Robert SchumannBiblio.com
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0266326102.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0265224195.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331160307.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
B9781165800629New. unknown
193820276AB1938. Mainz and Leipzig Schott's Söhne 1938. 27 : 185 cm. 7 pages with some illusstrations. Contains also some other artikles. - Was folded with small tears inthe outside. unknown
1021088331.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3743457989.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
189041110Leipzig: C. F. Peters PN 7018 1890. i series title within ornate architectural border printed in sepia 2-51 Symphony I Op. 38 52-107 Symphony II Op. 61 108-151 Symphony III Op. 97 152-189 Symphony IV op. 120 i thematic index pp. <br /> <br /> Bound with: <br /> Robert Schumann's Sämmtliche Werke. Quintett Op. 44 für Pianoforte zu 4 Händen arrangirt von Theodor Kirchner. Leipzig: C. F. Peters PN 7020 ca. 1890. i series title 2-45 i blank pp. <br /> <br /> With "J. Villant" in manuscript to upper outer corners of several leaves. Occasional annotations in pencil.<br /> <br /> Oblong folio. Half dark brown mottled calf with marbled boards spine in compartments gilt with titling gilt marbled endpapers.<br /> <br /> Binding slightly worn; head of spine chipped. Occasional small stains; some minor soiling to blank margins. "While best remembered for his piano music and songs and some of his symphonic and chamber works Schumann made significant contributions to all the musical genres of his day and cultivated a number of new ones as well. His dual interest in music and literature led him to develop a historically informed music criticism and a compositional style deeply indebted to literary models. A leading exponent of musical Romanticism he had a powerful impact on succeeding generations of European composers." John Daverio and Eric Sams in Grove Music Online. C. F. Peters [PN 7018] unknown
1015725260.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1015720609.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1104573504.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
110445971X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1165800624.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3743466449.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1018473653.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
400014815Sans date.
br. Sono raccolti in questo volume tutti gli scritti che Liszt ha dedicato agli Schumann, a testimonianza di un interesse e di un'ammirazione mai venuti meno, nonostante le peripezie della loro amicizia dovute, in particolare, al difficile carattere («delicato, irritabile, orgoglioso», lo definiva Liszt) di Clara Wieck. Come scrive Piero Rattalino nella prefazione al volume, «Liszt impiega più le armi dell'analisi psicologica che dell'analisi critica», e dunque «non possiamo cercare in lui la disciplina del critico, ma solo la simpatia dell'uomo-artista». Tuttavia, queste sue analisi rivestono una grande importanza, e in una duplice direzione: innanzitutto quella di una riflessione dello stesso Liszt sul proprio cammino creativo, sulla scia della «nuova era iniziata con Beethoven», di cui Robert Schumann, vero e proprio pensatore in musica, costituiva per Liszt un anello imprescindibile. In secondo luogo, quella di un'esemplare messa a fuoco, in presa diretta, delle 'ragioni' dell'arte degli Schumann. Come spiega ancora Piero Rattalino, «i romantici della musica non rappresentano una pia congrega: si combattono, si detestano, si fanno vicendevolmente la forca. Ma sono sostanzialmente solidali nella visione che hanno dell'arte». Un volume, questo, che, unitamente allo scritto del curatore e al saggio di Rattalino, porta un contributo decisivo alla conoscenza non solo del rapporto tra Liszt e Schumann, ma anche del complesso mondo del romanticismo musicale tedesco.
15 S. Gr. 4°. OKart. geheftet. Faksmiles.
132 S. OLn. Deckel fleckig. Rückendeckel oben leicht beschabt.
RO50021850Edition Peters. XXème. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 47 pages. Ornements couleur en couverture. Intérieur non coupé. Nombreuses traces de crayon.. . . . Classification Dewey : 780.26-Partitions
3640355032.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20092080502106914922Not Available 2009. Soft Cover. Fine. The book is in fine condition. Not Available paperback
RO50041118E.GALLET.. Non daté. In-4. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. 2 pages de partitions.. . . . Classification Dewey : 780.26-Partitions
RO50036266MAURICE SENART. Non daté. In-4. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Déchirures. 5 pages de partitions pour violon avec accompagnement de piano et 1 page de partition pour violon seul. . . . Classification Dewey : 780.26-Partitions
