10 159 résultats
11216Color illus. 125 pp. 8vo printed softcover title on spine. Ravenna: Danilo Montanari Editore 2016.<br /> <br> <br> A useful catalogue of Sol LeWitt 1928-2007 exhibition ephemera from the collection of Paolo Credi. Near fine; a few marks to the covers. unknown
11291Black & white illus. on recto details on verso. Amsterdam: Seriaal 1971.<br /> <br> <br> Rare announcement for an early Sol LeWitt 1928-2007 multiple published by Wies Smals’s Seriaal gallery. The multiple was made of white baked enamel edition of 25 copies 5 artist's proofs. The illustration reproduces the artist’s sketch design of the sculptural multiple. Near fine. unknown
11295Illus. on recto printed address label on verso. Large card. New York: John Weber Gallery 1978.<br /> <br> <br> Invitation to LeWitt’s 1978 show with John Weber; the recto illustration shows one of the artist’s drawings from 1977. In excellent condition.<br /> <br> <br> ⧠P. Credi ed. An Invitation to Sol LeWitt 2016 p. 59. unknown
8055Printed on recto mailing address on verso mailed. New York: John Weber Gallery 1980.<br/> <br/> Scarce LeWitt ephemera from John Weber Gallery. Presumably this was an exhibition of original photographs which eventually served as the basis for two of LeWitt's sought-after photobooks which came out the same year: Autobiography 1980 and Sunrise and Sunset at Praiano 1980.<br/> <br/> Near fine example; faint crease. Mailed to photographer Eve Sonneman. unknown
9332Printed on one side. Card. N.p.: Max Protetch 1974.<br /> <br> <br> Invitation card for LeWitt’s first solo show with Protetch. Earlier that year the artist was included in the gallery’s group exhibition “Political Art†with Andre Buren Morris and Rockburne. The artist’s book/exhibition catalogue The Location of Eight Points was made for the present show the first catalogue published by the gallery.<br /> <br> <br> In fine condition.<br /> <br> <br> ⧠Max Protetch Gallery: 1969-2009 Radius Books: 2023 p. 54. unknown
9333Printed on one side. Card. Torino: Gian Enzo Sperone 1974.<br /> <br> <br> Invitation card for LeWitt’s second solo exhibition with Sperone. An artist’s book/exhibition catalogue La posizione di tre figure geometriche Tre disegni su parete… was published for the occasion. In fine condition.<br /> <br> <br> ⧠A. Minola ed. Gian Enzo Sperone: Torino-Roma-New York 35 anni di mostre tra Europa e America 2000 Vol. II p. 492. unknown
9334Printed on one side. Oblong card. Amsterdam: Stedelijk Museum 1974.<br /> <br> <br> Invitation card for LeWitt’s first solo show at the Stedelijk Museum Amsterdam. In fine condition. unknown
9335Printed on one side. Card. Los Angeles: Margo Leavin Gallery 1979.<br /> <br> <br> Announcement card for LeWitt’s 1979 show with Margo Leavin in Los Angeles. In fine condition. unknown
9602Black & white illus. on recto details on verso. Pictorial postcard. Düsseldorf: Konrad Fischer 1969.<br /> <br> <br> Postcard invitation to LeWitt’s second presentation with Fischer. Their first collaboration had taken place 6 January-3 February 1968 – the gallerist’s fourth exhibition and the artist’s debut show in Europe. LeWitt’s preliminary sketch for one of the two wall drawings shown A square divided horizontally and vertically into four equal parts each with a different direction of lines 1969 is reproduced on the recto.<br /> <br> <br> “Konrad Fischer most likely saw Sol LeWitt’s work for the first time in 1967 in the exhibition Serielle Formationen in Frankfurt in which he also participated as a painter…It was Carl Andre who helped to convince LeWitt to do an exhibition with Konrad Fischer…It was LeWitt’s first solo show in Europe…Fischer held LeWitt in high regard and he dedicated altogether twelve solo shows to him.â€â€“Cloud & Crystal: The Dorothee and Konrad Fischer Collection 2016 exhib. booklet p. 44.<br /> <br> <br> Near fine; discoloration to the verso.<br /> <br> <Br> â§ D. Fischer ed. Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 Edition Marzona: 1993 19 pictured. unknown
10141Black & white illus. on recto details on verso. Pictorial postcard. Düsseldorf: Konrad Fischer 1969.<br /> <br> <br> A special copy mailed to Dutch collector Herman van Eelen of the postcard invitation for LeWitt’s second exhibition with Fischer. Their first collaboration had taken place 6 January-3 February 1968 – the gallerist’s fourth exhibition and the artist’s debut show in Europe. LeWitt’s preliminary sketch for one of the two wall drawings shown at the present exhibition A square divided horizontally and vertically into four equal parts each with a different direction of lines 1969 is reproduced on the recto.<br /> <br> <br> A mailed example in fine condition. Addressed to van Eelen’s Amsterdam address.<br /> <Br> <br> ⧠D. Fischer ed. Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 Edition Marzona: 1993 19 pictured. unknown
1984105431984. Color photographic illus. on recto details to verso. Photographic postcard. Eindhoven: Van Abbemuseum 1984.<br /> <br> <br> Postcard published by the Van Abbemuseum for LeWitt’s simultaneous solo exhibition at Amsterdam’s Stedelijk Museum. The recto photograph depicts the artist’s Structure 13-7 1981. Fine. unknown
8395Large folding poster offset-printed in four colors on thick paper. Rome: Ugo Ferranti 1980.<br /> <br> <br> A beautiful and large poster made on the occasion of LeWitt’s show with Ugo Ferranti in Rome. The artist later published an artist’s book with Ferranti entitled Venti forme derivate da un cubo 1982.<br /> <br> <br> In excellent condition. unknown
11257Printed on one side. Card. New York: John Weber Gallery 1971.<br /> <br> <br> Announcement card for LeWitt’s first solo show at John Weber’s gallery. In fine condition.<br /> <br> <br> Not in Sol LeWitt: Libros El concepto como arte 2014. unknown
11258Printed on one side. Card mailed. Brussels: galerie MTL 1972.<br /> <br> <br> Announcement card for LeWitt’s first solo exhibition in Belgium and with Fernand Spillemaeckers’s galerie MTL. The works to be shown are listed on the front of the card. In excellent condition. This copy mailed to artist Jacques Charlier b. 1939.<br /> <br> <br> Not in Sol LeWitt: Libros El concepto como arte 2014. unknown
11259Printed on one side. Card mailed. London: Lisson Gallery 1973.<br /> <br> <br> Invitation card for LeWitt’s 1973 exhibition with Lisson Gallery. In fine condition. Mailed to Evert van Straaten b. 1948 future director of the Kröller-Müller Museum in Otterlo.<br /> <br> <br> Not in Sol LeWitt: Libros El concepto como arte 2014.<br /> <br> <br> Installation photos for the exhibition can be viewed on Lisson’s website. unknown
11262Printed on both sides. Square card mailed. London: Lisson Gallery 1979.<br /> <br> <br> Invitation to LeWitt’s 1979 Lisson exhibition. In fine condition. Mailed to collector Udo Brandhorst b. 1939 founder of the Museum Brandhorst.<br /> <br> <br> Not in Sol LeWitt: Libros El concepto como arte 2014. unknown
11261Printed on both sides. Card mailed. London: Lisson Gallery 1977.<br /> <br> <br> Invitation to LeWitt’s 1977 exhibition with Lisson. In fine condition. Mailed to Marc de Cock of Ghent. <br /> <br> <br> Not in Sol LeWitt: Libros El concepto como arte 2014.<br /> <br> <br> An installation photograph of the exhibition can be viewed on Lisson’s website. unknown
11290Black & white illus. Printed on both sides. Oversize square card. Zurich: Galerie Bischofberger 1968.<br /> <br> <br> The illustrated announcement for LeWitt’s second European solo show preceded only by his presentation in Düsseldorf with Konrad Fischer the previous month 6 January-3 February. The artist had solo exhibitions with Bruno Bischofberger in 1968 and 1969. For the latter show they co-published LeWitt’s second “autonomous†artist’s book 49 three-part variations… Near fine. unknown
11293Printed on both sides. Postcard. Bremerhaven: Kabinett für Aktuelle Kunst Bremerhaven 1975.<br /> <br> <br> Postcard invitation sent by Jürgen Wesseler’s fabled gallery. The small gallery of just 33 square meters opened in 1967 and hosted important exhibitions of minimalist and conceptual artists until 1992. This was LeWitt’s only exhibition at the gallery. The text on the recto details “Wall Drawing no. 261†which LeWitt created for the show: “White Lines from the Center and Four Corners on Yellow Wall: 9 Lines from Each Corner & 9 From Center / 4 Above Center / 1 Toward Center / 4 Below Center.â€<br /> <br> <br> In fine condition. unknown
11294Facsimile ms. drawing to recto details on verso. Illustrated card. Basel: Rolf Preisig 1975.<br /> <br> <br> Illustrated invitation card for LeWitt’s 1975 exhibition with Rolf Preisig. The recto bears a reproduced diagram drawn by the artist in preparation for the exhibition. With notices of two other concurrent LeWitt exhibitions in Switzerland and the artist’s book Lines & Color co-published by Preisig and Marilena Bonomo and Annemarie Verna. In excellent condition.<br /> <br> <br> ⧠Sol LeWitt: Libros El concepto como arte 2014 pp. 198 & 273 pictured p. 198. unknown
11297Printed on one side. Oblong card. Rome: Ugo Ferranti 1987.<br /> <br> <br> Invitation to LeWitt’s 1987 show with Ugo Ferranti. Fine. unknown
11296Printed on one side. Oblong card. Rome: Ugo Ferranti 1982.<br /> <br> <br> Announcement card for LeWitt’s 1982 exhibition in Rome. Fine. unknown
11298Printed on one side. Card. New York: John Weber Gallery 1988.<br /> <br> <br> Invitation for the first of two LeWitt exhibitions at John Weber’s gallery in 1988. Fine. unknown
11299Printed on one side. Card. New York: John Weber Gallery 1988.<br /> <br> <br> Invitation for the second of two LeWitt shows at John Weber’s gallery in 1988. Fine. unknown
11403Two illus. Large pictorial square card. New York: Dwan Gallery 1969.<br /> <br> <br> A beautifully produced extravagant invitation from Dwan Gallery for LeWitt's 1969 exhibition. Two of the artist's drawings are reproduced on both sides. John Perreault writing about the show in the Village Voice observed: "LeWitt changes our conception of what a drawing is. 'wall drawings' are tough and delicate simultaneously." In excellent condition.<br /> <br> <br> James Meyer ed. Dwan Gallery: Los Angeles to New York 1959-1971 2016 p. 359 pictured.<br /> <br> <br> Not in Sol LeWitt: Libros El concepto como arte 2014. unknown