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18095Barcelone, ediciones Poligrafa, s.d. In-folio, 67 pp., en feuilles, couverture originale illustrée, chemise et emboîtage de l'éditeur de toile écrue illustrée (petites taches à l'emboîtage).
1981mon0000104556Easton Press 1981T. hardcover. New. 1.4173 in x 9.2913 in x 6.3386 in. Easton Press hardcover
19811591270543Easton Press 1981. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Foxing to fore-edge. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Easton Press hardcover
198559810Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: <br /> <br /> -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. <br /> <br /> -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. <br /> <br /> -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art <br /> <br /> -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art <br /> <br /> -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website <br /> <br /> -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom <br /> <br /> -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. <br /> <br /> -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes <br /> <br /> -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. <br /> <br /> -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. <br /> <br /> Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown
177612874Bouillon (Belgien), Société typographique, 1776. 8° (18,5-22,5 cm). 169 S. Ganzleder der Zeit über fünf Bünden mit goldgeprägter Rückenverzierung [3 Warenabbildungen]
177612875Bouillon (Belgien), Société typographique, 1776. 8° (18,5-22,5 cm). 118 S. Ganzleder der Zeit über fünf Bünden mit goldgeprägter Rückenverzierung [3 Warenabbildungen]
1793Flo260Very good copy of the first edition of Gay's <i>Fables</i> with the William Blake engravings.<br /><br />First issue of the Stockdale edition distinguished by the use of the long "s" throughout the text two volumes bound in one.<br /><br />Complete with the "Gay Monument" frontispiece two engraved title-pages with vignettes and 68 engraved plates<br /><br />With the 12 plates etched and engraved by William Blake in his inimitable style Vol. 1: page 1 29 59 73 99 109 125 133 181; Vol. 2: page 1 105 181. Blake had launched his own career publishing <i>The Book of Thel </i>and <i>The Marriage of Heaven and Hell </i>by this time and started taking on commercial book illustrating and engraving jobs such as Mary Wollstonecraft's <i>Original Stories from Real Life</i> 1791 and <i>Fables</i> 1793. <br /><br />Plates newly engraved by Blake William Grainger Philip Audinet Peter Mazell William Skelton Lovegrove Wilson and Cook after original designs by John Wootton William Kent and Hubert Francois Gravelot from the 1729-1747 editions. <br /><br />With the List of Subscribers and one page advertisement in rear. Blake's name is listed alongside the other engravers Philip Audinet Peter Mazell and William Skelton.<br /><br />Large octavo size in three-quarter red morocco with some scuffing to spine and corners five raised bands dark green leather title label and gilt tooling on spine marbled boards and endpapers t.e.g. some scattered spotting to text and plates.<br /><br />In a fine binding by Zaehnsdorf 1907 with the bookplate of John Ingleby Jefferson Standard House Northallerton Yorkshire on front endpaper. John Stockdale, Piccadilly hardcover
Paris, Galerie Marcel Guiot, 1929-30, 2 folletos, 21 x 13'5 cm., 15 págs. - 12 láminas en papel couché = 15 págs. - 20 láminas en papel couché.
189369768Paris France: Galerie Georges Petit. Very Good. 1893. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE-- IN STOCK AND AVAILABLE IMMEDIATELY-- - EXEMPLAIRE SUR IMPÉRIAL JAPON NO. 72 --Text in French; 1465 works catalogued. Many lovely b/w illustrations. Pages tight to spine. Leather-trimmed marbled coverboards; decorated endpapers; top fore-edge gilt -- with a bonus offer--; Folio - over 12" - 15" tall . Galerie Georges Petit hardcover
189337839Paris France: Galerie Georges Petit. As New. 1893. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE Text in French; 1465 works catalogued. Many lovely black and white illustrations. Cover wear front hinge cracked; pages tight to spine. Gold-embossed red coverboards top fore-edge gilt. -- with a bonus offer--; Folio - over 12" - 15" tall . Galerie Georges Petit hardcover
Features: The Aviaries of Edward Marshall Boehm; Nomads of the Gabra - wanderers of the wasteland; Photogrammetry Breakthrough - formulas bring honors to an amateur, John P. Snyder; The Space Oblique Mercator Projection; Marine fish in a Freshwater Lake - the enigma of Lake Nicaragua; Photos of rock carvings by Harrison Forman; Sonic Exploration for Subterranean Resources - seismic reflections probe the earth; Ankh linked to Supernova - ancient Egyptian symbol records astronomical event; The Wrangel Island Affair - Vilhalmur Stefansson's expedition; Pampas, Gulls and Gauchos - life on the Argentine Plain. Average wear. Unmarked. A sound copy. Book
193068470[ca. 1930]. Blattmaß: 8,5 x 6,5 cm, Bildmaß: 6,5 x 5 cm. Montiert.
191576211[ca. 1915]. In der Platte signiert. Blattmaß: 14,7 x 9,5 cm. Plattenmaß: ca. 13,3 x 8,4 cm. Auf festem Bütten (mit Büttenrand links) abgezogen.
199961260St. Petersburg, 1999. Im Carte de visite-Format, auf festem, schwach getöntem Bütten. 4 x 7,2 cm.
196979729[1969]. Bildgröße 10 x 7 cm; Blattgröße 15 x 9 cm.
79737ohne Jahr. Bildgröße 10 x 6,5 cm; Blattgröße 14 x 9 cm.
81385o.J. Bildgröße vom Plattenrand aus 10 x 9 cm, Blattgröße: 26,5 x 19,5 cm.
London, P. & D. Colnaghi & Co., 1975, 25 x 16,5 cm., 30 hojas de textos + 133 láminas en papel couché con 160 reproducciones de grabados.
191087647[ca. 1910]. 10,5 x 8,2 cm. Auf gehämmertem Papier, verso mit gummierten Ecken.
190087648[ca. 1900]. Plattenmaß 12 x 9,5 cm, Darstellung 10,2 x 7,4 cm. Druck in Sepia auf starkem Bütten, verso Gummierung.
86660o.J. Blattgröße 8 x 6 cm; Blattgröße 14,5 x 10 cm.
86592o.J. Bildgröße 11,7 x 7,5 cm; Blattgröße 14,5 x 10 cm.
24720David Bogue London . HB NO DJ Decorative red cloth Gold Gilt designs & title Poetry stated 6th edition no date early 1850s style cloth gilt decorated binding on bevelled boards NF/GOOD NOJACKET AS-IS Cvr light rub wear Extremities Front & Back cvrs nice Conditon Spine Cvr Beveled edges rub wear edges & ends & gold gilt slight Fade Interior nice tight with few small Stains light FOX 102 pgs Notes ADS Outer pgs edges gold gilt approx 7.5 X 5 in. light tears along spine edge corner bumps wear. Hard Cover. David Bogue London, hardcover