Gallo, RBiblio.com
2 407 résultats
2004DADAX140396100XSpringer 2004-10-08. 2004. paperback. New. 5.50x0.44x8.50. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
110477027X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1166046702.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20162-8865846380Edises 2016. Paperback. New. 648 pages. Italian language. 9.21x6.30x1.18 inches. Edises paperback
199351719Minneapolis: Phil Gallo at the Hermetic Press 1993. Ziploc plastic bag approx. 9" x 7" with typed yellow peel-off mailing label containing the following printed broadsides and cards all 6½" x 4" or smaller: 1 Lapel button: "Just Say No to Art"; 2 Homage a Maciunas; 3 William S. Burroughs Recombinant; 4 Radon Dispersal thru the typical suburban home and its effects; 5 Danger. Do not play on or around; 6 Schedule F. Fluxus surtax; 7 Some trepanned dementias; 8 Invocation and mantra for tape loop; 9 for better help we offer a smoke-free environment; 10 Real Ants / Imaginary Bugs; 11 Park even tonight; 12 Park odd tonight. 13 Three tiny plastic ants. Distributed gratis to the attendees of an interview with Phil Gallo Ides of April 1992 at the Walker Art Center Minneapolis. Phil Gallo at the Hermetic Press] unknown
19921645Los Angeles: The Bieler Press 1992. First edition. Sewn wrappers with attached cover lettered on the front cover. One of 200 numbered copies signed by Gallo and Schanilec. Slight sunning to spine. The Bieler Press unknown
199521630Los Angeles CA: The Bieler Press 1995. Numbered. Trade Paperback. Fine/Fine. This is copy number 178 of 200 numbered copies signed by both Gallo and Schanilec. Title page with 4-color plexiglass engraving; original charcoal printed wrappers bound by Robin Price. Designed and printed by Gerald Lange. In pristine condition. The Bieler Press paperback
1992468368Los Angeles: Bieler Press 1992. Softcover. Fine. First edition. Engraving by Gaylord Schanilec. Small quarto. Sewn printed wrappers. Copy 119 of 200 numbered copies Signed by both Gallo and Schanilec. Bieler Press unknown
199250352Los Angeles: Bieler Press 1992. First edition limited to 200 numbered copies signed by the poet and the illustrator 8vo pp. 22; title page with 4-color plexiglass engraving; original charcoal printed wrappers bound by Robin Price; fine. Designed and printed by Gerald Lange. This is the first color engraving made by Schanilec in about 1980 but not published until here. Quarter to Midnight A.113; Smith Bieler 40. Bieler Press unknown
199529169Los Angeles: The Bieler Press 1995. First edition. Original wrappers spine slightly faded else fine. One of 200 signed by the author and illustrator. The Bieler Press unknown
69733Saint Paul: The Hermetic Press 2019. Edition limited to 31 copies this being one of 26 lettered copies on 125 gsm Stardream paper there are also 5 on 110 gsm Plike paper 8vo approx. 9¾" x 5½"; 22 leaves; printed in color throughout handset foundry type used includes Eurostyle Normal & Extended; Aurora Condensed & Bold Condensed; Permanent; Headline & Headline Open; Impact Open; Anzeigen & Inserat Grotesk; Folio Extra Bold; Huxley Vertical; Bauer Bodoni Italic & Bold Roman; Libra; Sapphire; Prisma; Boulevard and Fry's Ornamented card covers in an orange chemise of RFID/NFC Faraday fabric. The covers are susceptible to soiling and this copy shows evidence of that. Quite a book pushing the limits of color type design and poetry found or otherwise "like a slurry full of swarth. The Hermetic Press unknown
48167Minneapolis: privately printed 2015. Edition limited to 50 copies this being one of 45 there are 5 artist's proofs; small tall folio pp. 24; illustrations in the text 1 full-page and in color large double-page folding plate printed in color; original stiff orange wrappers with gilt vignette the whole in a plexiglass slipcase. As new at the published price. Electric Tulips 5.1 was conceived as a dialogue between an imaginary literary critic Gallo and the poet Gallo and revolves around the writing and presentation of his poem Electric Tulips 5.1. The essay which results Future Preterite by the esteemed critic Alessandro S. Stompanado is intended to emulate that of the essay by James Joyce written under the pseudonym Vladimir Dixon; and which appeared in the Sylvia Beach publication of 1929: Our Exagmination Round His Factification for Incamination of Work in Progress in which Joyce writes an appreciation of his own novel Ulysses. As such the book is a multi-layered pastiche of both literary and typographic treatments along with a magnificent double gatefold presentation of the poem in eight colors each of the seven stanzas in a separate color and the seminal tulip in an eighth; the type all set by hand and printed letterpress and polymer from Permanent Headline Open from the now defunct foundry Ludwig & Mayer. privately printed unknown
200652116Minneapolis: Phil Gallo at the Hermetic Press 2006. A Phil Gallo sampler: 15 letterpress invitations greeting cards and announcements 16mo to 8vo; plus Advice to Bibliophiles by Umberto Saba N.Y.: Barnes & Noble 2000 pp. 3-17 1 original black paper wrappers lettered in silver. All fine. Phil Gallo at the Hermetic Press] unknown
202057573Saint Paul: Philip Gallo at the Hermetic Press 2020. Edition limited to 35 copies 8vo approx. 10¼" x 6½" 16 leaves printed in blue green and black on rectos only; illustrations throughout; original blue card wrappers; as new in a plexiglas slipcase. "Printed on 180 gsm Rives from handset Studio & Allegro; 'a fractal of pterodactyls' was set in Illustrator from Eurostile and printed from polymer plate; the drawings were created in Illustrator from the Calligraphic Brushes Set & printed from polymer." Gallo's pandemic creation a children's book for adults. Philip Gallo at the Hermetic Press unknown
71216Saint Paul: Phil Gallo at the Hermetic Press 2025. Edition limited to 35 copies on Rives BFK signed by Gallo with his initial P; 8vo pp. 56; printed in a variety of colors and in a variety of fonts; portrait of the printer by B. Kreft; original stiff cherry wrappers printed in silver; fine in original plexiglas slipcase. A retrospective of sorts of Gallo's work over 60 years. "A number of these poems were printed on 5x7-inch cards and sent to friends of the press. The Printer however being of a dilatory nature sent out so few he feels it not unwarranted to call them new 'Qfwfq' notwithstanding and to include them in this new book." Twenty or so separate items for lack of a better word composed designed illustrated and printed by one of the finest printers alive today. Phil Gallo at the Hermetic Press unknown
63023Saint Paul: Philip Gallo at The Hermetic Press 2023. Edition limited to 31 copies signed by Gallo press numbered 1-26 and 5 lettered A-E; 8vo pp. 34; frontispiece printed in silver "from Bric-A-Brac J Swift and first appearance of Hermetic Press imprint :: 1966" the whole printed in red blue green and black in roman and cyrillic type on Johannot with extracts from Montaigne William Massey John Ruskin Laurence Sterne Ralph Ellison and Vladimir Nabokov's translation of Lewis Carroll's Alice Adventures in Wonderland; stiff card wrappers with black dust jacket stamped in silver in a plexiglas slipcase. An overtly political book on the "limitations if not the failings of Cancel Culture. Philip Gallo at The Hermetic Press unknown
197854040St. Paul: Truck Press 1978. Edition limited to 70 copies printed and bound by hand at the Hermetic Press in Minneapolis by Philip Gallo; 32 leaves printed on rectos only in a multitude of colors; original quarter black niger over red cloth-covered boards. The dedication reads: "For Frederic W. Goudy whose Types these are." A collection of initial letters from the three named typefaces beginning with W X Y Z and then A B C up to V. Only the G is uncolored. Truck Press unknown
55800Minneapolis: Hermetic Press 1975. Edition limited to 25 copies signed by Gallo; folding brown printed box with the colophon incorporated into the back panel loose in this copy the box containing 11 printed leaves 8 of them with color initials plus another leaf with the red herring wood engraving by Dean Lindblad. The six-color tint blocks for the head of the red herring sheet 3 and the initial "I" sheet 11 were done by overprinting translucent Day-Glo inks by silk screen. An early Minneapolis production by Phil Gallo at the Hermetic Press. This is was Phil's personal copy and he has no more. Hermetic Press unknown
55799Minneapolis & Saint Paul: Hermetic Press 2016. The complete series in 3 volumes edition limited to 30 copies 8vo pp. 18; 18; 56; illustrated throughout; original cream printed wrappers. Fine. On Typographica Broodthaers excerpta: "This book started out as an installation but devolved into conceptual art and lay dormant until now. But my first idea was to set it in a kind of poison pen letter fashion and as I had a complete run of Eurostile Extended-which I felt quite suited to it-I went ahead and printed it on a half sheet of Strathmore. It was not long before I decided that the copy was irrelevant-that the idea was simply an idea-or more to the point-joke-that the piece did not need to be produced and that a written description would suffice: The idea of the thing being better than the thing itself. I still have the press and the type still standing after 25 years and for the book I reprinted the form photographed the original drawing and sheet of Strathmore; along with the press and the type piled up and into it." On Word Bags: "Graffiti on a bank building. A suite of seven cibachromes showing individually the letters of the word PROTEST. Building maintenance went over the letters with lacquer thinner and then covered the entire word in clear plastic to protect passers-by. The red spray paint spread and ran down the side of the building imparting a blood & tear-like aspect to the letterforms under the billowing shroud of plastic. Hence body bag viz. word bags." On Palabra Found poems in lowercase Peignot - by way of its modified ascenders and dotted i - if handled as a unicameral may be seen as a democratization of type; or as a kind of gentrified graffiti. Hermetic Press unknown
19839007047Minneapolis: Hermetic Press 1983. A visual presentation of a sound poem. The typography is designed to indicate to the speaker how the poem might be performed. Reference is also made to Karl Gerstner the German typographer and painter who designed modular systems for packaging and painting. Designed and printed by hand before the advent of Adobe Illustrator by Philip Gallo in an edition of 100 copies from Optima Roman and Italic type on white BFK Rives paper. Sheet measures 10 x 10 inches. Signed by Gallo lower right in pencil. Philip Gallo is the proprietor of the Hermetic Press in Minneapolis and a world renowned poet printer and typographer. More highly regarded and better known in Europe than in the United States his work as a visual artist and concrete poet is collected by the Victoria & Albert Museum the Walker Art Center the Museum Of Modern Art the University of Wisconsin Brown University and the Getty Museum to name but six. Unmatted. Matted ready for framing add 35.00. Matted and framed add 150.00. Image available on request. <br/><br/> Hermetic Press unknown
200351729Minneapolis: Stamp Pad Press / Hermetic Press 2003. Edition limited to 75 folio consisting of 4 bifolia each approx. 13" x 10" with letterpress wrappers and contents and a total of 6 visual poems printed in color as below: 1 Preface to an Autobiography by Richard Kostelanetz; 2 A Naive Topognomy of Loopules on a Fabric-Manifold of the All-Angel by Franz Kamin; 3 Dialogue with Anna Blume by Scott Helmes; 4 High-Heeled by K. S. Ernst; 5 Untitled. John M. Bennett; 6 Nuclear Child by Philip Gallo. Fine and contained in the original Zip-Loc bag as issued. Stamp Pad Press / Hermetic Press unknown
2002420429East Middlebury Vermont: Amandla Publishing 2002. Softcover. Fine/Fine. First edition. Quarto. Preface by Robert Buckeye. Black wrappers fine in fine dustwrapper. This is one of three hundred copies printed. Poetry. Amandla Publishing unknown
1483645347.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
8876851151.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197684796Gallo. Very Good. 1976. First Edition. Plastic comb binding. Rubbing toning pencil notation on the front wrapper verso light stains overall a few tiny tears and creases. Scarce. ; 8vo 8" - 9" tall; 66 pages . Gallo unknown
