8 165 résultats
19801656801980. LEWITT Sol. Autobiography: SOL LEWITT 1980. 126 pp. With 1116 black & white illustrations. Square 4to. bound in original wraps with printed cover preserved in a new blue cloth box. New York: Multiples and Lois and Michael K. Torf 1980. First Edition. LeWitt creates a visual autobiography filling the pages with nine square images on each page. The closely related objects evolve as one continues through the book revealing an intimate portrait of the artist's history. A fine copy. Parr The Photobook: A History II. p. 155. The Open Book page 322. paperback
9672Seven full-page color illus. 16 pp. Square 4to 181 x 181 mm. orig. printed wrappers staple-bound. Jerusalem: Israel Museum 1975.<br /> <br> <br> A most rare signed copy of this artist’s book/exhibition catalogue designed by Sol LeWitt 1928-2007 for his exhibition at the Israel Museum in 1975; he has inscribed it to “Pier Luigi†on the upper corner of the first page. The book is printed in parallel English and Hebrew. and seven illustrations show seven iterations of LeWitt’s concept for the exhibit. With a checklist of works exhibited at the end.<br /> <br> <br> A near fine copy signed by the artist; trivial scuffing to the lower wrapper. On the first page LeWitt has written: “For Pier Luigi / Sol.†<br /> <br> <br> ⧠Maffei & de Donno Sol LeWitt Artist’s Books 2009 pp. 64-65.<br /> <br> <br> Sol LeWitt: Libros El concepto como arte 2014 36 pictured on p. 110. unknown
2016DBS-9781781545348Auris Press 2016. 1St. Hardcover. New. Auris Press hardcover
2016DBS-9781781545348Auris Press 2016. 1St. Hardcover. New. Auris Press hardcover
1969593486New York: Vito Acconci 1969. Softcover. Very Good. Magazine. Edited by Vito Acconci and Bernadette Mayer. Quarto. 96pp. Side stapled in unprinted white wrappers with front cover purposely wrinkled and stamped "0 to 9." Very good with some light edgewear one corner creased and a hint of toning. Contributors include Clark Coolidge Jerome Rothenberg Kenneth Koch Sol Lewitt John Perreault Philip Corner Rosemary Mayer Hannah Weiner Robert Smithson Yvonne Rainer Les Levine Adrian Piper Eduardo Costa and John Inslee. An uncommon issue of this important poetry magazine. Vito Acconci unknown
B56055-6New York/Boston Multiples Inc./ Lois and Michael Torf 1980. 126pp. Prof. illus. Lrg. sq. 4to. Wraps. Presentation copy inscribed in pen on flyleaf. New York/Boston (Multiples, Inc./ Lois and Michael Torf), 1980. paperback
002856NY: Tanglewood Press 1977. 1st Edition . Soft cover. Near Fine. NY: Tanglewood Press 1977. 32pp; b&w plates. 4to. Glued in glossy printed wraps. Near fine with mild toning and rubbing to wraps. Attractive copy of this desirable Sol Lewitt artist's book consisting of thirty black-and-white photographs of a single brick wall captured under various lighting conditions thus revealing a drastic range of formal variations in what would otherwise be a monotonous view. Maffei & De Donno Sol Lewitt: Artist's Books pp. 70-71. <br/> <br/> Tanglewood Press paperback
404935New York: Harry N. Abrams 1979. A near-fine copy in a like jacket pale stain to cloth on upper panel the jacket with minute wear. Square 4to 8 x 8 inches; 203 x 203 mm. 48 pages. Full-page color offset prints. Original cloth; dust jacket. FIRST EDITION inscribed by Lewitt on the front free endpaper in pencil to "Ann." Uncommon in the cloth-bound issue and especially so when signed. <br /> <br /> Lewitt conceptually explores: "Circle Square Triangle Rectangle Trapezoid and Parallelogram in Red Yellow and Blue on Red Yellow and Blue." The book is divided into three sections each of which differ by background color. Barbara M. Reise wrote that "LeWitt's colours like his lines and squares are like 'facts': they are inert pre-established accepted and un-emotional man-made constructs which can 'come to life' within a present context but do not necessarily do so. Red yellow blue and black and the white of wall or paper are standard "absolute primaries basic to all pigment colour – that is according to the colour system accepted by an art academic from early 19th-century theorists like Chevreul. Unlike the Newtonian rainbow-spectrum based on light-waves this theoretical structure is more conceptually mathematical and tautological than referential to some exterior and inhuman Nature. LeWitt's use of these colours is as flatly complete physical and self-reflective as the theory itself. Unlike Seurat whose use of the same colour theories was subordinated and interrelated to other interests in proportion theories and seen scene subject-matter LeWitt uses colour as both the subject and the object of his art" in: 'Sol Lewitt Critical Texts' ed. Adachiara Zevi Rome 1994 p. 188. Harry N. Abrams unknown
187844231Paris G. Masson 1878. 8vo. Contemp. hcalf raised bands gilt spine. Light wear along edges. Small stamps on verso of titlepage. In: "Annales de Chimie et de Physique" 4e Series - Tome 15. 512 pp. a. 3 folded engraved plates. The entire volume offered. Janssen's memoir: pp. 414-426. <br/><br/><em>First appearance of this milestone paper in chemistry physics and astronomy announcing the discovery of the helium lines in the spectrum of the sun. It was Lockyer in the same year that named it 'helium' for Helios the Greek God of the Sun. Helium was not discovered on the earth before 1895 by William Ramsay and it was Crookes who established its identity with the helium Janssen and Lockyer observed in the spectrum of the sun."He Janssen met immortality by travelling to India in 1868 to study the total eclipse. It was then that he observed the helium line and forwarded the spectral data to ockyer. He also noted the size of the solar prominences. The day after the eclipse he attempted to take their spectra again and succeeded despite the absence of the obscuring moon. he then announced jubilantly that it was the day after the eclipse that was the real eclipse day for him. Lockyer also reported this method of studying prominences without an eclipse.Like Lockyer he lived to see his observation of the helium line vindicated by Ramsay's discovery of that element on earth."Asimov."This the discovery of helium lines in the sun by Lockyer was announced on the same day by the French astronomer Janssen who was in India observing a total eclipse. As a result the French government some ten years later struck a medallion showing the heads of both scientists.By that time the two men had made a much more dramatic discovery at the same time this time in cooperation. Janssen studying the spectrum ofthe sun during the eclipse had noted a fine line he did not recognize. he send a report on this to Lockyer an acknowledges expert on solar spectra. Lockyer compared the reported position of the line with lines of known elements concluding that it must belong to a yeat unknown element possibly not even existing on the earth. He named the element from the Greek word for the sun."Asimov.Parkinson "Breakthroughs" 1868 A. - The volume contains other notable papers by Dumas Berthelot et al. </em> hardcover
2012Bio-Green-97814443333432012. Hardcover. New. hardcover
2012Bio-Green-97814443333432012. Hardcover. New. hardcover
198015171New York City NY: Multiples Inc./Lois And Michael Torf New York 1980. First Edition. First Printing. Softcover. Fine/Fine Dust Jacket. New York City NY: Multiples Inc./Lois And Michael Torf New York 1980. Softcover. Fine/Fine. First Edition/First Printing. 116 pages. Collection of photographs presented as an Artist Book. One of the most original and influential photobooks of the 20th century. The first and only edition. Published in a small and limited print run as a softcover original only. The First Edition is now rare. An austerely elegant production by Sol LeWitt: Oversize-volume format. White softcovers as issued. Photographs by Sol LeWitt. There is very minimal text. Printed on pristine-white thick coated stock paper in the United States to the highest standards. In pictorial DJ with titles on the cover and spine as issued. Presents Sol LeWitt's "Autobiography 1980". His pictorial autobiography circa 1980 rigorously and originally restricted to his physical material space whose specific objects nevertheless refer to both his inner life private thoughts feelings sensations and mental life as a Conceptual artist of the first rank. "Shows LeWitt's work space tools cabinets for storage furniture books appliances clocks records and tapes pieces of art and family photographs. Each of the nine photographs on every page is arranged in a grid format. Every reference is the same size with no object in his space more important than another" Publisher's blurb. "The artist catalogues every corner crevice and item in his loft: The bare facts of his everyday existence. We investigate each image but the significance of this Autobiography derives from the connection between images on a page on a spread and from page to page. Presents the life of the artist as the life of a particular person in a particular culture at a particular time and place. An unparalleled work. Singular in its demonstration that LeWitt's abstract geometric forms are inextricable from the experience of his life and culture" Adam Weinberg. An absolute "must-have" title for Sol LeWitt collectors. This copy is very prominently neatly and beautifully signed placed and dated in black ink-pen on the front free endpaper by Sol LeWitt. It is signed directly on the page itself not on a tipped-in page. There is no recipient named. This title is a pioneering and great photobook. This is one of very few such signed placed and dated copies of the First Edition/First Printing still available online and despite its imperfection toning and wear on DJ spine is still in fine condition overall: Every single internal page is clean crisp and bright. It is NOT price-clipped. It has NO bumps or markings. Please note: Copies available online have very serious flaws. This is surely an accessible and lovely alternative. A rare signed copy thus. 116 plates encompassing 1116 images. One of the most brilliant artists of the 20th century. A fine collectible copy. . ISBN 0960557806. Multiples, Inc./Lois And Michael Torf New York paperback
191112783THE LOST WORLD in The Strand / George Newnes 1911 2 Volumes 43 & 44 first edition preceding the 1912 book edition by several months slight wear and rubbing to the fore edge corner tips and spine extremities else vg copies rebound in non-pictorial blue cloth. George Edust-wrapper ard Challenger #1. Replete with wonderful Harry Rountree illustrations not issued in the book publication. Accompanied by original contributions from: P. G. Wodehouse THE PRINCE AND THE BETTY complete along with several others Arthur Morrison Richard Marsh Edust-wrapper ard Lear AN ALPHABET BOOK Sun Yat Sen H. Rider Haggard Edith Nesbit W. W. Jacobs et.al. The cornerstone book for the myriad of similarities that came after. Guaranteed to exceed any shipping cost beyond the information given. The Strand / George Newnes hardcover
66164New York NY: Pocket Books Trident Press 1965 1966 1966 1968. James Bond pastiche FIRST EDITIONS. Four volumes complete. The final book is SIGNED & INSCRIBED by the author. Octavos three vols are softcover originals the final book is a hardcover in jacket with presentation note to the flyleaf; Best from home // Sol Weinstein. Fine throughout. Presentation are rare. The complete series of novels featuring Israel Bond the first three having been serialised in Playboy magazine. This set is from the collection of Ian Fleming bibliographer Otto Penzler purchased by ourselves at Swann Auctions in 2010 with a pencil note to that effect signed by his bookseller friend and colleague Jon Gilbert. New York, NY: Pocket Books, Trident Press, 1965, 1966, 1966, 1968 unknown
1980209174New York & Boston: Multiples Inc./Michael K. Torf 1980. First edition and first printing. Softcover. A photographical autobiography with over 1100 black and white images of the various objects in Lewitt's life including numerous shots of his personal library. A clean very near fine copy in wrappers and in a very near fine dust jacket. A fresh copy of one of Lewitt's best artist books. Parr & Badger v2 155. Multiples Inc./Michael K. Torf unknown
19803112344New York/boston: Multiples Inc. Very Good in Very Good dust jacket. 1980. First Edition; First Printing. Trade Paperback. 0-9605580-0-4 . Trade paperback. Near fine in a near fine dust jacket. Priced: $16.95 10 1/4" X 10 1/4" unpaginated/132pp. Approx. Would be fine but for a faint damp stain at bottom edge of front inside cover affecting interior of card jacket but not on exterior. Also mildly affecting bottom edge of rear cover. Not particularly messy without affect on text. EB; 8vo 10 1/4" - 10 1/4" tall; 132 pages . Multiples, Inc. paperback
1984108491Anthoensen Press the Limited Editions Club 1984-01-01. Hardcover. Like New. 8x5x1. As new Limited Editions Club issue #536 of 1500 signed by Sol Lewitt in slipcase as issued. oversized and overweight. A52 Please email for photos. Anthoensen Press, the Limited Editions Club hardcover
20002761New Haven CT: Yale University Press 2000. 1st. Cloth. Collectible; Fine/Fine. A beautiful copy of the 2000 1st edition SIGNED BY SOL LEWITT!! on the half-title. Immaculate and Fine in a bright Fine dustjacket. Quarto 416 pgs. The catalogue based on the February-May 2000 exhibition at the San Francisco Museum of Modern Art. Signed by Illustrator. Yale University Press unknown
196933956New York: Vito Hannibal Acconci 1969. Very Good. New York: Vito Hannibal Acconci 1969. First Edition. Small quarto; staple bound wrappers; 96pp. printed mimeograph; black and white illustrations throughout. Front wrap wrinkled with a few scrapes; binding sound; pages unmarked; Very Good. <br /> <br /> Late issue of this experimental mimeographed magazine exploring the role and use of language and performance art. Includes "Moon in Three Sentences" by Bernadette Mayer "Sentences on Conceptual Art" by Sol LeWitt and "Firecrackers" by Rosemary Mayer an attempt to document firecrackers going off in Little Italy on July 4th 1968. . Vito Hannibal Acconci unknown
19881409570Cleveland Ohio 1988. All autographs clear and strong in red Sharpie. Poster measures 17.75 in. x 24.75 in. Laid down on poster board. Condition is Very Good with mild wear to corner and edges. Shelved at Rockville Room J. 1409570. Special Collections - Upstairs. unknown
2019CBS-9781138568310Taylor & Francis ExclusiveCbs 2019. New. Taylor & Francis Exclusive(Cbs) unknown
2019CBS-9781138568310Taylor & Francis ExclusiveCbs 2019. New. Taylor & Francis Exclusive(Cbs) unknown
11403Two illus. Large pictorial square card. New York: Dwan Gallery 1969.<br /> <br> <br> A beautifully produced extravagant invitation from Dwan Gallery for LeWitt's 1969 exhibition. Two of the artist's drawings are reproduced on both sides. John Perreault writing about the show in the Village Voice observed: "LeWitt changes our conception of what a drawing is. 'wall drawings' are tough and delicate simultaneously." In excellent condition.<br /> <br> <br> James Meyer ed. Dwan Gallery: Los Angeles to New York 1959-1971 2016 p. 359 pictured.<br /> <br> <br> Not in Sol LeWitt: Libros El concepto como arte 2014. unknown
1953980261953 2000. 1953 2000. Very good. - A collection of facsimile letters consisting of 256 sheets of watermarked paper reproducing the title page and 255 letters addressed to Theodore E. Steinway which formed an album created in 1953 honoring the centenary of the House of Steinway. The individual leaves are here laid loose in the sleeves of a binder. The original album from which this facsimile was produced was sold at auction circa the year 2000 and 3 sets of facsimiles of the letters were created by the new owner. The album was subsequently broken up and the pages sold separately. The album in in fine condition.<p>This set of facsimiles of the letters are being sold together with an original 10 inch by 8 inch vintage gelatin silver print of Franz Liszt with his famous student Alexander Siloti. The photograph was purchased at auction with other items from the Steinway collection. The top corners of the vintage photo are chipped with small pieces out and a tiny piece is out from the bottom right corner. A heavy crease along the left edge has been reinforced with archival linen tape from the verso. The verso of the photograph is soiled with an early glue stain. This striking image is in good condition. <p>The album was sold at auction circa the year 2000 and 3 facsimiles of the letters were created by the new owner. The album was subsequently broken up and the pages sold separately. This is one of two sets of the facsimiles that are being offered for sale. This set is being sold with the Liszt-Siloti photograph. Another copy of this photo is on display at the Isabella Stewart Gardner Museum. It was inscribed to Gardner by Siloti in 1898. Siloti states that the photo was created in 1883. The photograph is the work of Liszt protege Louis Held 1851-1927. The Russian virtuoso pianist Alexander Siloti 1863-1945 was a student of Franz Liszt and is said to have been particularly proud of this photograph.<p>Among the musicians included in the album are: Walter Piston Fritz Reiner Pablo Casals Percy Grainger Sammy Kaye Cab Calloway Samuel Barber with a musical quotation Lauritz Melchior Morton Gould Richard Rodgers Wilhelm Kempff with a musical quotation Gerald Moore Henry Cowell Ernest Bloch Count Basie Gary Graffman Ernest Krenek Leon Fleisher Egon Petri Yehudi Menuhin Eugene List William Kapell Isaac Stern Gaby Jean and Robert Casadesus on one sheet with a musical quotation Artur Rodzinski Eileen Joyce Wilhelm Furtwangler Vladimir Horowitz Hector Villa-Lobos Rudolf Serkin George Szell Jascha Heifetz Josef Hofmann Shura Cherkassky Myra Hess Arthur Rubenstein Alexander Tcherepnin with 6 musical quotations Gina Bachauer Fritz Kreisler Bruno Walter Jean Sibelius Cole Porter Gian Carlo Menotti Gregor Piatigorsky Xavier Cugat with his self-portrait Byron Janis Arturo Toscanini Wanda Landowska Mischa Elman Howard Hanson with a musical quotation and Solomon. 1953 [2000]. unknown
198011273Multiples Inc. Michael K. Torf 1980. First Edition First Printing. Paperback. Fine/fine. New York; Boston: Multiples Inc. Michael K. Torf 1980. First and only edition. 10.25 x 10.25 inches. Unpaginated: Black-and-white photographic catalogue of every object in LeWitt's living and working space in New York City offering a visual depiction of Lewitt's personal items in which he meticulously records with photographs the possessions in his studio and home; wherein nearly every page comprises in a 3 x 3 grid nine photographs taken by LeWitt of his home and studio. It is a fascinating window into the life of this very private artist. In these photographs we encounter his collections of Japanese prints his own artists' books music type samples art ephemera books photographs family heirlooms sculptures etc. Cited in Parr & Badger vol.2 p. 155; The Open Book pp. 322-323; Auer p. 624. BOOK CONDITION: Fine; a solid tight clean copy in a Fine dust jacket showing just a hint of toning to cover margins. . Multiples Inc. Michael K. Torf paperback