BEETHOVEN, Ludwig van 1770-1827Biblio.com
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180540794Mayence: chez Charles Zulehner PN 73 1805. Quarto. Disbound. i title 13 i blank pp. Engraved throughout. <br /> <br /> With ownership signature to upper outer corner of title in contemporary brown ink; several annotations in pencil including fingerings dynamics and accidentals. <br /> <br /> Slightly trimmed; occasional minor foxing and soiling mainly to blank margins; spine reinforced with narrow strip of early paper. Early edition. LvBWV I p. 246. <br /> <br /> These three marches scored for piano 4-hands incorporate a wide range of dynamics register and textures that complement the dotted March rhythms including Alberti basses arpeggios and triplets. <br /> <br /> "From his success at combining tradition and exploration and personal expression Beethoven came to be regarded as the dominant musical figure of the 19th century and scarcely any significant composer since his time has escaped his influence or failed to acknowledge it. For the respect his works have commanded of musicians and the popularity they have enjoyed among wider audiences he is probably the most admired composer in the history of Western music." Joseph Kerman Alan Tyson Scott G. Burnham Douglas Johnson and William Drabkin in Grove Music Online. chez Charles Zulehner [PN 73] unknown
1412ovscd118xDecca 2014-12-09. audioCD. Like New. 5x0x4. Complete 65 CD Box Set. All Cds sleeves and book in excellent condition. Box has slight shelf wear. Decca unknown
a91602Paris . no date c. 1840-1865 Launer. Folio Hardcover. Not paginated consecutively but several hundred pages all together. Brown cloth covered boards with leather backstrip with full gilt decoration. This volume has Opus 1 11 97 70 83 5 17 23 12 24. Music score for piano. Original printed front pink printed score covers bound in. Seven page text introduction written by Beethoven in 1802 at beginnng. Binding quite secure; music clean of marks but occasional light spotting. Good. no ownership marks. Volume one only. . hardcover
1802220649À Vienne: chez Hoffmeister & Comp; à Leipsic :; Chez Hoffmeister et Kühnel au Bureau de musique 1802. First edition thus. Publisher's Catalogue No 110 & 111. Price engraved titles: 1 Rthlr. 5 parts each for each section engraved throughout. Separate engraved title pages preceding each section for 1st Violin; others paginated separately but without title pages: 1st violin: 7 7 p. 2nd violin: 4 4 p. 1st viola: 4 4 p. 2nd viola: 4 3 p. Cello: 3 3 p. 1 vols. Folio 32 x 24 cm. Disbound first title page a bit soiled; occasional light soiling throughout. First edition thus. Publisher's Catalogue No 110 & 111. Price engraved titles: 1 Rthlr. 5 parts each for each section engraved throughout. Separate engraved title pages preceding each section for 1st Violin; others paginated separately but without title pages: 1st violin: 7 7 p. 2nd violin: 4 4 p. 1st viola: 4 4 p. 2nd viola: 4 3 p. Cello: 3 3 p. 1 vols. Folio 32 x 24 cm. Beethoven's septet for woodwinds arranged for string quintet by Hoffmeister and published thus for the first time. Kinsky p. 50 chez Hoffmeister & Comp; à Leipsic :; Chez Hoffmeister et Kühnel au Bureau de musique unknown
2j12965Stich Druck und Verlag von Eduard Hallberger Stuttgart 1858. Insgesamt 601 Seiten mit Noten Halbleinen-Einband mit goldgeprägtem Rückentitel quart etwas stockfleckig/alter Name und kleiner Namensstempel auf Titeln/Einband berieben. - Hallberger's Pracht-Ausgabe der Classiker / Neu herausgegeben mit Bezeichnungen des Zeitmasses und Fingersatzes von J. Moscheles / Enthalten: Op. 2 / Op. 7 / Op. 10 / Op. 13 / Op. 14 / Op. 22 / Op. 26 / Op. 27 / Op. 28 / Op. 31 / Op. 49 / Op. 53 / Op. 54 / Op. 57 / Op. 78 / Op. 81 / Op. 90 / Op. 101 / Op. 106 / Op. 109 / Op. 110 / Op. 111 - unknown
179575760Beethoven's Trois Trios pour le Piano Forte Violin & Violoncelle Oeuvre 1r Paris: Pleyel circa 1800 3 62pp. engraved throughout bound with 26 contemporary engraved pieces of music including 7 pieces of music from Figaro Il Consiglio Imprudente Don Giovanni Cosi Fan Tutte by Mozart; Oh Magnify the Lord Angels Ever Bright & Fair Ye Sacred Priests by Handel; Music to A Midsummer Night's Dream and Two Gentlemen of Verona by Henry Bishop Published by Goulding D'Almaine, Potter & Co; Rt Birchall; G Shade; Pleyel hardcover
2019__3761824645Bärenreiter Verlag 2019. Hardcover. New. 1. aufl. 2019 edition. 277 pages. German language. 13.62x11.50x1.42 inches. Bärenreiter Verlag hardcover
183728291AB1837. England possibly Hoxton James van Sommer 1837. Octavo. 157 pages. Modern unsophisticated Hardcover with new endpapers. Excellent condition. hardcover
182733061Leipzig: Breitkopf & Härtel PN 4612 1827. Oblong folio. Brown leather-backed marbled boards with oval paper label titled in contemporary manuscript laid down to upper. 1f. recto title verso blank 1 cast list contents 2-130 pp. Lithographed.<br /> <br /> Contemporary signature "Ernst Dieter" to title label and head of title; small circular publisher's handstamp to foot of title.<br /> <br /> Binding somewhat worn rubbed and bumped; front free endpaper creased and torn repaired with archival tape. Light scattered foxing; minor dampstaining to final 25ff. Third edition of the third 1814 version of the work. LvBWV I p. 451. Not in Hoboken. Earlier editions of this version were published in Vienna 1814 Bonn 1815 and Paris 1826. <br /> <br /> Beethoven's opera Leonore went through several revisions before the final version Fidelio premiered in Vienna on 23 May 1814. Breitkopf & Härtel [PN 4612] unknown
1942119420Maximilian-Verlag Max Staercke 1942. Paperback. Very Good. Facsimile reproduction of Beethoven's original manuscript for his 5th symphony. Paper over boards in slipcase. 12.75" x9.25"x 1.5". Limited to 400 copies this copy not numbered. oversized and overweight. A22 Please email for photos. Maximilian-Verlag Max Staercke paperback
183040832Bonn: bei N. Simrock PN 2078 1830. Large octavo. 19th century flexible marbled wrappers with blank octagonal paper label to upper. 1f. recto lithographic title verso blank 195 i blank pp. Music engraved. <br /> <br /> Wrappers slightly worn. Minor wear; very occasional small stains to blank margins; text block split at p. 72. <br /> <br /> A bright clear impression. First Edition later issue with title newly-set. LvBWV I p. 337. <br /> <br /> "The Fourth Symphony is perhaps the work in which Beethoven first fully reveals his mastery of movement. . The Finale represents Beethoven's full maturity in that subtlest of ways his discovery of the true inwardness of Mozart and Haydn; a discovery inaccessible to him whenever . he seemed or tried to imitate them but possible as soon as he obtained full freedom in handling his own resources. Everything is present in this unsurpassably adroit and playful Finale; and it is all pure Beethoven." Tovey: The Beethoven Companion pp. 564-565. bei N. Simrock [PN 2078] unknown
NOTE0068Graz Adeva 1979. quer-4°. 128 Bl. OHLdr. in Orig.Leinenschuber mit Kommentarband. 496S. OKart. Sehr gut erhalten. Eines von 1000 num. Exemplaren Graz, Adeva 1979. unknown
2008SONG020184172XHENLE 2008-10-01. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. HENLE hardcover
18692677DB1869. Leipzig und Winterthur Rieter-Biedermann 1869. Folio. 6 Bl. XXXI 269 Seiten gestochene Noten. Mit 1 gest. Portrait von C. Gonzenbach 4 Stahlstichtafeln von Heinr. Merz und 2 Seiten Notenhandschrift-Faksimile. Blind- und goldgeprägter Original Leinenband mit Goldprägunge und -verzierungen. Platten-Nr. 635. - Prachtausgabe zum 100. Geburtstag Beethovens. Mit zweisprachigem Vorwort. Der Librettotext in Deutsch den Noten vorgebunden nach dem Französischen bearbeitet von Joseph Sonnleitner und Friedrich Treitschke. Enthält beide Ouvertüren zu vier Händen sowohl zu Fidelio als auch zu Leonore. Es folgt der Klavierauszug für zwei Hände mit französisch-deutschem Paralleltext. - Papier vereinzelt etwas stockfleckig. Einband leicht berieben und bestossen. Durchgehend leicht fleckig. unknown
CA08AA-00752Henry Litolff. Collectible - Good. Braunschweig: Henry Litolff n.d. 4 volumes bound in 2. 4to. Paginated by volume. Music. Good book. Bound over original wraps. Some notes written on rear endpage. A few fingerings written into the music. chamber music arrangements for piano Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Henry Litolff paperback
1996BN126880Henle G. Verlag 1996. 1996. Hardcover. Briefwechsel Band 1 <br/><br/>Briefwechsel Band 1 Ludwig van Beethoven Henle, G. Verlag hardcover
80436Leipzig Wilhelm Engelmann o. J. 1913. Quer-4° 27 x 34.5 cm 38 einseitig bedruckte Taf. 2 Titeltaf. 1 Porträt-Taf. 35 Taf. Noten; die im Original unbeschriebenen S. 34 f. wurden nicht reproduziert Kart. m. gold. Deckelpräg. Deckel etw. fleckig u. gewellt Kopf etw. bestossen Vs. tlw. etw. gebräunt Papier etw. gebräunt innen sonst tadellos. Beiliegend zwei maschinengeschriebene signierte Briefe von Karl B. Jindracek seines Zeichens Referent für Kirchenmusik der Stadt Wien datiert «Arosa 21. 4. 1951» und «Süri 15. 7. 1952» einige «Erstdrucke» klassischer Noten betreffend die er einem Privatsammler zu veräussern versuchte. 010 Leipzig, Wilhelm Engelmann, o. J. [1913] unknown
183033209Bonn: N. Simrock PN 1959 1830. Octavo. Half dark brown cloth with brown marbled boards oval dark yellow label with titling in contemporary manuscript to upper. 1f. lithographic title 162 pp. Engraved.<br /> <br /> Contemporary owner's signature in ink to front free endpaper.<br /> <br /> Binding worn rubbed and bumped; endpapers browned; hinges tender. Light scattered foxing and thumbing; price on title erased. First German edition second issue with revised title page. LvBWV v. 1 p. 211. Hoboken 2 195 first issue. Hirsch IV 278 first issue.<br /> <br /> The full score was first published in an unauthorized edition by Cianchettini & Sperati in London in 1808. N. Simrock [PN 1959] unknown
1803220648Bonn: bey N. Simrock 1803. Later issue 0 of ca. 1803 ed. without the price and publisher's no. on title page. Engraved title page 15 pages engraved music with lyrics. pp. 1 2-16 publisher's catalogue number 368 printed at bottom of text. 1 vols. 22.5 x 32 cm. Disbound laid into green paper portfolio. Later issue 0 of ca. 1803 ed. without the price and publisher's no. on title page. Engraved title page 15 pages engraved music with lyrics. pp. 1 2-16 publisher's catalogue number 368 printed at bottom of text. 1 vols. 22.5 x 32 cm. The exact date of the composition of Opus 48 six songs for voice and piano has not been definitely established but the last was finished no later than March of 1802 and it appears that sketches of No. 3 survive from 1798. <br /> <br /> These songs use texts by Christian Fürtegott Gellert and they relate to views of God and the divine presence as it relates to life death nature and man's love of his neighbor. The songs stand alone and are considered less as a cycle and more as a series of loosely-connected songs. <br /> <br /> Unusual and a striking survival of a beautiful piece of music. Kinsky-Halm p. 115; Katalog der Sammlung Anthony van Hoboken Bd. 2 Nr. 236 bey N. Simrock unknown
16-3935Paris: Chez Naderman circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 10 pages. This is the section for the Violincello.2 17 1 pages Very clean. Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtLudwig van Beethoven's Opus 1 is a set of three piano trios written for piano violin and cello first performed in 1795 in the house of Prince Lichnowsky to whom they are dedicated.The trios were published in 1795.François-Joseph Naderman est un compositeur harpiste facteur éditeur de musique et professeur de harpe né le 5 août 1781 à Paris où il est mort le 2 avril 1835.The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795 possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838 "The three trios by Beethoven Opus 1 were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited in particular Haydn whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven as he considered it to be the best one and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did however confirm what Beethoven had mentioned as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well." Paris: Chez Naderman, circa early 19th Century. unknown
a71800Frankfurt a/m c. 1850 Chez Franz Philipp Dunst. 14 works Nos. 1-14 bound in one volume. Music. Most titles in French a few in German. 4to. about 400pp. rebound in later wraps. Good some offsetting on title page a few minor interior stains. Scarce. . paperback
182040798Vienne: Chez Artaria e Comp. PN 2125 1820. Oblong folio. Disbound. i title 2-13 i blank pp. Engraved throughout. <br /> <br /> Occasional minor wear soiling and staining; staining to center and blank lower margins of first three leaves. First Viennese edition later issue here with corrected plate numbers to pp. 4 7 9 and 11. Kinsky 1 p. 211. Hoboken 2 345. First published by Breitkopf & Härtel in November of 1810. <br /> <br /> "Beethoven's early achievements as composer and performer show him to be extending the Viennese Classical tradition that he had inherited from Mozart and Haydn. As personal affliction - deafness and the inability to enter into happy personal relationships - loomed larger he began to compose in an increasingly individual musical style and at the end of his life he wrote his most sublime and profound works." Joseph Kerman Alan Tyson Scott G. Burnham Douglas Johnson and William Drabkin in Grove Music Online. Chez Artaria e Comp. [PN 2125] unknown
ABE-1657033861041AP Manuscripts USA HISTORY/DESCRIPTION: NO OTHER SYMPHONIC COMPOSITION HAS MET WITH SUCH A BROAD AND COMPLEX RECEPTION AS LUDWIG VAN BEETHOVENS SYMPHONY NUMBER 9 IN D MINOR OPUS 125 POPULARLY KNOWN AS THE CHORAL SYMPHONY. THE WORK MARKED AN IMPORTANT DEVELOPMENT IN 19TH CENTURY MUSIC. IN THE FINALE BEETHOVEN SET THE MUSIC TO THE GERMAN POET FRIEDRICH VON SCHILLERS AN DIE FREUDE ODE TO JOY THE FIRST TIME THE HUMAN VOICE WAS INCLUDED IN A SYMPHONIC WORK. THE SYMPHONY WAS FIRST PERFORMED IN VIENNA ON MAY 7 1824. ITS INFLUENCE HAS SINCE EXTENDED FAR BEYOND THE FIELD OF MUSIC. THE WORK HAS INSPIRED POETS WRITERS AND VISUAL ARTISTS; IT HAS PROVOKED AESTHETIC AND PHILOSOPHICAL ARGUMENT AND DISCUSSION. ABOVE ALL SYMPHONY HAS AT ALL TIMES PROCLAIMED TO PEOPLE OF GOODWILL ITS MESSAGE OF JOY AND THE GLOBAL BROTHERHOOD OF HUMANITY. COMPOSERS INFLUENCED BY THE WORK HAVE INCLUDED SCHUBERT BERLIOZ BRAHMS WAGNER BRUCKNER MAHLER AND MANY OTHERS. THE AUTOGRAPH SCORE OF BEETHOVENS NINTH IS HELD ALMOST IN ITS ENTIRETY IN THE MUSIC DEPARTMENT OF THE BERLIN STATE LIBRARY PRUSSIAN CULTURAL HERITAGE FOUNDATION. SOME SHEETS FROM THE SCORE THAT WERE REMOVED IN THE 19TH CENTURY ARE HELD AT THE BEETHOVEN-HAUS IN BONN AND IN THE NATIONAL LIBRARY OF FRANCE IN PARIS. THE ORIGINAL SCORE OF THE SYMPHONY WAS ADDED TO THE UNESCO MEMORY OF THE WORLD REGISTER IN 2001 WHERE IT JOINS OTHER OUTSTANDING MONUMENTS TO THE SPIRITUAL HERITAGE OF MANKIND. REPRODUCTION DETAILS: OUR HARDCOVER BOOKS ARE MADE WITH REAL WOOD FOR THE INTERIOR OF THE FRONT AND BACK COVERS AS WELL AS THE SPINE. THE LEATHER IS A 4 OZ COWHIDE FROM A SMALL SUPPLIER IN NORTH CAROLINA. THE LEATHER IS ADHERED TO THE COVERS WITH GLUE AND MOLDED INTO THE SHAPE AT THE HAND OF OUR LOCAL ARTISANS. THE SIGNATURES/PAGES ARE HANDSEWN USING A LIBRARY BINDING METHOD. THE SEWN BOOK IS BOUND WITH A STRONG ADHESIVE GLUE THAT MAKES THE BINDINGS LAST ESPECIALLY FOR THE LARGER BOOKS. WE ALSO ADD A THICK MULL CLOTH TO THE OUTSIDE OF THE BINDING DRYING IN BETWEEN EACH LAYER A TRADITIONAL WAY TO MAKE THE BINDING STIFF STRONG AND RESILIENT FOR GENERATIONS TO COME. Limited Edition. Hardcover. New. AP Manuscripts USA hardcover
182222957Bonn et Cologne: N. Simrock PN 1959 1822. Octavo. Original publisher's printed pink wrappers. 1f. title ii blank 162 pp. Engraved. Price: "14 Frs." <br /> <br /> Wrappers slightly defective spine mostly lacking upper laid down. Slight offsetting; staining to edges of outer margins; some paper imperfections. Some edges untrimmed. Uniform light browning throughout more noticeably to title. First German edition with metronome indications present. Scarce in original wrappers. LvBWV v. 1 p. 211. Hoboken 2 195. Del Mar p. 10 Source E. The score was previously published in an unauthorized edition by Cianchettini and Sperati in London in 1808. <br /> <br /> One of the last works of Beethoven's so-called "early period" the Second Symphony was premiered at the Theater an der Wien in Vienna on 5 April 1803 conducted by the composer. It was largely composed during Beethoven's stay at Heiligenstadt in 1802 when he began to realize that his deafness might be incurable. <br /> <br /> "Completed in 1802 during a turbulent period in Beethoven's life the Second Symphony in D major op. 36 is already the work of a mature master who is settling accounts - or making peace - with the high-Classic symphonic tradition before embarking on an unprecedented musical voyage. It is a work which has both retrospective and prospective characteristics: it is firmly rooted in Mozart's and Haydn's last symphonies while anticipating Beethoven's later development by its dynamic contrasts unexpected modulations and propulsive movement all of which are controlled by a confident and flowing Classicism." Solomon: Beethoven pp. 103-104. N. Simrock [PN 1959] unknown
2008DADAX020184172XHENLE 2008-10-01. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. HENLE hardcover
