3 190 résultats
175110664London: Printed for & Sold by Rob. Sayer at the Golden Buck opposite Fetter Lane Fleet Street. & Hen. Overton at the White Horse without Newgate 1751. Engraved by N. Parr after Canaleti. Engraving with original colour. Printed on laid paper. In good condition with the exception of being trimmed within the platemark. Corners are stained. Image size: 9 3/16 x 15 3/16 inches. A beautiful Vue d'Optique of the Rotunda House at Ranelagh.<br/> <br/>During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/>Clayton The English Print 1688-1802 140-141. Printed for & Sold by Rob. Sayer at the Golden Buck, opposite Fetter Lane, Fleet Street. & Hen. Overton at the White Horse witho unknown books
83.1aafca. 1840. 25x32.5 Aquatinte originale 1 feuille
329.1aaf19x30 cm Haus am Zürichsee (?). Aquarelle. cadre dor 34x44 cm.
748.1aafs.d., vers 1860, 10.3 x 6.8 cm, Gravure sur acier en bistre. Avec larges bords aux dentelles gauffrées et ajourées. - Orig.-Stahlstich mit Spitzenrändern,
372.1aafum 1940, Image 41x56 cm, lithogrtaphie originale, signée J. Berchier, Nr. 7/10. avec cadre 60x76 cm.
2157aaf1838, 18.5 x 25.5 cm, gravure sur cuivre originale.
750.1aafParis, Wild, Impr. par Frick, vers 1840, 23 x 15.7 cm, qqs légères rousseurs. Vue avec une ile à droite dans la Sarine, 1 feuille (32 x 25 cm).
127703aafParis, Imprimé par Lemercier (London publ. by Junin - Paris publié par Jeannin - à Genève chez Razimbaud), s.d., vers 1840, Feuille 27.5x36.3 cm. lithographie originale en noir. Encadrement à la feuille d’or. (43x49 cm) / Sous verre et sous passepartout encadré.
100933aafParis, Wild, Impr. par Frick, s.d., vers 1840, 15.5 x 22 cm, lithographie originale mise en couleurs, encadrement en bois doré (26 x 32.5 cm).
138294aafLith. Aigroz Mouden, s.d. (vers 1870), 49x59 cm (sans cadre) / 56x67 cm (avec cadre), 1 planche (35x42 cm) avec 5 vues lithographiques dans un encadrement typographique : Vue de Bulle 22x39 cm. + 4 petites vues ca. 7x 9 cm: Promenade / Gruyères / Grand Rue & Gare aux voyageurs, Vue sous passepartout, dans un encadrement sous verre en bois noir / à l’int bois doré.
131943aafZu haben bei dem Herausgeber I. B. Isenring in St. Gallen. s.d., (1820), Image 21x29 cm, feuille 27x734.5 cm. Vue centrale entourée de 12 vues des parties interieurs de la ville de Fribourg. (il y a 3 diff. grandeurs: Petit - MOYEN et grand Format ici la VUE MOYEN). sous passepartout, dans un cadre doré.
566.1aafLith. Gagnebin à Neuchatel, s.d., vers 1830, 31x52 cm /(62.5x70), lithographie originale, coloriée à la main, doublée de papier fort, petites déchirures marginales. 1 feuille de 62.5x70 cm. (Très rare vue).
101150aafPublié parJ.P. Lamy à Basle, Berne & Genève, 1832, 12.5x17.3 cm (image, aquatinte coloriée à la main (gouachée), encadrement au trait noir, sur papier gris/noir / Kolorierte Aquatinta mit gouachiertem Blattrand, 1 feuille originale montée sur papier brun avec le texte ms. en dessous, collée sur une feuille avec un poème en anglais ms. au verso,
1025.1aafs.d., 1885, image 30 x 21 cm, lithographie originale, 1 feuille passepartout 50x70 cm.
101122aafSt. Gallen, Zu haben bei dem Herausgeber I. B. Isenring, s.d., (1840), 42 x 50 cm, aquatinte originale, feuille en haut à gauche tache bleue et froissée, montée sur toile.
1588.1aaf1548, 13.8x17.2 cm. Gravure sur bois / Holzschnitt aus Stumpf-chrronique, légèrement coloriée par endroit, 1 Blatt / feuille (32.6x31.2 cm.)
1356.1aaffeuille 50x62 cm Exemplaire n° 21 sur 50 ex., num. et signé à la main en bas à droit,
111518aaf(Paris, Clousier & Lamy), s.d., (1780-1786), 35x21.6 cm. Tirée de l’ouvrage de Laborde et Zurlauben «Tableaux topographiques de la Suisse, planche n° 65. En exceptionnel état de fraîcheur des couleurs. 1 feuille / 1 Blatt 29.4x41 cm.
2001V0721mug00837Vista Higher Learning 2020-01-01. Paperback. New. 0x0x0. New! Includes code if applicable. Thanks for looking. Sorry that we don't offer Priority mail or international shipping on this item. -01x- Vista Higher Learning paperback
63001BBo.J. (Frans Hogenberg, geboren 1535 in Mechelen, gestorben 1590 in Köln. Kupferstecher und Radierer. Georg Braun, geboren 1541 in Köln, gestorben 1622 ebenda. Theologe, Kanoniker. Braun und Hogenberg waren in den Jahren von 1572 bis 1618 Herausgeber des Städteansichtenbuches 'Civitates Orbis Terrarum').. [3 Warenabbildungen]
199024464Vue sur la Ville. 1990 1 in-12 Paris, Chanel, Vue sur la Ville, 1990, in-12 oblong (15 x 30 cm), couverture pelliculée sur fond noir et titrée en lettres capitales blanches dans le plus pur style Chanel, 12 pages en noir et blanc.
20065530EBShanghai Culture Publishing House, 2006. Quer-4°. 30 x 37,5 cm. 339 Seiten. Original-Leinenband mit Original-Schutzumschlag im Original-Pappschuber.
190249329Meadville Pennsylvania: Photographed for the Keystone View Company 1902. 1902. YELLOWSTONE PARK. First edition. Complete with 30 numbered silver print stereo views 8 cm x 15.5 cm on gray Keystone mounts 9 cm x 18 cm with titles beneath the image and lengthy descriptions on the reverse. Views are housed in the original slipcase 19 cm x 12 cm x 5 cm Title publisher and bands gilt stamped on the spine of the slipcase. Nice collection of views of Yellowstone that follow the tourist route through the Park beginning at the Northern Pacific depot in Gardiner and then south through the Gate and onto Mammoth into the interior of the Park. "The Yellowstone Park trip via Gardiner gives the maximum of time at all points of interest. More than that: it is scheduled to bring the Tourist to each point at a convenient hour when the time of day will permit of a full and satisfactory inspection of the formations; it also allows a full-day at Mammoth Hot Springs at the Upper Basin Old Faithful Inn and at the Grand Canyon new Canyon Hotel. It affords ample time for rest for meals for social enjoyment at each of the hotels and lunching stations and gives opportunity for fishing and for side trips to many interesting points." - from a contemporary Northern Pacific guide. The first view has a small chip at the right edge else a very good set housed in the original lightly rubbed clamshell case. Photographed for the Keystone View Company, [1902]. unknown
180010694London: Printed for Bowles & Carver No. 69 St. Pauls Church Yard 1800. Engraving with beautiful hand-colour. In excellent condition with the exception of tape on the verso of sheet. Image size: 9 3/8 x 15 3/4 inches. Vue d'Optique of the Royal Palace in St. James' Park in London<br/> <br/>During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring so as to show the tints when viewed through the lens. In their heyday optical prints were a technical revolution; they could be seen in almost every fashionable drawing room and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare especially in good condition. They are not only beautiful images but a fascinating glimpse into the history of printmaking.<br/> <br/>Clayton The English Print 1688-1802 140-141. Printed for Bowles & Carver, No. 69 St. Pauls Church Yard unknown books
1790135543[Cesare Bassano: Giuseppe Remondini], ca. 1790. Format (Bildbereich): 28 x 41 cm. Platte: 31,5 x 42,7 cm. Blattgröße: 38 x 53 cm.