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1986048745Hants: Nimrod Press Ltd. 1986. Book. Good. Hardcover. iii-vii 253pp; 10 plates in colour & 12 in b/w from paintings & drawings by the author; frontispiece; black pictorial d/j; 4th impression. Size: 4to - over 9¾" - 12" tall. Nimrod Press Ltd. Hardcover
19381003G22Bath: George Bayntun 1938. Cloth. Near Fine/Very Good. 10" by 8". Not Stated. A scarce first edition copy of this abundantly illustrated account of cock-fighting from the notebooks of Herbert Atkinson with the letters of John Harris. A very scarce work.The first edition.In the publisher's original red cloth binding. With the original price clipped dust wrapper. Illustrated with a coloured frontispiece nine coloured plates and twelve monochrome plates from paintings and drawings by the author. Collated complete.From the note-books of Herbert Atkinson one of the original founders of the Oxford Old English Game Club in 1885.Together with the life and letters of John Harris the Cornish Cocker. Edited with an introductory memoir by Game Cock. In publisher's original cloth binding. In the original price clipped dust wrapper. Externally excellent. Light bumping to the head and tail of the spine. Dust wrapper is smart with sunning and spotting and a closed tear to the head of the front joint and chipping to the head of the spine. Near Fine George Bayntun hardcover
400643 volumes. Folio. 18th century quarter mid-tan calf with marbled boards with dark red leather title labels gilt to uppers.<br /> <br /> CORELLI<br /> Opera Prima Secunda Terza Quarta. XII Sonatas of three parts for two Violins and a Bass with A Thorough Bass for ye Organ Harpsichord or Arch Lute Engrav'd from ye Score and Carefully Corrected by ye best Italian Masters . No. 364 365 366 367. London: Printed for I. Walsh servt. to his Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand ca. 1740.<br /> <br /> Violino primo: 1f. recto blank verso frontispiece portrait engraving of Corelli by Van de Gucht after H. Howard 1f. recto title verso blank i blank 24; 1f. recto title verso blank i blank 18; 1f.recto title verso blank i blank 25; 1f.recto title verso blank i blank 16 pp.<br /> Violino secondo: 1f.title iblank 24 1f.title iblank 18; 1f. title iblank 25; 1f.title iblank 16pp. <br /> Violoncello: 1f. recto title verso blank i blank 24; 1f. recto title verso blank i blank 18; 1f. recto title verso blank i blank 25; 1f. recto title verso blank i blank 16 pp.<br /> <br /> The separately printed organ/harpsichord part lacking in all four sets; in the second and fourth books the bass parts are however described as "Violone o cimbalo" and include figured bass lines for each sonata. Early pencil markings to violin parts.<br /> <br /> A total of 48 sonatas comprising Opp. 1-4. <br /> <br /> Smith & Humphries 413 416 420 and 424. Hirsch III 160. BUC pp. 217 218 219 and 220. RISM the 1735 printings: C3673 C3711 C3755 and C3788.<br /> <br /> Together with:<br /> GALLO Alberto fl. 1730-40 Op. 2<br /> Twelve Sinfonie or Sonatas in 4 Parts for Two Violins a Tenor with a Bass for the Violoncello & Harpsichord. Compos'd in an easy and pleasing Stile . Opera 2da. London: Printed for I. Walsh in Catharine Street in the Strand 1754. With "Numb. XXVIII." printed at head of title.<br /> <br /> Violino primo: 1f. recto title verso blank 12 pp.<br /> Violino secondo: 1f. recto title 1 blank 2-11 pp.<br /> Cembalo/Violoncello: 1f. recto title verso blank 1 blank 2-10 pp.<br /> Lacking the tenor viola part<br /> <br /> Marx p. 93 nos. 116 137 and 159. Smith & Humphries 666. BUC p. 359. RISM G260 no copies in the U.S. <br /> <br /> Little seems to be known about Alberto Gallo other than that he was a Venetian composer active in the 18th century.<br /> <br /> Together with: <br /> FRITZ Gasparo Gaspard Kasper 1716-1783 Op. 1<br /> Sei Sonate a Quatro Stromenti a Violino Primo Secondo Alta Viola Cembalo o Violoncello. Dedicate A.S.E. Francesco Grevile Baron di Brooke . Opera Prima. London: Printed for John Johnson in Cheapside ca. 1742<br /> <br /> Violino primo: 1f. recto title verso blank 1 dedication 2-9 1 blank 11-16 pp. <br /> Violino secondo: 1f. recto title verso blank 1 blank 2-14 pp.<br /> Basso: 1f. recto title verso blank 1 blank 2-11 pp.<br /> Lacking the alto viola part<br /> <br /> First Edition. Rare. Not in BUC. RISM F2010 two copies only at the Bibliothèque publique et universitaire de Genève and the Universitetsbiblioteket Uppsala. <br /> <br /> Fritz was a Swiss composer and violinist. "Some of his published works had considerable success and were subsequently reprinted. The three-movement sonatas of op. 1 which Handel judged favourably exhibit sectional contrasts characteristic of the ripieno concerto. In the op. 2 sonatas also in three movements Fritz approached the style of the Turin school with a richly decorated solo line supported by a thematically unrelated bass; some of the final movements are sets of chaconne variations." Jürg Stenzl in Grove Music Online<br /> <br /> Together with:<br /> SAMMARTINI Giovanni Battista 1700-1775 Op. 1<br /> Six Sonatas for two Violins and a Thorough Bass . Opera Prima. London: Printed for and sold by John Cox at the Bass Viol and Flute in Sweetings Alley opposite the East Door of the Royal Exchange ca. 1750.<br /> <br /> Violino primo: 1f. recto title verso blank 12 pp.<br /> Violino secondo: 1f. recto title verso blank 10 pp.<br /> Basso: 1f. recto title verso blank 10 pp.<br /> <br /> BUC p. 919. RISM S676. <br /> <br /> "Sammartini was primarily an instrumental composer and one of the leading writers of concertos and sonatas in England between 1730 and 1750. His printed collections include 24 sonatas for flute and bass 30 trios for flutes or violins 24 concerti grossi four keyboard concertos an oboe concerto 16 overtures and some flute duets and cello sonatas. The tuneful Recorder Concerto in F found in only one source S-Skma has become his best-known work. Hawkins classed Sammartini's instrumental music with that of Corelli and Geminiani. Though his music is rooted in the late Baroque style it also reflects some later trends. There is considerable variety in the number succession and type of movements. . <br /> <br /> His music played a fundamental role in the formation of the Classical style. He was one of the most advanced and experimental composers of the early Classical period and the first great master of the symphony preserving his individuality despite the rise of the Viennese and Mannheim schools. Though the extent of Sammartini's influence is still not fully measured the high quality of his music places him among the leading creative spirits of the 18th century." Bathia Churgin in Grove Music Online <br /> <br /> Together with:<br /> SAMMARTINI Giuseppe 1695-1750 Op. 3<br /> XII Sonate A due Violini e Violoncello e Cembalo se piace Opera Terza Dedicata all'Altezza Reale di Augusta Principessa di Vallia. London: Printed for and Sold by I. Walsh Musick Printer & Instrument maker to his Majesty in Catharine Street in the Strand ca. 1747.<br /> <br /> Violino primo: 1f. recto title verso blank 1 dedication within a fine decorative border engraved by H. Roberts 2-36 pp. <br /> Violino secondo: 1f. recto title verso blank i blank 36 pp.<br /> Violoncello: 1f. recto title verso blank i blank 34 pp.<br /> The violoncello part with figurings<br /> <br /> Smith & Humphries 1330. BUC p. 920. RISM S722.<br /> <br /> Together with:<br /> SAMMARTINI Giovanni Battista Op. 4<br /> Six Sonatas for two Violins with a Thorough Bass for the Harpsicord! or Violoncello . Opera Quinta. London: Printed for I. Walsh in Catharine Street in the Strand 1756<br /> <br /> Violino primo: 1f. recto title verso blank 1 blank 2-12 pp.<br /> Violino secondo: 1f. recto title verso blank 1 2-6 iblank 8-10 pp.<br /> Basso: 1f. recto title verso blank 8 pp.<br /> Bass part with figurings<br /> <br /> Smith & Humphries 1308. BUC p. 919. RISM S678.<br /> <br /> Together with: <br /> SAMMARTINI Giuseppe Op. 6<br /> Six Sonatas For two German Flutes or two Violins with a Thorough Bass for the Harpsicord! or Violoncello . Opera Sexta. London: Printed for I. Walsh in Catharine Street in the Strand ca. 1750<br /> <br /> Violino primo: 1f. recto title verso blank 1 2-15 pp.<br /> Violino secondo: 1f. recto title verso blank 1 2-13 pp.<br /> Basso: 1f. recto title verso blank 1 blank 2-14 pp.<br /> Bass part with figurings<br /> <br /> Smith & Humphries 1327. BUC p. 920 with the date of ca. 1745. RISM S719.<br /> <br /> Early manuscript numberings to margins. <br /> <br /> Bindings somewhat worn and rubbed. Minor internal wear and imperfections. <br /> <br /> In a very good state of preservation overall. unknown
0195707060.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994SONG01957070601994-05-19. paperback. Used: Good. 5.50x0.50x8.25. Buy with confidence. Excellent Customer Service & Return policy. paperback
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2002DADAX98762901182002-01-01. paperback. New. xx. Buy with confidence. Excellent Customer Service & Return policy. paperback
#[59844]Plate from the serie ´Praecipva aliqvot Romanae antiqvitatis rvinarvm monimenta vivis prospectibvs ad veri imitationem affabre designata´ published in Antwerp by Hieronymus Cock in 1551. View in the ruins of the Colosseum in Rome. Inscribed on the upper left corner: 'COLOSSAEI RO. PROSPECTVS . 6 . '. On the top right close to the margin 'E'. l Etching on paper trimmed to platemark small irregular margins; platemark: 271 x 203 total: 275 x 203 mm; only state. Hollstein 28 Riggs 7. unknown
20192-6139532639Éditions universitaires européennes 2019. Paperback. New. 124 pages. French language. 8.66x5.91x0.28 inches. Éditions universitaires européennes paperback
9786558101314-11-20620New. unknown
1993Q-1560250178Thunder's Mouth Press 1993-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Thunder's Mouth Press paperback
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19681206064PN. New. 1968. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
20151385132NASA. New. 2015. Soft Cover. Reprint Edition . NASA paperback
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ria9786207608638_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Frames are combinations of structural components that make up buildings. They can be solid or trussed. Determining the mechanical stress at a specific point in a trussed frame is always a very laborious problem. This research project ai paperback
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9786558100379BENVIRA. new. medida que a natureza do trabalho muda com o avano da tecnologia da informao as habilidades de comunicao se tornam mais valiosas no menos. H� um excesso de informao competindo por nossa ateno e mais do que nunca boas ideias produtos e solues no bastam BENVIRA unknown
