872 résultats
1995Q-0382261836Silver Burdett Press 1995-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Silver Burdett Press hardcover
0382341023.Gspiral_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
0382261976.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
32925Sydney D. Davis and Company 1940. c. 60pp. 4to. Original stapled boards in slightly repaired dustwrapper Black and white illustrations and decorations. An excellent bright copy. First Australian edition. Scarce Sydney, D. Davis and Company 1940. hardcover
1987555j0763London: Wise Publications. Good. 1987. First Edition. Paperback. 0711911649 . 48 pages of piano sheet music. Songs include: Arabesque; Badinerie Suite in B Minor Bach; Clair De Lune; Fur Elise; Liebestraume; Moonlight Sonata; Nocturne - Op. 9 No. 2 in E flat major Chopin; Pathetique - Adagio Cantabile Beethoven; Piano Concerto No. 1 in B flat minor Op. 23 Tchaikovsky; Piano Concerto No. 21 in C major Theme from ''Elvira Madigan' Mozart. Clean and unmarked with moderate wear. A sound copy.; 4to . Wise Publications paperback
0684123959.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0486406288.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Q-0486406288Dover Publications. paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1999186006Mineola NY: Dover Publications Inc 1999. Paperback. As New. 198p. A large softcover book in fine condition save for a tiny scratch at the top of the spine. Clean and tight. Dover Publications, Inc paperback
1161636986.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333819625.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0265426022.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265430887.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18517030Leipzig: Brietkopf und Härtel 1851. pp 167 Ownership inscription to upper cover of William Sterndale Bennett 1857 and stamp of T G Odling. Bound in printed paper covers over boards brown cloth spine with gilt bands and titles and cloth tips to the corners of the boards. Very good boards rubbed spotting and staining especially to the end papers and gutter. Very good 1851 Brietkopf und Härtel hardcover
0260943495.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0883960311New. paperback. New. Satisfaction Guaranteed or your money back. paperback
20202090202120415735Kawai shuppan 2020. Soft Cover. Fine. Number of books: 1 Kawai shuppan paperback
2281180730071International Music Company. Paperback. Very Good. Nice looking book has minor edge wear. has name on cover & inside pages. International Music Company paperback
2363181123077International Music Company. Paperback. Good. Nice looking book has minor edge wear. has name stamped on each part title page. three holes on spine for ring binder use. International Music Company paperback
182622986Wien: Tobias Haslinger PN 2582 1826. Oblong folio and folio. Disbound. Piano: 1 title 2-50 pp. Violoncello: 12 pp. Engraved. Price printed in two currencies: "f. 5_C.M." above "Reichstthaler sign 3.8 gr." below. With "Amsterdam: Theune & Comp." overpaste to foot of title.<br /> <br /> Decorative title with coat of arms surrounded by stylized sunrays and clouds. <br /> <br /> Edges browned and slightly dampstained; slight offsetting and bleeding of imprint; lower outer corner of cello part slightly creased; violin part lacking. With header "221" added in manuscript to all pages. A later issue printed from plates of the first edition. LvBWV I p. 625. Tobias Haslinger [PN 2582] unknown
a64663Leipzic c. 1820. Breitkopf & Hartel. Piano music score. Oblong 4to. 41pp. wraps. Good moderately foxed. Scarce. paperback
131658Leipzig u.å. 4to. I 3 priv. shirtingbd. 351 68 62 s. Noter. . <br/><br/><em>Boken befinner seg på et fjernlager og ekstra leveringstid må beregnes! </em> unknown
GOR009733449Paperback. Very Good. paperback
114379Hamburg chés Jean Auguste Böhme ca. 1815. Folio. Engr. title 32-45 engr. pp. Disbound. Only the piano part to the third sonate. A reprint by Böhme in Hamburg. The three sonatas for pianoforte and violin and dedicated to Salieri were composed in 1797-98 and performed in December 1798. First published by Artaria in 1799. unknown
16-3933Paris: Chez Naderman circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 62 pages. First page defective with losses in lower right quadrant.Light to moderate stains. Stamp with text: Editeur du Musique du Roi.Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtLudwig van Beethoven's Opus 1 is a set of three piano trios written for piano violin and cello first performed in 1795 in the house of Prince Lichnowsky to whom they are dedicated.The trios were published in 1795.François-Joseph Naderman est un compositeur harpiste facteur éditeur de musique et professeur de harpe né le 5 août 1781 à Paris où il est mort le 2 avril 1835.The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795 possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838 "The three trios by Beethoven Opus 1 were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited in particular Haydn whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven as he considered it to be the best one and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did however confirm what Beethoven had mentioned as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well." Paris: Chez Naderman, circa early 19th Century. unknown