Irène de GrootLivre Rare Book
1 249 résultats
ART5168MOffice du livre, 1980. In-4, 250 pages, relié entoilé avec jaquette. Nombreuses reproductions en N&B dans texte.
18867Paris chez Aubert 1840,50 livraisons reliees en vol. in-4,Non paginé : ill. ; 27 cm demi- papier noir , dos muet(reliure de l'epoque). Premier tirage des 150 planches par Daumier, , Gavarni, , etc. bon exemplaire malgre' quelques rousseurs. Carteret, 426 ; Vicaire I, 32.
188017331880 1880. Gravure originale, épreuve du 2e état, tiré en sanguine sur vergé, signé dans la planche. Feuille : 26,5 x 20 cm, cuvette : 18,6 x 12,8 cm, sujet : 13,8 x 8,9 cm.
19436Union bibliophile de France [Maximilien Vox], 1948. 2 vol. in-4, 139 pp. + 150 pp., maroquin fauve, dos à nerfs orné de caissons dorés, couverture conservée (quelques petites rousseurs, dos ternis, une petite épidermure).
est256t8Publié par CAUDRILIER. Imp. Becquet frères. Format : 25,5 x 33,5 cm.
1550ABC_49514Italy 1550. 17th-century gold-tooled brown calf sewn on 6 supports with the corresponding raised bands on the spine a red morocco title label on the spine with the title "Novissima urbis Romae descriptio" lettered in gold gold-tooled board edges. Large oblong folio ca. 59 x 42.3 cm. With 76 full-page engravings and 12 full-page etchings. Remarkable album with 77 beautiful examples of 16th-century Italian cartography all in very fine dark impressions. The collection includes plans of important Italian towns such as Rome Venice Genoa Naples Milan Florence Palermo Siena Bologna and Pisa as well as detailed views of individual buildings and monuments in Rome. They are engraved by several cartographers from the school of Antonio Lafreri 1512-1577 primarily Claudio Duchetti d. 1585 Matteo Florimi d. 1613 and Lafreri himself. Florimi's works are among the rarest of the Lafreri school map makers especially his Siena imprints of which several have here been included.In the middle of the 16th century Italy was the centre of map production and distribution in Europe. This industry primarily took place in Venice and Rome. The most notable of the publishers in Rome was Lafreri. His most important and most popular work is the Speculum Romanae magnificentiae a collection of plans an views of Rome's monuments; no two copies of the Speculum are the same. The present collection contains more than thirty plates from the Speculum. When Lafreri died his nephew Claudio Duchetti inherited the company. He continued to produce the Speculum plates but often made small adjustments and signed his own name at the bottom. Most of the Speculum plates in the present album are by Duchetti. After his death the copperplates were sold to other publishers such as Giovanni Orlandi before 1590-after 1640 who reissued them. The majority of the plates in the present album were printed by Orlandi in 1602.The album further contains 32 engraved city plans mostly of Italian towns although a few foreign cities are also included; one of the rarest is the view of Moscow which is also included here. The collection ends with a incomplete series of 11 etchings of landscapes and biblical scenes.A list of contents is available upon request.With the bookplate of Louis Routy de Charodon seigneur de Grésigny and Charodon 1710-1794 on the front pastedown and remnants of another bookplate above. The boards are somewhat scratched and stained the spine shows traces of use the edges of the boards have been professionally restored and the boards have been lengthened to fit the maps. The maps are slightly browned some are slightly foxed the first few maps have been mounted onto 17th-century leaves the longer maps are somewhat soiled on the fore edge three maps are restored at the fore edge and one at the bottom edge some maps have been cut slightly short. Otherwise in good condition.l Cf. Parshall P. "Antonio Lafreri's "Speculum Romanae magnificentiae"" in: Print Quarterly vol. 23 1 2006 pp. 3-28. hardcover
197862485Rahlstedt, 1978. 2 gefalt. Bögen (Text), 24 ORIG.-RADIERUNGEN in HLn.-Mappe mit Deckelschildchen. 31,5 cm.
1832644871832. Auf hellgrauem Fond. (Bildgröße ca. 8 x 12 cm), aufgewalzt u. unter Passepartout).
Paris, Abel Pilot, sin fecha (Siglo XIX), 45 x 31 cm., holandesa piel gastada, 2 h. - 111 págs. y 69 láminas. (Carecemos del Tomo I de esta obra. Ejemplar con algunas manchas de humedad).
Madrid, Edit. Rowohlt, 1990. Edición de 221 ejemplares. El nuestro Núm. 20 de la edición de 175 ejemplares numerados y firmados por los artistas. Ilustraciones serigráficas y con protector transparente de José Caballero, Luis Caruncho, Alvaro Delgado, Carlos Evangelista, J.L. Fajardo, José M. Iglesias, Agueda de la Pisa y Salvador Victoria, numeradas y firmadas. 163p. 4º apaisado. Símil piel editorial algo rozada. Interior en perfecto estado. Buen ejemplar.
In-4°; pp. (32), con 2 tavole f.t. incise da Francesco Bartolozzi (1727-1815), una vignetta incisa su rame al frontespizio, una testatina e 3 grandi finalini, di cui due da invenzioni di Piazzetta, incise da Fiorenza Marcello e Felicita Sartori. Sonetto introduttivo di Gasparo Gozzi, al termine una poesia di Giovanni MArsili. Legatura in cartonato colorato. Gamba p. 613.
Paris, Calmann-Lévy, 1946, 33 x 27 cm., ejemplar en rama con sus cubiertas originales en cartoné y estuche en cartoné (la tapa superior que cierra el estuche está desprendida), 2 h. + 315 págs. con grabados intercaldos + (Suite des eaux-fortes aux deux états de Pierre Watrin:) 59 láminas. (Ejemplar de la tirada de 60 ejemplares numerados en papel de hilo Velin, de una tirada total de 400 ejemplares).
Two volumes. I. [1], LXXIX, 304. II. [1], 415, [1](Errata), [4](Approbation) + Eleven (11) engraved plates. French text. 8vo. 200 mm. Edges decorated red. Some age stain and foxing. Original decoratively mottled full leather bindings. Spines worn, but some gilt remains. Marcus Annaeus Lucanus (39-65 CE), was an important Roman poet, born in Cordoba. One of the outstanding figures of the Imperial Latin period, his youth and speed of composition set him apart from others. The Pharsalia is an epic poem on the Roman Civil War. It is considered the greatest epic in Latin after the Aeneid. It depicts the Battle of Pharsalus (48 BC) where Julius Caesar defeated Pompey. Lucan's poetic talent apparently aroused the jealously of the Emperor Nero. After the publication of Pharsalia the Emperor forbade him to write, or even plead in the courts, and then later compelled him to commit suicide for alleged treason. The engraved plates in this edition are mostly by the famous French engraver and book illustrator, Hubert Francois Gravelot (1699-1733). The original art was by: Antoine-Jean Duclos; Emanuel Jean Nepomucene Ghendt; Noel Le Mire; Francois Denis Nee; Jean Francois Rousseau; and Jean-Baptiste Blaise Simonet. See: Schweiger II, 568; Cohen & DeRicci 662. Apparently not in Ray. Very good. CHEST 2/1.
195288790Mexico: Ediciones Amigos del Café París 1952. Softcover. Octavo 24cm; beige paper wrappers; upper and lower edges untrimmed; 317pp; black-and-white illustrations. Some pages of text unopened. Modest shelf-wear with soil to wrappers and edges of textblock and trace peeling to spine titling; Very Good. Fiction work examines social history of the Mezquital Valley region in Mexico. 88790. Ediciones Amigos del Café París unknown
Paris, Albin Michel, 1984, 29,5 x 24 cm., tela original con sobrecubiertas, 109 págs. incluso 101 ilustraciones facsímiles + 1 h. (Les Albums du Cabinet des Espampes de la Bibliothèque Nationale).
WITH ONE OF KIYOSHI HASEGAWA'S MOST IMPORTANT PRINTS. *** 12 pp. plus 6 loose engravings. *** A monograph on engraving followed by short biographies of each of the six artists, accompanied by a suite of six large engravings, one each by Cami, Cottet, Decaris, Jeannisson, Hasegawa, and Lemagny. From a total edition of 320 copies, all printed on fine Marais wove paper. Hasegawa's engraving, "Anemones et fleurs de champs dans un verre a facettes" (Kyoto 368, also known as "Bouquet sur fond de dentelle"), is considered one of his masterpieces. Folio (38 x 28 cm). Loose as issued. Missing title-page and justification, but with complete text and all prints. The Cami and Jeannisson prints have a bit of mat burn on the recto and the Lemagny a bit on the verso. The other three prints, including the Hasegawa, are FINE AND BRIGHT.
WITH TWO IMPRESSIONS, IN FIRST AND SECOND STATES, OF ONE OF KIYOSHI HASEGAWA'S MOST IMPORTANT PRINTS. *** Etched half-title, 16 pp. plus 12 loose engravings. *** A monograph on engraving followed by short biographies of each of the six artists, accompanied by a suite of large engravings by Cami, Cottet, Decaris, Jeannisson, Hasegawa, and Lemagny. From a total edition of 320 copies, all printed on fine Marais wove paper, this is ONE OF ONLY 60 SETS WITH THE ENGRAVINGS IN TWO STATES: THE FIRST STATE ON RIVES WOVE PAPER, SIGNED IN PENCIL, AND THE SECOND STATE ON MARAIS WOVE PAPER. Hasegawa's engraving, "Anemones et fleurs de champs dans un verre a facettes" (Kyoto 368, also known as "Bouquet sur fond de dentelle"), is considered one of his masterpieces. Folio (38 x 28 cm). Loose as issued in the original folding case. Folding case lightly worn and spotted. CONTENTS FINE AND BRIGHT. ALL OF THE PRINTS IN BRILLIANT CONDITION.
22pp., 22cm., couv. originale, texte et intérieur sont très frais, bon état, [Catalogue d'exposition, avec des ouvrages par Dirk Baksteen, Georges Baltus, Jean Cantré, Jules De Bruycker, Maurice Langaskens, Paul Maas, Joris Minne, Henri Van Straten, etc.], S107943
Complet en 2 tomes: ix,93 [vi] + 344,xi pp., br.orig., 25cm., [contient plus de 3300 références bibliographiques sur l'art de la gravure et des graveurs], bon état, dans la série "Répertoires des ouvrages à consulter", S87538
1646D6064Paris: de l'imprimerie de Louys Sevestre et chez Pierre Daret graveur ordinaire du Roy 1646. First Edition. Hardcover. Good. Modern morocco gilt-stamped lettering in black and green leather spine labels; folio; two parts in one volume. Lacking the main title-p. and engraved plates introducing part 1 but otherwise complete with full-page engraved frontis. pp. 24 illustrated text poem author portrait then 103 large plates engraved on coppy by Pierre Daret accompanied by text comprising the substance of the work. Light stains and marginal browning to first 20 or so pages otherwise text is in excellent condition with nice bright plates and ornate chapter headings and illuminated initials. Incomplete and sold as is. <br/><br/> de l'imprimerie de Louys Sevestre (et) chez Pierre Daret graveur ordinaire du Roy hardcover
191962005Paris: Chez l’imprimeur Leon Pichon 5 Rue Christine 1919. 12mo. 6.5 x 6.5 3 leaves unnumbered. title w/ woodcut borders & printer’s device 20 numbered woodcut engraved plates. Softcovers minor shelfwear w/ woodcut-decorated jacket folded over the covers minor spotting foxing on back cover very minor bumping to corners still VG copy numbered on colophon & ownership markings on ffep. First edition No. 353 of 400 copies printed of the noted engraver’s first major post-World War I work as a Dance of Death depicting Death’s passage in the blighted and stricken era and a firm protest against modern mechanized warfare. Hermann-Paul 1864-1940 rose to fame during the Belle Epoque with his cutting satiric depiction of the foibles of French Society was a noted defender of Alfred Dreyfus whom after the war departed from his previously leftist ideals of the Parisian art scene and spent much of the between-the-wars period as an outsider. Chez l’imprimeur Leon Pichon, 5, Rue Christine, paperback
$G001025.- 69x61 cms. Buen estado. . . Arte / Grabados / OBRA GRAFICA unknown
1963ART949ESSAI3Paris, Editions Aimery Somogy, 1963. in-8 (15 x 21), 255 pp., nombreuses illustrations N/B, index, broche, couverture illustree.
1911Couverture souple Paris, Henry Babou, 1930. Un volume in-8 (23 x 15 cm), broché, couverture rempliée vert d’eau, dans son étui titré, quelques accrocs à l'étui. 88 (4) pages, illustrées de 7 gravures originales au burin par Pierre Dubreuil, non ébarbé, couture des cahiers légèrement distendue au milieu de l'ouvrage, laissant apparaître le fond des cahiers, sans gravité pour la solidité de l'ensemble. Tirage à 330 exemplaires numérotés, le nôtre (n°3) faisant partie du tirage de tête (7 exemplaires) sur Japon Impérial. Accompagné de sa suite de 7 gravures en premier état sur feuillets libres. Bien que la justification mentionne un cuivre, celui-ci n'est pas présent. Publié initialement en 1790, ce conte philosophique, qui suit la quête d'un savant anglais en Inde à la recherche de la vérité, oppose le dogmatisme des institutions savantes aux valeurs humaines simples telles que la sagesse et l'humilité. Bel état du texte et des planches, bon exemplaire.
