Gluck, LouiseBiblio.com
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1985138593New York: The Ecco Press 1985. First edition of the Nobel Prize-winning author's classic work her most anthologized. Octavo original cloth. Presentation copy inscribed by the author "For Meryl with good wishes Louise Glück." Fine in a fine dust jacket. Writing in The New York Times the author and critic Liz Rosenberg described the collection as "clearer purer and sharper" than Glück's previous work. The critic Peter Stitt writing in The Georgia Review declared that the book showed Glück to be "among the important poets of our age". From the collection the poem "Mock Orange" which has been likened to a feminist anthem has been called an "anthology piece" for how frequently it has appeared in poetry anthologies and college courses. Wendy Lesser described its "language" as "staunchly straightforward." It won the National Book Critics Circle Award for poetry. The Ecco Press hardcover
1985137436New York: The Ecco Press 1985. First edition of the Nobel Prize-winning author's classic work her most anthologized. Octavo original cloth. Boldly signed by Louise Glück on the title page. Fine in a near fine price-clipped dust jacket. Writing in The New York Times the author and critic Liz Rosenberg described the collection as "clearer purer and sharper" than Glück's previous work. The critic Peter Stitt writing in The Georgia Review declared that the book showed Glück to be "among the important poets of our age". From the collection the poem "Mock Orange" which has been likened to a feminist anthem has been called an "anthology piece" for how frequently it has appeared in poetry anthologies and college courses. Wendy Lesser described its "language" as "staunchly straightforward." It won the National Book Critics Circle Award for poetry. The Ecco Press hardcover
1770291401Bologna: Sassi 1770. hardcover. very good. 5 librettos 12mo & small 8vo bound together in 1 volume. 72 pages. 60pp. 32pp. and 7pp. Vellum backed marbles boards. Bologna: Sassi 1770 - 1771. Very good .<br/> <br/> A scarce group of opera librettos.<br/> <br/> Sassi unknown
198043091New York: Ecco Press 1980. Fine/Fine. New York: Ecco Press 1980. First Edition. Octavo 22cm; publisher's cloth in unclipped dust jacket; 48pp. Dust jacket shows small bumps at spine ends and corners; otherwise remarkably clean. Binding sound. Textblock endsheets and interior pages clean. A Near Fine copy in like jacket. Signed by the author without inscription on full title page. . Ecco Press unknown
1985126New York: Ecco Press 1985. Hardcover. Very good/Very good. Very good condition there is a small black dot at the very end of the lower edge of the text and some age toning to the end papers. Full signature above her name on the title page with an additional personal inscription opposite which is simply signed "Louise". Dust jacket has original price of $13.50 and is in a protective sleeve. A truly lovely and signed copy by this Nobel winner. Ecco Press hardcover
1925190773Zurich/Vienna/Leipzig: Amalthea-Verlag 1925. Hardcover. Good- heavy shelfwear and soiling to covers spine is tattered and mostly missing pages lightly age toned but otherwise clean. Oversized red cloth boards with gilt lettering; 2 preliminary leaves 155 pp text with mounted illustrations 50 mounted plates in bw and color. Text is in German. Contents: Die handschrift: die blätter des Oesterreichischen museums. Die blätter des Victoria und Albert museums. Die blätter der anderen sammlungen. Ursprünglicher umfang und herkunft.--Der roman.--Die bilder: Verhältnis von text und bild. Die gestaltenweit der bilder. The text in German translation adapted to the miniatures here reproduced is drawn from the varying versions of the Persian manuscripts of Dresden and Munich and in the Arabic manuscript of Paris.19x13x2" Amalthea-Verlag hardcover
1980613552New York: The Ecco Press 1980. Hardcover. Near Fine/Very Good. First edition clothbound issue. Octavo. 52pp. Touch of sunning at the spine ends near fine in very good dust jacket sunned at the spine and moderately worn with some tiny nicks and short creases at the spine ends and lower front corner. Inscribed by Glück on the title page: "for Peter - Louise Glück with good wishes. The Ecco Press hardcover
154<p>About this Item</p><p>SIGNED AS NEW FIRST EDITION of the Nobel Prize-winning author's classic work her most anthologized. Octavo original cloth. Boldly signed by Louise Glück on the title page. As New in an As New non price-clipped mylar protected dust jacket. Slightest tanning on the top and bottom of the spine small nick on front of hardcover. This is the best copy of this book that I could find. Writing in The New York Times the author and critic Liz Rosenberg described the collection as "clearer purer and sharper" than Glück's previous work. The critic Peter Stitt writing in The Georgia Review declared that the book showed Glück to be "among the important poets of our age". From the collection the poem "Mock Orange" which has been likened to a feminist anthem has been called an "anthology piece" for how frequently it has appeared in poetry anthologies and college courses. Wendy Lesser described its "language" as "staunchly straightforward." It won the National Book Critics Circle Award for poetry.</p> hardcover
1990138219New York: The Ecco Press 1990. First edition of the Nobel Prize-winning author's collection of poetry prompted by the death of her father. Octavo original half cloth. Presentation copy inscribed by the author opposite the half-title page "For ____ ____ with best wishes Louise Gluck." Fine in a fine dust jacket. Jacket illustration by Michaela Sullivan. Jacket illustration by Christa Näher. In 1984 Glück joined the faculty of Williams College in Massachusetts as a senior lecturer in the English Department. The following year her father died. The loss prompted her to begin a new collection of poems Ararat 1990 the title of which references the mountain of the Genesis flood narrative. Writing in The New York Times in 2012 the critic Dwight Garner called it "the most brutal and sorrow-filled book of American poetry published in the last 25 years" The Ecco Press hardcover
1999522652Portland Oregon: Charles Seluzicki / Printed by Stern & Faye 1999. Unbound. Fine. First separate edition. Broadside poem. Single sheet printed on Arches Cover paper Measuring 9.5" x 15.5". Fine. Housed in a custom blue cloth portfolio. Prints the poem "The Mystery" in eight stanzas. One of 100 numbered copies Signed by Glück. OCLC lists 10 holdings. Charles Seluzicki / Printed by Stern & Faye unknown
1980522588New York: The Ecco Press 1980. Softcover. Fine. First wrappered edition issued simultaneous with the hardcover edition. 12mo. 52p. Fine in glossy wrappers. Inscribed by Glück: "for Scott Elledge recent sounds with warm good wishes Louise Glück." Elledge authored the E.B. White biographer and was a poetry anthologist who edited a collection of poetry for children Wider than the Sky. The Ecco Press unknown
20128311New York: Farrar Straus and Giroux / Ecco 2012. First Edition. First Printing. Thick octavo 23.5cm; light gray paper-covered boards with titles stamped in black on spine; dustjacket; xviii45-6342pp. Signed by the author on the title page. Tiny crimp to base of spine else Fine in a Fine unclipped dustjacket priced $40.00. A substantial volume representing work from the first five decades of the Nobel Prize-winning poet's career gathering selections from her first collection Firstborn 1968 through A Village Life 2009. 8311. Farrar, Straus and Giroux / Ecco unknown
19948051Hopewell N. J.: Ecco Press 1994. First edition. Signed by Gluck. Very fine copy. 8vo original cloth dust jacket. Very fine copy. Ecco Press unknown
1994023134Hopewell: Ecco Press / W.W. Norton 1994 First printing of the stated first edition. Signed by Louise Gluck directly on the front-free endpage. A shallow faint crease to corner of inside front flap else book and dust jacket in fine as new condition. Poet Laureate and Pulitzer Prize recipient. Ecco Press / W.W. Norton hardcover
200434038Louisville KY: Sarabande Books 2004. Near Fine. Louisville KY: Sarabande Books 2004. First Editions. Each volume signed by the poet at title page without inscription. Five octavo volumes; stapled wraps. Housed in red cloth slipcase stamped in gilt. Very light rubbing to extremities; Near Fine. The volumes constitute #3 of the publisher's long-running Quarternote Chapbook Series; scarce thus and a lovely set. Sarabande Books unknown
196641722Chapel Hill NC: Lillabulero 1966. Very Good. Chapel Hill NC: Lillabulero 1966-1974. Fourteen issues in thirteen volumes complete. The first two volumes in tall folio format 36.5cm the third through fifth issues slightly shorter 33cm and the final eight issues in octavo format 24cm; all issues bound in pictorial card wrappers yapp edges; illus. throughout. Moderate wear to margins especially to the larger format issues else a Very Good and sound set. <br /> <br /> Complete collection of this poetry and literature magazine the brain child of young Russell Banks while a student at UNC Chapel Hill. Contributors included the leading and up-and-coming poets of the day including Robert Creeley Charles Simic W.S. Merwin Wendell Berry Jim Harrison and in the final issue Louise Gluck. While some of the individual issues are quite common complete sets are rare. Lillabulero unknown
BN126341Müller C.F. Hardcover. Wärmetechnisches Raummodell. <br/><br/>Wärmetechnisches Raummodell. Bernd Glück Müller C.F. hardcover
SKU0623968Worth Publishers 2019-09-30. hardcover. New. 7x1x9. New Textbook Ships with Tracking Worth Publishers hardcover
19563222DEUTSCHE GRAMMOPHON GESELLSCHAFT 07/1956. 1. hardcover. Sung in German! DEUTSCHE GRAMMOPHON GESELLSCHAFT hardcover
179536809Paris: Des Lauriers 1795. Folio. Quarter dark green calf with green cloth boards spine in decorative compartments gilt titling gilt marbled edges. 1f. recto title verso blank 1f. recto publisher's catalogue verso blank 211 pp. Engraved. <br /> <br /> Occasional performance markings in blue pencil.<br /> <br /> Some browning foxing and soiling; light dampstaining to upper portion of leaves; final leaves slightly creased at lower outer corners; small handstamp to upper margin of title. Second Edition. Hopkinson 46 A c the present copy is presumably from an earlier issue without plate number and with fewer items in the catalogue. Loewenberg 371. Sonneck p. 56. Lesure p. 239. BUC p. 386. RISM G2816. <br /> <br /> With this opera "Gluck foreshadowed most clearly the musical achievement of Wagner. For it was not until Iphigenie en Tauride that he contrived a balance between musical and dramatic interest which was of its school a perfect one . Iphigenie en Tauride is the one indisputable masterpiece produced by Gluck the one composition which can be measured against the very highest productions in its own or any other branch of musical expression." Cooper: Gluck p. 260. Des Lauriers unknown
178340431Paris: Chez Des Lauriers Md. de Papiers Rue St. Honoré à côté de celle des Provaires 1783. Folio. Early full dark brown leather with double rule gilt to edges of boards spine in compartments gilt with titling gilt marbled endpapers. 1f. recto title verso blank 1f. recto dedication verso "Argument" 217 pp. Bound with an extra title that of Hopkinson 41Ak. 1f. recto title verso blank 1f. recto blank verso "Argument" pp. <br /> <br /> Binding quite worn rubbed and bumped with loss to spine. Occasional minor soiling to blank outer margins; paper repairs to blank inner margins of approximately fifteen leaves; small binder's holes to blank inner margin of numerous leaves; occasional staining; worming to blank inner margin of final third of volume; extra title and Argument worn and soiling with worming to blank margins. Second edition of the French version. Wotquenne 41. A variant issue of Hopkinson 41Ai but with the price of 36 instead of 24 tt. Lesure p. 240. RISM G2853. <br /> <br /> First performed in Vienna at the Burgtheater on 5 October 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on 2 August 1774 in French to a libretto by Pierre Louis Moline after Calzabigi.<br /> <br /> "More successfully than any of his contemporaries Gluck translated the widespread agitation for reform of opera and theatrical dance on the part of European intellectuals into actual works for the stage first in pantomime ballets and Italian serious operas for Vienna and then in operas of various sorts for Paris." Bruce Alan Brown and Julian Rushton in Grove Music Online<br /> <br /> "The classical orientation of Calzabigi evident in Orfeo ed Euridice from the moment the curtain rose on the almost archaeologically recreated ancient funerary ritual e.g. the threefold calling of the name of the deceased coloured the entirety of his collaboration with Gluck. Despite the ambiguous attributions of the prefaces signed by the composer it is clear that Gluck largely shared his librettist's classical enthusiasms. . It is revealing that Gluck sought out subject matter from Greek tragedy independently of Calzabigi after the latter's departure from Vienna - most probably with his inner conviction mixing with a desire to exploit the goût grec then prevailing in France. . Calzabigi's poetry was almost completely devoid of metaphors and similes and placed a mere three characters in a fluid context of dances and choruses or both simultaneously. The action was reduced to essentials: a demonstration of the persuasive powers of music and a cautionary tale on the dangers of curiosity with Orpheus bewailing the loss of his wife already as the curtain rose. Gluck's approach as composer was no less radical particularly in his near-complete elimination of coloratura and of opening ritornellos in the solo numbers. Above all the opera was remarkable in its emphasis on continuity which was achieved chiefly through the enchaining of harmonically open-ended sections of music and through the complete avoidance of recitativo semplice in favour of orchestrally accompanied recitatives so as to avoid sharp contrasts of texture with the set pieces. This continuity and the nearly syllabic vocal writing were calculated to prevent applause and thus also to promote the audience's absorption in the spectacle." Bruce Alan Brown and Julian Rushton in Grove Music Online. Chez Des Lauriers, Md. de Papiers, Rue St. Honoré à côté de celle des Provaires unknown
2024SKU1714243West Academic Publishing 2024-07-18. hardcover. New. 0x0x0. New Book Ships with Tracking West Academic Publishing hardcover
66369Ecco 1992. First edition first printing. The Pulitzer Prize winning book and now Louise Gluck as Nobel Prize recipient. Photograph of the author by Star Black. Fine and bright in like dustjacket with crisp bright text throughout. Has become an elusive title in hardcover. Ecco 1992 hardcover
19941389597Hopewell NJ: The Ecco Press 1994. First Edition First Printing. Hardcover. Octavo 134 pages. In Very Good condition with a Very Good condition dust jacket. White spine with black lettering. Dust jacket is wrapped in a mylar covering price is uncut "$22.00 - Canada $28.99" and has mild wear along the spine head and tail edges. Boards have mild wear along the head and tail edges and stains on the head and tail edges. Textblock has stains on the end-pages pastedowns and edges. Signed flat by Louise Glück on title page. DL consignment. Shelved in Case 0. Louise Glück was born on April 22 1943 in New York City to parents of Russian and Hungarian Jewish descent. Glück was taught Greek mythology and classic stories from a young age which greatly influenced her works. Glück began writing poetry in highschool eventually taking some poetry classes and attending workshops where she more deeply developed her craft. After a tumultuous life and career Glück finally began seeing wider success in her work in the 1990's. That success however came with personal pains which she channeled into her work producing a collection of essays in 1994 titled "Proofs & Theories: Essays on Poetry" 1389597. Shelved Dupont Bookstore. The Ecco Press hardcover
1975141607New York: The Ecco Press 1975. First edition of the Nobel Prize-winning author's second book. Octavo original cloth. Presentation copy inscribed by the author on the half-title page "For Larry Louise Gluck." Near fine in a near fine dust jacket. Jacket design by Loretta Li. Louise Glück's The House on Marshland is a collection of poetry that stems from the seeds of every day life. Many of the topics she visits are holidays fairy tales and the simple gestures of human interaction. The Ecco Press hardcover
