LECLERC (Jean-Baptiste)Livre Rare Book
19 958 résultats
37654In-8 (215 x 135 mm), broché sous couture, couverture d'attente, 72 p., faux-titre et titre compris., exemplaire non rogné. Paris, de l'imprimerie de H.J. Jansen, An 6me de la République [1797].
13 livraisons de 4 p. chacune, réunies en un volume in-4, plein cartonnage de l’époque, 52 p. (pagination continue), texte sur 2 colonnes, 13 caricatures lithographiées à pleine page. Journal créé au moment de l'organisation de la Garde Civique dans la ville de Louvain, avec l'ambition d'agir sur les premières élections. "Nous recherchons, quels sont, dans notre cité, les hommes les plus dignes de marcher à la tête de notre garde bourgeoise…". Compte-rendu des événements, commentaires, les élections et les résultats avec la composition exhaustive de la Garde Civique, dispositions législatives, courrier des lecteurs et annonces… Une caricature accompagne chaque livraison. "Publication très curieuse et très recherchée" (cf. Alfred Berrewaerts, 'Recherches sur la presse périodique louvaniste', L. Braeckmans, 1904, p. 44-45). Contient, relié en tête, la partition avec paroles et musique sous couverture illustrée d’une "Marche dédiée à la Garde-Civique Belge" par Emile Colbeau et Auguste Tennstedt, entièrement lithographiée par P. Barella à Louvain, 1848. Cartonnage légèrement frotté avec quelques accrocs. Bon exemplaire.
In 4. Dim. 33,5x23,5 cm. Pp. (20)+771+(76), (8)+697+(59), (16)+380+(28). Peso Kg. 5,600. Bella edizione del 1694 di questa Opera omnia del celebre giurista milanese e teologo Martino Bonacina (1585-1631). Bonacina insegnò diritto canonico e civile e le sue opere ebbero il compito di divulgare principi e decreti dogmatici emersi dal Concilio di Trento. L'opera è formata da tre tomi ed è completa. All'interno i celebri trattati "De Sacramentis", "De matrimonio", "De censuris" (assoluzione della censura, scomunica, scomunica dalle eresie, sospensione, interdizione, irregolarità casuate dai delitti e omicidi), "De horis canonicis", "De clausura", De Simonia", "Tractatus de legibus, peccatis et praecepti decalogi" (privilegi, dispensazioni, peccati, superstizione, sacrilegio, blasfemia, contratti, fideiussione, pignoramento, feudo, testamenti, successioni), "De censura" (scomuniche, sospensioni, interdizioni). Ampie parti dedicate alle scomuniche e alle censure con relative tabelle. Bellissima legatura in piena pergamena coeva con titolo manoscritto al dorso. Frontespizi in rosso e nero con bella vignetta entro cornice figurata: Minerva con elmo, lancia e scudo cavalca un leone Antiche note manoscritte all'interno. Grandi dimensioni. Colalzionata e risultata completa. Copertina in piena pergamena a cinque nervi con titolo manoscritto al dorso in buone condizioni generali con lievi usure e parti mancanti ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in buone condizioni con fioriture, qualche gora d'umidità marginale e bruniture. Alcuni strappi: al margine superiore di pag. 181 del tomo secondo con lieve perdita di testo, orizzontale a pag. 301 del tomo terzo con piccola perdita di testo. Piccolo segno di tarlo al margine destro delle prime 14 carte del tomo terzo senza perdita di testo. Beautiful edition of 1694 of this Opera omnia of the famous jurist and theologist from Milan Martino Bonacina (1585-1631). Bonacina teacjed church and civil right and his works had the duty to spread dogmatic principles and decrees from the COuncil of Trento. the work is made up of three tomes and it is complete. Isndie the famous treaties "De Sacramentis", "De matrimonio", "De censuris" (absolution of censorship, scommunication, scommunication of heresies, suspension, interdition, irregularities caused by murders), "De horis canonicis", "De clausura", De Simonia", "Tractatus de legibus, peccatis et praecepti decalogi" (priviledges, dispensations, pities, superstitions, blasphemy, contracts, fideiussione, testaments, successions), "De censura" (scomunications, suspensions, interditions). Wide parts dedicated to scomunications and censorships with charts. Very beautiful full parchment coeval cover with manuscripted title in the spine. REd and black title pages with vignette in figurated frame: Minerva with elm and lanch in a lion. Ancient manuscripted notes inside. Of big size. Collationed complete work. Full parchment coeval cover with five nerfs and manuscripted title in the spine in good general conditions slightly worn with missing parts in the edges and spine. Binding in good conditions. Inside pages are in good conditions with foxings, humidity stains in the edges and yellowings. Some tears: in the upper edge of pag. 181 of second tome with slight loss of text, horizontal tear in pag. 301 of third tome with slight loss of text. Slight worming in the right edge of the first 14 pages of third tome with no loss of text.
1898LR8-HN44 albums reliés demi basanes : 1898-1905 , 1906-1908 , 1913-1921 , 1921-1926 (l'album qui concernerait les annés 1909-1912 a disparu depuis longtemps car une annotation ancienne et manuscrite d'un précédant libraire ne mentionne que 4 volumes) . Chaque critique ou article daté a été soigneusement découpé dans les différents journaux et collés le plus souvent sur 2 colonnes. Cette collation sur une période aussi longue me laisserait penser qu'elle a été l'oeuvre de Maurice Galerne lui-même. Table des matières manuscrite en fin de chaque volume. Grands formats, assez bon état, traces d'épidermures, papier des bords frottés, intérieur uniformément jauni, rousseurs éparses, paginés manuellement, 206 p. , 229 p. , 199 p. et 201 p.
2 opéras reliés en un volume in-folio, plein vélin vert de l'époque, dos lisse, pièce de titre de veau bordeaux, armes dorées en pied, triples filets dorés d'encadrement sur les plats, tranches rouges, entièrement gravés sur cuivre par Hue. Recueil de deux opéras représentés en 1764, reliés ensemble à l’époque, paroles et musique. 1- Edition originale. Selon Grimm et Sedaine lui-même, il fallut plusieurs représentations avant que l’œuvre ne rencontre le succès public, succès qui ne se démentit pas, jusqu'à devenir une "référence" pour les opéras-comiques qui suivirent. "Two young peasants crossed in love. Rather than representing a backward step after the powerful and tormented language of 'Le roi et le fermier', 'Rose et Colas' was an attempt to convey the quintessence of traditional opera comique - and perhaps to outdo Favart on his own ground" (cf. Noiray, in Grove Online). (RISM, AI, P 1894). 2- Edition originale. "Après 'Le Sorcier' (1764) Philidor devint le premier compositeur à être appelé sur la scène de la Comédie-Italienne (…) et sa carrière atteint son apogée" (cf. Julian Rushton, in Grove Online). (RISM, AI, M 3272. Fétis, 2701 à l’adresse Des Lauriers). Quelques petits accrocs à la reliure, qqs rousseurs. Bon exemplaire bien relié en vélin vert à l’époque.
In-12°, 128pp, mancanti le ultime due carte bianche, legatura in cartoncino semplice. Franchi 414 In-12°, 128pp, missing the last two blank pages, simple cardboard binding. Franchi 414
1908GITe817paris Librairie Henri Floury 1908. Fort in-4 14 feuillets non chiffrés II-XIXpp 76 feuillets non chiffrés (notices biographiques) 20 feuillets non chiffrés (publicités pour le Vin Mariani et autres maisons de commerce) 2 feuillets non chiffrés. Demi maroquin bleu nuit à coins signés à froid, dos plat à 4 nerfs orné de larges cadres de filets mosaïqués acajou et doré, tête dorée, non rogné, couverture et dos conservés, reliure de l'époque (René Kieffer). Orné de beaux bandeaux, lettrines et culs de lampes typiques des années 1900 et de 76 beaux portraits de célébrités, gravés sur bois par Henri Brauer, Charles Clément, D. Quesnel et Ch. Maylander. Tiré à 200 exemplaires numérotés à la presse, celui-ci 1 des 25 sur Japon Impérial avec une suite des portraits tirées à la sanguine. Très bel exemplaire, frais, bien complet du texte, des portraits et des suites, dans une reliure sobre et élégante signée René Kieffer, accompagnée de sa petite étiquette commerciale. de la Bibliothèque d'Edouard Noël avec son bel et grand ex-libris allégorique, appliqué sur le contreplat.
In-folio (cm. 41), piena pelle editoriale, titolo oro al dorso con sei nervi, disegno e titolo in altorilievo al piatto anteriore, cinque borchie al piatto posteriore, custodia in mezza pelle con illustrazioni applicate ai piatti, pp. 297, (1), con illustrazioni in bianco e nero ed a colori nel testo, alcune su doppia pagina. Segnalibro in pelle. Carta prodotta dalle Cartiere Miliani. Introduzione di Claudio Rovai. Esemplare numerato tratto da una tiratura di 1499 copie impresse. Macchia al taglio inferiore. Minime tracce d’uso alla custodia; peraltro, volume in ottimo stato (nice copy).
Pages 295-334 plus xvi pages of ads. Features: "Castlewood," the Villa of Louis Bruguierre, Esq., Newport, RI - a vast and stately building in the Georgian style; The Japanese Garden of "Yademos" - The Country Seat of Charles Phizer, Esq., Bernardsville, NJ; "Huck-Ween Lodge" - the Summer Camp of William Curtis demorest, Esq., Loon Lake, NY; Half a Dozen Great Home Trees; The Value of a Pleasant Sun Room; A Home Shrubbery; Economic Methods in Mushroom Growing; Glimpses of Old Annapolis; Sun-Dials; "White Lodge" - the residence of Charles H. Roberts, Esq., Wynnewood, PA; Well-Designed Applique - an effective means of decoration; Wonderful sepia-tone photo-illustrated back cover ad for the Victor-Victrola XX (Louis XV design) features photos of eleven opera stars; and more. Average wear. Unmarked. A sound copy of this wonderful vintage issue. Magazine
cm. 26,5 x 39,5, 2 tomi di 1172 pp. 8400 gr. 1172 p.
12692Used; Like New/Used; Like New. Impressive collection of AMQS and inscriptions addressed to the celebrated soprano Delphine Ugalde on both sides of a large album leaf measuring 31.5 x 23.5 cm 12.5 x 9.5 inches. Fine. <br><br />The recto with: eight measures written and signed by the French composer Charles Lecocq from his wildly successful "La fille de Madame Angot" which when premiered in Paris in 1873 was performed for more than 400 nights consecutively. Inscribed to Ugalde and dated 20 May 1873; an unidentified inscription; a heartfelt inscription from Rossini's friend and biographer Alexis Azevedo dated 17 July 1870. <br><br />The verso with: a three-measure 1869 quotation by Fauré celebrated French baritone and composer creator of important roles by Massé Thomas Meyerbeer Verdi and others who has penned a selection from his own Sacred Song for Voice and Piano "Les Rameaux" with a trimmed albumen photograph of him affixed beneath; a heartfelt 1869 inscription by Capoul the great French tenor creator of Offenbach's Vert-Vert and Masse's Paul et Virginie who writes that he is "so happy of your return to us that I embrace you as strongly as I admire you"; an 1870 inscription from Dejazet important French actress who writes that her "voice remains always charming even when it is speaking it is your great heart which sings" and with a trimmed albumen photograph of her affixed beneath; with one additional unidentifed inscription lower left dated 1873. <br><br />Ugalde "studied in Paris with Cinti-Damoreau and made her début in 1848 at the Opéra-Comique as Angèle in Auber's Le domino noir a role created by her teacher. In 1851 she sang at Her Majesty's Theatre London as Delilah in Auber's L'enfant prodigue. In 1858 she sang Leonora Il trovatore at the Paris Opéra and was then engaged at the Théâtre Lyrique. In 1863 she moved to the Bouffes-Parisiens where in 1867 she sang in her own operetta Halte au moulin. She retired in 1871." Elizabeth Forbes Grove Online unknown books
174123733Venedig, ex Typographia Balleoniana, 1741. 4°. Mit Holzschn.-Titelvignette. 620 S., Ldr. d. Zt. a. 5 Bünden m. reicher Rückenverg., goldgepr. Rückenschild u. dreiseitigem Rotschnitt.
192130ABBerlin, F. Gurlitt, 1921. Gr.-4°. 130, (3) S. Mit 20 Holzschnitten von Reinhold Hoberg nach Zeichnungen von Max Slevogt (davon 16 ganzseitige). Orig.-Halblederband mit Rückenvergoldung und Rückenschild.
11165[Lyon], Aimé Delaroche / De Laroche, aux dépens de l'Académie, 1739 à 1741. In-4 de [2]-52-[2]; VIII-12 (l'odorat)-16 (l'ouïe)-16 (la vue); [2]-16 (le goût)-14 (le toucher); [2]-55; VI-51; 59; 48; 75 pages, plein veau moucheté, dos à 5 nerfs orné du lion des armoiries de Lyon, de fleurons, d'étoiles de roulettes et du titre (Recueil d'opéra / Ballet) dorés, roulette dorée sur les coupes, tranches et gardes marbrées. Reliure frottée, coiffe supérieure manque, accroc à la coiffe inférieure, large épidermure au second plat. Tables de matières inscrite à la plume en début de volume.
116404Musica Spartiti - La Palestra Musicale - Anno I - 1866 - Dal fascicolo 1 al fascicolo 38/39 - Pag. 316 - Copertina rigida - Lingua italiana. - Buone condizioni generali. Piccoli segni del tempo. - RARITA' - unknown
1957208291957. Press photograph archive of African American women opera singers 1957-1977 documents the emergence and international recognition of Black performers within mid twentieth century classical music and operatic institutions. The images center on four prominent singers whose careers developed during and after the era of segregation when access to major stages and audiences expanded unevenly for Black artists. Figures such as Marian Anderson who broke barriers at the Metropolitan Opera in 1955 established a precedent for subsequent generations; the performers represented here advanced that presence through sustained international careers providing visual evidence of African American participation in elite cultural institutions during a period of social and cultural change.<br /> <br /> Six black and white silver gelatin press photographs each approximately 8 x 10 inches with captions and markings on recto and verso. Subjects include Adele Addison in two studio portraits from the 1950s later known as the singing voice for Bess in Porgy and Bess 1959; Shirley Verrett in two images including an early news photograph prior to a performance at Ambassador College Auditorium and a later 1976 stage portrait in formal concert dress; Martina Arroyo in a 1977 portrait during the height of her international career; and Grace Bumbry depicted in costume as Princess Eboli in Verdi's Don Carlos at the Metropolitan Opera in 1965. The photographs capture both staged publicity portraits and performance contexts documenting professional presentation and artistic identity.<br /> <br /> Produced during decades of expanding civil rights advocacy and gradual institutional integration the archive situates African American women within a field historically shaped by exclusion and limited access. Their visibility in major opera houses and concert venues reflects broader shifts in cultural recognition and professional opportunity while also underscoring the continued significance of performance as a site of racial and gendered representation. Minor edge wear; captions remain legible; overall very good condition. unknown
Very Good French Original business card. 7x11 cm. Written 'Le Khedive'. Abbas Hilmi Pasha was the last Khedive (Ottoman viceroy) of Egypt and Sudan, ruling from 8 January 1892 to 19 December 1914. In 1914, after Turkey joined the Central Powers in World War I, the nationalist Khedive was removed by the British, then ruling Egypt, in favor of his more pro-British uncle, Hussein Kamel, marking the de jure end of Egypt's four-century era as a province of the Ottoman Empire, which had begun in 1517. Extremely rare. (See. 'Tamga, pençe, tugra, imza' by Kologlu, Orhan. p. 98).
In Firenze, appresso Anton-Giuseppe Pagani librajo alle Scalere di Badia, 1778, in-8 piccolo, magnifica cartonatura coeva in carta dorata e goffrata con disegno a racemi floreali lilla su fondo oro, pp. 68. Con emblema xilografico dell'Accademia degli Infuocati (motto: A tempo infuocati) raffigurante una bomba che esplode sul frontespizio. Reca anche i nomi degli attori. Una sola copia censita in ICCU. Magnifico esemplare.
39138In-12 (150 x 87 mm), veau brun moucheté, dos à 5 nerfs orné de compartiments fleuronnés et cloisonnés, titre doré, roulette dorée sur les coupes, (reliure de l'époque), (8), 167 pages. Paris, Claude Barbin, 1680
In Siena, appreso Il Bonetti nella Stamperia del Pubblico per Francesco Rossi Stampatore, 1758, in-8, pregiata legatura coeva in cartone rivestito in seta (di color rosa, ma piuttosto sbiadita, due mancanze al rivestimento sul dorso), legacci in stoffa verde ai piatti, contropiatti ricoperti da carta settecentesca decorata con motivo floreale policromo, pp. 64. Il testo - di Metastasio - fu musicato da Adolf Hasse. Libretto dell'opera recante anche i nomi degli cantanti e dei ballerini. Edizione molto rara, non censita in ICCU (ultimo accesso: 2.03.2023).
Firenze, appresso Anton-Giuseppe Pagani librajo delle Scalere di Badia, 1778, in-8 piccolo, magnifica cartonatura coeva in carta dorata e goffrata con disegno a racemi floreali rosa su fondo oro, pp. 59, [1]. Con emblema xilografico dell'Accademia degli Infuocati (motto: A tempo infuocati) raffigurante una bomba che esplode sul frontespizio. Reca anche i nomi degli attori, ballerini, ecc. Una sola copia censita in ICCU. Magnifico esemplare.
In-8°, 31pp,(1), libretto d’opera di Marco Coltellini, con elenco degli interpreti e coreografi, direttore d’orchestra, costumista, etc. Frontespizio xilografico figurato con due putti. Iniziali e fregi xilografici. Cartonato coevo. Weaver, Robert Lamar; Wright Weaver, Norma, A chronology of music in the Florentine Theater, 1751-1800. Operas, prologues, farces, intermezzos, concerts and plays with incidental music, Warren : Harmonie Park Press, 1993
In-8 pp.(1) 99-249. salto di una carta (pp. 232-35) ma comuque l’opera è da ritenersi completa. Legatura in cartonato. Timbro ad inchiostro H.Garriod sul frontespizio.
1777002085Genève s.n. (Cazin) 1777
In-16 gr. (mm. 183x112), affascinante legatura in p. marocchino blu, sottili cornici dorate e decorazioni di foglie ai quattro angoli con, al centro del piatto anteriore, due comici personaggi intarsiati a colori (bianco rosso verde e argento) e la scritta “If I can wheedle a knife or needle why not a silver churn?” e a quello posteriore un giullare a colori ocra e verde con in mano una pillola dorata e la frase “For he who’d make his fellow-creatures wise should always gild the philosophic pill!” - firmata “Bound by Riviere & Son“ al risguardo con preziosa dentelle dorata, tagli pure in oro, in astuccio. Il volume, di pp. (6),698, raccoglie il gruppo completo di tredici operette scritte da Gilbert & Sullivan e così chiamate perchè venivano messe in scena al Savoy Theatre di Londra. La Legatoria Riviere fu una delle più importanti del West End londinese dove operò fra il 1840 e il 1939. Le loro superbe legature erano molto apprezzate dai bibliofili per la qualità e l’attenzione al dettaglio e ricevettero commissioni anche dalla Regina Vittoria e dalla famiglia reale. La dicitura “Riviere & Son” apparve a partire dal 1880 quando Robert Rivière passò la sua attività al genero Percival Calkin. Esemplare in perfetto stato.
