Waters, JohnBiblio.com
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2003BRG-39_2_870Scribner 2003-10-20. paperback. Very Good. 5x0x8. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied Contact us to get a refund. Scribner paperback
18529305New York: Cornish Lamport & Co. Publishers 1852. 1st Edition . Cloth. Fair/No Jacket. Extremely scarce first printing. This is the true first American edition that was first issued as a pirated edition by Cornish Lamport & Co. in 1852 with the text lifted from CHAMBER'S EDINBURGH JOURNAL and "some of our American Magazines." Front board very close to detaching binding repaired with tape. Noticeable shelf-wear soiling bumping etc. Some foxing pages otherwise clean. <br/> <br/> Cornish, Lamport & Co., Publishers hardcover
42313Moulins.Paris.1778.In-12 en veau marbré.301 p. BE.Triple filets dorés sur les platsTranches dorées. Petite étiquette muette en queue.Ex-libris.
1791blb05613<p>Philadelphia: T. Dobson 1791. 1st American. Hardcover. Good. Full leather with maroon title box to spine and gilt lettering and horizontal rulings. Book is tight and square with just a few slighltly loose pages and rubbing to the edges and corners of boards. Free of major flaws or markings inside and out other than a white spot to front the aforementioned wear general toning to pages and the signature of the prior and original 1791 owner Cyrus Hamlin. Provenance is detailed in a laid-in hand-written note - this was the original copy used by Cyrus Hamlin father of the future Vice-President of the USA Hannibal Hamlin under Abraham Lincoln when he attended Harvard Medical School in 1793. Purchased from the Hamlin estate in 2022. All 12 fold-out plates which appear in the Appendix along with a complete text explanation of each were engraved by James Trenchard. They are all in Good or better condition with small closed tears to some of them. They depict various surgical instruments. This is the First Edition of the American abridgment of Bell's 6-volume System of Surgery 1782 -87 in which Bell amongst many other advances such as developments in vascular surgery advocated the routine use of opium to relieve post-operative pain ""to be able to alleviate the misery of those who are obliged to submit to dangerous operations must afford the biggest gratification to every practitioner"". In his preface the editor Waters credits the famous New York surgeon John Jones with reviewing the manuscript and with adding footnotes which appear throughout. Jones was the author of the first surgical text by an American.</p> T. Dobson hardcover
1859LTH31-C-16London: W. Kent and Co 1859. Leather. Very Good. 6.5" by 4". None. A very scarce account of a Victorian detective in very attractive leather binding. Second series. Writing under the pseudonym "Waters" the author offers a fascinating insight into nineteenth century policing. With the book plate of Arthur Gregg to the front pastedown. In half-calf binding with gilt detailing and paper-covered boards. Externally sound there is wear to the boards joints extremities and backstrip with some cracking to joints and starting to backstrip with tenderness to hinges. Internally the pages are firmly bound and are bright and clean throughout though there are instances of spotting and tide-marking to certain areas. Very Good W. Kent and Co hardcover
1927206461927. Waters Ethel career archive 1927-1968 documents African American performance history across stage film and music supporting research into Black entertainment racial integration in American media and queer cultural history. Waters emerged from the Harlem jazz and blues scene of the 1920s and became one of the highest-paid Black recording artists of her era later breaking barriers in Broadway film and television. The archive traces her transition from early musical theater into mid-century film and stage productions including roles that engaged directly with race relations in the United States. Her career also holds significance within LGBTQ cultural history as her bisexual identity and audience following positioned her within overlapping communities of performance and identity.<br /> <br /> Archive of eight items including five black-and-white silver gelatin photographs one sheet music booklet and two printed theatrical programs/handbills dating from 1927 to 1968. 1 Kahn Gus and Moret Neil. Chlo-e Song of the Swamp. San Francisco: Villa Moret Inc. 1927. Six-page sheet music booklet featuring a photographic image of Waters from Africana the production marking her Broadway debut; interior leaf loose. 2 Press photograph for Pinky. 1949. Waters appears with co-star Jeanne Crain during filming; verso caption describes production context. 3 Press photograph for Pinky. 1949. Scene depicting Crain leaning on Waters in a domestic interior; caption identifies film. 4 Handbill for The Member of the Wedding. Milwaukee: Davidson Theatre February 18 1952. Single sheet with photographic portrait of Waters who originated the role of Berenice Sadie Brown. 5 Lobby card for The Member of the Wedding. 1952. Waters pictured with Julie Harris and Brandon deWilde in a domestic scene. 6 Program booklet for At Home with Ethel Waters. New York: 48th Street Theatre 1953. Sixteen-page program listing 26 songs performed with accompanist Reginald Beane including "Am I Blue" and "Stormy Weather" alongside biographical text and photographs. 7 Lobby card for The Sound and the Fury. 1959. Waters appears with Jack Warden and Stephen Perry in her final film role. 8 Press photograph of Waters with Jim Brown. 1968. Image shows Brown greeting Waters at MGM studios; caption printed on verso. Materials include a mix of promotional imagery performance documentation and printed ephemera tied to specific productions.<br /> <br /> Spanning four decades the archive situates Waters within major developments in American entertainment including the expansion of Black performers into mainstream film and television and the negotiation of racial representation in works such as Pinky. Her stage and musical performances document continuity between early jazz-era entertainment and mid-century theatrical production while her later appearances reflect sustained visibility across changing media landscapes. Minor edge wear occasional creasing and one chipped corner to a photograph not affecting the image; materials remain well preserved. Overall in very good condition. unknown
2009CBS-9781617378010Springer Np 2009. New. Springer Np unknown
2009CBS-9781617378010Springer Np 2009. New. Springer Np unknown
1780003313Méquignon l'Aîné In-12 (17,5 x 11 cm), XXIX,402 pp., 2 ff., veau brun marbré, dos lisse orné, filet à froid autour des plats, filet doré sur les coupes, tranches rouges (reliure d époque). Edition originale, illustrée d une planche gravée représentant des alambics, en fin d ouvrage. Ex-libris du Docteur Pierre Louis Alphée Cazenave (1802 - 1877, dermatologue), et du Docteur P.-A. Créhange, d'après Joseph Hémard. (frottements et défauts d usage, manque de cuir sur les coiffes, or du titre un peu effacé, coins émoussés, rousseurs).
220290Paris, Imprimerie royale, 1774 in-4, xxiv pp., 248 pp., avec 3 planches dépliantes hors texte (un tableau et 2 cartes), basane fauve racinée, dos lisse orné de guirlandes, dent-de-rat et fleurons dorés, pièce de titre cerise, encadrement de dent-de-rat, simple filet et guirlande dorés sur les plats, double filet doré sur les coupes, tranches citron (reliure de l'époque). Dos légèrement frotté, accroc en coiffe supérieure, coins abîmés.
187449Cahors, aux Eaux-Bonnes, Chez tous les Libraires, 1858 in-8, 186 pp., bradel demi-percaline moutarde à coins (reliure postérieure).
Paris, Le Temps qu'il fait, 25 décembre 2012. in-4, (24 x 30), couverture blanche rempliée et imprimée en deux tons, 20 pp, sous étui toilé rouge brique. Edition originale. Tirage limité à 30 exemplaires sur BFK Rives, numérotés et signés, enrichis de deux photographies originales tirées aux encres pigmentaires sur pur chiffon d'Hanemühle justifiées et signés par l'auteur. Exemplaire neuf.
27278Paris, Le Temps qu'il fait, 25 décembre 2012. in-4, (24 x 30), couverture blanche rempliée et imprimée en deux tons, 20 pp, sous étui toilé rouge brique.
4041 En feuillets, sous couverture imprimée, chemise et étui de l'éditeur. Etui lég. passé, en partie insolé. 32 x 24,5 cm, 122pp-[14]-2f.b. Paris, Les Bibliophiles du Palais, 1951.
4041 En feuillets, sous couverture imprimée, chemise et étui de l'éditeur. Etui lég. passé, en partie insolé. 32 x 24,5 cm, 122pp-[14]-2f.b. Paris, Les Bibliophiles du Palais, 1951.
11121 Broché, couverture illustrée (gravure) d'édition. 34 x 25,5 cm, [8]-80-[2] + planches hors-texte + suite. Paris, F. d'Alignan, 1917.
11121 Broché, couverture illustrée (gravure) d'édition. 34 x 25,5 cm, [8]-80-[2] + planches hors-texte + suite. Paris, F. d'Alignan, 1917.
BN91500Edel Books - ein Verlag der Edel Verlagsgruppe. The Making of Pink Floyd: The Wall: Vorw. v. Roger Waters <br/><br/>The Making of Pink Floyd: The Wall: Vorw. v. Roger Waters Scarfe Gerald and Waters Rogers Edel Books - ein Verlag der Edel Verlagsgruppe unknown
69945Boston MA: Wentworth and Company 1856. Crime classic FIRST AUTHORISED AMERICAN EDITION. Octavo 19 x 13cm pp.ii; 376. Bound in half red morocco tooled in gilt matching red cloth sides ruled in gilt. Contents clean no inscriptions some acceptable wear to covers small crack to upper joint. A very good copy. 'Waters' is considered among the first and most prolific authors to write 'police memoirs' or detective stories. From 1849-1852 he contributed an irregular series of stories to Chambers' Edinburgh Journal. Ten of these were published in pirated book-form editions in New York in 1852 and 1853 entitled The Recollections of a Policeman. The same ten plus two additional stories were then collated into an official volume entitled Recollections of a Detective Police-Officer published in London in 1856. In the same year twenty-one stories were authorised for publication in America the present volume being the most comprehensive of all the early versions. Boston, MA: Wentworth and Company, 1856 unknown
CA09B-00153John Schofield. Collectible - Acceptable. Ellicotts Mills MD: John Schofield 1853. 1st edition. 12mo hardcover. Embossed black cloth with gilt spine lettering. 333pp47pp. Fair book. Torn cloth reglued to lower half of spine. Staining and foxing to pages. Several inked corrections throughout text. Newspaper clippeds tipped in on rear pastedown. Christianity Calvinism Doctrinal Theology Inquire if you need further information. John Schofield hardcover
SLIVCN-9781536161014NOVA SCIENCE PUBLISHERS INC (10/2019)
1975168474N.p.: N.p. 1975. Vintage photograph of Muddy Waters with trombonist Chris Brubeck and Bob Dylan whom Waters invited onstage during a show at the Bottom Line in New York on June 30 1975. Provenance stamp and annotations in manuscript ink identifying subjects on the verso.<br /> <br /> 9.5 x 7 inches. Very Good plus. N.p. unknown
1990170773N.p.: N.p. 1990. Five vintage color transparencies from the 1990 film showing cast members during filming on location.<br /> <br /> A characteristically oddball romantic comedy set in Baltimore in the 1950s about the romance between rockabilly outcast Wade "Cry-Baby" Walker and an upper-class girl named Allison. <br /> <br /> Shot on location throughout Maryland in Ellicott City Hampden Baltimore Reisterstown Jessup Milford Mill and Sykesville and in Santa Clarita California and Hershey Pennsylvania.<br /> <br /> 5 x 4 inches. Near Fine. N.p. unknown
194029379n.p. 1940. 1 vols. 11 x 8-1/2 inches. Marginal chipping and tape-mended tears to first and last pages else very good. 1 vols. 11 x 8-1/2 inches. Corrected Typescript of C.M. Waters's Cowboy Western Story. unknown books
193728648New York: Liveright Publishing Corporation 1937. FIRST EDITION. Tight sqaure copy nearly fine in a very good dust jacket with a handful of tiny chips at edges and a closed tear at edge of spine. Second book in Frank Waters' Pikes Peak saga set in turn-of-the-century Colorado Springs. <br/><br/> Liveright Publishing Corporation unknown books
