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18912092902143300143Mono fumei 1891. Soft Cover. Fine. Number of pages: 26 Size: 32cm Mono fumei paperback
18972092902144200899Not Available 1897. Soft Cover. Fine. The book is in fine condition. Not Available paperback
Z1-L-017-01553Architectural Association. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Architectural Association unknown
98101501Canton 1860-80's Cheungqua. A group of 7 pith or Tongcao color paintings usual minimal issues mostly clean & solid sold "as is" as a collection with the typical chips & a few fox spots else very good clean examples. A RARE GROUP ! . . . . A SUITE OF 7 FINE CHINESE COLOR PITH PAINTINGS . . . SHOWING BEAUTIFULLY DRESSED CHINESE WOMEN . . . PLAYING MUSICAL INSTRUMENTS . . . EXECUTED IN STUNNING & BRILLIANT COLORS . . . AKA: CHINESE EXPORT WATERCOLOURS . A group of typical "trade paintings" executed by Chinese native artists for foreign traders visiting Canton or Macao during the early to mid-19th century. . A SUPERB SUITE OF FABULOUS COLOR PITH PAINTINGS: A stunningly beautiful group of hand-painted color pith paintings depicting a woman playing a musical instrument. . "GOLDEN LOTUS" or "LOTUS FEET" BOUND FEET Chanzu: This like most illustrations of the period show the women with bound feet. Chanzu bound feet was an erotic obsession and fetish in ancient China. The erotic ramifications are outlined in the references below. . The paintings illustrate Chinese women in a domestic scene with furniture playing musical instruments. Subjects are: . a. Yue1in Ruan Moon Guitar Moon Zither 4 stringed . b. Yanqin Chinese Dulcimer . c. Sanxian three-stringed Chinese lute . d. Drumming on the back of a Chinese ceramic bowl . e. Dizi Chinese bamboo flute . f. Huqin Chinese violin . g. Tong Luo Chinese Brass Gong . DESCRIPTION OF THE PAINTING ART WORK AND CONDITION: . Each painting is in brilliant vivid and stunning colors. Each is skillfully painted with a fine hand delicate fine-point brush with great detail incredible reality texture and appeal. . As usual the set paintings were tipped to a contemporary backing period Each painting is backed with a contemporary stiff paper or a more current back card. . Items "a" & "b" are matted see cover.jpg & title.jpg photos posted to our website. . Each painting is approximately 21 x 34 cm. most have a blue silk ribbon border partial border or border lacking chipped and the like on has restorations on the verso in the margin only. . Each painting has some chips parts missing on the edges or with small holes here and there 'e' by and large the images are complete but some may have usual and often typical age-related cracks or splits a touch of fox spots on "c." . Suitable for framing & display. Please review photographs posted to our website for details. . "RICE PAPER" PAINTINGS: Several authors refer to this name rather than the proper name "Pith" paper paintings also can be called "Tung Tsao." . THE CANTON ARTIST OR 'SCHOOL' OF CHEUNG QUA: Cheung Qua was an export watercolor painter in Canton. He and followers of his school produced various single and albums of these paintings which were sold from his studio. . Often his in-house artists began painting on their own thus replicating the techniques subjects and essence of their masters. Because these paintings were rarely signed the one and only identification ever found was occasionally on the album cover or spine with the studio name. . Often these paintings were sold in various shops in Macao the main resting and gathering place of foreigners during part of the year. . REFERENCE: . CLUNAS Craig.: CHINESE EXPORT WATERCOLOURS. This entire book is devoted to Pith or Rice paper paintings. For musical instruments see color plates on pp.50-53 especially plates on pp.66-67 plates 39 & 40 are particularly similar to our examples that is to say by the same or an artist who was in the same house of Cheungqua or that school. CHU Arthur. et al.: ORIENTAL ANTIQUES AND COLLECTIBLES: A GUIDE pp.62-66. THE CHINESE PITH PAINTING COLLECTION AT THE NATIONAL LIBRARY OF AUSTRALIA: An Annotated Guide. Crossman Carl L. The decorative arts of the China trade : paintings furnishings and exotic curiosities. LEVY Howard S.: CHINESE FOOT BINDING: The History of a Curious Erotic Custom. . --. THE LOTUS LOVERS: The Complete History of the Curious Erotic Custom of Foot binding in China. JACKSON Beverly.: SPLENDID SLIPPERS: A THOUSAND YEARS OF AN EROTIC TRADITION. . . unknown
1870279111870. Finely executed portraits of women and their musical instruments larger and more detailed than many other albums. From the school of Youqua. The portraits have no background painting. 8 images mounted with dark turquoise border silk some with cracks; 3 images are mounted on card at a later date. All images loose in papered boards which open Western style and are disbound and very rubbed. Most images are in lovely and larger than most. Besides some small cracks they are in very good condition. 4to 11 1/2 x 8 unknown
006911Chefoo China: Women's Bible School American Presbyterian Mission Book. Near Fine. Soft cover. First Edition. Oblong Folio. No Date circa 1930. Near Fine pages with light toning. Oblong folio 10" x 13 3/4". Bound in beautiful red pictorial embossed silk over limp boards string-tied 28 pp of cut-out illustrations in black and white many with colorful silk inlays with tissue guards publisher's 1 page explanatory leaf laid in also an original 6 1/2" x 10 1/2" cut-out with colorful silk inlays and string hanger readt-to-hang laid in. Cut-out chapter headings are Travel and Transportation Customs and Habits Chinese Birth-Year Cycle latest date 1935 Occupations The Eight Immortals Myths and Legends Chinese Recipes Chinese Children Chinese Junks and The Magician. Well over 100 cut-outs in all including the bonus laid in cut-out and SCARCE THUS. Women's Bible School, American Presbyterian Mission Paperback
19612080302106809091Nagasaki University School of Medicine 1961. Soft Cover. Fine. Number of books: 2 Nagasaki University School of Medicine paperback
16502091202133203518Suharaya Mohei 1650. Soft Cover. Fine. Volume: 1 Suharaya Mohei paperback
20122081502111905134old books in shanghai 2012. Soft Cover. Fine. The book is in fine condition. old books in shanghai paperback
61952Holland 18th Century. . Water-colour on Dutch laid paper some light spotting and toning to paper. Framed and glazed overall size: 38.7cm x 45.7cm. Dimensions: 180 x 130mm. 7 x 5 inches.<br /> From a "Tulip Book" in the manner of Anthony Claesz who produced his own "Tulip Book" in c. 1641. These florilegia were commissioned to illustrate the differences between varieties of tulip bulb which at the time demanded such high prices. The beauty of these works ensured that their images would be copied for decades to come by amateur painters and gardeners alike. Claesz was a Dutch master in his own right with several highly accomplished works to his name. However as with most of the great Dutch masters of this period they happily supplemented their income by illustrating such books. It also allowed them to study in detail subjects that would later be incorporated in their great flower pieces.<br /><br />Provenance: Private Dutch collection.<br /> [Holland, 18th Century]. unknown
60722Holland 18th century. . Water-colour on Dutch laid paper some light toning. Framed and glazed overall size: 38.7cm by 45.7cm. Dimensions: 18 by 13cm. 7 by 5 inches.<br /> From a "Tulip Book" in the manner of Anthony Claesz who produced his own "Tulip Book" in c.1641. These florilegia were commissioned to illustrate the differences between varieties of tulip bulb which at the time demanded such high prices. The beauty of these works ensured that their images would be copied for decades to come by amateur painters and gardeners alike. Claesz was a Dutch master in his own right with several highly accomplished works to his name. However as with most of the great Dutch masters of this period they happily supplemented their income by illustrating such books. It also allowed them to study in detail subjects that would later be incorporated in their great flower pieces.<br /> [Holland, 18th century]. unknown
60952Holland 18th century. . Water-colour on Dutch laid paper light paper toning. Framed and glazed overall size: 38.7cm x 45.7cm. Dimensions: 180 x 130mm. 7 x 5 inches.<br /> From a "Tulip Book" in the manner of Anthony Claesz who produced his own "Tulip Book" in c. 1641. These florilegia were commissioned to illustrate the differences between varieties of tulip bulb which at the time demanded such high prices. The beauty of these works ensured that their images would be copied for decades to come by amateur painters and gardeners alike. Claesz was a Dutch master in his own right with several highly accomplished works to his name. However as with most of the great Dutch masters of this period they happily supplemented their income by illustrating such books. It also allowed them to study in detail subjects that would later be incorporated in their great flower pieces.<br /><br />Provenance: Private Dutch collection.<br /> [Holland, 18th century]. unknown
60719Holland 18th Century. . Water-colour on Dutch laid paper some light toning. Framed and glazed overall dimensions: 38.7cm by 45.7cm. Dimensions: 18 by 13cm. 7 by 5 inches.<br /> From a "Tulip Book" in the manner of Anthony Claesz who produced his own "Tulip Book" in c. 1641. These florilegia were commissioned to illustrate the differences between varieties of tulip bulb which at the time demanded such high prices. The beauty of these works ensured that their images would be copied for decades to come by amateur painters and gardeners alike. Claesz was a Dutch master in his own right with several highly accomplished works to his name. However as with most of the great Dutch masters of this period they happily supplemented their income by illustrating such books. It also allowed them to study in detail subjects that would later be incorporated in their great flower pieces. <br /><br />Provenance: Private Dutch collection.<br /> [Holland, 18th Century]. unknown
RGW26779Watercolour on wove paper later inscription in ballpoint on reverse of surround 'View of Kew' inlaid small loss on far right The Archives of Kew Gardens in an email dated March 2026 were unable to identify this watercolour with any particular building but point towards a similar design of a garden pavilion by William Chambers 1723-1796 in the Sir John Soane's Museum https://collections.soane.org/THES70660 Ref. 43/7/12. Numerous garden buildings were erected at Kew Gardens by Chambers and other designers and many are unrecorded. This pavilion could even have been for another garden in Kew like Syon Park.See HARRIS J. & SNODIN M. Sir William Chambers Architect to George III. 1996 and DESMOND R. Kew The History of the Royal Botanic Gardens 1995.Provenance: Tom Greeves 1917-1997 Architect and Artist. unknown
20212081502111905282Chinese book office 2021. Soft Cover. Fine. The book is in fine condition. Chinese book office paperback
98166101Japan n.d. ca 1830. A superb scroll painting on silk 39.5 cm. wide by 233 cm. long painting size: 29.5 x 185cm. fine mounting pale silk chrysanthemum patterned border flawless flawless excellent pastel colors excellent condition.RARE! THIS IS A GREAT AND STUNNINGLY BEAUTIFUL HAND-PAINTED SCROLL THE SUBJECT: Kato Kiyomasa 1562-1611 was the son of Kiyotada a relative of Hideyoshi Toyotomi and served him and distinguished himself as one of the seven most famous warriors of that time by his heroic acts at the Battle of Shizugadatake. . During the invasion of Korea he followed Yukinaga Konishi -1600 to Pusan and on to Seoul in 1592 where he fought so fiercely that the Koreans named him "Devil Kiyomasa." Yukinaga was a Christian warrior & retainer of Hideie Ukita and was appointed Lord of Settsu by Hideyoshi Toyotomi. . Hideyoshi appointed these two to spearhead the Korean invasion with Yukinaga the commander. The plan was to launch waves of army corps by ship across the 56 mile wide Tsushima straits to Pusan. Some 300000 fighting men a truly serious force embarked. The first force of 9200 Samurai armed with matchlocks bows and swords set out. Upon landing they rapidly advanced North up the peninsula taking out Korean castles and subduing the regions through power of force. They advanced to Seoul as the armies divided into two parts each racing to see who would enter Seoul first. . At Cho-ryung pass they united then both advanced on Seoul & took the castle as the Korean King and his entourage fled over the river at Imjin where the Koreans up their valiant effort to check the Japanese. This is a most magnificent painting of both Kiyomasa and Yukinaga as each holds a Naginada while the Korean King prepares to rides a black steed effecting his escape while being protected by a retainer who also holds an elaborate Naganada with the Imperial banner. THE ARTIST AND PAINTING SCHOOL: . This work was done in the Utagawa school style and was likely painted by Utagawa Kuniyoshi or one of his star pupils. It was painted in the "Ukiyo-e" style similar to that of a color woodblock print. . It is painted in a firm solid confident strong hand this work is executed with most impressive brush strokes style & manner expressing the Bushido spirit celebrating triumph over the Koreans. Marvelous detail to the whole work renders this a major piece. Skillfully drawn & painted on silk which is the most difficult medium to control ink flow this work is flawless and a fine example worthy of display in any Tokunoma. . The top is blue paper with black Sumi inscription naming the heroes and citing the Korean Battle. REFERENCE: For biographical details see JAPAN BIOGRAPHICAL ENCYCLOPEDIA & WHO'S WHO pp.592 689-90. . F. Brinkley: A HISTORY OF THE JAPANESE PEOPLE pp.509-520. . unknown
189110008Seneca Falls NY 1891. No Binding. Near Fine. 3-inch diameter globe anchored in magnifying glass as issued; 5 ½ inches total height. Color-printed wax-engraved gores; some fading of place names a few repair in extreme southern portion but overall remarkably little wear; overall excellent condition. An unrecorded delightful cartographic curiosity: a very good quality miniature globe with a magnifying paperweight as its base. Only two other globes by the American Globe and Supply Company are known: a six-inch terrestrial recorded by Rumsey dated 1892 and an eight-inch terrestrial cited in Rittenhouse dated 1891; see below. This Seneca Falls New York company was one of several for which Rand McNally supplied gores for the globes it produced. Rand McNally did not issue its first globe until 1887. Very nice condition for an object of this kind. Cf. Rumsey 5120; Rittenhouse Vol. 2 No. 1 p. 23. unknown
188423391884. A unique quarto 15 x 12 1/2 inches 382 x 318 mm; 30 double-sided sheets containing approximately 80 preserved specimens of seaweed and sea mosses which are individually dried mounted to card stock and tipped-in; each with the genus in Latin and the date and location of collection handwritten in pencil in the lower mount. Approximately 1 to 5 specimens per page. Binding is broken and significantly worn with some pages loose. Specimens are intact and separated by blotting paper and remain in very good to excellent condition with some exhibiting only minor losses. <br /> <br /> While seaweed collecting was a popular Victorian pastime in Britain this rare herbarium is filled with a profusion of north American specimens primarily from Bay Ridge Brooklyn to Nantucket island as well as some from California and Bermuda. In the Victorian era seaweed collecting or algology was far more than a casual beach activity; it was a massive cultural trend that married scientific curiosity artistic expression and social freedom. While the Victorians were obsessed with all things natural history a trend called "natural theology" seaweed held a unique appeal especially for women. While studying animal anatomy was seen as "unladylike" at the time collecting seaweed was considered a genteel and healthy outdoor activity. As a result several women used the opportunity to make significant scientific contributions.<br /> <br /> Often called "Ocean Flowers" or "Sea Mosses" these specimens became the focus of elaborate scrapbooks and pioneered some of the world's first photographic techniques Anna Adkins's Produced Photographs of British Algae: Cyanotype Impressions 1843 was the first book ever illustrated with photographs. Today these Victorian albums are more than just relics of a cultural fad; they are vital biological records. Scientists utilize the DNA from these 150-year-old pressed samples to track how ocean temperatures and species distributions have changed since the Industrial Revolution.<br /> <br /> Creating a seaweed album was a meticulous process. Collectors didn't just dry the weeds; they "resurrected" them to look alive on the page. This album demonstrates the incredible skill of the maker. unknown
1895223921Paris: Gauthier-Villars et Fils 1895. First. hardcover. fine. Illustrated throughout with nicely printed portraits and other historical reproductions. 3 volumes. lxviii 519; 572; 646pp. Very thick short 4tos beautifully rebound by Stroobants in older 3/4 tan morocco over marbled boards; ornate gilt-stamped spines with burgundy leather labels; uncut edges t.e.g. original wrappers bound-in marbled board slipcase worn. Paris: Gauthier-Villars et Fils 1895-1897.<br/> <br/> Fore-edges foxed and also some light foxing throughout the first volume otherwise a fine copy in a lovely binding.<br/> <br/> Gauthier-Villars et Fils unknown
514Pen and sepia ink wash on cream laid paper 4 1/8 x 6 3/16 inches 103 x 152 mm. In good condition with scattered areas of light brown discoloration and uniform age tone. Condition consistent with age. unknown
196658797Providence RI: School of Design. As New. 1966. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 182 pp. With 100 ills. 20 col. . 26 x 22 cm. -- with a bonus offer-- . School of Design paperback
200880500W. W. Norton & Company. New. 2008. Paperback. 0393732509 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 0393732509. 144 pp. 300 color ills. biogs. 4to. Description: " 'Layered Urbanisms' presents critical discussions and illustrations of urban research and design analysis as carried out in advanced studios with young architects investigating ways to design new urban spaces for New York. Three innovative architectsGregg Pasquarelli of SHoP Galia Solomonoff and Mario Gooden of Gooden Huffat Yale. Themes include Versioning: Privately Owned Public Space in Lower Manhattan; Civic Spaces for the Atlantic Yards in Brooklyn; and Mapping Cultures for a security center and global theater at the U. N." -- with a bonus offer-- . W. W. Norton & Company paperback
198453619New York: New School for Social Research. As New. 1984. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 189 pages. Among the contributors in this issue: Jacques Derrida Hans Jonas Ludwig Siep Adamantia Pollis Reiner Schurmann and others. -- with a bonus offer-- . New School for Social Research paperback
193333595New York NY U.S.A.: Columbia University / Wildenstein. As New. 1933. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Thirty-third series NO. 50 issued September 9 1933 -- with a bonus offer--; . Columbia University / Wildenstein paperback
193033599Ithaca NY: Cornell Rural School District. As New. 1930. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Condition good except some cover tears and page folds. -- Anna Botsford Comstock is widely recognized as the mother of nature education. Along with her husband John whom she met while she was a student at Cornell University she formed the Comstock Publishing Company. Its motto: "Nature through Books." In 1911 the company published Anna's 900-page Handbook of Nature Study. The now-famous sourcebook for teachers went through 24 editions and was translated into eight languages. In her book Comstock emphasized the rewards of direct observation. She was ahead of her time in stressing the importance of natural relationships that work to form what we now call an ecosystem. The point of her approach to nature study she said was to "cultivate the child's imagination love of the beautiful and sense of companionship with life out-of-doors." Comstock was instrumental in launching a pilot nature study program - the first of its kind in the country - in the schools of Westchester County New York. In time the program grew into a nationwide teacher-education program administered by Cornell University and other colleges. By encouraging instructors to take their students outside to learn and then helping them see the relationship between people and the natural world Anna Botsford Comstock left her mark on countless generations. - National Wildlife Federation. -- with a bonus offer-- . Cornell Rural School District paperback