5 727 résultats
20172-9812870318Springer 2017. Hardcover. New. 548 pages. 9.50x6.50x1.50 inches. Springer hardcover
2012x-1848859988I B Tauris & Co Ltd 2012. Hardcover. New. 310 pages. 8.50x5.50x1.25 inches. I B Tauris & Co Ltd hardcover
5131431like new. unknown
29378085-nnew. unknown
1996036116Santa Fe. : One Horse Land And Cattle Company 1996. 1st Edition . Hardcover. Fine/Very Good. 33 Pp. 184 Pages With Sketches. Black Cloth Stamped In Black. #206 Of A Limited Edition Of 250 Copies Numbered And Signed By The Author. Book Is Fine No Wear Or Damage. Dj Is Very Good Complete Rubbing And Wear At Edges. <br/> <br/> One Horse Land And Cattle Company hardcover
DADAX1138795089Routledge 2014-12-23. 1. hardcover. New. 6.00x0.95x9.00. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
22033811-nnew. unknown
658667612Thomas Telford Ltd. pp. 446 . Hardback. New. Thomas Telford Ltd. hardcover
2032234-nnew. unknown
1722228517Charlestown Middlesex Masachusetts 1722. 31 x 19.5 cm. 12 x 7.25 inches. Folio. Fine. 31 x 19.5 cm. 12 x 7.25 inches. Folio. Witnessed and signed by "Edwd. Larkin" and "Rebekah Chambers." Alos signed by Charles Chambers Justice of the Peace. unknown
1988158257N.p.: N.p. 1988. Vintage test photograph from the 1988 film showing actors Ricki Lake Divine and Jerry Stiller. Globe Photos stamp on the verso along with manuscript annotations in pencil and ink.<br /> <br /> Perhaps John Waters' most enduring film serving as the basis for the long running 2002 Broadway musical adaptation which itself became the basis for both the 2007 film starring John Travolta Michelle Pfeiffer and Queen Latifah and the 2016 broadcast "Hairspray Live!" on NBC. <br /> <br /> 8 x 10 inches. Very Good plus with light wear on the bottom right corner. <br /> <br /> Rosenbaum 1000. N.p. unknown
1994153192N.p.: N.p. 1994. Vintage borderless reference photograph of director John Waters on the set of the 1994 film. Brief manuscript ink annotations to the verso noting the film title and Waters' name. <br /> <br /> A seemingly normal middle-class housewife in suburban Baltimore moonlights as a maniacal unstoppable serial killer. Waters' ninth feature film. <br /> <br /> Shot on location in Baltimore. <br /> <br /> 5 x 7 inches. Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. N.p. unknown
1988149687N.p.: N.p. 1988. Vintage reference photograph of actors Divine and Jerry Stiller from the 1988 film. <br/><br/>Cult independent director John Waters' most enduring film following a kindhearted overweight teenager who becomes an overnight sensation on a Baltimore television dance show and subsequently uses her newfound fame to speak out in support of integration. Basis for the Tony Award winning 2002 musical and subsequent 2007 film adaptation directed by Adam Shankman and starring Nikki Blonsky Michelle Pfeiffer and John Travolta. <br/><br/>Set and shot on location in Baltimore Maryland.<br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
1722228517Charlestown Middlesex Masachusetts 1722. 31 x 19.5 cm. 12 x 7.25 inches. Folio. Fine. 31 x 19.5 cm. 12 x 7.25 inches. Folio. Witnessed and signed by "Edwd. Larkin" and "Rebekah Chambers." Alos signed by Charles Chambers Justice of the Peace. unknown books
192293787New York: Pace Phonograph Corp 1922. Very Good. 33 rpm phonograph record. The record label is slightly worn. A little visible shallow scratching. Later generic white record sleeve. We have no record player so have not attempted to play either side of this record. Ethel Waters was the star vocalist on the Black Swan label. She was "born again" after attending a Billy Graham Crusade in 1957 and often sang "His Eye is on the Sparrow" and perhaps other songs but probably neither of the songs on this record at Billy Graham Crusades during the last two decades of her life. The "Jazz Masters" who accompanied her on this record are thought to have been members of Fletcher Henderson's Orchestra. Pace Phonograph Corp unknown
1964003008Northland Press 1964 Flagstaff. Signed by the author on the limitation page 1 of 500 copies #501. 4to; 114 p. Fine binding in turquoise leather minor sunned spine cover gilt linear design on boards gilt upper leaf edge marble endpapers illustrated with color and black/white plates book set in the Aldus type of Herman Zapf printed on Teton Text paper matched cloth slipcase with leather spine label. Bound at Roswell Bindery of Phoenix by Anson Herrick 1965. Book designed by Paul Weaver in collaboration with John Anderson. Near fine. This book was written with the full cooperation of Leon Gaspard who approved the finished text. As the manuscript was being set in type for publication he suddenly died. It has been thought best to leave the text unaltered save for a brief mention of his passing in deference to the warm and vibrant personality who enfused these written and pictorial memories with so much color joy and life. Signed by Authors. 1st Edition. Hardcover. Near Fine/No Jacket. Northland Press hardcover
2188129H. Good. unknown
9782862150642Used; Good. Condition: Good. French Language edition . 0. TRADE PAPERBACK. paperback
2004SONG0954246462Caister Academic Press Limited 2004-03-01. 1. hardcover. Used: Good. 6.30x1.50x9.50. Buy with confidence. Excellent Customer Service & Return policy. Caister Academic Press Limited hardcover
50112594like new. unknown
97965London Privately Printed for Members of the Society of Bibliophiles 1901 LTD Ed. 1/26.A. Seven Volumes. Hardback 8 x 5.5 inches. Dark blue morocco leather fine bindings with decorative gilt paneled boards raised banding and gilt decor to spines. With brown leather spine labels. Marbled and blue silk endpapers. Full-gilt page edges. In very good near fine conditions. Some slight fading and marks to spines some minor rubbing to corners of boards. Inside pages all very clean and tight throughout. Plates all with titled tissue guards. Bookplates to front endpapers “Charles Cobb Walker.” Embossed stamps to corner of main title pages “New England Conservatory of Music Library.” Else an excellent Ltd Edition set. 7 volumes: Illustrated by E.R. Hughes and Jules Garnier with Duplicate set of Illustrations; Water Colours and Japanese Proofs. With Water-Colour Frontispieces on Satin. Vols 1-4: The Facetious Nights of Giovanni Francesco Straparola. Vols 5-7: The Pecorone of Sergiovanni. London, Privately Printed for Members of the Society of Bibliophiles, 1901 LTD Ed. (1/26.(A)) hardcover
428862Lawrence and Bullen. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. No 111 of a limited edition of 210 copies of the Novellino of Masuccio translated by W G Waters and published in two volumes by Lawrence and Bullen in 1895. Lovely text and illustrations by E R Hughes on vellum brown boards cream vellum spine red lettering. A collection of 50 short stories each with summary and dedication many anti-clerical and originally published in the 14th century. Three of the stories are believed to have been Shakespeare's source for Romeo and Juliette.Text blocks of both volumes are unevenly trimmed clean and free of foxing. Hinges are sound and bindings tight. Book plate of Leonard James Shrubsall Neither has a jacket. Volume 1 - edges of boards worn spine discoloured lower front edge of spine has 4 cm split. Overall condition v good. Volume 2 - as for Vol 1 but spine is cracked with significant cracks to both front and rear edges. Overall condition good. Lawrence and Bullen hardcover
20219780525561538-2025Penguin Press 2021. Hardcover. New/New. <p><strong>Author:</strong> Alice Waters</p><p><strong>Publisher:</strong> Penguin Press</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9780525561538</p><p><strong>Release Date:</strong> 2021</p><p><strong>Number Of Pages:</strong> 208</p><p><strong>Details:</strong> From chef and food activist Alice Waters an impassioned plea for a radical reconsideration of the way each and every one of us cooks and eatsIn We Are What We Eat Alice Waters urges us to take up the mantle of slow food culture the philosophy at the core of her life’s work. When Waters first opened Chez Panisse in 1971 she did so with the intention of feeding people good food during a time of political turmoil. Customers responded to the locally sourced organic ingredients to the dishes made by hand and to the welcoming hospitality that infused the small space—human qualities that were disappearing from a country increasingly seduced by takeout frozen dinners and prepackaged ingredients. Waters came to see that the phenomenon of fast food culture which prioritized cheapness availability and speed was not only ruining our health but also dehumanizing the ways we live and relate to one another. Over years of working with regional farmers Waters and her partners learned how geography and seasonal fluctuations affect the ingredients on the menu as well as about the dangers of pesticides the plight of fieldworkers and the social economic and environmental threats posed by industrial farming and food distribution. So many of the serious problems we face in the world today—from illness to social unrest to economic disparity and environmental degradation—are all at their core connected to food. Fortunately there is an antidote. Waters argues that by eating in a “slow food way†each of us—like the community around her restaurant—can be empowered to prioritize and nurture a different kind of culture one that champions values such as biodiversity seasonality stewardship and pleasure in work. This is a declaration of action against fast food values and a working theory about what we can do to change the course. As Waters makes clear every decision we make about what we put in our mouths affects not only our bodies but also the world at large—our families our communities and our environment. We have the power to choose what we eat and we have the potential for individual and global transformation—simply by shifting our relationship to food. All it takes is a taste.</p> Penguin Press hardcover
195211083Paris, Chez l'Artiste, 1952 ; in-4, en feuilles sous chemise crème rempliée, étui de l'éditeur ; 199, (1) pp., (1) f. blanc, (2) pp. et 38 eaux-fortes de P.-A. Bouroux.
14822Paris, Librairie ancienne Edouard Champion, 6 juin 1915. In-4, broché, couverture bleue rempliée, 82 pp et 6 ff. N. Ch. (invocation, table achevé d'imprimer, annonces).
