986 résultats
187144394Paris, , 1871. In-4 oblong, 20 photographies (15 x 21 cm) montées sur carton fort, table, toile rouge, titre doré sur le premier plat (reliure de l'éditeur).
1807096764London: John Reeves 1807. and administration of the sacraments and other rites and ceremonies of the church according to the use of the United Church of England and Ireland. Together with the Psalter or Psalms of David pointed as they are to be sung or said in churches. bound with A COMPANION TO THE ALTAR: Shewing the nature and necessity of a sacramental preparation in order to our worthy receiving the Holy Communion: wherein those fears and scruples about eating and drinking unworthily and incurring our own damnation thereby are proved groundless and unwarrantable. Unto which are added prayers and meditations suitable to a sacramental preparation according to what the Church of England requires from her communicants. and A NEW VERSION OF THE PSALMS OF DAVID fitted to the tunes used in churches by N. Brady and N. Tate. Pp. 49272492 11 engraved plates; f'cap. 12mo; nineteenth century black straight-grain morocco the spine lettered and decorated in gilt boards decorated in gilt & blind with a diamond shaped inlaid central panel of red morocco which is initialled and decorated in gilt the boards a trifle rubbed corners bruised edges lightly worn; a.e.g.; ribbon marker; marbled endpapers with a gilt lettered and decorated black morocco ownership label of Eliza Ann Crockford dated 1813 laid on the upper pastedown twentieth century bookplate on verso of upper free endpaper the preliminary blank loosening tiny inked annotation to one page of the Psalms a couple of corners creased scattered light foxing and browning; John Reeves/Scatcherd and Letterman London n.d. 1807. Griffiths 1807/3. John Reeves was gazetted King's Printer in 1800 and held the appointment for 29 years until his death. Between 1801 and 1815 he issued some 25 editions of the Book of Common Prayer each printed by others on his behalf. This edition was printed by C. Whittingham. The plates in this copy are all dated February 1807. The Companion to the Altar was printed for Scatcherd and Letterman by Rider and Webb by assignment from T. Beecroft and was issued 'in various sizes so as to bind up with the different editions of the Common Prayer Book' ref. note at foot of title page. The Irish poet hymnist and lyricist Nahum Tate 1652-1715 became England's poet laureate in 1692. He is best remembered for the New Version of the Psalms of David first published in 1696 in which he collaborated with Nicholas Brady. Tate wrote the words to a number of hymns of which the most famous is the Christmas carol known today by its opening line 'While shepherds watched their flocks by night'. He also wrote the libretto for Henry Purcell's opera Dido and Aeneas in 1689. Nicholas Brady 1659-1726 was an Anglican clergyman and poet also born in Ireland. John Reeves unknown
18737263Versailles CERF et Fils 1873 11 volumes In-4° Exceptionnel ensemble de 11 volumes, 3vol. in-4 pour l' enquête sur l'insurrection de (8)-633-(3) pp. ; (4)-589-(1) pp. ; (4)-XVIII-(4)-452 pp., Tome I : Rapports ; Tome II : Dépositions des Témoins ; Tome III : Pièces Justificatives. Document officiel de la plus grande importance et contestée par la suite par de nombreux historiens dont Lissagaray. Del Bo, p. 59 . + 8 volumes sur les actes de la défense nationale, 547 + 544 + 2 ff + (359 + 247) + (248 + 75 ) + pour le rapport et 687 pp + 574 + 596 ( + 1 ff) + 636 + 1ff ( Il manque des volumes dont les dépêches télégraphiques) , quelques coiffes élimées, et dos d'un volume avec accroc, très légères traces de frottement
187316450Paris, Lemerre (Imprimerie Claye), 1873 ; in-18 (188118 mm), broché ; (8), 258 pp., (1) f. blanc, couverture imprimée.
184513060ILLUMINATED THROUGHOUT BY OWEN JONES - IN A HANDSOME RED MOROCCO BINDING ALSO PROBABLY DESIGNED BY JONES <br />first edition thus large 8vo. 24.8 x 17 cms. xl 504 2 451-484 notespp. with the text on every page enclosed inside a very great variety changing every few pages of decorative borders which are printed in colours very often two and including red blue green mauve yellow and black numerous large decorative initial letters printed in colours ornaments some printed in colours all these decorations designed by Owen Jones 12 plates of which 8 are divisional title-pages chromolithographed in gold and colours by Owen Jones 3 engravings by J. C. Horsley 1 by Henry Warren 37 line engravings drawn from old master paintings by George Scharf jnr. under ther superintendence of Lewis Gruner final section of notes which has aberrant pagination with a simple parallel red and black line border elaborate publisher's binding of full rich morocco over very thick bevelled boards sides blocked with an elaborate border probably designed by Owen Jones and a central device composed of the interlaced letters I.H.S. smooth spine elaborately gilt decorated and lettered inner fold-ins and board edges gilt decorated all edges gilt neatly recased retaining the original pale blue glazed endpapers some trivial local foxing but a fine and most handsome copy. Preserved in a new marbled slipcase. <br /><br />R. McLean <i>Victorian Book Design</i> 1972 pp.88-90.<br />Owen Jones 1809-1874 architect and designer was interested in historical ornament as an inspiration for modern design and striving to determine universal principles of design studied both oriental and western arts. In this work Jones clearly echoed the hand-illuminated work of medieval breviaries psalters and books of hours. "The book was well printed by Vizetelly Brothers and must have been a considerable undertaking since it consisted of over 500 pages all printed in two or three colours" McLean. The complex wood-engraved borders were in widely varying styles and were printed in black blue and red combined or in such single colours as yellow green lilac blue red or brown. Additionally there were eight strikingly printed illuminated divisional 'title pages' chromolithographed in gold red blue and green. Additionally there are full-page woodcut plates by John C. Horsley and Henry Warren with engraved borders and a tint over the print. and 37 wood engravings after Raphael and others throughout the text. The result was "one of the most important examples of Owen's commercial decoration" McLean.The book was initially issued in eight parts and was later republished in 1850 and in 1863 in fewer colours and without the chromolithographed 'title pages'. The work is also "of great interest in tracing the work done by Baxter's apprentices" Lewis. Jones had his own press and with his co-worker H. N. Humphreys "developed several totally new binding styles using materials such as papier mâché terracotta and embossed leather which were more fitted to the sumptuous contents" O.D.N.B. It is likely that the binding of this copy was designed by Jones even if not created in his workshop.<br />C. T. Courtney Lewis <i>The Story of Picture Printing in England during the XIXth Century</i> 1928 p.63. John Murray [printed by Vizetelly Brothers and Co.] hardcover
186789675Artus Bertrand Guillaumin | Paris 1867 | 14 x 22.5 cm | Relié
183988740Firmin Didot frères | Paris 1839 | 13.3 x 21.4 cm | Relié
186788599Imprimerie Impériale (1851-1870) | Paris 1867 | 18.5 x 26.5 cm | Broché
184439585London: William Pickering pr. by Charles Whittingham 1844. Folio 35.1 cm 13.8". 260 pp. <br><br>Pickering's beautiful type facsimile of Robert Barker's 1604 edition a.k.a. the Hampton Court Book here in a Rivière binding. Charles Whittingham printed the work on handmade paper in black-letter type for Pickering who inspired by the printing of Aldus Manutius published in 1844 a series of six such facsimiles of important editions of the Book of Common Prayer each of which was => illustrated with wood-engraved initials and ornaments done by Mary Byfield and limited to => only 350 copies printed on paper with another two on vellum. The original title-pages were reproduced for each in => red and black and in the case of the present example the almanac pages likewise printed in red and black. Each book in this homage to important editions of the BCP was => an outstanding example of the Victorian-era Gothic design movement and Kelly notes that these volumes are "considered to be among the finest work of Whittingham."<br>Â Â Â Â Binding: Signed 19th-century dark brown morocco framed and panelled in single gilt and double blind fillets with gilt-tooled corner fleurons surrounding a central arabesque medallion; spine with raised bands gilt-stamped fleur-de-lis decorations in compartments and gilt-stamped publication information. All edges gilt. Front lower turn-in stamped by Rivière.<br>Â Â Â Â Provenance: Front free endpaper with small stamp of Basil M. Pickering who took over the business after his father's death; later in the library of American collector Albert A. Howard small booklabel "AHA" at rear. <br>Â Â Â Â <br>Â Â Â Â Brunet I 1108; Griffiths Bibliography of the Book of Common Prayer 1844:29; Kelly Checklist of Books Published by William Pickering 1844.4; Keynes William Pickering rev. ed. p. 85; McLean Victorian Book Design 13; Pickering & Chatto William Pickering catalogue 708 222. Bound as above joints and extremities showing moderate rubbing. Scattered spots of faint to mild foxing pages generally clean and fresh. William Pickering (pr. by Charles Whittingham) hardcover books
187016175Paris, Saillant, éditeur; lithographie Barousse, 1870. 16 lithographies en couleurs en 1 vol. in-4, cartonnage moderne.
185491304Gaume frères | Paris 1854 | 14.5 x 22.5 cm | 2 volumes brochés
1829237131829 PARIS, Eymery, Fruger et Cie Editeurs, 1829 - EDITION ORIGINALE - Bien complet des 50 cartes couleurs (certaines fortes traces d'humidité) - In-folio, 52,5 x 37,5 cm - 1/2 Reliure -1 mors fatigué - Dos lisse orné - 4 + 100 pages de texte (mouillures) puis 50 cartes gravées par Lallemand, en double pages montées sur onglet et colorées à la main excepté les 2 premières : systemes Planétaires et Planispheres Célestes qui sont en noir - Envoi rapide et soigné
188055221880 Paris Maurice Dreyfous éditeur 1880 In12 bradel plein papier pièce de titre 412 pages couvertures conservées - Reliure signée (Armelle Guégant)
185489272H. Goemaere | Bruxelles 1854 | 13 x 21.5 cm | Relié
187042129Paris, se vend chez Duclaux, Lith Barrousse, 1870-1871. Titre et 26 planches lithographiées coloriées en 1 vol. in-4, toile verte de l'époque.
187044262Paris, Imprimerie Coulboeuf, 1870. Titre et 31 lithographies en couleurs en feuilles, sous chemise illustrée de l'éditeur.
188388750Otto Spamer | Berlin Leipzig 1883 | 14 x 20.8 cm | Reliure de l'éditeur
1852005031Oxford: The University Press 1852 1852. 1 vol. 5-3/4" x 3-3/4". Bound in full elaborately blind tooled light brown morocco raised bands gilt title to spine elaborate chased brass clasp and corner pieces all edges gilt ad goffered marbled pastedowns and endpapers internally clean and bright head and foot of spine fine hinges fine no previous ownership markings or inscriptions in VERY GOOD condition. Oxford: The University Press, 1852 hardcover
1828SEM18275Boston: From the Press of the Christian Examiner 1828. Third Edition with Alterations and Additions. Hardcover. Very Good. 8vo. 386 pp. Full contemporary leather rubbed. Bookplate of The Bishop Vail Library of Kansas 1889. And later stamp of a seminary library. <br/><br/> From the Press of the Christian Examiner hardcover
1828SEM18275Boston: From the Press of the Christian Examiner 1828. Third Edition with Alterations and Additions. Hardcover. Very Good. 8vo. 386 pp. Full contemporary leather rubbed. Bookplate of The Bishop Vail Library of Kansas 1889. And later stamp of a seminary library. <br/><br/> From the Press of the Christian Examiner hardcover books
180228715London: Pub. for John Reeves pr. by W. Bulmer 1802. 8vo 24 cm 9.5". vi 694 pp. <br><br>There were minor differences between the Prayer Books of the Church of England and the Church of Ireland up until 1801 the year that the churches merged; the various 1801 BCPs were the first to use the "United Church" designation. John Reeves had been appointed king's printer in 1800 and edited his own version of the BCP of which this is the second edition; the separate title-page following the preliminary matter is dated 1801. That preliminary matter offering historical and liturgical commentary is extensive and interesting.<br>Â Â Â Â Fore-edge: This beautiful example bears a subtly shaded => fore-edge painting showing Westminster Abbey in the background behind a waterfront view with sailboats.<br>Â Â Â Â Binding: Full straight-grain dark olive green morocco covers framed in elegant feather and pearl twist gilt roll turn-ins with floral gilt roll. Stone-pattern marbled endpapers. All edges gilt. <br>Â Â Â Â <br>Â Â Â Â Griffiths Bibliography of the Book of Common Prayer 1802/1. Binding as above mild rubbing overall with some abraded areas consolidated joints and extremities subtly repaired aesthetically appropriate endbands supplied. Title-page with inked ownership inscription dated 1803 "The gift of my beloved husband." Intermittent faint spots of foxing mostly confined to early leaves. One inked marginal annotation in an early hand three psalms 14547 with small inked emphasis marks pages otherwise clean. Pub. for John Reeves (pr. by W. Bulmer) unknown books
1850015627London: John Murray 1850. Book measures 23.5x16.5.cm. xl484pp cromolithographic frontis 6 full page cromolithographic plates coloured initials and borders throughout. Bound in period ornate full blind stamped embossed calf raised bands leather label full gilt edges marble endpapers. Calf very lightly rubbed minor abrasiona wear. Binding in very good clean firm condition. Internally occasional light spotting. Pages in very good clean condition. A very nice copy. F. Calf. Very Good Plus. Illus. by Owen Jones. Large 8vo. John Murray Paperback
1850099423London: John Murray 1850. Book measures 24.5x16.5.cm Collationxi484pp 6 full page cromolithographic plates coloured initials and borders throughout. Bound in full period vellum ornated gilt border design and gilt cross on each board ornate gilt tooling on spine full gilt gauffred edges inner dentelles coloured endpapers. Vellum/gilt faded some dust or dirt marking. Generally a very nice binding. Internally minor staining to a few pages paper label pasted to free endpaper with the name '' Edith Ravenhill ''. Pages in very good clean condition. A very nice attractive copy. . Vellum. Very Good. Illus. by Owen Jones. Large 8vo. John Murray Hardcover
1871002198Oxford: The University Press 1871 1871. 1 vol. 5-7/8" x 3-7/8". Bound in full brown morocco raised bands gilt title to spine covers blind tooled chased brass corner pieces and clasp all edges gilt marbled pastedowns and endpapers internally clean and bright head and foot of spine fine hinges fine a VERY GOOD copy. Oxford: The University Press, 1871 hardcover
1852002465Oxford: The University Press 1852 1852. 1 vol. 5-13/16" x 4". Bound in full elaborately blind tooled brown morocco raised bands gilt title to spine chased brass clasp all edges gilt ad goffered marbled pastedowns and endpapers internally clean and bright foot of spine fine small chip to head cap of spine hinges fine a VERY GOOD copy. Oxford: The University Press, 1852 hardcover