CURTIS, WilliamBiblio.com
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1793039192Stephen Couchman 1793. Book. Very Good. Hardcover. Royal 8vo. The Botanical Magazine which in 1801 became Curtis's Botanical Magazine is generally recognised as being the most important journal of its kind and still published today. Magnificent illustrations and beauty of production are combined with a high standard of science. This is probably the most comprehensive set ever offered either through the trade or at auction: the first 200 volumes 1793 - 1999 missing just three volumes - nos. 123 124 & 125 1897-1899. Additionally the two Companion volumes dated 1835-1836 are present plus the Dedications volume and various index volumes as documented below. In the main series a total of c. 9380 superb hand-coloured plates plus c. 125 etched or lithographic uncoloured plates plus c. 1265 colour-printed plates a total of c. 10770 plates. The majority of this collection handsomely bound in more or less matching contemporary full straight-grained green morocco extra gilt decoration to the spines all edges richly gilt marbled end papers. These volumes originally from the Library of Henry Rogers Broughton 2nd Baron Fairhaven the earlier volumes in turn from Havringland Hall Norfolk seat of the Fellows family with the Haverland armorial bookplate the later volumes with the Broughton bookplate. Volumes bound thus 1-69 71-88 97-105 108-122 127-131 156-163 the later ones bound by C. Fox W.1 of London. Otherwise vol. 70 bound in half brown Morocco also by Fox; vols. 89-96 106-107 & 126 in the publisher's green cloth; vols 132 & 133 in brown cloth to match; vols. 134-155 vols 138-146 & 148-155 with the armorial bookplate of George Walter Erskine Lodder & 164-184 in the publisher's brown cloth or brown cloth to match some with the bookplate of William Jocelyn Lewis Palmer or David Jamison. Vols. 185-200 in the original 4 parts per volume in wrappers from 1984-1994 the publication was renamed "Kew Magazine" thereafter reverting to Curtis's Botanical Magazine. Vols. 1-5 are reprints overseen by William Curtis published 1793 the first edition was published in 1787 1796 1797 1796 & 1796 respectively thereafter all first editions. Vol. 1 with an engraved frontispiece portrait of W. Curtis this was not present in the first edition and is different from that which appears in the 1828 "General Index". Vols. 132 & 133 1906 -1907 are uncoloured 120 plates: nos. 8052 -8171. At this time the Botanical Magazine was issued in coloured and uncoloured versions the latter have a different quality as the purity of the stone lithography is displayed to full advantage. Additionally: "General Indexes. the first twenty volumes." pub. 1805 contemporary half brown calf. And: "General Indexes.the first forty-two volumes." pub. 1817 contemporary half dark green morocco marbled end papers J. H. Langston. Sarsden bookplate. And: "General Indexes. the first fifty-three volumes." pub. 1828 engraved frontispiece portrait of William Curtis dated 1800 full straight-grained green morocco to match main set Haverland bookplate. And: "General index.the first hundred and seven volumes." pub 1883 publisher's red cloth. And: "Companion to the Botanical Magazine; Being a Journal". vol. I 1835 & vol. II 1836 together 30 engraved plates of which 25 partially hand-coloured; full straight-grained green morocco as above Haverland bookplate. And "Curtis's Botanical Magazine Dedications 1827-1927" 100 b/w portrait plates pub. 1931 publisher's brown cloth. Condition is generally fine to very good all bindings strong some of the earlier volumes lightly faded to the spines. Plates mostly very clean a few with a little spotting or offsetting. A few of the volumes in original paper wrappers are slightly more worn. This virtually full set of the first 200 volumes offers a rare opportunity to acquire what is undoubtedly one of the cornerstones of the botanical literature. Please note this is a large heavy set and a postal surcharge may apply. . Stephen Couchman Hardcover
165528459First or early editions. Various places and publishers 1655-1897 1655. See Beverly Seaton The Language of Flowers A History. University Press of Virginia 1995. A detailed description of the collection is available via pdf on our website on the catalogues page. The Language of Flowers phenomenon flourished for almost eighty years beginning in France in the early 19th century. As both potent and subtle symbols in Western culture flowers are found in religious texts poetry heraldic and emblematic literature from the classical period and early Christianity through medieval literature and the enlightenment. In the early 19th century books were written and published for the first time under titles such as Abécédaire de Flore ou Langage des Fleurs 1811 Oracles de Flore 1816 Emblemes de Flore et des Végéaux 1819 and Le Langage des Fleurs 1819. With those publications the language of flowers and its exploration of floral symbolism in communication - usually as a language of love and romance - gained acceptance and popularity. During its nascent years in France the language of flowers had a relatively limited affluent audience but once publishers saw the potential for profit and obtained the ability to print and illustrate books on a large scale they began to publish language of flowers texts in the popular formats of literary annuals gift books and almanacs. By 1830 the genre was widely available to a new world of fervent book buyers and readers in the working and middle classes. The vogue for language of flowers books was so prevalent that it became the subject of parodies and satires by among others Frederick Marryat and J. J. Grandville. Herman Melville was a devotee of symbolic flower language and referred to it in Mardi and Pierre and poems written to his wife Lizzie. The core of this collection of language of flowers titles was assembled by Doris Ann Elmore a French teacher in San Francisco and lifelong Francophile. The collection is unusual for its scope. The collection is for sale en bloc. First or early editions. Various places and publishers, 1655-1897 unknown
1819ST12549London: Published by Thomas McLean 1819. Second Edition. 368 x 273 mm. 14 1/2 x 10 3/4". 26 leaves of text including 3 pp. ads. Three parts in one volume. <br/> SPLENDID CONTEMPORARY ENGLISH RED STRAIGHT-GRAIN MOROCCO ELABORATELY TOOLED IN GILT AND BLIND covers with concentric filigree frames in alternating gilt and blind tooling raised bands spine panels intricately gilt with two large lozenges formed by rectangular and triangular tools surrounded by curling botanical ornaments turn-ins gilt all edges gilt. In an excellent recent matching morocco-lipped slipcase. WITH 36 VERY APPEALING ILLUSTRATIONS BEING 18 ENGRAVINGS six flowers six fruits six birds EACH IN TWO STATES monochrome and fully hand colored. Dunthorne 53-55; Sitwell "Fine Bird Books" p. 82. Text leaves with faint mottled foxing and minor browning and off-setting just a few plates with negligible faint spots or smudges otherwise A WONDERFUL COPY THE ORIGINAL SPARKLING BINDING IN AN AMAZING STATE OF PRESERVATION.<br/> <br/> This is a sumptuously bound copy of three manuals intended to teach the art of drawing to young persons written by the accomplished botanical painter who produced the renowned "Pomona Britannia." In an earlier career Brookshaw ca. 1751-1823 was a successful London cabinet-maker whose painted Neoclassical furniture attracted such titled enthusiasts as the Duke of Devonshire and the Prince of Wales but he suddenly abandoned this livelihood in the 1790s. Art historian Lucy Wood speculates that the sudden change was prompted by involvement in a financial or sexual scandal as he also parted company with his wealthy wife around this time. He spent a decade living under the name "G. Brown" teaching flower painting to refined young ladies before producing his first manual "A New Treatise of Flower Painting" which was finally issued under his real name in 1816. The three guides that make up the present volume were intended as a supplement to that work and they expand the subjects covered to fruit and birds. In the preface to this work Brookshaw observes that flower painting is a "peculiarly appropriate" accomplishment that may be obtained "without the expense of a Master a few elementary instructions and good copies being sufficient." The plates here are more highly finished than the examples in his original "Treatise" in order to "lead the young artist onward in a progressive line of improvement." Fruits and birds are added to offer a new challenge for the pupil and Brookshaw notes that while avian subjects lack the variety of botanical ones they compensate with "the inifinite number of attitudes they assume." Our elaborate and immaculately preserved binding is testament that our volume was never used as a drawing manual but was more likely enjoyed for its own merits as an attractive object. Published by Thomas McLean unknown
1891871711891. BIRDS & FLOWERS Imao KEINEN. KEINEN KACHO GAFU. Kyoto: Tanaka Jihei. Meiji 24-25 1891-2. 4 vols. each approx. 35.5 x 25.1 cm. Stringbound fukuro-toji Japanese style. Vol.1 Spring has 31 color woodblock prints of birds and flowers of which 7 are huge double page prints. Vol.2 Summer has 32 plates of which 8 are double page. Vol.3 Autumn has 38 prints of which 4 are double page. Vol.4 Winter has 34 plates of which 4 are double page and one is a four page spread. These original Tanaka Jihei issues which preceded the Unsodo versions have become quite scarce complete sets even more so and sets with the western number captioning the true first printing almost impossible to find. The covers are original with the titles directly printed there and the gold flecking. The summer issue has a single worm track in the margins else it and the other volumes are impeccable the printing excellent the colors subtle and lovely. The nicest set we have ever handled. All in a clasped chitsu case which itself is quite rough. 4 vols. complete as issued by Tanaka Jihei very unusual thus. unknown
LL 705<p><strong><em>Oracion que en alabanza del ilustrismo señor Don Fray Christoval de Torres insigne fundador del Colegio Mayor de Nuestra Señora del Rosario de Santa Fe de Bogota dixo su actual rector doctor don Fernando Caycedo y Florez el dia tres de noviembre de mil setecientos noventa y tres en que en cumplimiento de su ultima voluntad se dioÌ sepultura a su venerable cadaver en la capella de su colegio transladandolo a ella de la Sta. Iglesia Catedral.</em></strong> En Santafe de Bogota: MDCCXCIII: En la Imprenta-Patriotica. Plazuela de San Carlos; 1793.</p><p>20 52 2 p.; 20 cm. 4to. Signatures: aâ´ b-d² A-Fâ´ Gâ´-G4 a1 a4 G3 versos blank.</p><p><strong>Extremely rare early Colombian imprint.</strong> In this <em>Oracion</em> the first archbishop of Bogotá from the newly established New Granada praises the founder of one of Colombia's most important universities. This is a speech in praise of Friar Cristóbal de Torres y Motones a Spanish ecclesiastic born in Burgos in 1573 and who passed away in Santafé on July 8 1654. In 1653 he founded the Colegio Mayor de Nuestra Señora del Rosario. He served as the eighth Archbishop of Santafé de Bogotá 1635-1654.</p><p>The Universidad del Rosario officially known as<em> Colegio Mayor de Nuestra Señora del Rosario</em> is a private Colombian university founded in 1653 in what was then Santa Fe now Bogotá by Dominican friar Cristóbal de Torres y Motones. The institution is known for its historical heritage and for providing a "scientific ethical and humanistic" education. It is recognized as one of the best universities in Colombia and Latin America. A year after founding the Colegio Mayor del Rosario Cristóbal de Torres died in 1654.</p><p>The Author: Fernando Caicedo y Flórez Suaita June 15 1756 – Bogotá February 17 1832 was a Colombian Catholic priest and theologian. He was the first Archbishop of Bogotá 1827-1832 in the Republic of New Granada and a hero of the Independence movement. He served as a professor and rector of Colegio Mayor de Rosario 1792-93 during which time he wrote this work. Since 1810 the Caicedo family actively participated in the fight for Independence and in 1813 Fernando Caicedo y Flórez was among the signatories of the declaration of absolute independence for Cundinamarca promoted by Antonio Nariño.</p><p>The Printing Press: <strong><em>La Patriótica</em></strong> was the printing press established by Antonio Nariño in Santafé in the New Kingdom of Granada. Nariño a creole from Bogotá made a significant mark in history as the first Neogranadine to own a printing press which operated for just one year and printed only three works one of which we offer here.</p><p>Context: Before acquiring the printing press Nariño used to gather close friends and trusted individuals in meetings to discuss various topics—perhaps news from the Old World and the nascent North American nation as well as his more private plans. These gatherings included people close to Nariño such as Zea Pedro FermÃn Vargas and other enlightened creoles.</p><p>The Printing Press in Bogotá: The first printing press was brought to Santafé by the Jesuits in 1738. Then in 1777 Viceroy Manuel Antonio Flórez invested significant resources to bring a printing press from Cádiz and arranged for Manuel Espinosa de los Monteros a renowned printer to move from Cartagena to Santafé to establish the Imprenta Real. Finally in 1793 Antonio Nariño decided to create his own press which he named La Patriótica located in the square of San Carlos Church close to the main plaza.</p><p>Nariño hired Diego Espinosa de los Monteros a former worker at the Imprenta Real along with Juan Fulgencio Tomapasca and Antonio Murcia. They were joined by two assistants Manuel MarÃa Torres and Pedro José de Vergara. At La Patriótica the following were printed: the <em>Papel Periódico de Santafé</em> by Manuel del Socorro RodrÃguez Friday April 19 1793 <em>Oración</em> by Fernando Caicedo 1793 and <em>Derechos del Hombre y del Ciudadano</em> <em>The Rights of Man and the Citizen</em> December 1793 by Antonio Nariño. This phase of Antonio Nariño's life as a publisher is fascinating because it reveals a characteristic of the enlightened society of Santafé—its interest in publications which would gain momentum in the following century.</p><p>The printing of <em>The Rights of Man and the Citizen</em> sparked a revolutionary desire among several members of the creole elite. "In 1793 at the age of 28 Antonio Nariño played a pivotal role that changed his life forever as well as that of the Neogranadine society which was beginning to embrace the ideas of independence from the Spanish crown. In his Patriotic printing press Nariño published the <em>Derechos del Hombre y del Ciudadano </em>drawn from the French Revolution a document banned for its progressive and revolutionary nature.</p><p>From that point on Nariño the son of Spanish parents and a former Viceroyalty official himself had to dedicate himself to defending his actions. Two years later he was sentenced to 30 years in prison and sent to Cádiz Spain. However after one year six months and 17 days in captivity during a moment of inattention by the guards he managed to escape and traveled through Europe spreading the ideals of Independence until 1797 when he returned to Bogotá" El Espectador.</p><p>Extremely rare.</p><p>¶ Posada E. Bib.Bogotana p. 100 # 56. esta mal: es Posada E. BibliografÃa Bogotana Bogota 1917 # 76; Palau 50660. Romero p. 195.</p><p># WorldCat U.S. Libraries: 2 copies JCB Sunny. LL 705.</p>
1840031494United Kingdom 1840. Painting. Very Good. Unframed. Original. 24 x 29.5 Cm. A collection of 43 very fine early/mid 19th century comparatively large approximately 285 x 235 mm original watercolour studies of different species of South African Ericas each autographed with the species name. Housed in a red straight-grained morocco case with closing flap and the words "In Memoriam Madre Mia" in memory of my mother. While there is no reference to the originator of these studies they are executed in a style close to that used by Henry C. Andrews for his Monograph on the Genus Erica 1804-1812. The present watercolours do not correspond directly to those but the composition is similiar and it is possible they were executed by Andrews in connection with the publication. Notwithstanding they are highly accomplished reminiscent of the best botanical artists of the day. They are painted onto fine-textured card; this card for a number of paintings is blind embossed to the corners "Reynolds extra superfine London board" or "Bristol Paper". These papers would appear to date the paintings to the 1840's which would fit with the style of the paintings and lettering however the straight-grained morocco case might suggest an earlier date The paintings are generally in very good condition the colours fresh vibrant and unfaded a few are a little dust marked the paper lightly age-toned one or two small marks. The case is a little worn and rubbed to the edges the tap to pull out the flap is missing the paintings are very tight when all are in the case. An exceptional and important historical collection of original watercolour paintings of South African Ericas. unknown
1891911031891. BIRDS & FLOWERS Imao KEINEN. KEINEN KACHÔ GAFU. Kyoto: Tanaka Jihei. Meiji 24-25 1891-2. 4 vols. each approx. 35.5 x 25.1 cm. Vol.1 Spring has 31 color woodblock prints of birds and flowers of which 7 are huge double page prints. Vol.2 Summer has 32 plates of which 8 are double page. Vol.3 Autumn has 38 prints of which 4 are double page. Vol.4 Winter has 34 plates of which 4 are double page and one is a four page spread. These original Tanaka Jihei issues which preceded the Unsodo versions have become quite scarce complete sets even more so and sets with the western number captioning the true first printing almost impossible to find. The original covers are worn and the 4 volumes have been placed into heavy cloth outer bindings with supplied title labels. The printings are excellent the colors much milder than the reprints subtle and lovely. Complete as issued by Tanaka Jihei very unusual. unknown
386621San Francisco: Nocturnal Dream Shows 1970. Fine. Color lithographic poster. Designed by John Flowers printed in purple and gold on light rose-colored paper. Measures approximately 17.5" x 11". Neatly tipped-in at the corner edges into a mat frame. A fine copy. A beautifully printed poster advertisement from the Cockettes legendary series of midnight shows given at the Palace Theater in North Beach San Francisco. A psychedelic drag queen troupe founded by Hibiscus George Harris the Cockettes performed outrageous parodies of show tunes and much else. Breaking many social cultural and sexual boundaries along the way they inspired the glitter rock-era of David Bowie Elton John The New York Dolls and filmmaker John Waters. A scarce survival. (Nocturnal Dream Shows) unknown
1957534842Guadalajara México: Et Cætera 1957. Softcover. Very Good. Offprint. Translated by Miguel Rodríguez Puga misspelled "Juga". Small slim quarto. 99-108pp. Stapled printed wrappers. Text in Spanish. Wrappers with tiny chips at the bottom corners and a couple of very short splits staples lightly oxidized and paper evenly toned a very good example of a relatively delicate pamphlet. From the library of noted Spanish philologist librarian and linguist Tomás Navarro Tomás with a six-line note on the first page some bracketing and underlining in the text and 27 lines in Spanish at the end all in red ink.<br /> <br /> While the practice of combining the words "magic" and "realism" had been around since the 1920s - with entire books having been written on the subject - this is the paper that popularized the term "magical realism" for the genre of Latin American fiction as we know it today. Flores who found the movement's genesis in Borges' publication of A Universal History of Infamy in 1935 first presented this paper at the Spanish 4 Group Meeting of the 69th Annual Meeting of the MLA in New York December 27-29 1954. It was published in English in the journal Hispania in May 1955 Vol. 38 No. 2. This offprint is from its Spanish-language publication in the important Guadalajara literary magazine Et Cætera Nos. 23-25 July 1957 - March 1958. This is quite likely the offprint of its first Spanish-language publication; information appears to be slight but we do find it cited next to the English-language edition in a footnote of Luis Leal's classic 1967 essay on the subject "Magical Realism in Spanish American Literature" accessed online via an English anthology published by Duke. A rare and early offprint of a pivotal essay on Latin American literature with annotations by a noted Spanish philologist and linguist. OCLC locates no copies of this Mexican offprint nor does it locate any copies of an offprint in English if one was even published. Et Cætera unknown
200887025Veenman Publishers. New. 2008. Paperback. 9086901077 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 224 pages; 1500 illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogus Het Complete Oeuvre Raisonnee Veenman Publishers paperback
1930016108Barcelona: Editorial Cervantes 1930. 1st Edition. Soft cover. Very Good. Signed by Authors. A rare copy of the first appearance in Spanish of T. S. Eliot's "The Waste Land" here translated by Angel Flores. Inscribed by Flores to Amy Loveman one of the founding editors of the Saturday Review of Literature. Printed wrappers. Some light soiling and uneven toning to wraps. Interior clean. 25cm. 48 pp. Housed in a green cloth-backed chemise and matching slipcase with gilt stamped black morocco label on spine. Gallup D556. Inscribed ''To Amy Loveman / this translation of ''The Waste Land'' Angel Flores / July 21 1930 / New York''. Angel Flores 1900-1992 was a literary critic teacher translator and publisher. In addition to being the original translator of The Waste Land he was also an early translator of Pablo Neruda and was the first person to apply the term ''magical realism'' to literature in his 1955 essay ''Magical Realism in Spanish American Fiction''. During the 1930's he served on the faculty of Cornell University where he also founded the Dragon Press. His papers are held at the University of New Mexico. Amy Loveman 1881-1955 was an influential literary editor who helped shape the reading choices of generations both as a contributor and co-founder 1924 of the Saturday Review of Literature and through her work at the Book-of-the-Month Club which she joined in 1926 serving on the reading committee and later becoming its head editor. Editorial Cervantes paperback
1951530781London: Cowles Magazines Inc. 1951. Softcover. Very Good. Periodical. Quarto. 120pp. Heavily illustrated. A bit musty. Cover with a split and a bit of loss at the spine staples somewhat oxidized modest interior toning very good. Signed by John Steinbeck editor Fleur Cowles and contributor William Ward Beecher.<br /> <br /> The final issue of this very interesting magazine sent by editor Fleur Cowles along with a warm Typed Letter Signed to artist William Ward Beecher to commemorate the collaboration. Fleur has Signed the magazine on the first page. Beecher allowed the use of a black and white reproduction of a Steinbeck-themed trompe l'oeil painting to illustrate the article "Tortilla B Flat: A Serenade to John Steinbeck Composed on the Typewriter" by Eddie Condon also illustrated with a portrait of Steinbeck by Robert Capa. A note in Beecher's hand laid in says: "N.B. this copy autographed by Fleur Cowles is also signed by John and me-" and indeed Steinbeck has Signed above the painting and Beecher beneath it. Also laid in is a Typed Letter Signed from a Flair employee to Beecher asking him to sign an agreement to reproduce the artwork.<br /> <br /> A 2001 letter from Steinbeck's son Thom written to supply details about sitting for a portrait by Beecher called the artist a family friend and that his father "maintained an abiding fascination for Beecher's work through the years. A half-dozen examples of the artist's best canvases still brighten our house in New York." A nice association. Cowles Magazines, Inc.) unknown
1733715P2Madrid: Manuel Fernandez 1733. Vellum. Good Only. 8" by 6". None. A very scarce Spanish work on the life and daily life of Saint Teresa of Avila written by Antonio de San Joaquin Flores. Illustrated throughout. A very scarce work.In the original Spanish.This work was originally published in twelve volumes this is the first volume in the series.Illustrated with a frontispiece and twelve in-text engravings.Register runs as 4-64 72 A-Kkkk4 Llll2.Collated complete.Page 566 is misnumbered 366. A biography on the life of Saint Teresa of Avila a Spanish noblewoman who went into a convent of the Catholic Church becoming a Carmelite nun and a Spanish mystic. Four centuries after her death she was declared a Doctor of the Church a rare distinction.The biography is set out like a diary describing each day of the year and how Teresa of Avila spent them as a nun.Written by Antonio de San Joaquin Flores. In the original vellum binding. Externally sound textblock is detached from the boards. Discolouration and marks to the boards. A little bumping to the extremities. A little cocking to the boards. Prior owner's ink inscription to the recto to the front endpaper. Front endpaper is detaching. Internally generally firmly bound. Pages are age-toned with some spots and tidemarks tidemarks heavier to the first and last few pages Good Only Manuel Fernandez hardcover
2008C87025Veenman Publishers. As New. 2008. Paperback. 9086901077 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 224 pages; 1500 illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogus Het Complete Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Veenman Publishers paperback
178730887EN MADRID: En la Imprenta de D. Antonio de Sancha 1787. Folio menor.- Plena pasta española de época del taller de Sancha. Lomera con nervios doble tejuelo entre nervios ruedas doradas formando recuadros y en su interior filetes florones y adornos dorados.- 2 obras encuadernadas en 1 volumen.- I: 1 hoja Portada.- 347 páginas.- II: Las coplas de Mingo Revulgo llegan hasta la página 40 para seguir después con Portada independiente o sin ella las siguientes obras: 1 Coplas de Mingo Revulgo Glosadas por Juan Martínez de Baros natural de la villa de Manzanares del Real. Año de 1564. De la página 41 a la 105. 2 Carta del Levantamiento de Toledo. En 19 de julio de 1467. De la página 107 a la 115. 3 Claros Varones de Castilla de Fernando de Pulgar Consejero Secretario y Cronista de los Reyes Católicos D. Fernando y Doña Isabel. De la página 117 a la 120. 4 Compendio Historia Hispánica Edita a Roderico Sanctii utriusque juris ac artium Professore Episcopo Palentino Hispano. De la página 121 a la 133. 5 La Tabla de los capítulos va desde la página 135 a la 145 última. . Palau 56377 y 79824 En la Imprenta de D. Antonio de Sancha hardcover
178430885EN MADRID: En la Imprenta de D. Antonio Sancha 1784. Folio menor.- Plena pasta española de época y del taller de Sancha. Lomera con nervios doble tejuelo entre nervios rueda doradas formando recuadros y en su interior filetes florones y adornos dorados- 3 obras encuadernadas en 1 volumen.- I: XL de Portada Prólogo y Tabla.- 481 páginas.- II: XVI de Portada Prólogo y Dedicatoria.- XXXII de Vida del Conde de Haro.- 112 páginas a dos columnas.- III: VI de Prólogo.- 1 hoja de Licencia.- 68 páginas. . I: Palau 56377.- II: Palau 56377 y 89888 en nota.- III: Palau 56377 y 226347. En la Imprenta de D. Antonio Sancha hardcover
12397Akasaka Minato-ku Tokyo: The Flower Association of Japan 1982. 1st Edition . Hardcover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall. 1st ed. Tokyo 1982. 8vo. 609 pages plus index with colour photos. Text in English. Red silk in slipcase. Prior owner's bookplate on front cover. Very good. <br/> <br/> The Flower Association of Japan hardcover
2014112573Sharjah Art Foundation. New. 2014. Paperback. 9948207823 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Arabic. -- with a bonus offer-- . Sharjah Art Foundation paperback
197932866Geneve: Cabinet D'Amateur. As New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Includes works by A. Giacometti D. V. Orsi A. Del Castillo y Aguado and others. -- with a bonus offer-- . Cabinet D'Amateur paperback
2014109189Rizzoli. New. 2014. Hardcover. 0847843955 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Rizzoli hardcover
201299902Abbeville Press. New. 2012. Hardcover. 0789211149 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 384 pp. ; 296 illus. 202 in color. -- with a bonus offer-- . Abbeville Press hardcover
2015114037La Fábrica. New. 2015. Hardcover. 8416248125 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Spanish. -- with a bonus offer-- . La Fábrica hardcover
196223522New York: Bantam. As New. 1962. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AVOID WEEKS OF DELAY ELSEWHERE. -- with no writing or markings to the text. -- with a bonus offer-- . Bantam paperback
2015111776Cameron Company. New. 2015. Hardcover. 1937359727 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Cameron + Company hardcover
201194766Scala Publishers. New. 2011. Paperback. 1857596935 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pages; 169 color illustrations. -- with a bonus offer-- . Scala Publishers paperback
