LeWitt, SolBiblio.com
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1347625New York: Multiples Inc. / Lois and Michael K. Torf 1908. First Edition. Softcover. Oblong octavo unpaginated; VG-/VG-; spine white with black lettering; mild shelf wear and soiling; corners bumped; upper edge of dust jacket age-toned; jacket spine mildly age-toned; bookseller's sticker at inside of front flap; previous owner's name at front free endpaper; profusely illustrated with black and white photos; pages clean; shelved Case 11. 1347625. Shelved Dupont Bookstore. Multiples, Inc. / Lois and Michael K. Torf unknown
996380 pp. Small square 4to 122 x 122 mm. orig. printed softcover with flaps orig. printed dust-jacket title on spine. Firenze & Lugo: Exempla & Exit & Zona Archives 1988.<br /> <br> <br> A nice copy of this uncommon Sol LeWitt artist’s book; one of 350 copies of which 50 were signed by the artist. The receipt of a Kawara “I am still alive†telegram inspired LeWitt to formulate the “variations†for example: “I AM STILL ON KAWARA†“I AM ALIVE ON KAWARA†“STILL AM I ALIVE†“STILL AM I ONâ€. These 74 sensical permutations were first printed in English German and French in the Studio International issue 1970 July-August edited by Seth Siegelaub 1941-2013 and Lucy Lippard b. 1937. Maurizio Nannucci b. 1939 published this book under his Zona Archives imprint. It has a permutation per page printed uppercase in a single line some with commas or question marks added.<br /> <br> <br> In fine condition.<br /> <br> <br> ⧠Maffei & de Donno Sol LeWitt Artist’s Books 2009 p. 122 pictured.<br /> <br> <br> Sol LeWitt: Libros El concepto como arte 2014 71.<br /> <br> <br> A. Moeglin-Delcroix Esthétique du Livre d’artiste: Introduction à l’art contemporain 2nd ed.: 2012 pp. 266-67 pictured.<br /> <br> <br> M. Nannucci Always Endeavor to Find Some Interesting Variation 2016 p. 264 pictured. unknown
2000105085New Haven:: Yale Univeristy Press. Near Fine in Near Fine dust jacket. 2000. Hardcover. 0300083580 . Exhibition catalog. Color and black and white illustrations throughout. First edition. SIGNED by Sol LeWitt on the half-title page. Light foxing and a small stray ink mark on top edge else near fine in a near fine some light foxing on verso dust jacket.; 416 pages . Yale Univeristy Press, hardcover
198420282The Limited Editions Club. Fine. 1984. Hardcover. Signed by Sol Lewitt. Limited edition of 1500 copies this being copy #869. Full black leather cover is sunned on spine else fine. Boards and spine are straight. Binding is tight. Publisher's notes laid-in. Pages are clean and pristine. Slipcase has multiple scuffs but is in very good condition. ; 0 pages; Signed by Artist . The Limited Editions Club hardcover
19841497New York: Limited Editions Club 1984. First Ediiton. Hardcover. Near Fine. Near Fine square hardcover in black cowhide leather designed and with twenty-two silkscreens by Sol Lewitt. Covers show a few signs of handling. Colophon states in embossed round seal text that "This is one of 50 presentation copies out of series". It is unnumbered therefore and not one of the 1500 numbered copies. Scarce thus. SIGNED "Lewitt" in pencil on colophon page. Printed at the Anthoensen Press. Text in English. The slipcase is extant and sturdy and functional but not pretty as it has 5 or 6 areas where the paper laminate has peeled away from the box and edges are worn. Further images upon request. Limited Editions Club hardcover
2000211094San Francisco CA: San Francisco Museum of Modern Art 2000. First edition. Hardcover. First printing. 416 pages. Massive retrospective catalog for a show that started at San Francisco Museum of Modern Art and ran February 19 through May 30 2000 and then went on to Chicago and New York for additional dates. Features an introduction by editor Gary Garrels along with essays by Brenda Richardson Martin Friedman Anne Rorimer Andrea Miller-Keller John S. Weber and Adam D. Weinberg. Includes close to 400 color and black and white images an extensive bibliography a list of previous exhibitions and a checklist. A clean and tight very near fine copy in black cloth boards and in a very near fine dust jacket. Signed by Lewitt on the half title page. This is a heavy and oversized book and will require extra shipping. San Francisco Museum of Modern Art unknown
cbs 9781781545027USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
20192081502111902927Chinese Academy of Arts 2019. Soft Cover. Fine. The book is in fine condition. Chinese Academy of Arts paperback
20052081502111902495chinese literary 2005. Soft Cover. Fine. The book is in fine condition. chinese literary paperback
20162081502111902796Shanghai Music Publishing House 2016. Soft Cover. Fine. The book is in fine condition. Shanghai Music Publishing House paperback
2017CBS-9781498750516Taylor & Francis ExclusiveCbs 2017. New. Taylor & Francis Exclusive(Cbs) unknown
2017CBS-9781498750516Taylor & Francis ExclusiveCbs 2017. New. Taylor & Francis Exclusive(Cbs) unknown
2018x-366254573XSpringer 2018. Hardcover. New. 1475 pages. 9.25x6.50x3.50 inches. Springer hardcover
2022Star-97818392627842022. Hardcover. New. hardcover
2022Star-97818392627842022. Hardcover. New. hardcover
2022x-9811669627Springer 2022. Hardcover. New. 1235 pages. 9.25x6.10x3.07 inches. Springer hardcover
19712091202133208205Geibun Printing Museum 1971. Soft Cover. Fine. Number of books: 2 books in total Geibun Printing Museum paperback
19852091502135418156Seishin bunka-sha 1985. Soft Cover. Fine. Number of books: 1 Seishin bunka-sha paperback
1984BN95483Van Abbemuseum. 1984. 1984. Softcover. From Monteluco to Spoleto. December 1976. <br/><br/>From Monteluco to Spoleto. December 1976. Van Abbemuseum. paperback
197373120Tokyo: International Cultural Foundation 1973. Hardcover. Fine/Near Fine. First edition. Fine in a near fine dustwrapper with rubbing to the edges and extremities. This copy belonged to sociologist and anthropologist Dr. Ashley Montagu and includes laid in materials pertaining to the controversial association of the International Conferences on the Unity of the Sciences with Sun Myung Moon's Unification Church. The items present include a typed letter Signed by Dr. Montagu stating that he refused to lend Moon any legitimacy by attending the conferences and noting that he had advised the organizer Nobel laureate Prof. Eugene Wigner of the same a typed letter Signed by Nobel laureate Robert S. Mulliken and by several others -- including Amitar Etzioni who later withdrew from the conference -- advising invitees to the Fourth International Conference that there was no religious agenda in question and a typed letter Signed by Moon himself written on the letterhead of the International Cultural Foundation presenting this copy of the 1973 proceedings. Also present are Vol. XXI No. 45 of the Princeton Spectrum newspaper featuring Allen Tate Wood's article "The Dark Side of Sun Myung Moon" a New York Times clipping in which Prof. Kai Nielsen offers reasons why scholars should shun conferences sponsored by Moon and a magazine article listing some of the scientists who chose to attend the fourth annual conference as well as some of those who stayed away. International Cultural Foundation hardcover
1950233201950. Clearwater Florida photo archive by George Fulmer documenting a Gulf Coast city in the early postwar Sunbelt boom: downtown storefronts automobile traffic tourism businesses beauty shops laundromats pharmacies loan offices civic buildings youth music programs local entertainments and everyday commercial life. George Fulmer identified here through the studio sleeves and the Clearwater job file context worked as a commercial and civic photographer in a period when Pinellas County grew quickly with new residents new retail construction and an increasingly car centered downtown. <br /> <br /> Photo archive of 70 items including 34 silver gelatin photographs with 36 corresponding and unique large format negatives contained in 15 studio sleeves with some annotations ranging from 3" x 5" to 4" x 5" Clearwater Florida circa early 1950s. Storefronts and signs identify Billie Moran Hair Stylist Spotlite Cleaners Launderette Family Loan Co. Loans Lane's Pharmacy Harris Drive In Pharmacy and a downtown block with the Capitol Theatre marquee and McCrory's along a traffic-filled street. Other scenes include audio equipment demonstrations musicians performing before seated audiences children handling rabbits a youth band rehearsal commercial laundry workers golfers near a clubhouse and staged presentation or prize events. Original sleeves strengthen the local identification with handwritten client names addresses dates and job numbers including "Portal Office U.S. Post Office" "P.G.A. Clinic" "Family Loan Office" "Lane Pharm" "Harris Pharmacy" and "Helpy Selfy Laundry." More scenes place people inside the social and commercial interiors of the city: a woman stands beside a microphone while another plays piano; accordion players and guitarists perform before a seated audience in a hall draped with streamers; children and an adult handle rabbits in what appears to be a club or youth program setting; a school band director leans into a room packed with young musicians and music stands; workers stand at wash stations in a commercial laundry; golfers pose and shake hands near a clubhouse; a woman and man stand on a small platform before a seated crowd during what appears to be a staged presentation or prize event.<br /> <br /> These scenes belong to the years when Florida's west coast cities were advertising modern storefronts widening their commercial appeal and absorbing the population growth that followed World War II air conditioning road building and the state's aggressive promotion of itself as a place to live shop vacation and retire. For institutional collections the group supplies named evidence of how a single city looked and conducted business during the first great Sunbelt surge: not only landmark buildings and downtown traffic but service counters display windows local entertainment children's programs and the ordinary businesses that usually vanish first from the record. Light wear minor surface handling and expected age toning to prints and negatives with some sleeves worn from studio use; overall in very good condition. A strong regional archive of Clearwater's commercial and civic life still anchored to the working paperwork that identifies who hired Fulmer and what parts of the city he was asked to record. unknown
811016 black & white plates. 32 pp. Square 4to 200 x 200 mm. orig. illustrated semi-stiff wrappers spine sunned & a trifle stained staple-bound. London: Studio International 1969.<br/> <br/> One of LeWitt’s earliest artist’s books remarkably well-preserved. This is the artist’s fifth book but the third standalone publication not originating from an exhibition or periodical. It is now scarce on the market. <br/> <br/> “The front cover of Four Basic Kinds of Straight Lines is an exemplary statement of the compositional elements: vertical lines horizontal lines and the two sets of diagonal lines. The proportions are immaculate. The back cover in turn states the narrative: one square with lines in one direction a second with two kinds of lines overlaid a third with three kinds and the fourth with all kinds superimposed; it too is superbly clear and perfectly designed…<br/> <br/> “The first page of the book after the cover reveals a grid of 16 squares and functions rather like a contents page. Fifteen of the squares declare the elements of the work: the four basic kinds of lines the six combinations of two kinds of line the four combinations of three lines and the single square with all four lines. The 16th square contains the title of the work. This is comparable to a magician showing their audience that they have nothing up their sleeve before they begin their act. In LeWitt’s case he proceeds from this introductory page to show us exactly what was prefigured on the contents page except that each of the 15 components is now blown up and bled off one to a page. But while there is therefore no surprise there is magic. This magic lies in the completeness of the scenario its simplicity and clarity its capacity for re-enactment the beauty of its design and execution and the perfect physical qualities of the book…This book like much of LeWitt’s art has a stability also a rightness. Nothing can be or needs to be taken away; it is a clear and beautiful expression of his idea.â€â€“Clive Phillpot “Sol LeWitt’s Books: Complete & Incomplete†in Booktrek: Selected Essays on Artists’ Books 1972-2010 2013 pp. 261-62.<br/> <br/> A near fine copy; faint wear to the extremities and some discoloration to the spine.<br/> <br/> ⧠G. Maffei & E. de Donno Sol LeWitt: Artist’s Books 2009 pp. 32-33.<br/> <br/> Sol LeWitt: Libros El Concepto Como Arte 2014 Libros de Artista no. 5 pictured p. 58. unknown
ANAIS-0471636169Wiley-Interscience. hardcover. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. Wiley-Interscience hardcover
2010Atlantic-9781439820476CRC Press 2010. 1. Hardcover. New. CRC Press hardcover
2010Atlantic-9781439820476CRC Press 2010. 1. Hardcover. New. CRC Press hardcover
