3 087 résultats
19 S. 8°. OKart. Geheftet.
196955266ABBonn, Archivo Beethoven [Beethoven-Archiv]; Hamburg : Deutsche Grammophon Gesellschaft; Braunschweig, Georg Westermann Verlag 1969. 4° 275 S., mit zahlt. Abb. OLw., Schutzumschl., i. Schuber. Schuber m. Randläsuren, sonst sauber u. gut erhalten.
196982951BBBonn, Beethoven-Archiv; Hamburg: Dt. Grammophon Ges.; Braunschweig: Westermann, (1969). quer- 4°. 275 S., zahlreiche Farb- und sw-Abbildungen, Leinen in Schuber (Schuber leicht lädiert; sonst gut erhalten)
1974109581ABBonn [u.a.], Beethoven-Archiv [u.a.], (1974). quer-4°. 275 S. mit zahlreichen, teils farbigen Abb. Original-Leinenband mit OCellophanumschlag.
1964M31278München-Duisburg/Bonn, G.Henle/Beethovenhaus 1964 272pp., in the series "Veröffentlichungen des Beethovenhauses in Bonn - Neue Folge, 4e Reihe: Schriften zu Beethovenforschung" vol.I
272pp., in the series "Veröffentlichungen des Beethovenhauses in Bonn - Neue Folge, 4e Reihe: Schriften zu Beethovenforschung" vol.I
190810591Wilhelm Borngräber, Berlin, 1908. XXVIII, 122 S., 1 Faltblatt. Gr-8vo. Halbleinen.
192414097ABBerlin, Volksverband der Bücherfreunde, Wegweiser-Verlag, 1924. 8°, 293 Seiten, mit Abbildungen und Notenbeispielen, Halbleder, goldgeprägter Rückentitel, brauner Kopfschnitt. Kapitale lädiert, Schnitt leicht stockfleckig, Namenseintrag auf Schmutztitel, noch gut erhalten.
19245986Bln.: Volksverband der Bücherfreunde 1924. 4 Bll., 293 Ss., 1 Bl. 8°. HLd. mit Kopffarbschnitt.
1924139907Berlin, Wegweiser-Vlg. 1924. 293 S. OHldr. M. Rgoldpräg. Rücken leicht berieben.
19242465-2Berlin, Wegweiser 1924. 293 S. Mit 4 Tafn. u. 133 Notenbeisp. Original-Halblederband
191119480Bonn, 1911. Gr. 8°, 156 Seiten. mit Titelbild und 8 Tafeln in Photogravur und 2 Faksimile-Beilagen. Orig.Karton mit Goldprägung.
xvi, 56 S. 8°. OU.
155 S. + Faks. Beilagen. Gr. 8°. Abb. auf Tafeln. OU mit Randschaden, am Rand wellig. Bibliotheksexpl. mit Stempeln, Zettel und Barcode auf Vorsatz. Erstausgabe.
209 [iv] S. Gr. 8°. Frontispiz, Abb. auf Tafeln. Falttafel. OPp.
264610Köln: Böhlau 2020. 560 S., zahlr. Abb. Reg. Gr 8° Kart. *neuwertig*.
151823Prints of Beethoven's belles. Three reproduction prints of Beethoven's belles two in color framed together as one. Matted and framed with gilt to the cut edges of the mat. In near fine condition. The entire piece measures 19.75 inches by 14.75 inches. Ludwig van Beethoven 1770–1827 stands among the most consequential figures in the history of Western music a composer whose work bridged the Classical and Romantic eras and fundamentally reshaped the expressive possibilities of nearly every genre he undertook. Born in Bonn and trained in the traditions of Haydn and Mozart Beethoven settled in Vienna in 1792 where he established himself first as a virtuoso pianist and subsequently as a composer of unprecedented ambition and individuality. His nine symphonies sixteen string quartets thirty-two piano sonatas and the opera Fidelio transformed the formal and emotional scope of instrumental and vocal music alike while his late works—the Missa Solemnis the Ninth Symphony and the final quartets among them—pressed beyond the conventions of his time and anticipated the harmonic and structural innovations of the century to follow. The progressive deafness that afflicted him from his late twenties and which had rendered him almost wholly deaf by the final decade of his life lent his biography a tragic dimension that has shaped his reception ever since casting him in the popular imagination as the archetypal Romantic artist whose creative vision triumphed over personal suffering. unknown
151907Rare first edition of the first biography of Beethoven printed months after his death. Octavo original printed pictorial wrappers frontispiece portrait of Beethoven and a lithograph facsimile of a letter from Beethoven to Abbe Maximilian Stadler. The scarce first biography of Beethoven published only months after the composer's death. Though frequently maligned by later biographers Schlosser's account remained the sole separate biography of Beethoven available until 1838. While certain of Schlosser's claims have not withstood subsequent scholarly scrutiny Barry Cooper observes that the work retains interest as "a reflection of what was generally known and believed about Beethoven at the time of his death." Schlosser published this edition to raise funds for a monument to Haydn a project that ultimately never came to fruition. See Barry Cooper editor Beethoven: The First Biography Portland: Amadeus Press 1996. In very good condition early owner's signature on the front cover old bookseller's mark on the rear cover. Housed in a custom clamshell box. Ludwig van Beethoven 1770–1827 stands among the most consequential figures in the history of Western music a composer whose work bridged the Classical and Romantic eras and fundamentally reshaped the expressive possibilities of nearly every genre he undertook. Born in Bonn and trained in the traditions of Haydn and Mozart Beethoven settled in Vienna in 1792 where he established himself first as a virtuoso pianist and subsequently as a composer of unprecedented ambition and individuality. His nine symphonies sixteen string quartets thirty-two piano sonatas and the opera Fidelio transformed the formal and emotional scope of instrumental and vocal music alike while his late works—the Missa Solemnis the Ninth Symphony and the final quartets among them—pressed beyond the conventions of his time and anticipated the harmonic and structural innovations of the century to follow. The progressive deafness that afflicted him from his late twenties and which had rendered him almost wholly deaf by the final decade of his life lent his biography a tragic dimension that has shaped his reception ever since casting him in the popular imagination as the archetypal Romantic artist whose creative vision triumphed over personal suffering. unknown
xxv, 272 + 2 faks. Abb., 373 S. + 2 faks. Abb. In einem Band. Gest. frontisp. Portr. (leicht gebräunt), Notenbeisp. Mod. Ln. 2. Faksimile des 1. Teil am Aussenrand fransig. Vorsatz mit Namenseintrag.
2008134015Hildesheim: Olms Vlg. 2008. XXX, 660 S., Faks., 2 Falttaf. Ln. *mit Klarsichtfolie bezogen*.
200830506AHildesheim, Zürich und New York, Georg Olms Verlag, 2008. Ca. 19,3 x 13 cm. 2 Blätter, XXV (4) Seiten, 272 Seiten, mit Frontispizporträt und 2 Faksimile; 1 Blatt, 373 Seiten, mit 2 Faksimile. Grüner Original-Leinenband.
xxvi + 393pp.+ frontispice (portrait gravé de Beethoven), 24cm., reliure cart. (dos en cuir avec titre et fleurons dorés, plats et surtout coins usés), feuilles de garde marbrées, inscription sur fausse page de titre et sur la page de titre, texte frais et sans rousseurs, bon état, rare exemplaire de cette première édition en français [l'édition originale allemande date de 1840], M83144
ill., br. Dall'epoca dei grandi specialisti beethoveniani come Wilhelm Backhaus a quella più recente di musicisti poliedrici come Alfred Brendel e Maurizio Pollini, le 32 sonate per pianoforte di Ludwig van Beethoven rappresentano una sfida titanica e un'attrazione irresistibile per tutti i grandi pianisti: il "Nuovo Testamento" del pianoforte, come le definì Hans von Bulow. Se il confronto con i grandi del passato è inevitabile, una nuova interpretazione può fondarsi solo su un lavoro autonomo e certosino sui testi. Stimolato dalle domande di Martin Meyer, Andràs Schiff svela tutti i segreti del suo approccio alle sonate, guidando il lettore lungo l'evoluzione straordinaria del linguaggio musicale beethoveniano, dalle giovanili sonate op. 2, già svincolate dal modello di Haydn, alle ultime, visionarie realizzazioni della maturità. Da questa analisi storico-critica discendono immediatamente, in maniera nello stesso tempo personale e non arbitraria, scelte di regia, tempo, suono, dinamica, timbro. Questa guida, un viaggio inedito dietro le quinte del lavoro interpretativo, offre tutti gli strumenti per un ascolto consapevole dell'esecuzione dal vivo delle sonate da parte di Andràs Schiff e di ogni loro interpretazione passata o futura.
