Kraemer, UweAntiquariat.de
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199141071Henstedt-Ulzburg, Edition Labö Musikverlag, 1991. 64 Seiten , 18 cm, Leinen in einer Schachtel
200319959Arts Archi, 2003. 1 CD CD
182622986Wien: Tobias Haslinger PN 2582 1826. Oblong folio and folio. Disbound. Piano: 1 title 2-50 pp. Violoncello: 12 pp. Engraved. Price printed in two currencies: "f. 5_C.M." above "Reichstthaler sign 3.8 gr." below. With "Amsterdam: Theune & Comp." overpaste to foot of title.<br/> <br/><br/>Decorative title with coat of arms surrounded by stylized sunrays and clouds. <br/><br/>Edges browned and slightly dampstained; slight offsetting and bleeding of imprint; lower outer corner of cello part slightly creased; violin part lacking. With header "221" added in manuscript to all pages. A later issue printed from plates of the first edition. LvBWV v. 1 p .625. Tobias Haslinger [PN] 2582 unknown books
184233102Offenbach a/M: Johann André PN 6463 1842. Folio. Decorative lithographed title page printed in black and sepia. 1f. recto title verso blank 3 blank 4-29 pp.<br/><br/>Spine reinforced with burgundy paper tape. Moderate offsetting; light scattered foxing. Without separate violin part. A later edition.<br/><br/>Composed for a concert given by violinist Pierre Rode on the occasion of his visit to Vienna in December of 1812. <br/><br/>"The Violin Sonata op. 96 the tenth and last of Beethoven's sonatas for piano and violin was sketched and composed in 1812 following the Seventh and Eighth Symphonies to which it contrasts as a delicate pen-and-ink drawing to a set of major frescos. The G-major Sonata abandons the "stilo brillante molto concertante" of opus 47 in favor of a heartfelt and exquisite communicativeness thus providing a quietly imaginative coda to the middle period." Solomon: Beethoven p. 214. Johann André [PN 6463] unknown books
184533454Wien: Tobias Haslinger PN C.H. 2576 1845. Folio. Unbound. 1 title within sunburst printed in sepia 2-49 i blank pp. Engraved.<br/><br/>Circular publisher's handstamp "Veuve de J. Hoffmann" to final blank page.<br/><br/>Slightly worn and soiled; occasional tape repairs; spine and inner margins reinforced with tape. Later issue. LvBWV v.1 p. 607. Tobias Haslinger [PN C.H. 2576] unknown books
182033095Wien: S.A. Steiner und Comp. PN S.u.C. 2366 1820. 5 parts. Folio. Unbound and untrimmed as issued. Engraved throughout.<br/><br/>Violin I: 1f. recto title verso blank 7 i blank pp. <br/>Violin II: 7 i blank pp. <br/>Viola I: 6 ii blank pp. <br/>Viola II: 6 ii blank pp. <br/>Violoncello: 6 ii blank pp. <br/><br/>Occasional minor spotting. A very good copy overall. <br/><br/>Lightly worn and browned; holes near spine from previous stab-binding now unbound; minor stain to margin of title; some leaves lightly foxed. First Edition of this arrangement second issue. LvBWV v. 1 p. 584. Hoboken 2 394 Haslinger reissue. S.A. Steiner und Comp. [PN S.u.C. 2366] unknown books
181726784Wien: S.A. Steiner und Comp. PN C.D.S. 2364 1817. Oblong folio. Unbound as issued. Housed in a custom-made mid-tan leather-backed folder with titling gilt to spine. 1f. title 1 blank 2-39 iii blank pp. Engraved. The word "Preis" printed but neither amount nor currency added.<br/><br/>Extended printed note following imprint: "so wie auch zu haben and also available: in Leipzig bey Breitkopf und Härtel _ C.F. Peters _ Fr. Hoffmeister continuation in smaller print Bonn bey N. Simmrok !Simrock _ Offenbach bey J: Andrä !André _ Zürich bey Nägeli & Comp. _ Ettwill !Eltville bey C: Zulehner_ und in den Musikhandlungen zu Augsburg _ Berlin _ Braunschweig _ Frankfurth _ Hamburg _ München _ Mayland !Mailand _ Neapel _ Stuttgardt !Stuttgart."<br/><br/>Folder slightly worn and soiled. Some offsetting. <br/><br/>An uncut copy. In very good condition overall. First Edition of this arrangement second issue "Pränumerations-Anzeige" of first issue dropped from p. 1 but amount and currency of price printed from third issue on still lacking. LvBWV v. 1 p. 585. 3 copies in Germany and Austria. Hoboken 2 392 a later issue. <br/><br/>The arranger of this version is not known. <br/><br/>"Beethoven's 'Battle Symphony' more correctly entitled Wellington's Victory of the Battle of Victoria op. 91 came into being as the result of an idea by Maelzel that Beethoven should write a work for his latest invention the panharmonicon a sort of mechanical orchestra. The timing coincided with Wellington's defeat of Napoleon in 1813. It is a programmatic piece for a large orchestra with a battery of military and Turkish percussion instruments including cannons and muskets. The first section opens with an English bugle call followed by the patriotic tune Rule Britannia answered by a French bugle call and marching tune known in Britain as For he's a jolly good fellow. Then comes a depiction of the battle. Part 2 called 'Victory Symphony' begins and ends with martial music but is otherwise based largely on the British national anthem which is treated fugally." Cooper: The Beethoven Compendium p. 220. S.A. Steiner und Comp. [PN C.D.S. 2364] unknown books
184021493Wien: Tobias Haslinger 1840. Folio. Unbound. 1f. title 9; 8; 8 pp. Engraved. <br/><br/>Worn and soiled; title separated at spine; edges frayed. Series X No. 3 second issue in the series of Beethoven's works issued by Haslinger. Tobias Haslinger unknown books
183126611Leipsic: Breitkopf & Härtel PN 5140 1831. Large octavo. Original publisher's yellow wrappers with titling within decorative border. 1f. title 164 pp. Title lithographed music engraved. In a full custom-made modern black linen clamshell box with printed title label to spine.<br/><br/>Previous owner's signature to upper outer corner of wrapper and title.<br/><br/>Wrappers soiled with professional repairs to margins and spine. Minor foxing heavier to some leaves; slight browning to blank margins; edges slightly dusty. Quite a good copy overall. First Edition. LvBWV v.1 p. 533. CPM 4 p. 222. Hoboken 2 no. 371. Dorfmüller p. 222.<br/><br/>Egmont was first performed on June 15 1810.<br/><br/>"It had been decided to furnish Goethe's Egmont with incidental music and Beethoven was invited to supply it; he completed it by June 1810 and it was immediately performed. Apart from the excitement of the plot itself in which Count Egmont foresees the liberation of the Netherlands from Spanish rule but dies as a result of his own brave stand it is possible to suggest a deeper reason behind Beethoven's heartfelt response to it: it may represent his own delayed reaction to the conquest and occupation of his adopted city by the French and his hopes of being delivered from them." Joseph Kerman Alan Tyson and Scott G. Burnham in Grove Music Online. Breitkopf & Härtel [PN 5140] unknown books
184033094Leipzig: Breitkopf & Härtel PN 5787 1840. Oblong folio. 1 title 2-23 i blank pp. Title lithographed music engraved. <br/><br/>Slightly worn and browned; some leaves moderately foxed; ca. 100 mm crease to left edge of title; small oval Viennese bookseller's stamp to lower outer corner of title; small hole to last 5 leaves occasionally slightly affecting notation; spine reinforced with tape. Third revised edition second issue with additional lied noted at foot of title priced at 5 Ngr. LvBWV v. 1 p. 532. <br/><br/>Breitkopf published their first edition PN 1752 of the "Gesänge und Zwischenacte" from Egmont in 1812. A revised edition appeared in ca. 1826 PN 4190 followed by a fully engraved version in 1837. Breitkopf & Härtel [PN 5787] unknown books
185033113Leipzig: Breitkopf & Härtel PN 4818 1850. EBERS Carl Friedrich 1770-1836 arr. Oblong folio. 1 title 2-9 i blank pp. Engraved.<br/><br/>Publisher's small oval handstamp to foot of title.<br/><br/>Light wear and soiling to edges; small tear to blank lower margin throughout with minor loss. Separate re-issue from the first four-hand piano arrangement of the third 1814 version of the work. LvBWV v. 1 p. 453. <br/><br/>Beethoven's opera Leonore went through several revisions before the final version Fidelio was premiered in Vienna on 23 May 1814. Breitkopf published the first four-hand piano version of the complete opera in 1828 arranged by Ebers. Breitkopf & Härtel [PN 4818] unknown books
189032501Paris: Heugel & Cie 1890. GEVAERT François-Auguste 1828-1908 arr. Large octavo. Original publisher's decorative wrappers printed in green and black. 4ff. title named cast list arranger's note contents 384 pp. Text in French and Italian.<br/><br/>Named cast list from the first performance of this version in Brussels 11 March 1889: Messrs. Chevallier Seguin Gardoni Gandubert and Renaud; Mme. Caron; and Mlle. Falize.<br/><br/>Wrappers worn and creased; spine reinforced with brown paper tape. Light browning to edges; a few pages creased. Later French edition of the third 1814 version. <br/><br/>Belgian composer and musicologist Gevaert had moderate success in both Paris and Belgium with his operas but is best known today for his scholarly and pedagogical works. Heugel & Cie unknown books
190532302Leipzig: Breitkopf & Härtel 1905. Quarto. Full light brown cloth bevelled boards black title label gilt to spine upper edge gilt black endpapers ivory silk ribbon marker. 1f. recto title verso contents iii-x preface by Erich Prieger 276 pp. Text in German.<br/><br/>Binding slightly worn. Light uniform browning throughout. An attractive copy. First Edition of the first 1805 version of the work. Rare. LvBWV v. 1 p. 427. Hoboken 2 315. <br/><br/>A reconstruction by Erich Prieger of the original version of the opera published in a small print run 100 years after the first performance of the first version of the work in Vienna at the Theater an der Wien on 20 November 1805. Breitkopf & Härtel unknown books
182833114Leipzig: Breitkopf & Härtel PN 4596 1828. SCHMIDT Johann Philipp 1779-1853 arranger. Oblong folio. Half black cloth with black textured boards. 1f. recto title verso blank 1 contents 2-63 i blank pp. Engraved.<br/><br/>Small oval handstamp of L.W. Bauer to blank lower outer corner of title with publisher's handstamp to blank lower margin.<br/><br/>Binding somewhat worn and rubbed; vertical crease to upper. Light foxing throughout mostly to margins; occasional offsetting; small annotation in red ink to upper outer corner of title; publisher's handstamp slightly cropped; inner margin of verso of front free endpaper and title reinforced with blue cloth tape. First Edition of this arrangement of the third 1814 version of the work. LvBWV v.1 p. 453 7 copies located. <br/><br/>Beethoven's opera Leonore went through several revisions before the final version Fidelio premiered in Vienna on 23 May 1814. Breitkopf published this first piano version of the complete opera in 1828 arranged by J. P. Schmidt. Breitkopf & Härtel [PN 4596] unknown books
182733061Leipzig: Breitkopf & Härtel PN 4612 1827. Oblong folio. Brown leather-backed marbled boards with oval paper label with titling in contemporary manuscript laid down to upper. 1f. recto title verso blank 1 cast list contents 2-130 pp. Lithographed.<br/><br/>Contemporary signature "Ernst Dieter" to title label and head of title; small circular publisher's handstamp to foot of title.<br/><br/>Binding somewhat worn rubbed and bumped; front free endpaper creased and torn repaired with archival tape. Light scattered foxing; minor dampstaining to final 25ff. Third edition of the third 1814 version of the work. LvBWV v. 1 p. 451. Not in Hoboken. Earlier editions of this version were published in Vienna 1814 Bonn 1815 and Paris 1826. <br/><br/>Beethoven's opera Leonore went through several revisions before the final version Fidelio premiered in Vienna on 23 May 1814. Breitkopf & Härtel [PN 4612] unknown books
186733277Braunschweig & New York: Henry Litolff's Verlag PN 2312 1867. Octavo. Half dark brown leather with marbled boards spine in gilt-ruled compartments with titling gilt. 1f. recto title verso contents 3-192 pp. Text in German and French.<br/><br/>Binding worn rubbed and bumped; scattered defects. Minor soiling to title otherwise clean throughout. Later edition of the third 1814 version of the work.<br/><br/>Fidelio an opera in two originally three acts by Beethoven to a libretto by Joseph von Sonnleithner 1805 with revisions by Stephan von Breuning 1806 and Georg Friedrich Treitschke 1814 after Jean-Nicolas Bouilly's French libretto Léonore ou L'amour conjugal. The first version of the work was first performed in Vienna at the Theater an der Wien on 20 November 1805; the second version at the Theater an der Wien on 29 March 1806; and the third and final version at the Kärntnertortheater on 23 May 1814. Henry Litolff's Verlag [PN 2312] unknown books
197034712New York London: Columbia University Press 1970. Paperback. Good. Oblong folio. Original publisher's light blue printed wrappers. 1 p. textual commentary 18 pp. facsimile of the composer's autograph musical manuscript. Wrappers slightly worn and faded. Columbia University Press paperback books
185833112Leipzig: Breitkopf & Härtel PN 9668 1858. SCHUBERT Ferdinand 1794-1859 arr. Oblong folio. 1 title 2-49 i publisher's catalog pp. Engraved. With common title page "Symphonien von L. van Beethoven. Arrangement für zwei Pianofortes zu acht Händen" listing all 9 symphonies nos. 8 and 9 without price.<br/><br/>Small oval handstamp of Augener to foot of title dated February 7 1879. <br/><br/>Outer leaves detached worn torn frayed and soiled; scattered light foxing. Later arrangement. Not in LvBWV.<br/><br/>Beethoven's "Pastorale" Symphony No. 6 Op. 68 premiered on 22 December 1808 in Vienna and published in numerous arrangements over the following years.<br/><br/>Ferdinand Lukas Schubert was the brother of Franz and became the manager of his manuscripts for posthumous publication. The majority of his own works were appropriations of his brother's. His arrangement of Beethoven's Sixth Symphony was published by Breitkopf as part of their series of Beethoven's symphonies arranged for 2 pianos 8 hands. Breitkopf & Härtel [PN 9668] unknown books
181433101Leipzig: C. F. Peters PN 751 1814. BERGT August 1771-1837 arranger. Folio. Disbound. 1 title 2-27 1 blank pp. Engraved.<br/><br/>Small octagonal 19th century paper label of London music and instrument seller W. George to title.<br/><br/>Moderately foxed and soiled; dampstaining to inner right and lower margins; light showthrough to title. Peters re-issue of the first edition of the present arrangement first published by Peters' predecessor A. Kühnel in 1809. LvBWV v. 1 p. 379. <br/><br/>Beethoven's "Pastorale" Symphony No. 6 Op. 68 was premiered on 22 December 1808 in Vienna and published in numerous arrangements over the following years.<br/><br/>August Bergt is best known as a composer of sacred music. His arrangement of the Sixth Symphony for piano and violin/flute was first issued by Kühnel in 1809. C. F. Peters [PN 751] unknown books
KV245Leipzig (Ernst Eulenburg) o.J. 8°, Originalbroschur (Paperback) 180 s., durchgehender Notensatz 1
181933110London: G. Walker 1819. Folio. Sewn. 1 title 2-19 1 blank pp. Engraved. Watermark 1819.<br/><br/>Disbound with remnants of former binding to spine. Double pagination in ink to upper right corners throughout; scattered light foxing; moderate offsetting. LvBWV v. 1 p. 34 two copies located.<br/><br/>The Sonata Op. 6 for piano 4-hands was composed in 1797 and first published in that same year by Artaria. G. Walker unknown books
186133208Leipzig & Berlin: C. F. Peters PN 4251 1861. Octavo. Original publisher's green printed wrappers. 1f. lithographed title 110 pp. Engraved.<br/><br/>Common title page for violin and piano concertos lithographed by Krätzschmer. Bookseller's oval blindstamp "Carl Helf" to upper wrapper former owner's signature "August Pouhl" in ink to foot of title.<br/><br/>Wrappers worn soiled and creased spine reinforced with tape. Edges slightly worn and soiled; signatures split at pp. 40-41. Early edition. LvBWV v.1 p. 320. The full score was first published in 1857 by Richault in Paris. C. F. Peters [PN 4251] unknown books
186533109Leipzig: Breitkopf & Härtel PN 7457 1865. Oblong folio. 1 title 2-43 1 publisher's catalog pp. Engraved.<br/><br/>Handstamps of publisher "B&H" and musicseller "Edw. Schuberth & Co" to foot of title.<br/><br/>Spine frayed reinforced with brown paper tape. Lower margin of outer leaves slightly frayed; light browning to margins; occasional offsetting. Later edition later issue.<br/><br/>Beethoven's String Quintet Op. 4 was first published in 1796 by Artaria in Vienna. Breitkopf published a 4-hand piano arrangement by J. P. Schmidt in 1827 PN 4256. The present edition was first published in 1846 arranger unknown. Breitkopf & Härtel [PN 7457] unknown books
180122960Vienna: Artaria e Comp. PN 872 1801. Oblong folio. Contemporary stiff blue wrappers. 1f. recto title verso blank 1 blank 2-56 pp. Engraved. Printed price: "3 fr. 30" corrected in ink in "4 fr 20." Early owner's signature to upper wrapper in ink: "Wilhelmine Maurer." <br/><br/>Two leaves trimmed at lower margin with no loss to music.<br/><br/>A very good copy with a strong impression on quality paper. First Edition first issue. The full score was not published until 1864. LvBWV v. 1 p. 235. Hoboken 2 215 and plate 8. <br/><br/>First performed in Vienna at the Burgtheater on March 28 1801 to a libretto by the noted Italian choreographer and dancer Salvatore Viganò 1769-1821.<br/><br/>"Die Geschöpfe des Prometheus The Creatures of Prometheus was an important work for Beethoven in two respects. It was the first major stage work by a composer hitherto known for his chamber music a symphony and two piano concertos; and with ballet highly regarded in Vienna at that time it was a considerable honour for Beethoven to receive this commission. Secondly the subject matter concerned with heroic action was close to Beethoven's heart. It is an allegorical story enacted by gods and a hero the legendary Prometheus demonstrating the goodness of Nature the potential of man and the loftiness of his destiny . The ballet containing an Overture Introduction and sixteen numbers was favourably received with sixteen performances in 1801 and nine in 1802." Cooper: The Beethoven Compendium p. 249. <br/><br/>"In the finale Beethoven used a melody that evidently came to assume a certain emotional importance for him perhaps even embodying something of his spirit of determination and heroism in battling against difficulties for he used it again as the theme for two important and challenging sets of variations completed in 1802 and 1803: the op. 35 piano variations and the variation-finale of the 'Eroica' Symphony." Douglas Johnson Scott G. Burnham William Drabkin Joseph Kerman and Alan Tyson in Grove Music Online. Artaria e Comp. [PN] 872 unknown books
183133457Paris: A. Farrenc PN A.F. 352 1831. Folio. Unbound. Sewn at upper inner margin as issued. 1f. recto title verso blank 1 blank 2-38 pp. 1f. blank. Engraved.<br/><br/>Slightly worn soiled and foxed; title leaf slightly soiled; sewing hole to upper inner corners. First French edition. LvBWV v. 1 p. 219. First published in 1804. A. Farrenc [PN A.F. 352] unknown books
