Coq, Albert LeBiblio.com
Coq, Le VieuxBiblio.com
Mariscadera Spanish Edition
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H887Leipzig und Berlin Teubner 1910. Baessler Archiv. Beitr‰ge zur Vˆlkerkunde Beiheft 1. Original-Karton-Einband sehr gute Erhaltung. Folio. Mit 1 Tafel. unknown
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400643 volumes. Folio. 18th century quarter mid-tan calf with marbled boards with dark red leather title labels gilt to uppers.<br /> <br /> CORELLI<br /> Opera Prima Secunda Terza Quarta. XII Sonatas of three parts for two Violins and a Bass with A Thorough Bass for ye Organ Harpsichord or Arch Lute Engrav'd from ye Score and Carefully Corrected by ye best Italian Masters . No. 364 365 366 367. London: Printed for I. Walsh servt. to his Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand ca. 1740.<br /> <br /> Violino primo: 1f. recto blank verso frontispiece portrait engraving of Corelli by Van de Gucht after H. Howard 1f. recto title verso blank i blank 24; 1f. recto title verso blank i blank 18; 1f.recto title verso blank i blank 25; 1f.recto title verso blank i blank 16 pp.<br /> Violino secondo: 1f.title iblank 24 1f.title iblank 18; 1f. title iblank 25; 1f.title iblank 16pp. <br /> Violoncello: 1f. recto title verso blank i blank 24; 1f. recto title verso blank i blank 18; 1f. recto title verso blank i blank 25; 1f. recto title verso blank i blank 16 pp.<br /> <br /> The separately printed organ/harpsichord part lacking in all four sets; in the second and fourth books the bass parts are however described as "Violone o cimbalo" and include figured bass lines for each sonata. Early pencil markings to violin parts.<br /> <br /> A total of 48 sonatas comprising Opp. 1-4. <br /> <br /> Smith & Humphries 413 416 420 and 424. Hirsch III 160. BUC pp. 217 218 219 and 220. RISM the 1735 printings: C3673 C3711 C3755 and C3788.<br /> <br /> Together with:<br /> GALLO Alberto fl. 1730-40 Op. 2<br /> Twelve Sinfonie or Sonatas in 4 Parts for Two Violins a Tenor with a Bass for the Violoncello & Harpsichord. Compos'd in an easy and pleasing Stile . Opera 2da. London: Printed for I. Walsh in Catharine Street in the Strand 1754. With "Numb. XXVIII." printed at head of title.<br /> <br /> Violino primo: 1f. recto title verso blank 12 pp.<br /> Violino secondo: 1f. recto title 1 blank 2-11 pp.<br /> Cembalo/Violoncello: 1f. recto title verso blank 1 blank 2-10 pp.<br /> Lacking the tenor viola part<br /> <br /> Marx p. 93 nos. 116 137 and 159. Smith & Humphries 666. BUC p. 359. RISM G260 no copies in the U.S. <br /> <br /> Little seems to be known about Alberto Gallo other than that he was a Venetian composer active in the 18th century.<br /> <br /> Together with: <br /> FRITZ Gasparo Gaspard Kasper 1716-1783 Op. 1<br /> Sei Sonate a Quatro Stromenti a Violino Primo Secondo Alta Viola Cembalo o Violoncello. Dedicate A.S.E. Francesco Grevile Baron di Brooke . Opera Prima. London: Printed for John Johnson in Cheapside ca. 1742<br /> <br /> Violino primo: 1f. recto title verso blank 1 dedication 2-9 1 blank 11-16 pp. <br /> Violino secondo: 1f. recto title verso blank 1 blank 2-14 pp.<br /> Basso: 1f. recto title verso blank 1 blank 2-11 pp.<br /> Lacking the alto viola part<br /> <br /> First Edition. Rare. Not in BUC. RISM F2010 two copies only at the Bibliothèque publique et universitaire de Genève and the Universitetsbiblioteket Uppsala. <br /> <br /> Fritz was a Swiss composer and violinist. "Some of his published works had considerable success and were subsequently reprinted. The three-movement sonatas of op. 1 which Handel judged favourably exhibit sectional contrasts characteristic of the ripieno concerto. In the op. 2 sonatas also in three movements Fritz approached the style of the Turin school with a richly decorated solo line supported by a thematically unrelated bass; some of the final movements are sets of chaconne variations." Jürg Stenzl in Grove Music Online<br /> <br /> Together with:<br /> SAMMARTINI Giovanni Battista 1700-1775 Op. 1<br /> Six Sonatas for two Violins and a Thorough Bass . Opera Prima. London: Printed for and sold by John Cox at the Bass Viol and Flute in Sweetings Alley opposite the East Door of the Royal Exchange ca. 1750.<br /> <br /> Violino primo: 1f. recto title verso blank 12 pp.<br /> Violino secondo: 1f. recto title verso blank 10 pp.<br /> Basso: 1f. recto title verso blank 10 pp.<br /> <br /> BUC p. 919. RISM S676. <br /> <br /> "Sammartini was primarily an instrumental composer and one of the leading writers of concertos and sonatas in England between 1730 and 1750. His printed collections include 24 sonatas for flute and bass 30 trios for flutes or violins 24 concerti grossi four keyboard concertos an oboe concerto 16 overtures and some flute duets and cello sonatas. The tuneful Recorder Concerto in F found in only one source S-Skma has become his best-known work. Hawkins classed Sammartini's instrumental music with that of Corelli and Geminiani. Though his music is rooted in the late Baroque style it also reflects some later trends. There is considerable variety in the number succession and type of movements. . <br /> <br /> His music played a fundamental role in the formation of the Classical style. He was one of the most advanced and experimental composers of the early Classical period and the first great master of the symphony preserving his individuality despite the rise of the Viennese and Mannheim schools. Though the extent of Sammartini's influence is still not fully measured the high quality of his music places him among the leading creative spirits of the 18th century." Bathia Churgin in Grove Music Online <br /> <br /> Together with:<br /> SAMMARTINI Giuseppe 1695-1750 Op. 3<br /> XII Sonate A due Violini e Violoncello e Cembalo se piace Opera Terza Dedicata all'Altezza Reale di Augusta Principessa di Vallia. London: Printed for and Sold by I. Walsh Musick Printer & Instrument maker to his Majesty in Catharine Street in the Strand ca. 1747.<br /> <br /> Violino primo: 1f. recto title verso blank 1 dedication within a fine decorative border engraved by H. Roberts 2-36 pp. <br /> Violino secondo: 1f. recto title verso blank i blank 36 pp.<br /> Violoncello: 1f. recto title verso blank i blank 34 pp.<br /> The violoncello part with figurings<br /> <br /> Smith & Humphries 1330. BUC p. 920. RISM S722.<br /> <br /> Together with:<br /> SAMMARTINI Giovanni Battista Op. 4<br /> Six Sonatas for two Violins with a Thorough Bass for the Harpsicord! or Violoncello . Opera Quinta. London: Printed for I. Walsh in Catharine Street in the Strand 1756<br /> <br /> Violino primo: 1f. recto title verso blank 1 blank 2-12 pp.<br /> Violino secondo: 1f. recto title verso blank 1 2-6 iblank 8-10 pp.<br /> Basso: 1f. recto title verso blank 8 pp.<br /> Bass part with figurings<br /> <br /> Smith & Humphries 1308. BUC p. 919. RISM S678.<br /> <br /> Together with: <br /> SAMMARTINI Giuseppe Op. 6<br /> Six Sonatas For two German Flutes or two Violins with a Thorough Bass for the Harpsicord! or Violoncello . Opera Sexta. London: Printed for I. Walsh in Catharine Street in the Strand ca. 1750<br /> <br /> Violino primo: 1f. recto title verso blank 1 2-15 pp.<br /> Violino secondo: 1f. recto title verso blank 1 2-13 pp.<br /> Basso: 1f. recto title verso blank 1 blank 2-14 pp.<br /> Bass part with figurings<br /> <br /> Smith & Humphries 1327. BUC p. 920 with the date of ca. 1745. RISM S719.<br /> <br /> Early manuscript numberings to margins. <br /> <br /> Bindings somewhat worn and rubbed. Minor internal wear and imperfections. <br /> <br /> In a very good state of preservation overall. unknown
60207Portrait of artist Rogier van der Weyden sitting on a table facing right; a shadow is cast on the right wall; small niche with a scene depicting the Pietà and a scroll hanging on the wall in the upper left; first state.From the first edition published by the widow of Hieronymus Cock in Antwerp 'ROGERO BRUXELLENSI PICTORI. / Non tibi sit laudi quod multa et pulchra Rogere / Pinxisti ut poterant tempora ferre tua / Digna tamen nostro quicunque est tempore Pictor / Ad quae si sapiat respicere usque velit : / Testes picturae quae Bruxellense tribunal / De recto Themidis cedere calle vetant : / Quam tua de partis pingendo extrema voluntas / Perpetua est inopum quod medicina fami. / Illa reliquisti terris iam proxima morti ; / Haec monumenta polo non moritura micant'. Numbered above right: '4'. For Frisius edition see 60079. Engraving etching and letterpress with small margins; left margin trimmed on plate mark; pasted on thicker paper; plate mark: 210 x 121 mm; total: 220 x 125 mm; New Hollstein Cort 227 New Hollstein Hondius 86. unknown
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202372147Milano: Prometheus 2023. 8vo pp. xv 1 533 3; text in Italian English and German; red pictorial paper wrappers; fine. "Maria Elena Ruggerini ha ricoperto il ruolo di professore ordinario di Filologia germanica presso l'Universita degli Studi di Cagliari dove ha insegnato per oltre un ventennio. La sua carriera accademica si e svolta anche presso l'Universita di Roma "La Sapienza" l'Alma Mater di Bologna e l'Universita di Sassari." Biblioteca Universitaria Italiana 27. Prometheus unknown
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18482743PARIS: Librairie Ethnographique 1848. 4º Mayor.- Encuadernado a media piel de época lomera con decoraciones de hierros dorados.- Portadilla.- 1 lámina frontis retrato de Isabel II.- Portada.- 392 páginas.- 2 hojas ÃÂndices.- 100 ilustraciones entre texto más 25 láminas fuera de texto iluminadas a mano y a todo color de trajes y costumbrismo más otras 25 láminas fuera de texto en blanco y negro de vistas de ciudades y monumentos arquitectónicos. Cantabria - Santander - Asturias - Galicia - Castilla la Vieja - Castilla la Nueva - AndalucÃÂa - Valencia - Murcia - Cataluña - Aragón - Navarra. Primera edición francesa anteriormente publicada en alemán. Foulché - Delbosc anota que el segundo autor V. de Féréal pertenece al seudónimo de Mme. de Suberwich. Bella edición romántica. Palau nº 65902 - Foulché Delbosc nº 422 Librairie Ethnographique unknown
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2022x-0367538962Routledge 2022. Hardcover. New. 304 pages. 9.19x6.13x0.80 inches. Routledge hardcover
2024x-0367538997Routledge 2024. Paperback. New. 258 pages. 6.14x0.61x9.21 inches. Routledge paperback
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