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4to., First Edition, with illustrated title and very numerous illustrations in the text, free endpapers mildly browned; original pictorial boards printed in red and black, covers lightly age-soiled else a very good, bright, fresh, clean copy. Cahill 24 , variant A (with Bedford St address and picture in black).
Very Good German Contemporary black cloth bdg. Original covers in binding. 4to. (27,5 x 20 cm). In German. 173-224 pp. Ownership signature on colophon, some underlined sentences, and markings. Otherwise a good copy. Exceedingly rare separatum of collected and compiled 27 Laz (Lazuri) fairy and folk tales around Rize area of Turkey as well as an introduction and short information on folklorists of Lazistan by Finger. From introduction: "Die nachstehenden Märchen wurden von mir im Jahre 1934 in der kleinen Nahie Kurayiseb'a, etwa 80 km landeinwarts von Rize am Kalopotamos gelegen, aufgezeichnet. Der kleine Han, der wir dort durch etwa 14 Tage bewohnten, war abends Treffpunkt der Jugend des Ortes, und die Märchen wurden mir im Austausch gegen deutsche Sagen und Märchen, die ich erzahlte, mitgeteilt." [i.e. The following fairy tales were recorded by me in 1934 in the small town Kurayiseb'a, about 80 km inland from Rize on the Kalopotamos. Little Han, which we lived there for about 14 days, was the evening meeting place for the local youth, and the fairy tales were given to me in exchange for German sagas and fairy tales that I told]. Josef (Sepp) Finger studied at the Handelsakademie and was employed from 1919 in a Vienna bank. In 1926 he emigrated to Turkey, living in Ankara and Constantinople (Istanbul), traveling around Asia Minor, and working for the Deutsche Orientbank. From 1927 he worked at the Austrian legation in Turkey and the Deutsches Archäologisches Institut in Istanbul and he also organized a zoological study trip through Anatolia. He returned to Vienna at the end of 1934 and was employed by the Österreichisches Verkehrsbüro. After the annexation of Austria, he was employed initially at the Feinstahlwerke in Traisen, Lower Austria, and then as an export manager in Vienna. Finger, who spoke Turkish and several European languages, was employed in 1939 as an interpreter in the Vienna Gestapo censorship department and also joined the SS Security Service (SD) that year. He attended the SS leadership school in Fulda in 1941 and was promoted to SS-Obersturmführer. In 1943/44 he published extensive travel reports, particularly about Turkey, in the Völkischer Beobachter. Until September 1944 he worked in the press censorship department of the Vienna Gestapo and later in Department (Amt) IV (Gestapo) of the Reich Security Main Office in Berlin. He moved to the anti-Communist Department (Amt) VI in February 1945. His last posting was in the special department for combating Austrian resistance. From February 1946 to July 1947 he was detained in the Marcus W. Orr US internment camp in Glasenbach near Salzburg. He said nothing there or during registration as a Nazi about his career in the Gestapo and ultimately lived under a false identity in the Saalfelden area. In 1947 he was transferred to the prison of the Landesgericht für Strafsachen (provincial court for criminal matters) in Vienna, and Volksgericht proceedings were instituted against him under §§ 8, 10, and 11 of the Prohibition Act (registration fraud, illegality, and qualified illegality). Finger claimed that he had been sent to the Gestapo by the employment department and had been used there merely for "subordinate activities". In 1949 the public prosecutor's office in Vienna dropped the case. On several occasions between 1935 and 1944, Finger had given or sold the Museum für Völkerkunde (Museum of Ethnology, now Weltmuseum Wien) objects from the Caucasus, Asia Minor, Persia, and the Middle East. The objects were not identified as having been expropriated by the Nazis, and it is most likely that Finger acquired them during his long sojourns abroad. The Art Restitution Advisory Board took note of a report on the ethnographic items in the Weltmuseum from Finger on 30 November 2012 and a dossier on textiles in the MAK on 26 September 2014. (Lexikon Provenienzforschung online). Only one copy in OCLC: 560570599 (The British Library, St. Pancras of London).
436 pages. Index. Archival black and white illustrations. Hand-numbered copy number 346 of 1000. Author's signature upon bookplate inside front board. Fold-out map inside back board. "A collection of stories and historical events connected with the most northwest county in the United States - Whatcom County, Washington; and depicting in popular style, the pioneer days of the formative years between 1848 and 1895." - from title page. Relatively few library markings. Front free endpaper neatly removed. Small dab of liquid paper upon opening blank leaf. Book
Two Volumes. With 10 hand-coloured aquatint plates "Drawn by H. Repton. Engraved by Stadler.", title vignettes signed "H. Repton inv. & delin. H. R.Cook sculpsit." Offsetting. Plates age stained especially on verso. Decorated title pages. 185mm. Disbound. Early inked ownership of E.W. Spangler in both volumes and scratched out ownership on title pages. Edward Webster Spangler. (1846-1907) was from York, PA. During the Civil War he was a member of Company K, 130th Regiment PA Volunteers, Second Brigade, Third Division, Second Corps, Army of the Potomac. After the War he was a lawyer in York for more than 40 years, president of the Spangler Manufacturing Company, and for a time publisher of the York Daily (Record). .Humphry Repton (1752-1818) was a great English landscape designer, and illustrator. These 'Odd Whims' were dedicated to his neighbour William Windham of Felbrigg Hall. Repton served as Windham's confidential secretary during Windham's very brief stint as Secretary to the Lord Lieutenant of Ireland. **PRICE JUST REDUCED! ENGSETS BX 5
8vo., First Edition, on laid paper, fore-edges lightly spotted; handsomely bound in dark red full morocco, sides with double frame border stopped at corners with gilt rosettes, back with five raised bands ruled in gilt, second and fourth compartments lettered in gilt, all other compartments tooled with gilt lozenge, a most attractive copy ideal as a gift or for presentation. Includes recollections of the Pahang Disturbances of December 1890 - September 1891, and the expeditions into the 'Benighted Lands' of 1894 and 1895. VERY SCARCE
8vo., First Edition thus, with 16 plates; handsomely bound in full burgundy morocco, back gilt with five raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled and ruled in gilt, gilt top, hand-made endpapers, uncut, pictorial gilt from original upper board and backstrip preserved and mounted on new and separate leaves, ribbon marker, a most attractive copy ideal as a gift or for presentation. With 2pp publisher's catalogue bound in at end. The first English edition of Andersen's 'Eventyr' was published by Pickering as 'Danish Fairy Tales and Legends' in 1846. The fourteen tales contained therein were translated by Mrs. Howitt. In 1852 the scarce second edition appeared, containing forty-five tales and at the time the sole complete collection in English. The translations were made from the original Danish and not from any of the later German versions. Enhanced by Heath Robinson's inimitable illustrations, this edition comprises a verbatim reprint of the fourteen tales of the 1846 edition and the remaining thirty-one tales of the second edition of 1852. AN ELEGANT COPY OF A VERY SCARCE EDITION.
Front free endpaper almost loose. Titles all underlined in red on title page. Joints of spine both cracked.. Wear to extremities and surfaces of covers.
Second edition, 12mo, [4], 198pp., engraved frontispiece and 7 engraved plates, 3 full-page wood-engraved, 1 illustration within the text, some offsetting from plates, a couple of gatherings standing proud, cont. calf, joints cracked, untitled spine with raised bands outlined in gilt, corners bumped, head and foot of spine chipped. "Philander, a rich gentleman, sick of dissipation and amusement, retires to the country to devote himself to benevolence, taking as his motto "Virtue alone is happiness below." Hen entertains each Monday six young gentlemen?Master Steady, Master Featherbrain, Master Speakwell, etc.?and each Thursday six young ladies?Miss Allgood, Miss Prattle, Miss Haughty, etc. After one of them has told a story or recited a poem, the remainder of the visit is devoted to the study of the sciences in which each pupil speaks his piece in nauseating sententiousness interlarded with piety."?NBL. Provenance: Early ownership signature of Ann & Elizabeth Harrison on front paste-down. Roscoe, J12; NBL 446; First published in 1769, both edition are rare, ESTC locating four copies of the first (L, O; CLU-S/C, CtY-BR) and five of this second edition (L, O, LEu; CaOHM, CLU-S/C).
Very Good Russian Very attractive early Russian edition of this famous Georgian national poem 'The knight in the panther skin', richly illustrated in very well binding. This is a Georgian medieval epic poem, written in the 12th century by Georgia's national poet Shota Rustaveli, and a definitive work of the Georgian Golden Age, the poem consists of over 1600 Rustavelian Quatrains and is considered to be a "masterpiece of the Georgian literature". Original decorative green cloth bdg. with Rustaveli's embossed portrait. Art-nouveau borders on board. Faded titles and decorations on spine. A very good copy. 4to. (27 x 20 cm). In Russian. [5], 315, [7] p., [18] b/w full-paged plates. Shalva Nutshubidze, (1888-1969), was a Georgian philosopher, translator, and public benefactor, one of the founders of the Tbilisi State University (TSU), founder of Alethology. The main fields of scientific activity of Shalva Nutsubidze were: alethology, history of Georgian philosophy, history of the old Georgian literature, Rustvelology, problems of the oriental renaissance. He was also a well-known translator: he translated The Knight in the Panther's Skin of Shota Rustaveli, Visramiani, and other outstanding literary works in Russian. Nutsubidze is co-author of a well-known theory about the identity of Pseudo-Denys Areopagite and Georgian philosopher of the 5th century Peter the Iberian (Theory of Nutsubidze-Honigmann).
13 vols., 8vo., First Edition, with full-page maps, pedigrees and glossary of place names in the text, and printed endpapers; black cloth, gilt backs, a near fine set in dustwrapper. An elegant set. The sequence comprises: The Last Kingdom (2004); The Pale Horseman (2005); The Lords of the North (2006); Sword Song (2007); The Burning Land (2009); Death of Kings (2011); The Pagan Lord (2013); The Empty Throne (2014); Warriors of the Storm (2015); The Flame Bearer (2016); War of the Wolf (2018); Sword of Kings (2019); War Lord (2020). COMPLETE SETS ARE VERY SCARCE IN THIS CONDITION.
2 vols., 8vo., First Edition thus, with very numerous illustrations, initials, and head- and tail-pieces by Gill in the text; full niger morocco, sides and backstrip blocked and lettered in gilt, gilt edges, silk marker, Commentary Volume bound in boards with buckram back, the two fine volumes housed in publisher's cloth solander case lettered in gilt. EDITION LIMITED TO 1980 COPIES. A magnificent facsimile of the Golden Cockerel masterpeice, widely regarded as the finest private press production of the period.
One volume (of two). pp. xiv, [2], 268, [2], 8 [Directions to the Binder often lacking] + Plus a remarkable group of (40) elegant engravings, including two duplicates and a portrait frontis. Lacks the plate at p. 87. Many fine vignettes. Most of the plates are after Charles-Dominique-Joseph Eisen (1720-1778). 12mo (in 8s). 185 mm. Some age stain, but generally clean. All edges gilt. Attractive contemporary French dark green morocco bindings, with only slight defects. Hardbound. Very Good. First Edition. The world famous tales and fables of Jean de La Fontaine (1621-1695), neatly printed in verse, are joined by the best work of the great illustrators & engravers Charles Eisen (1720-1778) and Pierre-Philippe Choffard (1730-1809). Justly considered one of the greatest examples of French rococo illustration. The Fermiers Generaux, an entrepreneurial financial association responsible for gathering and banking certain kinds of taxes, commissioned this edition of La Fontaine's zesty tales. Determined that the book should be the best of its kind, they allowed their agent, the Chevalier d'Agincourt, unlimited resources. It is still provocative to consider that patronage of the arts by this new plutocracy produced the greatest monument and triumph of this renowned age of illustration. See: Cohen-de Ricci 558-571; Ray. 'Art of the French Illustrated Book' p. 54-56; Holloway. 'French Rococo Book Illustration' pp. 21-24; & Etc. By offering this one volume we give you an addordable opportunity to acquire part of THE IMMORTAL FERMIERS GENERAL EDITION OF THE . TALES OF LA FONTAINE. Please check our other entries for the full set of this great work in fine condition. CHEST 2/1
Small 4to (218 x 155 mm), [xxiv], 518, [1, blank]pp., from the Beckford library, initials 'F.H.G.' stamped in ink to front endpaper, with a pencil note signed by the same relating to the engravings within, engraved printer's device on title page of a cat with a rat in its mouth, copiously illustrated with half-page woodcut vignettes at chapter headings, woodcut initials, woodcut head and tail-pieces, bound in full nineteenth-century Russia leather, covers tooled in gilt and blind as is the spine, green binder's ticket of C. Kaltthoeber to front endpaper, joints a little rubbed, all edges gilt, a very nice copy. First edition of a collection of tales of virtues and vices exemplified by miscellaneous historical figures. Provenance: Hamilton Palace Libraries, Sotheby, Wilkinson & Hodge, 29th November 1883, lot 717, sold to Rev. F. Gall for ?1 10s; the library of Lord Gretton, Stapleford Park, Leicestershire.
In-8°, (2), 172 i.e.173cc, buone condizioni tranne le prime carte restaurate all’angolo superiore con parziale mancanza di testo, legatura in pergamena. Passano I, 164 “collezione curiosa di novelle, moltissime delle quali assai licenziose. Il Libri, che così lo qualifica (Catal. del 1859, n.464), aggiunge che è libro estremamente raro”. Brunet I, 193. Conforme a Edit 16 id.CNCE 7834 Il volume contiene anche L’isola di Narsida (1572) vero e proprio romanzo utopistico, antesignano dei primi romanzi di fantascienza. In-8 °, (2), 172 i.e.173cc, good condition although the first leaves have been restored at the upper corner (the text is partially missing), vellum binding. Passano I,164 “curious collection of short stories, many of which are very licentious. Libri, which qualifies it this way (Catal. of 1859, n.464), adds that it is an extremely rare book ". Brunet I, 193. In accordance with Edit 16 id. CNCE 7834 The volume also contains The Island of Narsida (1572) a true utopian novel, a forerunner of the first science fiction novels.
Two Volumes. pp. xiv, [2], 268, [2], 8; [2], viii, [2], 306, [4], [9]-16 + Plus a remarkable group of elegant engravings, including: Two frontispieces by Fiquet, after Rigault and Vispre; over fifty vignettes and culs-de-lamp by Choffard; and 80 full-page plates after Eisen by - Aliamet, Baquoy, Choffard, Delafosse, de Longueil, Flipart, Le Mire, Lempereur. Leveau, Ourvrier, et. al. One plate is apparently from a different copy. Some slight age foxing. ALSO: Two plates that are often censored - Cas de Conscience & Diable de Papefiguiere - do not seem to appear at all in my examples. 12mo (in 8s). 185 mm. Attractive contemporary French red morocco gilt bindings, with only very slight defects. First Edition. Provenance: The set belonged to Edwin Wolf II (1911 1991) - famous as the Librarian of the Library Company of Philadelphia, and as a collector, and an employee of the renowned Rosenbach Co. from 1930 to 1952. The Family Album purchased a large part of his collection of early books in 1992. About this work : The world famous tales and fables of Jean de La Fontaine (1621-1695), neatly printed in verse, are joined by a 'Dissertation sur la Joconde' by Nicolas Boileau Despreaux (1636-1711); and the best work of the great illustrators & engravers Charles Eisen (1720-1778) and Pierre-Philippe Choffard (1730-1809). Justly considered one of the greatest examples of French rococo illustration. The Fermiers Generaux, an entrepreneurial financial association responsible for gathering and banking certain kinds of taxes, commissioned this edition of La Fontaine's zesty tales. Determined that the book should be the best of its kind, they allowed their agent, the Chevalier d'Agincourt, unlimited resources. It is still provocative to consider that patronage of the arts by this new plutocracy produced the greatest monument and triumph of this renowned age of illustration. See: Cohen-de Ricci 558-571; Ray. 'Art of the French Illustrated Book' p. 54-56; Holloway. 'French Rococo Book Illustration' pp. 21-24; & Etc. THE IMMORTAL FERMIERS GENERAL EDITION OF THE TALES OF LA FONTAINE. **PRICE JUST REDUCED! SAFE ADD 1
BASILE Giovan Battista. Il Pentamerone overo Lo Cunto de li Cunte trattenimento de li Peccerille. In Napoli, ad istanza di Antonio Bulifon libraro all'Insegna della Sirena, 1674. In 16mo; pp.12n.nn., 633, 3n.nn. Pergamena coeva, titolo calligrafato al dorso. Ex libris. Rara e celebre raccolta di fiabe in dialetto napoletano, la più antica opera di racconti fiabeschi e tradizioni popolari della storia europea. In questa edizione compare per la prima volta il titolo "Pentamerone". Lo Cunto de li Cunte ebbe grande influenza in tutta Europa su scrittori come C. Brentano, i fratelli Grimm, Perrault, Carlo Gozzi, Wieland. Dall'introduzione di Benedetto Croce all'edizione del 1891: "Il Cunto de li Cunti è un libro di fiabe. E le fiabe, non occorre quasi il dirlo, sono racconti popolari tradizionali di avventure, alle quali pigliano parte esseri umani, ed esseri sovraumani od estraumani della mitologia popolare, come fate, orchi, animali parlanti, ecc. Questo complesso di racconti tradizionali, la cui origine è incerta e discussa e risale senza dubbio a una remota antichità, viene ora considerato dalla moderna filologia come un gruppo di documenti importanti per la storia del genere umano e per la psicologia popolare. Ma, per molti secoli, essi non furono se non un oggetto di diletto e di trattenimento pel popolo ingenuo e pei fanciulli, che avidamente li ascoltavano: lo scienziato disdegnava d'appressarvisi, e solo, di rado, vi si appressò l'artista. E uno dei primi artisti, anzi il primo, che vi si appressasse, fu appunto il nostro Giambattista Basile... Nel 1674 l'editore Antonio Bulifon, un francese stabilito a Napoli, «vedendo, com’egli stesso dice, che veniva sommamente desiderato questo, altrettanto arguto quanto giocoso, Pentamerone del vivace e bizzarro ingegno del Cavalier Giovan Battista Basile», fece sì che, «ridotto alla vera lettione, per mezzo delle stampe ei rinascesse». Chi lo ridusse alla «vera lettione» fu un abate pugliese, Pompeo Sarnelli, poi vescovo di Bisceglie, appassionato cultore del dialetto napoletano, che allora serviva, a quanto sembra, da correttore nella stamperia del Bulifon. Il Cunto de li Cunti fu, in quest'edizione, intitolato, per la prima volta, sul frontespizio: Il Pentamerone: titolo più breve, che ricorda illustri precedenti, e che perciò prevalse. Ed, anche sul frontespizio, è detto «co tutte le zeremonie corrietto»; e, certo, il Sarnelli vi spese intorno molte cure". Le cinquanta fiabe delle cinque giornate sono tutte collegate tra loro, e racchiuse in una cornice generale, che ravvicina questo libro di fiabe ai più classici libri italiani di novelle, ai Decameron, alle Cene, ai Diporti, alle Piacevoli Notti, ecc. Pironti, Editori francesi in Napoli, pag.87.
