Großberg, Carl - eigentl. Georg Carl Wilhelm Grandmontagne - 1894 Elberfeld ? Laon 1940Antiquariat.de
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EN-143o.J. Aquarell und Feder in Schwarz, auf Bütten, mit Feder betitelt, datiert und signiert ?Olevano 1931 / C. Grossberg?. Blattgröße 49,7:40 cm. - Provenienz: Privatsammlung, Hessen. - Während seines Romaufenthaltes besuchte Großberg im Jahr 1931 auch das Bergstädtchen Olevano, das schon im 19. Jahrhundert das Ziel zahlreicher Maler aus Nordeuropa war.
1929302295Los Angeles 1929. 100 pp of typed documents and an additional 50 album leaves mounted with approximately 50 photographs various sizes and processes and various documents. Folio. Limp leatherette with title and recipient name stamped in gilt to upper cover. Large black quarter morocco clamshell box gilt. 100 pp of typed documents and an additional 50 album leaves mounted with approximately 50 photographs various sizes and processes and various documents. Folio. "It is proposed that a COMPLETE ZOOLOGICAL GARDENS be opened to the public on a fifty cent admission basis which is to be properly laid out as an attractive Zoological and Botanical Garden with the finest and largest private collection of animals birds and reptiles to be seen anywhere on the continent."<br /> <br /> The advent of the motion picture industry in California had many wide-ranging ramifications on the business world and one was that it created a new market for firms who traditionally supplied animals to circuses and zoos both public and private owned by the likes of William Randolph Hearst. <br /> <br /> This archive is a report by the Investment Auditors of California for the Horne Corporation that was looking to expand by establishing a zoological garden in the environs of Los Angeles. The Horne Corporation was the largest and most successful of its type at the time apparently the only company in the US that could completely outfit a circus with both animals and show equipment. They were to purchase the Los Angeles Zoological Garden and Jungle Studio for $250000 and thereby sought to provide a similarly complete service to the film studios with both animals and suitable locations for film sets.<br /> <br /> The head of the company I.S. Horne for whom this report was compiled commenced trading in animals from Kansas City MO around 1914. The range of animals at the their disposal included big game birds reptiles and many of the documents concern the prospect of importing reindeer from Alaska.<br /> <br /> The material is held in a presentation album and includes the certificate of incorporation in Wilmington Delaware May 13 1929 as well as the by-laws of the corporation minutes of the first meeting the proposal for Los Angeles Zoological Garden and Jungle Studio and a balance sheet. At this stage the company had total assets of $57700 & liabilities of $625388.46; an enumeration of the various animals in inventory including wildebeest sables leopard lynx Rhodesian baboons bushbaby and a large aardvark.<br /> <br /> Of real interest are the plans for the park including artist's impressions which would be furnished with circus attractions "Monkey Island" jungle setting for motion pictures and an acknowledgment that "before the introduction of the motion picture industry the art of showmanship was not quite so highly developed as it is today." In fact one of the first pictures they supplied animals for was - appropriately enough - Trader Horn which was nominated for the 1931 Academy Award for Best Picture. <br /> <br /> On a more practical level there is a "Descriptive Classification of Principal Commercial Wild Animals" which lists 340 different animals in some details. There is also an account of hunting wild animals in East Africa as well as a section on animals that have been trained to hunt by man. Furthermore there is also much correspondence which provides much insight into the game industry its clients and the prospects for its future.<br /> <br /> Horne's venture subsequently became known as the World Jungle Compound in Thousand Oaks California eventually being acquired by 20th Century Fox studios. This archive is a record of a new phase of the entertainment industry. unknown
1935102676BB(Moskau, IZOGIZ (State Publishing House for Fine Arts), 1935). Folio (37 x 28 cm.). [18] Bl. (davon 2 auf Japanpapier), 39, (2) S. (Text) mit illustr. Titel, zahlr. Abb., 1 doppelblattgr. illustr. Karte u. 1 gefalt. Tafel; [71] Bl. (davon 6 auf Japanpapier) mit zahlr. Abb. u. teils farb. Illustrationen u. 6 gefalt. Tafeln; [45] Bl. (davon 1 auf Japanpapier) mit zahlr. Abb. u. 2 gefalt. Tafeln; [24] Bl. mit zahlr. Abb. u. 1 gefalt. Tafel; [24] Bl. mit zahlr. Abb. u. 3 gefalt. Tafeln; [45] Bl. (davon 5 mit ausgestantzten rechteckigen Fenstern) mit zahlr. Abb. (davon 1 mit mont. farb. Stoffmuster) u. 3 gefalt. Tafel OKart. mit Leinenrücken u. silber- oder goldgepr. Deckelillustration in illustr. Orig.-Leinenkassette. 6 (statt 7) Bände.
EN-142o.J. Aquarell und Feder in Schwarz, auf Japan, auf festes Velin aufgezogen, rechts unten schwer lesbar signiert und datiert ?23? und mit Bleistift in der rechten unteren Ecke bezeichnet ?Dorff?. Blattgröße 32,2:27,4 cm.
144-Ho.J. Aquarell, Deckfarben und schwarze Kreide, auf festem graugrünem Velin, signiert und datiert ?2.IX.30? und ortsbezeichnet sowie verso betitelt und dem Künstleradreßstempel ?Fritz Wucherer / Kronberg (Taunus) / Burgerstr. 16?. 46,6:61,5 cm. Gering angestaubt, mit schwacher Knickspur sowie mehreren restaurierten Randeinrissen.
1934157936Milwaukee WI: Alloy Products 1934. Vintage sales sampler created by Alloy Products Corporation of Milwaukee Wisconsin housing 45 linen-backed photographs of various pressure vessels and pressure as well as technical illustrations and images of fabrication elements. Six photographs bear photographer stamps on the versos and most of the photographs include a "shipped to" date among the technical information on the versos dating from 1929-1934.<br /> <br /> The photographs capture eight tanker trucks five unmounted tanks for truck or rail four rail-mounted tanks three fabrication photographs nineteen various self-standing pressure vessels and pressure tanks and six coils and parts.<br /> <br /> Founded in 1929 Alloy Products Corporation manufactured various pressure vessels and pressure tanks predominantly used for dairy and other food and beverage industries. Detailed information on photograph versos includes dimensions materials fabrication techniques and various other technical specifications as well as the client for whom it was built. Among the client companies represented in the sampler are Anheuser-Busch Borden's Milk Bowman Dairy Blue Moon Cheese Products Brockway Motor Truck Canada Dry Ginger Ale Carnation Kentucky Color and Chemical Company Libby McNeill and Libby Liberty Trucking Company Miller High Life Nestle's Milk Products Rexford Paper Sunshine Dairy United Milk Products and Van Camp Packing among others.<br /> <br /> Photographs: 7.5 x 9.5 inches. Near Fine overall. <br /> <br /> Housed in a Very Good plus binder measuring 11.5 x 8 inches. Alloy Products unknown
200645382DECHEMA, Frankfurt am Main 1992-2006. 200 - 700 Seiten je Band, (200-700 pp. each Volume), Groß 8°, Original-Leinen (Hardcover), Bibliotheks-Exemplare (Privatbibliothek) mit Rückenschildern, Stempel und Barcode auf Vorsätzen und auf Titel, Einbände in selbstklebende transparente Schutzfolie eingeschlagen, Papier von Band 4c minimal wellig, insgesamt gute und innen saubere Exemplare, (library samples in alltogether good condition),
4°, mm 235x135, due volumi, pp. XLVIII, 468, (2), un ritratto e quattro tavole ripiegate fuori testo; pp. XVI, 612, tre tavole ripiegate fuori testo. Legature coeve in piena pergamena rigida titoli entro tasselli dorati al dorso, tagli a spruzzo, due piccoli antichi restauri ai piatti posteriori, peraltro copia molto fresca e genuina. Stemma di Benedetto XIV al frontespizio, capilettera istoriati nelle carte preliminari. Al termine della parte seconda parte si trovano le Memorie istoriche, di pp. 206, (10), con proprio frontespizio, antiporta silografica raffigurante Giordano, San Gregorio e Santa Silvia, ritratto inciso in rame del Cardinale Nero Corsini, dedicatario dell'opera (con piccolo restauro al margine bianco), e cinque tavole di cui tre ripiegate raffiguranti i quattro acquedotti che portavano a Roma le Acque Marcia, Claudia e le due Aniene. Opera completa, in bell'esemplare, di edizione originale e unica. Bibliografia: Riccardi I, 285. Cicognara 3659. Graesse II, 62.
4°, mm 235x135, due volumi, pp. XLVIII, 468, (2), un ritratto e quattro tavole ripiegate fuori testo; pp. XVI, 612, tre tavole ripiegate fuori testo. Legature coeve in piena pergamena rigida titoli entro tasselli dorati al dorso, tagli a spruzzo, due piccoli antichi restauri ai piatti posteriori, peraltro copia molto fresca e genuina. Stemma di Benedetto XIV al frontespizio, capilettera istoriati nelle carte preliminari. Al termine della parte seconda parte si trovano le Memorie istoriche, di pp. 206, (10), con proprio frontespizio, antiporta silografica raffigurante Giordano, San Gregorio e Santa Silvia, ritratto inciso in rame del Cardinale Nero Corsini, dedicatario dell'opera (con piccolo restauro al margine bianco), e cinque tavole di cui tre ripiegate raffiguranti i quattro acquedotti che portavano a Roma le Acque Marcia, Claudia e le due Aniene. Opera completa, in bell'esemplare, di edizione originale e unica. Bibliografia: Riccardi I, 285. Cicognara 3659. Graesse II, 62.
20142081502111904566China/Salt Industry History Research and Editing Department 2014. Soft Cover. Fine. Number of books: 10 joint editions China/Salt Industry History Research and Editing Department paperback
19822111902160201271Tottori prefecture 1982. Soft Cover. Fine. Volume: 18 volumes Tottori prefecture paperback
1830340512Cotta, Stuttgart ohne Jahresangabe (um 1830). 534 Kupfetrafeln in 4 Bänden jeweils mit Titelblatt, Quer 2°, marmorierte Halbleder der Zeit mit Rückentitel, Einbände berieben und bestoßen, Papier leicht braun- oder stockfleckig, die Tafeln teils mittig mit unscheinbarer Knickfalte (vom Postversand), Vorsätze mit Knickfalte, insgesamt gute und innen saubere Exemplar,
Les premières années chaque revue comporte 30 pp. sur papier teinté; puis la pagination passe à 50 pp. avec une diminution pendant la guerre 39/45 sans cessation de parution. De très nombreuses publicités art-déco dans les années 30 qui font place au style année 50 après la guerre. La revue accueille toute documentation ou information concernant la glace ou les produits vitrifiés. Avec le verre comme axe directeur, la revue se veut le reflet de son utilisation dans les Arts Décoratifs et L'Architecture: créations de l'école Boulle; expositions des Arts Décoratifs; Expo de Barcelone; Paquebot Normandie; Salons des Artistes Décorateurs... Les exemples sont tirés de grands architectes ou décorateurs; Roux-Spitz; Le Corbusier; Ruhlman; Auguste Prunier; Frank Lloyd Wright; Etienne Cournault avec quelques interviews... Toutes les utilisations du verre sont abordées; coupoles; glaces bombées; façades rideaux; relief; vitraux; verre soufflé; miroirs divers, créations d'artistes; mais une part importante concerne des détails sur les techniques nécessaires à l'utilisation du verre. L'ensemble, entièrement vérifié, est en très bon état mais 8 N° ont de petits manques sans gravité; découpe d'une photo technique ou d'un article le plus souvent. Après guerre des hors -textes couleurs apparaissent. La périodicité est de deux mois sauf faits de guerre. Présentée comme une revue indépendante elle est en réalité, au début tout au moins, l'émanation de la Société "Le Comptoir des Ventes", grossistes en produits verriers. Le tirage annoncé était en 1928 de 15 000 exemplaires; la revue était disribuée gratuitement aux architectes ou professionnels utilisateurs de produits verriers. On joint 4 feuillets dactylographiés sur papier mince destinés aux représentant et démarcheurs de publicité pour la revue.. Ensemble (complet?) peu fréquent. Voir les photos.
19742110502150900760Japan Senba Corporation 1974. Soft Cover. Fine. Number of books: 17 Japan Senba Corporation paperback
2017129313Watson-Guptill. New. 2017. Hardcover. 0399578102 . - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY NEVER OPENED - with a bonus offer-- . Watson-Guptill hardcover
1852IA0-500Wien, Selbstverlag der Gerebekammer und oder Handelskammer, 1852-1912. 35 Leinenb?nde der Zeit, 8?, Exemplar der aufgel?sten Bibliothek der Wiener Handelsakademie, Einb?nde mit Signaturetiketten Exemplare mit Bibliotheksstempeln
19742091502135700292Japan Senba Corporation 1974. Soft Cover. Fine. The book is in fine condition. Japan Senba Corporation paperback
1970105395BBDüsseldorf, Art-Press Verlag, 1970. 4°. [108] Bl. mit 194 Schwarz-Weiß-Fotografien auf Tafeln. OLn. mit illustr. OU.
192025766a4 plus no spine grubby NB I: National Confectionery Industry Ltd 1920. Paperback. Used: Acceptable. Paperback in average condition not dated but circa 1920 pages a little grubby as is cover some small tears staples rusting but all intact. National Confectionery Industry Ltd paperback
17874368Lisbon: press of the Royal Academy of Sciences 1787. Narrow 4to 209 x 118 mm. 8 xiii 3 175 pages. Title-leaf fol. 2 present in duplicate. Folding engraved plate of a mechanical silk loom; titles with woodcut arms of the Portuguese Royal Academy of Sciences woodcut and typographic headpieces occasional slight discoloration small wormtrack in the folding plate. Contemporary cat’s-paw polished sheep covers with gilt border spine in six gold-tooled compartments the second gilt lettered edges gilt and gauffered recased endpapers renewed defect in top spine compartment a dozen small wormholes. Provenance: António Romão dos Passos 1866-1951 signature in ink Antonio Passos / agronomo or Anto R. Passos scrawled across both titles the first with price note and on six text leaves. <br /> <br /> Only edition of a comprehensive overview of the Portuguese silk industry by the judicial magistrate of the Moncorvo district and author of several works on political economy and history of law. José Antonio de Sá d. 1819 a native of Bragança was an important proponent of modernization of the industry and later served as director of the Royal Silk Factory Real Fábrica das Sedas founded in 1802 in Lisbon. He was one of the earliest members of the Academia Real das Sciencias of Lisbon.<br /> <br /> Silkworms were raised in Portugal as early as the 13th century. Sericulture and silk production were concentrated in the northeastern province of Trás-os-Montes its largest center being the city of Bragança which from the 15th to 17th century was known throughout Europe for its luxurious velvets. Because of the lack of government support for industry frequent wars and above all the persecutions of the Inquisition which decimated an industry in all sectors of which Jews or converted Jews cristãos-novos played a major role Portuguese silk production suffered from intermittent crises and was even periodically decimated. Starting in the 1770s efforts to revive the industry began to have an effect: <br /> <br /> “By the end of the 18th century the Trás-os-Montes silk industry had dragged itself out of the crisis that had begun in 1750-1755 coinciding with the last incursion of the Inquisition into Bragança and embarked upon a period of great development accompanying the industrial expansion that was then taking place not only in that particular region but throughout the Portuguese kingdom. After the Inquisition’s systematic persecution of businessmen weavers and throwers had finally come to an end the continuity and expansion of the silk industry seemed to be a viable prospect. In the last two decades of the 18th century a remarkable process of modernization took place thanks to the efforts of the businessmen involved in this economic activity such as António José Lopes Fernandes who installed 200 silk looms in Bragança magistrates such as José António de Sá and Pereira de Barros and politicians such as Martinho de Melo e Castro and Rodrigo de Sousa Coutinho the latter being the Portuguese ambassador to Piedmont Italy. These efforts included the adoption of Piedmontese methods and techniques namely the organzine mill and the spinning-jenny the most advanced ones at that time in Europe in an operation led by experts coming to Portugal from that Italian region.†Sousa p. 6<br /> <br /> Sá’s work is in three parts. The first part comprises an overview of the history of silk production starting with Antiquity and summaries of the industry and government policies toward it in other countries followed by a detailed recommendation with responses to projected objections that the Portuguese government undertake a campaign to plant mulberry trees and promote the industry generally. Part two is a treatise on the silkworm and part three a technical survey of “the art of silk spinning.†Explained in the text pp. 142-148 is the letter- and number-keyed engraving of a rather fanciful machine showing a vat for softening the cocoons heating on the left from which a thread-unwinding mechanism feeds a loom on the right. <br /> <br /> The reason for the duplicated title-leaf in this copy is not clear. Perhaps one functioned as an upper wrapper — but as both titles are preceded by a half-title that appears unlikely. The book collector Antonio Romão dos Passos b. February 28 1866 was an engineer and agronomist. Other books from his library all on practical subjects are recorded; four are digitized by the Biblioteca Nacional Digital de Portugal. One a treatise on hemp has a similar indelicately scrawled signature across the title. <br /> <br /> OCLC gives six US locations. Innocencio Diccionario bibliographico portuguez IV: 246 no. 2658; Kress Luso-Brazilian Economic Literature Before 1850 p. 4. Cf. F. Sousa “The Silk Industry In Trás-Os-Montes During The Ancient Regime†E Journal of Portuguese History Vol. 3 no. 2 Winter 2005 digitized. press of the Royal Academy of Sciences unknown
Milano, Italica Editoriale, (1935) imperial folio (cm. 38 x 53) brossura, con nastro di cotone, pp. 62 + 114 + 35. Seconda edizione con tre frontespizi xilografici a colori di straordinaria qualità così come num. tav. xilografiche originali (tutte sempre di G. Peroli). Il vol. é dedicato all'Italia Settentrionale e vuole essere un'esaltazione di personaggi ed industrie; é corredato di numerosissime tavole fotografiche illustranti le varie attività descritte : Arte : Giannino Castiglioni, Milano (sculture) - F.lli Barovier, Murano (vetrerie) - Rizzarda, Faccioni, Milano (ferri battuti) - Salviati, Venezia (decorazioni). Scienza : Alessandro Bruschettini - Sport : Theo Rossi Conte di Montelera (motonautica) - Ippica: (razze 'Lady Victoria', 'Oldaniga' e 'R. Gualino' di Torino. Lavoro : S.A. Ing. Pizzigoni (acciai) Branca (liquori), Banco, Filippa, Oriani, Lodigiani, Scheidler, Bonfiglio, Cottini, Dell'Acqua & Martini, Baldi, Marchioro, ecc (costr. edili) - Costr. meccaniche : Carminati & Toselli, Offic. di Crema, Ajolfi ecc. - Alimentazione : Venchi, Wamar, Oleificio Costa, Caffé Franck - Aviazione, automobilismo : Aeron. d'Italia, Torino, Navig. Aerea Ital. Genova, Alfa Romeo, Fiat.
1995ZB2633771995-2001. volumes 1-7 partly bound ex library PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. unknown
19312080202106300479Not Available 1931. Soft Cover. Fine. Number of books: 1 Not Available paperback
19752090202120807145Not Available 1975. Soft Cover. Fine. Volume: 1 Not Available paperback
