Rossi, Giacomo di; Alberts, RutgerAntiquariat.de
3 190 résultats
13182DBo.J. [2 Warenabbildungen] Rutger Christoffel Alberts, geboren 1691, gestorben 1732. Drucker und Buchhändler in Den Haag. Giovanni Giacomo de Rossi
60593BBo.J. [2 Warenabbildungen] (Pieter Hendricksz Schut, geboren 1618/1619 in Amsterdam, gestorben 1667 ebenda. Niederländischer Zeichner und Kupferste
61860BBo.J. (Hendrik Spilman, geboren 1721 in Amsterdam, gestorben 1784 in Haarlem). Niederländischer Künstler. Jan de Beijer, geboren am 24. September 1703 in Aarau, gestorben am 15. Februar 1780 in Rees oder Doesburg, Niederlande. Zeichner und Grafiker). [4 Warenabbildungen]
London, J.J. Dubochet & Co., 1837 - 1839. Tres volúmenes en 4to.mayor; LIV - 434 pp. + 534 pp. + 538 pp., con numerosas ilustraciones entre el texto. Encuadernación moderna en media tela.
Incisione da matrice in rame (mm.210x320 e margini), abilmente colorata da mano coeva: veduta prospettica animata da numerosi personaggi. Titolo e legenda lungo il margine inferiore. Piccoli difetti ma nel complesso un discreto esemplare molto decorativo. Queste «vues d'optique», dai colori molto vivaci, se opportunamente predisposte con intagli, forature e controffondature, erano presentate al pubblico all'interno di apparecchi ottici semplificati dal pantoscopio, allo zogroscopio, dalla lanterna magica al mondo novo. . Cfr. Maria Adriana Prolo - Luigi Carluccio. Il Museo Nazionale del Cinema di Torino. 1978, la ricercata prima pubblicazione relativa al nascente Museo della Mole Antonelliana. C.A. Minici Zotti, Il Mondo Nuovo. Le meraviglie della visione dal '700 alla nascita del Cinema, 1988..
190020809Genève, Ch. Eggimann, [vers 1900]. Grand in-4 de [4]-172 pages, premier plat de couverture conservé, cartonnage vert d'éditeur illustré, dos de percaline muet.
1956219672Japan. Showa 31 1956. Melbourne 1956 Olympics scrapbook 26 x 36.3cm 38pp 4 hole string binding hand-written title on front cover. Some largely even browning throughout endpapers a little marked but overall very good. This Japanese scrapbook filled with newspaper clippings from Japanese sources provides a detailed and engaging record of the 1956 Melbourne Olympic Games capturing the entire event from its earliest stages to its conclusion. The scrapbook begins with profiles of all Japanese athletes participating in the Games followed by reports on the opening ceremony individual sporting events and the triumphs and disappointments experienced by Japan's competitors. <br> <br>It also includes coverage of notable performances by international athletes and closes with accounts of the closing ceremony. The precise newspaper source for these articles is not identified. <br> <br>Each clipping has been neatly and carefully cut and mounted demonstrating the compiler's dedication and care. The scrapbook was assembled by S. Tanaka in December 1965. Wrapped in paper from a bookshop in Fukuoka it suggests that Tanaka may have been a sports enthusiast living in that region motivated to preserve the memories of Japan’s Olympic efforts. <br> <br>Beyond its sporting content the scrapbook offers insights into the Japanese media's portrayal of the Games and national pride during the post-war period. It serves as both a historical record and a personal testament to one individual's passion. . unknown
173112933Augsburg, Gabriel Bodenehr d.Ä., um 1731. Kupferstich. Blattgröße: 19,5 x 36 cm, Druckspiegel: 16 x 32,5 cm. [2 Warenabbildungen]
176014001London 1760. 315x445mm. 12½x17½". Grabado. London 1760. 287 x 448mm. Grabado al cobre. Coloreado a mano de época. Vista óptica de la ciudad de Lisboa Portugal desde el río. Publicado según acta del Parlamento en 1760. Se trata de la reedición de un grabado de Henry Overton II publicado originalmente en Londres por Robert Sayer en 1752. El mapa pertenece a una de las ediciones realizadas tras el terremoto de Lisboa de 1755. Suele identificarse como una edición londinense pero por sus características puede que haya sido impreso en París al estilo de Maillet de la misma época probablemente imitando las ediciones inglesas. Este mismo grabado fue copiado en muchas ediciones posteriores solo o en libros siendo una de las vistas más conocidas de Lisboa antes del Terremoto. unknown
PHO-1302Augsbourg , Académie Impériale des Arts Libéreaux au Négoce commun de l'Académie Impériale d'Empire des Arts Libereaux ,dimension feuille 485x360 et impression 440x315 , verso blanc ,titre en miroir dans la marge supérieure : La Pentecôte a Hierusalem , manque de papier sans atteinte en haut.
PHO-1301Imprimée à Augsbourg dans la « Collection des Prospects »,430x322mm , gravure en couleurs d’époque , verso blanc . Une belle vue de Jérusalem illustrant Souccot - également connue sous le nom de Fête des Tabernacles ou Fête des Cabanes.
PHO-1300Imprimée à Augsbourg dans la « Collection des Prospects »,430x322mm , gravure en couleurs d’époque , verso blanc, coupes courtes, bords légèrement salis Une belle vue de Jérusalem illustrant Souccot - également connue sous le nom de Fête des Tabernacles ou Fête des Cabanes.
164023732(vers 1640) Format (19 x 32) cm, avec marges (31 x 37 cm..
183024033(vers 1830) Format (16 x 35 cm) sous vitre et cadre doré XXe (31 x 49 cm).
990301903 à 1910 Paris, Octave Doin, Editeur. 1903 à 1910. 9 volumes in-8. Demi chagrin noir, 4 nerfs, titre et auteur en doré ( reliure uniforme pour les 9 volumes). 800 + 947 + 1134 + 897 + 1151 + 1143 + 881 + 1032 + 954pages. Avec des figures dans le texte
18739Amsterdam, J. Wetstein, 1744. In-12, [16]-328 pp. 16 pl., veau marbré havane, dos à nerfs orné de caissons et fleurons dorés, pièce de titre rouge, tranches rouges (épidermures, coiffe supérieure arasée, mors fendus, petit manque au titre, rousseurs, minuscules déchirures marginales du papier).
60093BBo.J. [2 Warenabbildungen] Matthäus Merian der Ältere, geboren am 22. September 1593 in Basel, gestorben am 19. Juni 1650 in Langenschwalbach. Schw
62879BBo.J. (Matthäus Merian der Ältere, geboren am 22. September 1593 in Basel, gestorben am 19. Juni 1650 in Langenschwalbach, Kup
109899A Paris, Chez Firmin Didot, Imprimeur du Roi, de l'Institut, et de la Marine, rue Jacob N° 24, 1818, 2 volumes in-4 de 265x205 mm environ, Tome 1 : xix-584 pages et Tome 2 : viij-679 pages, demi chagrin bleu nuit et cartonnage marbré, titres et tomaisons dorés sur dos lisses ornés de faux-nerfs et fleurons dorés, gardes marbres, tranches finement mouchetées de bleu. Couvertures avec cartonnages frottés, 2 coins cassés, cuir en bon état, quelques mouillures claires et rousseurs, le frontispice du tome I a été relié à la page 329. Illustrations contenues dans les 2 volumes : Frontispices, 1.Armoiries du Languedoc, Carte du Canal et Robine de Narbonne, Pont Marengo, Tableau synoptique du Canal du Midi, 2. Carte en couleurs du Département de l'Aude, Vue de Carcassone, Plan de l'ancienne Cité de Carcassonne, Vue de Castelnaudary, L'Antique Narbonne, Vue de Narbonne, Pont Aqueduc Fresquel, Carte du Canal des Deux Mers. Edition originale.
19681571968 - cartonné - Editions Cercle d'Art, Paris et Harry N. Abrams, New York - 1968 - In-folio (30,5 x 30,5 cm) cartonnage toilé noir sous jaquette de l'éditeur - 179 planches de photographies en N&B + Quelques pages de préface
Incisione da matrice in rame (mm.300x400 e margini), abilmente colorata da mano coeva: veduta prospettica animata da numerosi personaggi. Titolo lungo il margine inferiore, firmata "Marieschi delin. -J Bowles fecit". Queste «vues d'optique», dai colori molto vivaci, se opportunamente predisposte con intagli, forature e controffondature, erano presentate al pubblico all'interno di apparecchi ottici semplificati dal pantoscopio, allo zogroscopio, dalla lanterna magica al mondo novo. . Cfr. Maria Adriana Prolo - Luigi Carluccio. Il Museo Nazionale del Cinema di Torino. 1978, la ricercata prima pubblicazione relativa al nascente Museo della Mole Antonelliana. C.A. Minici Zotti, Il Mondo Nuovo. Le meraviglie della visione dal '700 alla nascita del Cinema, 1988..
92 pages. Features: Torado Iwasaki was cheated out of his 640 acres on Salt Spring Island; Ernest Manning's offer to merge the Alberta Social Credit Party with the federal Conservatives; Egyptian travel posters in West Germany include swastika; How We've Come to Love the Car - a 10-page exploration of this surprising cultural shift - Peterborough's Superblock and architect Gerald Robindon, Monteal's new Place Bonaventure-Canada Trade Centre (cutaway view) - with photos and brief write-ups of the following people and their vehicles - Rompin' Ronnie Hawkins, Al Hamel, Dr. Morton Shulman, Harley Neilson (of the chocolate business), Dorothee Hebert and Kenneth Jarvis; Does Canada Need the Tories?; Wonderful photographic celebration of Orillia, Ontario's Centennial - with text by Jack Batten; Expose '67 - the unpredictable other half of Expo '67; Alan Eagleson and the formation of the NHL players' union (NHLPA) - article with great full-page photo of Eagleson with Carl Brewer - who later became an implacable opponent of Eagleson and his misdeeds - amazing NHL history, some of it from the dark side; Spiritualist James Wilkie of Vancouver - is his body taken over by timeless spirit Rama?; Lotta Hitschmanova helps the starving, sick and homeless in foreign lands - article with photo; Nice colour photo ad for Hollandia pipe tobacco; Colour photo centrefold ad for Eskilon winterwear; Nice full-page colour photo ad for Ski-doo; The Investigation Service of the Post Office Department - the secret watchers who guard your mail; Fantastic two-page colour photo ad for CBC-TV with photos of 17 of their shows/personalities; Photo ad for GM's short-lived Epic car; and more. Moderate wear. Unmarked. A sound vintage copy. Book
V0721mug00345Vista Higher Learning 2019-01-01. Loose Leaf. New. 10x8x1. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer international shipping on this item. -01x- Vista Higher Learning unknown
175327967London 1753. Print. Very good condition. A very early view. The gatehouse of St. James's Palace is on the left. Finely hand colored with the sky in eggshell blue and the people's dress delicately filled in. <br /> 9 3/8 x 15 1/4" on paper 12 3/4 x 18 3/4" unknown
175110664London: Printed for & Sold by Rob. Sayer at the Golden Buck opposite Fetter Lane Fleet Street. & Hen. Overton at the White Horse without Newgate 1751. Engraved by N. Parr after Canaleti. Engraving with original colour. Printed on laid paper. In good condition with the exception of being trimmed within the platemark. Corners are stained. Image size: 9 3/16 x 15 3/16 inches. A beautiful Vue d'Optique of the Rotunda House at Ranelagh.<br/> <br/> During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/> Clayton The English Print 1688-1802 140-141. Printed for & Sold by Rob. Sayer at the Golden Buck, opposite Fetter Lane, Fleet Street. & Hen. Overton at the White Horse witho unknown
