Charleroi - BODENEHR, GabrielAntiquariat.de
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1720138896(Augsburg). (Um 1720). Kupferstichblatt. Format ca. 16 x 19,5 cm
M., Hermann Blume, 1988, 24 x 15'5 cm., 184 págs.
8vo., First Edition, with very numerous illustrations in the text; black buckram, upper board blocked in gilt, gilt back, yellow top, patterned endpapers, a near fine copy.
Folio, plate volume only, [8pp., Arrangement and Analysis of the Plates] + unpaginated 'Scientifical Index', 148 engraved plates (some double-page, some folding), small work track to blank margin of first 7 plates, small unobtrusive stain to lower blank margin of several other plates, but overall all plates are clean and bright, cont. calf, rubbed, joints cracked.
15411, Pinner Midllesex, Private Libraries Association Ravelston, 1985 Bound in black cloth with goldimprint on front and spine, decorated inner platters, ex libris, 150 x 255mm., 160pp., LXII pp. + ( 160 ) plates in b/w. ISBN 9780900002649.
22758Paris, Simon Kra, 1926. In-4, 183 pp. 31 pl., demi-maroquin brun à bande verte de Guglielmoni, filets dorés sur les plats, dos à nerfs orné de filets et frises dorés, tête dorée, couverture conservée (dos légèrement insolé, trois minuscules épidermures aux angles des coiffes, pâles rousseurs et décharges).
1960ZNF-669Catalogue édité à l'occasion de l'exposition éponyme (du 25 novembre 1959 au 10 janvier 1960), Centre culturel américain. Préface de Fredericck A.Sweet.
1795140940833London: J. Johnson 1795. First Edition. Very Good. First Edition in English of Catullus' complete works side by side with the original Latin. xxxvi 223 3; iv 236 2 pp. Contemporary full calf edges ruled in gilt spine elaborately stamped in gilt with black title label and red numerical label. Complete in two volumes. Includes both half-titles and William Blake's two engraved frontispieces foxed in vol. I offset to the title page in vol. II strengthened joints not rebacked. Occasional light penciled "Xs" to margins easily erasable; offsetting to endpapers; a few dog-eared pages; Very Good. Rare.<br /> <br /> The first attempt to translate the entire body of work of the licentious witty Latin poet of the late Roman era Catullus 84 BC-54 BC into English around 116 poems. None other than visionary English poet artist and printmaker William Blake designed the frontispieces. J. Johnson unknown books
1841008974London: Longman Orme Brown Green and Longman 1841. SCARCE in contemporary fine binding two volumes in polished calf the backs with black and red morocco labels and intricate gilt tooling marbled end papers and edges the bookplates of Walmer Castle and a later 20th c. owner front end papers prior owner inscriptions in pencil and ink concerning Walmer Castle and Cattermole's engravings "considered to be some of his finest". Very Good the calf rubbed and soiled. Both volumes with frontis engravings and engraved title pages Vol. I with 7 engravings in text Vol. II with 13 in text. The title pages call for 15 in Vol. I and 13 in Vol. II leaving the possibility of 4 missing engravings however no evidence of removal. . First Edition. Polished Calf. Very Good. 8vo - over 7¾" - 9¾" tall. Longman, Orme, Brown, Green, and Longman hardcover books
1841008974London: Longman Orme Brown Green and Longman 1841. Book. Very Good. Hardcover. First Edition. 8vo - over 7¾" - 9¾" tall. SCARCE in contemporary fine binding two volumes in polished calf the backs with black and red morocco labels and intricate gilt tooling marbled end papers and edges the bookplates of Walmer Castle and a later 20th c. owner front end papers prior owner inscriptions in pencil and ink concerning Walmer Castle and Cattermole's engravings "considered to be some of his finest". Very Good the calf rubbed and soiled. Both volumes with frontis engravings and engraved title pages Vol. I with 7 engravings in text Vol. II with 13 in text. The title pages call for 15 in Vol. I and 13 in Vol. II leaving the possibility of 4 missing engravings however no evidence of removal. Longman, Orme, Brown, Green, and Longman Hardcover
160918688<p>Text in Latin. 2nd enhanced edition. Black straight-grain morocco leather over bevel-edge wood boards; gilt ruled frames on covers; brass clasps at fore edge; gilt title and rolls on spine; French Stormont pattern marbled end papers; two color print throughout; large font throughout; woodcut decorative drop-cap initials throughout. Clean covers and spine; front cover detached; light edge wear somewhat heavier at cover fore corners; brass clasps are intact and VG condition; rear cover spine and text block are tightly bound; lacking Title Page and 3 other prelim leaves ll. 7 8 1 and 4 interior leaves including 4 plates pp 56 250 264 314; ll. D4b Q5b R4b V5b; 53 intact full page copperplate engravings and 35 of 38 1/3 page engraved tailpiece vignettes range from Good but light to Fine though 1 plate has light ink attempt to cover angels privates p. 662; l. Tt1b; few light smudges interior otherwise very clean. Note that leaf 7 is lacking which has dedication or honors the pope; catchword at tail of l. 6b is 'PAV' indicating Pope Paul V 1605-1621 on missing leaf rather than Clement VIII 1592-1605 as in some copies. 23 x 17 cm; 696 pp.</p> Antverpiae (Antwerp): Ex Officina Plantiniana, Apud Ioannem Moreti (Plantin-Moretus Press) hardcover
1334320160.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Sin lugar ni año (hacia 1950), 38,5 x 26,5 cm., carpeta en cartulina editorial, 10 xilografías firmadas a lápiz por el autor. (Las láminas son: Navarra, Galicia, Avila, Valencia, Andalucía, Aragón, Cataluña, Extremadura, Fraga y Gerona).
B., Seix Barral Hnos., 1966, 2 tomos, 24,5 x 17 cm., XV + 397 págs. + 1 h. = 103 págs. + 105 láminas en papel couché + 3 h. (Publicación de los Anales y Boletín de los Museos de Arte de Barcelona).
287p. Plus lithographed frontis and full page plates. All edges gold. 4to. Original embossed cloth binding. Spine taped. Plates heavily foxed. Some signatures loose. WOMEN 2
185829181New York: Dick & Fitzgerald 1858. First edition. Cloth. Very Good. Cloth 8vo. Dark brown pebbled cloth covers with raised floral decorations gilt lettering and design element with man hoisting up a harp on his back. viii 9-368 numbered pages followed by 16 pp of advertisements. Engraved frontis with most of tissue guard still present. A collection of humorous writings that includes the first appearance in book ofmr of any of Lewis Carroll's writings "Novelty and Romancement A Broken Spell". Unusual personalized bookmark on the first endpaper else a very good example with light but even wear to cloth covers. Interior paper has occasional smudges. A sound copy overall. Dick & Fitzgerald unknown books
13 tavole sciolte che raffigurano le Logge di Raffaello, incise da Carlo Lasinio, dimensioni del foglio cm 46x62, dell’impronta della lastra 37x50,5. Rossetti 6053.
338518Septimus Prowett 1824. THIS VOL ONLY ex-library folio half green leather bound green buckram boards gilt lettering & decoration to spine aeg marbled eps frontispiece xx xl unnumbered plates VG moderate rubbing & scuffing/surface loss to leatherwork on spine & board corners sl loosening/wrinkling of buckram/material to boards minimal library markings light to moderate tanning & foxing to prelims & terminals prev. owner's name in pencil to prelims moderate foxing to plates Septimus Prowett 1824 hardcover
58p. Illustrated with numerous engravings. Title page decorated with a small drawing. All edges gold. Very XLib. Lacks front fly leaves. Sm. 8vo. Original full leather binding, embossed in blind and decorated in gold and black. Beveled edges. Rear board detached. Binding worn. Hardbound. An unfortunately poor copy of a handsome and scarce edition. POETRY2 BOX 2
1972T1903690Collegium Graphicum Portland 1972. 1st Edition Thus. SOFTCOVER. 3 matching volumes all 8vo in patterned stiff card covers variously paginated housed in a matching card slipcase. There is some offsetting from the woodblock prints to the facing pages - presumably reproduced from the original copy used to make the facsimile __CONDITION : Spines moderately sunned else all FINE very clean and tight unmarked and unread copies all still close to new in a slightly faded but otherwise FINE slipcase. . __We always ship in PROTECTIVE CARD PARCELS Collegium Graphicum, Portland paperback
1954788121954. Tapa dura. 2ª Mano. . . Bilbao Triunfo 1954 . Profusamente ilustrado con. fotografías en huecograbado 4 de ellas comentadas. sobrecubierta algo fatigada con foto del Arenal. tela ed. con dorados 36x28 cm. 112 pp. hardcover
1809Flo541<p>Very good copy of the first edition of this classic of equestrian humour</p><p>With 26 of 29 handcoloured copperplate engravings by Thomas Rowlandson after illustrations by George Moutard Woodward and Henry Bunbury unsigned</p><p>The illustrations show Regency gents falling off horses ladies falling off horses gamblers pursued by officers of the debtors' prisons raggedy dogs yokel fashions and furniture famous beauties etc.</p><p>The 26 plates include: portrait of <em>Caleb Quizem Esq. title page vignette with courtier falling from Pegasus The Maid of Mim; Costume of Hogs Norton: Morning dress</em>; <em>Game Wigs</em> 2 plates;<em> Hounds</em> 2 plates; <em>Mathematical Horsemanship</em> 6 plates; <em>The True Method of Sitting on a Horse Mathematically Delineated; How to Vault from the Saddle; Fashionable Furniture at Hogs Norton</em> 2 plates; and <em>The Bailiffs Hunt</em> 8 plates.</p><p>Lacks the folding plate <em>The Bucephalus Riding Academy for Grown Gentlemen</em> and two other plates <em>Costume of Hogs Norton: A Back Front View of Miss Dickinson's new Dress</em> and <em>How a Man may Shoot his own Wig.</em></p><p>George Murgatroyd Woodward 1765–1809 more commonly known as George "Moutard" or "Mustard" Woodward was an English caricaturist and humourist. He was a friend collaborator and drinking companion of Thomas Rowlandson who engraved many of his prints.</p><p>Thomas Rowlandson 1757-1827 was an English artist and caricaturist of the Georgian and Regency eras noted for his ribald satire and social observation. A prolific artist and printmaker his most famous works include <em>The Miseries of Human Life </em>1808 <em>The Tours of Dr. Syntax</em> 1812-21 <em>Microcosm of London</em> 1810 <em>The English Dance of Death</em> 1815 <em>Military Adventures of Johnny Newcome</em> 1815 <em>History of Johnny Quae Genus</em> 1822 <em>The English Spy</em> 1826 etc.</p><p>The pseudonym Caleb Quizem is often attributed to the artist George Moutard Woodward. The portrait however links the author to Geoffrey Gambado i.e. Francis Grose. In the picture a corpulent man sits in an armchair looking at the viewer through a monocle. Two books Gambado's <em>Annals of Horsemanship </em>a popular book attributed to Grose reissued with Rowlandson's engravings in 1809 and Laurence Sterne's <em>Tristam Shandy</em> are on the table next to him and a portrait of Gambado with gouty foot and crutch hangs on the wall.</p><p>Quite scarce copies held by the British Library and Oxford University.</p><p>Bound in full red morocco leather spine with five raised bands gilt title and decoration to compartments front board with 2cm scratch to leather TEG marbled endpapers book block solid. Interior clean and bright all copperplates under tissue guards with vivid handcolour.</p><p>Engraved armorial bookplate of Herman Le Roy Edgar a New York real-estate broker amateur photographer and book collector 1865-1938.</p><p>Very good copy of this rare classic of horsey fun.</p> Thomas Tegg hardcover
19713160FÊTES est une suite de 7 gravures à l'aquatinte avec estampages et reliefs. Maeght Éditeur, Paris 1971. LA PLANCHE N° 7 DE LA SÉRIE, IMPRIMÉE SUR VÉLIN D'ARCHES À 175 EXEMPLAIRES (150 + 25 hors-commerce). Le tirage sur vélin d'Arches n'est pas signé. (Feuille : 45 x 34,2 cm et sujet : 32 x 23,3 cm). Bibliographie: Bénézit 3-117 ; Johnson 152 ; Monod 9290 ;Prout-II-71-05; Lhermitte 487. Note : Pour chacune des sept gravures, Calder a tout d'abord fait un dessin précis en couleur. Puis il a découpé les formes ainsi dessinées dans une plaque de métal. Ces formes ont ensuite été déposées sur la presse ouverte, conformément au dessin original. Les couleurs, volontairement éclatantes, ont été appliquées à la brosse, le papier était posé par dessus, et l'ensemble passé à la presse. Cette technique de gravure inédite a donné une subtile empreinte en relief dans le papier de chaque planche. Très rare et très recherché. —— English description: FETES: suite of 7 aquatint engravings with embossing. Maeght Éditeur, Paris 1971. - PLATE N° 7 OF THE SUITE, PRINTED ON ARCHES PAPER AND PUBLISHED IN 175 COPIES (150 + 25 HC). The print on Arches paper is not signed. Bibliography: Bénézit 3-117; Johnson 152; Monod 9290;Prout-II-71-05; Lhermitte 487. Note: For each of the seven engravings, Calder first made a precise color drawing. Then he cut the shapes thus drawn out of a metal plate. These shapes were then placed on the open press, in accordance with the original design. The colors, deliberately bright, were applied with a brush, the paper was placed on top, and the whole thing was put through the press. This unique engraving technique gave a subtle relief imprint in the paper of each plate.
19713159"FÊTES" est une suite de 7 gravures à l'aquatinte avec estampages et reliefs. Elle a été composée par Calder pour illustrer l'ouvrage de son grand ami Jacques Prévert "FÊTES". Maeght Éditeur, Paris 1971. AQUATINTE ORIGINALE DE CALDER AVEC ESTAMPAGES IMPRIMÉE SUR PAPIER D'AUVERGNE DU MOULIN RICHARD-DE-BAS. LA N° 1 DE LA SÉRIE, TIRÉE À 50 EXEMPLAIRES SEULEMENT sur ce papier (Feuille : 45 x 34,2 cm et sujet : 32 x 23,3 cm). Cette épreuve sur Auvergne, avec double filigrane, n'est pas signée. L'ouvrage a été édité par Aimé Maeght à Paris en 1971. Il a été tiré XX + 20 exemplaires de luxe sur Auvergne et 100 ex. sur vélin d'Arches. —— Note historique et technique : Pour chacune des sept gravures, Calder a tout d'abord fait un dessin précis en couleur. Puis il a découpé les formes ainsi dessinées dans une plaque de métal. Ces formes ont ensuite été déposées sur la presse ouverte, conformément au dessin original. Les couleurs, volontairement éclatantes, ont été appliquées à la brosse, le papier était posé par dessus, et l'ensemble passé à la presse. Cette technique de gravure inédite a donné une subtile empreinte en relief dans le papier de chaque planche. Très rare et très recherché. —— ENGLISH DESCRIPTION : AQUATINT N° 1 OF THE SUITE "FÊTES", for a book of poems by Jacques Prévert. Maeght Éditeur, Paris 1971. AQUATINT WITH EMBOSSING PRINTED ON AUVERGNE DE RICHARD DE BAS AND PUBLISHED IN FIFTY COPIES ONLY. This print on Auvergne with double watermark is not signed. From the head edition of the book. (Sheet : 45 x 34,2 cm and composition : 32 x 23,3 cm). —— Note: For each of the seven engravings, Calder first made a precise color drawing. Then he cut the shapes thus drawn out of a metal plate. These shapes were then placed on the open press, in accordance with the original design. The colors, deliberately bright, were applied with a brush, the paper was placed on top, and the whole thing was put through the press. This unique engraving technique gave a subtle relief imprint in the paper of each plate. Bibliography: Bénézit 3-117; Johnson 152; Monod 9290;Prout-II-71-05; Lhermitte 487.
1946001621Paris Editions du Pré Aux Clercs 1946
