093Leipzig: F. Whistling PN 429-431 1864. Octavo. Contemporary half dark green textured cloth with marbled boards titling gilt to spine. 1f. recto title verso blank 232 pp. Title lithographed music engraved. <br /> <br /> Provenance<br /> William Samuel Bambridge 1842-1923 conductor of the Marlborough Choral Society Marlborough College Wiltshire England with "W. S. Bambridge Marlborough College 1873" to front pastedown; publisher's handstamp to foot of title and handstamp in red ink "21451" to upper inner corner of title and first page of music.<br /> <br /> Binding worn rubbed and bumped; head of spine slightly frayed; hinges cracked. Slightly worn; some browning heavier to margins; occasional foxing; one signature partially detached. First Edition later issue; the first issue was published in November of 1847. McCorkle p. 269. Hofmann p. 137 "later issues bear the year to the title".<br /> <br /> "The Second Symphony coheres by virtue of a web of recurrent thematic strands. The technique of motivic recall is enhanced by Schumann's employment of contrapuntal combinations. Specifically the chorale theme introduced midway through the finale is integrated with the opening theme of the first movement also a chorale in the symphony's concluding passages. The displacement of the finale's initial march-like theme by a pair of interwoven chorales in essence lifts the Second Symphony from a secular to a quasi-religious plane." John Daverio and Eric Sams in Grove Music Online. F. Whistling [PN 429-431] unknown
185824812Winterthur: J. Rieter-Biedermann PN 35 1858. Folio. Modern quarter light tan calf with marbled boards and titling gilt to spine original publisher's decorative wrappers bound in. 1f. iv 3-61 pp. Music engraved. Elaborate pictorial title lithograph by Friedrich Krätzschmer. Text printed separately within decorative border.<br/><br/>Publisher's catalogue to verso of lower wrapper. Publisher's handstamp to foot of title.<br/><br/>Binding very slightly worn and rubbed; lower wrapper detached dampstained and slightly defective with loss to text at upper left corner. Slightly worn foxed and dampstained especially at outer margins; tears to two leaves with minor loss. First Edition later issue. The first issue was published in October of 1857. McCorkle p. 581 and 583. Hofmann p. 307. Hoboken 15 240 first issue.<br/><br/>The catalogue to the lower wrapper also lists Schumann's op. 142 published in January 1858 but not op. 143 published in February 1860 which allows the dating of the present copy. J. Rieter-Biedermann [PN 35] unknown books
1899333564Leipzig: C.F.Peters 1899. Early Edition. Hardcover. 3 Volumes. Fine copies in original gilt-blocked leather over buckram boards. Marble end papers. All edges gilt. Corners sharp with an overall tight bright and clean impression. Provenance: Lady Clarence Paset's copies with her gilt monogram. Date is suggested from inscription. Physical description: 3 volumes. Music score. Notes: language is in German. Subjects: Music scores. German music scores. 19th century music scores. Music score notes and lyrics. Leipzig: C.F.Peters hardcover
184524100Leipzig: F. Whistling PN 357 1845. Folio. Disbound. 1 title within decorative border by Krätzschmer 2-19 i blank pp. Title lithographed music engraved. <br/><br/>Contemporary owner's signature "Louise Braune." in ink to lower right corner of title. <br/><br/>Slightly browned and soiled throughout; spine slightly frayed. Professional paper repair to lower outer corner of one leaf; small tear to lower edge of one leaf; a few leaves creased at upper outer corner; cross in ink to upper inner corner of title price erased two overlapping publisher's blindstamps to foot. First Edition no additional volumes published. Hofmann p. 127. McCorkle pp. 251-52. Hoboken 15 103 with printed price of 1 Thlr.<br/><br/>The collection includes six pieces. The designation "Erstes Heft" volume 1 implies that a continuation was planned but there were no further volumes. Hofmann pp. 127 and 131 suggests that the Skizzen für den Pedal-Flügel op. 58 were originally planned as the second volume of op. 56; they were however published by Breitkopf & Härtel. F. Whistling [PN] 357 unknown books
184424913Leipzig: Breitkopf & Härtel PN 7069 1844. Folio. Quarter mid-brown cloth with paper boards with octagonal paper label titled in manuscript to upper. 1f. title 1-4 text 3-133 i blank pp. Title lithographed text typeset music engraved.<br/><br/>Handstamp "T. J. Roothaan & Co Muzijkhandel en biblioteek Amsterdam" to foot of title. With rhymed inscription in black ink to head of verso of title: "Der Tandler hatte kein Interessanteres / Drum schick ich dieses und kein Anderes! Haag im April 1932."<br/><br/>Binding quite worn; spine frayed and partially lacking; last line of manuscript text to label crudely erased. Minor staining and foxing most noticeable to first leaves. With pencil markings to alto staves in part 3 pp. 77-83. First Edition variant issue distinguished by differently typeset text. Hofmann p. 115. McCorkle pp. 223-24. Hoboken 15 93 with original wrappers. The full score of the work was not published until 1845. <br/><br/>The author of the inscription is unknown; the use of the word "Tandler" suggests that he is from either Austria or Bavaria.<br/><br/>The text of the oratorio was translated from the English original by Emil Flechsig 1808-1878; Schumann made significant alterations. Breitkopf & Härtel [PN 7069] unknown books
184424913Leipzig: Breitkopf & Härtel PN 7069 1844. Folio. Quarter mid-brown cloth with paper boards with octagonal paper label titled in manuscript to upper. 1f. title 1-4 text 3-133 i blank pp. Title lithographed text typeset music engraved.<br /> <br /> Handstamp "T. J. Roothaan & Co Muzijkhandel en biblioteek Amsterdam" to foot of title. With rhymed inscription in black ink to head of verso of title: "Der Tandler hatte kein Interessanteres / Drum schick ich dieses und kein Anderes! Haag im April 1932."<br /> <br /> Binding quite worn; spine frayed and partially lacking; last line of manuscript text to label crudely erased. Minor staining and foxing most noticeable to first leaves. With pencil markings to alto staves in part 3 pp. 77-83. First Edition variant issue distinguished by differently typeset text. Hofmann p. 115. McCorkle pp. 223-24. Hoboken 15 93 with original wrappers. The full score of the work was not published until 1845. <br /> <br /> The author of the inscription is unknown; the use of the word "Tandler" suggests that he is from either Austria or Bavaria.<br /> <br /> The text of the oratorio was translated from the English original by Emil Flechsig 1808-1878; Schumann made significant alterations. Breitkopf & Härtel [PN 7069] unknown
186124826Leipzig: Fr. Kistner PN 1900 1861. Folio. Modern quarter black cloth with original publisher's printed upper wrapper laid down to upper board titling gilt to spine. 1f. pictorial title 1-4 text i blank 3-203 i blank pp. Title lithographed text typeset music engraved. Without price.<br/><br/>With extended title and prices to upper wrapper: "8 Thlr. 30 Ngr." full score "4 Thlr. 10 Ngr." piano-vocal score "1thlr. 10 Ngr." choral parts "8 Thlr." orchestral parts. Printer's note to foot of last page of text: "Druck von Breitkopf und Härtel in Leipzig."<br/><br/>Occasional foxing throughout heavier to some leaves; edges somewhat browned with small stain to lower outer corner; upper wrapper slightly chipped and with small stain to lower outer corner; titling to spine incorrectly lettered. First Edition later issue. The first issue of 1852 credited the lithographic illustration to Krätzschmer; did not reference the orchestral parts; and had the text printed on three pages only followed by a blank page. McCorkle p. 478. Hofmann p. 243. CPM Vol. 51 p. 226. Hirsch IV 918 this issue. <br/><br/>Composed in April and May of 1851 and first performed with piano accompaniment at Schumann's home on July 5 1851; orchestrated in November of that year and first performed publicly in Dusseldorf on February 5 1852. Fr. Kistner [PN 1900] unknown books
185324808Leipzig: Breitkopf & Härtel PN 8600 1853. Folio. Half black calf with textured cloth boards raised bands on spine in compartments gilt. 1f. title 1f. contents 12 cast list and poem in German translation 3-53 i blank pp. Title lithographed text of poem typeset music engraved.<br/><br/>Contemporary owner's signature: "Auguste Langhans" in ink to foot of front free endpaper and lower right corner of title. Blindstamp to upper right corner of rear endpaper: "Buchbinderei von JGA Peper Neue Groningerstr. 7 Hamburg."<br/><br/>Boards slightly worn and rubbed endpaper slightly stained and foxed. Minor internal foxing; small oval publisher's handstamp to foot of title.<br/><br/>A very good copy on high-quality paper. First Edition. Hofmann p. 251 dated "November 1853". McCorkle p. 491 as IVe. Hoboken 15 202 incorrectly dated "1852"; with wrappers.<br/><br/>Schumann set the poem in a German translation by Karl Adolf Suckow 1802-1847. The overture to Manfred was first performed in Weimar on March 14th 1852; the incidental music to the poem was introduced three months later in Leipzig. While the overture is a staple concert piece the remainder of the music is seldom performed. Breitkopf & Härtel [PN 8600] unknown books
186224799Leipzig und Winterthur: J. Rieter-Biedermann PN 192 1862. Folio. Original publisher's wrappers with titling within decorative border. 1f. title within light blue decorative border 1f. text 3-95 pp. Engraved. In a custom-made dark green cloth folder. <br/><br/>Handstamp of Novello to lower right corner of upper wrapper; leaf with pricing of parts laid down to verso. Publisher's catalogue with works by Schumann to verso of lower wrapper. Printer's note to lower left corner of p. 3: "Stich und Druck der Röder'schen Officin in Leipzig." <br/><br/>Wrappers heavily browned worn and bumped; upper detached and frayed at lower edge with slight loss; spine reinforced with tape. Slightly worn; some foxing browning and dampstaining throughout.<br/><br/>A good wide-margined copy. First Edition second issue. The first issue predates the opening of the publisher's office in Leipzig 1862 and has Winterthur as the only place of publication. Hofmann p. 315. Hoboken 245 first issue. <br/><br/>The text is by Friedrich Rückert 1788-1866. Schumann set the poem in full and added the first stanza of the chorale "Nun danket alle Gott" melody by Johann Crüger text by Martin Rinckart.<br/><br/>"This New Year's Song has some pleasing and original moments. In the earlier part of the piece there is a tuneful Mendelssohnian duet for soprano and alto and some dramatic writing for solo bass including most unusually for Schumann a short passage of recitative. Further variety is achieved by the imaginative use of a large orchestra. This is a work which would justify an occasional revival." Alan Walker: Robert Schumann: The Man & His Music p. 378. J. Rieter-Biedermann [PN 192] unknown books
184339396Leipzig: Breitkopf & Härtel PN 6899 1843. Folio. Sewn. 1f. recto lithographic title with decorative border printed in purple verso:blank 3-31 i blank pp. String parts in plain paper wrappers with manuscript titling to uppers. 10 10 10 10 pp. each with early owner's signature of "J. Henrigues." Engraved throughout.<br /> <br /> Publisher's small circular stamp to lower margin of title.<br /> <br /> Some wear and minor marginal staining; soiling creasing and minor fraying to lower outer corners of piano part; one corner with old paper repair. First Edition probable later issue. Scarce. Hofmann pp. 102-03. McCorkle p. 194. Hoboken 15 84. <br /> <br /> The Piano Quintet ". remains one of Schumann's most enduringly popular compositions. . It was hailed in Berlin where Clara appeared during the 1846-1847 season of the Singakademie as 'one of the most important works of its kind since Beethoven." Daverio: Robert Schumann. Herald of a "New Poetic Age" p. 256. Breitkopf & Härtel [PN 6899 ] unknown
