Delpech (Mme Francois Seraphin - publisher ) [Lithographs by Hesse, Dupre, Maurin, Belliard]Biblio.com
150 résultats
56213Paris: Delpech c.1842. . A lithographic portrait on wove paper of Archbishop Hyacinthe-Louis de Quélen by Delpech after Zéphirin Belliard. Hand-tinted clothing with a facsimile of De Quelen's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "Z. Belliard". At lower right: "Lith. de Delpech". A clean and attractive image light foxing. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
192042713Berlin Erich Reiss 1920. 4to. Orig. full blindtooled lettering to frontcover. Uncut. Top edge gilt. 60 pp. and 16 original lithographs by Wilhelm Kohlhoff all signed by the artist. A very faint dampstain in lower margins of some leaves. Otherwise clean and fine. No. 19 of 60 copies signed by the artist. In all 250 copies. <br/><br/><em>"Als zwölfter Prospero-Druck wurde die vlämische Märe "Herr Halewijn" von De Coster für den Verlag Erich Reiss bei Otto v. Holten Berlin im Sommer 1920 in einer Auflage von 250 Exemplaren gedruckt. Die Übersetzung stammt von Albert Wesselski Die dem Werk beigegebenen 16 Originalsteindricke von Wilhelm Kohlhoff wurden von Alex. Rogall mit den Hand abgezogen. Die ganze Auflage wurde auf handgeschöpftes Bütten gedruckt. Die Steindrucke in Nr. 1-60 hat der Künstler signiert. Dieses Exemplar trägt die Nummer 19."Kolophon. </em> unknown
56217Paris: Delpech c.1842. . A lithographic portrait on wove tan not white paper of French painter Émile Jean-Horace Vernet by Delpech after Zéphirin Belliard from a painting by Paul Delaroche. Hand-tinted clothing & hair and highlighted with varnish with a facsimile of Vernet's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "Paul Delaroche delt.". At lower right: "Z. Belliard / Lith. Delpech". A clean and attractive image. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
0846701111New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
56209Paris: Delpech c.1842. . A lithographic portrait on wove paper of French statesman François Guizot by Delpech after Antoine Maurin. Hand-tinted clothing and hair with a facsimile of Guizot's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower right: "Lith de Delpech". At lower left: "Maurin signature/monogram / dessine d'apres nature par". Some foxing a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
56198Paris: Delpech c.1842. . A lithographic portrait on wove paper of artist Antoine-Jean Gros by Delpech after Antoine Maurin. Hand-tinted clothing and hair with a facsimile of Gros's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower left: "Lith de Delpech". At lower right: "Maurin signature/monogram / dessine d'apres nature". A little spotting and foxing but a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
20139775Newark VT: Janus Press 2013. Original Wrappers. Fine binding. 6-1/2" x 7." Limited edition one of 120 copies. Accordion fold with 8 panels 4 of them are fold-down pages. Each of the four page-spreads include letterpress text in various typefaces and colors which fold-down expanding the canvas of words sayings and accusations including a catalog of U.S. Senators and Representatives of the 111th Congress who became lobbyists—a list that fills the fold-down page in a small font; these opposite a lithograph by Van Vliet each lithograph is titled by the top word on the opposite page: Propagandist Lobbyist Banker Joe Public. Bound in gold paper repeated printed with the word "Greed" and all housed in gold slipcase. A fine copy. <br /> <br /> In a contemporary newspaper article in the Burlington Free Press Candace Page relates an interview with Van Vliet: "She picks up dummy of GREED a slim volume that will sit inside a glittery cover of gold paper. It opens like an accordion to display four Van Vliet black-and-white lithographs of distorted faces: A banker a lobbyist a newscaster she says 'and this one on the end the sap John Q. Public us.'" <br /> <br /> Van Vliet continues in the Page interview: "The word 'greed' will be printed multiple times on the cover in heavy unevenly inked type as though it were printed contemptuously by some greedy person with no respect for the written word. The paper is not handmade — that would be too good for the book. Instead it is 'slick nasty machine-made paper' she says. The edges of the gold cover will be sharp 'because greed is not a comfortable subject.'" There is a wonderful irony that the lithographs employed in Greed were originally drawn for an edition of Kafka decades before that just weren't quite right for the project. Here they are perfect! <br /> <br /> This is a striking book a political book one might say an angry and defiant book. Van Vliet's politics being informed by the McCarthy era during which she was a student she admits to having distrusted the powerful ever since. This edition sold out very quickly and is now rare in commerce. A book that was is and will always be relevant. Janus Press unknown
56233Paris: Delpech c.1842. . A lithographic portrait on wove paper of French Marshal Laurent de Gouvion Saint-Cyr by Delpech after Grevedon. Hand-tinted clothing with a facsimile of St. Cyr's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "H. Grevedon / 1824". At right: "G. Lith. de Delpech.". A very good copy some foxing. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
56222Paris: Delpech c.1842. . A lithographic portrait on wove paper of French painter François Pascal Simon Gérard by Delpech after Zéphirin Belliard from an original by Marie Eléonore Godefroy. Hand-tinted clothing with a facsimile of Gerard's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "Z. Belliard". At right: "Lith. de Delpech.". At bottom: "d'apres le portrait peint par Melle. Godefroy." A clean and attractive image some foxing. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
197055528New York NY: Maecenas Press / Random House 1970. Book. Illus. by Levine Jack. Near Fine. Hardcover. Signed by Authors. Limited Edition. Elephant Folio. Limited Edition of 2500 Signed copies of which this is copy no.2062. SIGNED twice by James A. Michener and Jack Levine on the inside of the clam shell box and on the colophon page leaf. Includes two portfolios: I. Text by James A. Michener original lithographs and woodcuts by Jack Levine. II. Sketchbook by Jack Levine. The four original lithographs signed in stone by the artist were pulled on Rives Paper. The text hand-set in Caslon de Corps 24 and the original woodcuts were printed on Arches Paper. The original "Hors-Texte" woodcut was pulled on Kawanaka Japanese Vellum paper. The fifty-four watercolors gouaches and drawings from the sketchbook by Jack Levine were printed by Phototypie and Pochoir processes on Ingres Paper. Minor shelfwear. Clamshell Box remains housed in original white carboard boxcase. Volume is in Near Fine condition. Maecenas Press / Random House Hardcover
1860030535Paris: Garnier Freres 1860 1860. 1st Edition . Hardcover. Very Good . 308 Pp. 24.7 Cm Tall. Text Block 15 X 24 Cm Dark Morocco Spine Gilt Over Blindstamped Pebbled Cloth Crepe/Silk White Endpapers All Edges Gilt. Fine Lithographs Throughout. Just A Touch Of Rubbing Spine Bright And Fresh But Cloth Frayed At Upper Front Tip And Beginning To Fray At Bottom Rear Tip. No Date But Circa 1860/1870. Much Anthropomorphizing Of Animals. <br/> <br/> Garnier Freres [1860?] hardcover
1971118161971. S.l. Paris Bibliophiles du Palais 1971. Un fort vol. in-4 331 x 267 mm de 87 pp. en feuilles sous couverture titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise cartonnÂŽ safran dos lisse titre frappÂŽ long ˆ l'oser blanc. Tirage unique ˆ 200 exemplaires seulement. Celui-ci un des 180 nominatifs du tirage sur vÂŽlin d'Arches. L'ouvrage s'agrÂŽmente de lithographies in et hors-texte en couleurs de Georges Douking. ''Seule piÂce de thŽ‰tre d'Albert Cohen elle voit s'opposer deux hommes : EzÂŽchiel riche notable ˆ qui un messager JÂŽrÂŽmie qui a acceptÂŽ cette tache pour se tirer d'une mauvaise passe vient annoncer la mort de son fils.'' BÂŽnÂŽzit III Dictionnaire des peintres p. 657. Marge des plats et dos de la chemise lÂŽgÂrement insolÂŽs. Du reste trÂs belle condition. b42961 unknown
192043071Berlin: Kunstlerdank. Very Good with no dust jacket. 1920. Hardcover. Oversized plain paper-covered boards. Limited edition no. 84 of 150 copies signed by Hauptmann and Buttner. 8 lithographs by Butther. Damping to crown. Mild general wear to boards. Scattered foxing mostly to endpages. ; Folio 13" - 23" tall; 151 pages; Signed by Author . Kunstlerdank hardcover
194486033hLondon: Frederick Muller 1944. Book. Near Fine. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. The second printing of the first edition from 1945. Illustrated paper boards hardcover in matching illustrated dust jacket. Moderate edge-wear and toning to jacket. Edges and endpapers toned. Otherwise clean tight and unmarked. Very neat -- a sound and handsome copy. Illustrated from lithographs by John Piper. Index. vi121pp. Frederick Muller Hardcover
194476970London: Frederick Muller Ltd 1944. 8vo.Illustrated. First edition. vi 121 pp. 12 full-page colour lithographs by John Piper. Publisher's pictorial cloth a little rubbed and bumped to extremities with a couple of light marks. Spotting to prelims with ink owner's name otherwise rather clean. Printed at the Curwen Press. Selection of poetry chosen by John Betjeman and Geoffrey Taylor. Series editors W. J. Turner and Sheila Shannon. . Very Good. Pictorial Boards. First Edition. 1944. Frederick Muller Ltd 1944 hardcover
194468809London: Frederick Muller Ltd 1945. 8vo.Illustrated. Second Impression. vi 121 pp. Publisher's pictorial cloth in like pictorial jacket. Jacket chipped at spine ends with wear to extremities and slight curl to edges. Ink owner's name to front endpaper. Boards clean with minor warp. Internally clean. Printed at the Curwen Press. Selection of poetry chosen by John Betjeman and Geoffrey Taylor. With 12 full-page colour lithographs by John Piper. . Very Good. Pictorial Boards. First Edition. 1944. Frederick Muller Ltd 1945 hardcover
9594New Haven: Editions Wequetequock Cove 2006. Full Leather. Fine binding. Small folio 8.5" x 7". 32 pp. illus. Limited edition number 23 of 50 copies. Signed by Baltazar and Watsky. This copy sewn on meeting guards with silk endbands. Bound in dyed calf and finished with recessed stone veneer over sheep skiver dyed calf inlays and onlays as well as onlays in lizard. Subtly titled in blind across one of the onlays at the spine. Paper doublures with dyed calf hinges. <br /> <br /> Botehlo writes of this book being "filled with etchings of heavy lined and voluptuous shapes with textures and shade all done in black. The poetry evoked for me the verdancy of rogue plants that spring up between the cracks of concrete. It spoke of the appeal of being a snake allusions to original sin. I wanted the green onlays that have been dyed and embossed to be pillowed the stone inviting touch. I intended to create something that invites a sensory exploration." And here she has succeeded with astonishing grace creating a design that draws and keeps the attention. Wonderfully conceived and executed with exceptional skill. Botelho is among a select group of extraordinary design binders who are graduates from the American Academy of Bookbinding Fine Binding program. Editions Wequetequock Cove unknown
56212Paris: Delpech c.1842. . A lithographic portrait on wove paper of Elisa Bonaparte by Delpech after Zéphirin Belliard. Hand-tinted clothing and hair with a facsimile of Elisa Bonaparte's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "Z. Belliard". At lower right: "Imp. lith. de Delpech". Paper a bit yellowed a clean and attractive image. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
1954007666New York: The Noonday Press 1954. Limited First Edition. Cloth. Fine. No. 22 of 64 copies printed of which 55 were placed on sale. Printed on hand-made Fabriano paper by Igal Roodenk and James Lanier. Lithographs pulled in Paris by Fernand Mourlot Freres. The fine woven paper is various colors -- cream black blue rose. Folio 44 by 28.5 cm. Light wear to black cloth -- a few light scratches. Otherwise like new. The Noonday Press unknown
1950269432Barcelona: Editorial Juventud 1950. Quarter Leather. Very Good binding. A handsome production printed in Barcelona and in 2 volumes. Backed in green morocco over cream linen-covered boards. The spine have elaborate stamping. The colored illustrations by Jose Narro as well as the headpieces to each chapter are charming. There is some light soiling to the linen boards; but overall a clean copy without any marks. Mylar has been custom cut to protect the bindings. Very Good binding. Editorial Juventud unknown
2004Aryan-9788173052699ARYAN BOOKS INTERNATIONAL 2004. Paperback. New. ARYAN BOOKS INTERNATIONAL paperback
2004Aryan-9788173052699ARYAN BOOKS INTERNATIONAL 2004. Paperback. New. ARYAN BOOKS INTERNATIONAL paperback
56201Paris: Delpech c.1842. . A lithographic portrait on wove paper of French politician André Marie Jean Jacques Dupin by Delpech after Antoine Maurin. Hand-tinted clothing and hair with a facsimile of Dupin's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower left: "Lith de Delpech". At lower right: "Maurin signature/monogram. A little spotting and foxing two short marginal tears on left side a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
192038647München Munich: Georg Müller Verlag 1920. A gorgeous edition of Ovid's Art of Love and Remedy of Love in German translation illustrated with TEN ORIGINAL FULL-PAGE HORS-TEXTE LITHOGRAPHS and five vignettes BY HANS GÖTT. 2300 copies were printed: 2000 copies for the trade edition and 300 numbered copies printed by hand for the deluxe edition. Of those 300 copies only 30 were signed by Gött in the colophon. THIS IS AN EXTRAORDINARY COPY SIGNED BY GÖTT IN THE COLOPHON AND WITH EACH OF THE TEN LITHOGRAPHS INDIVIDUALLY SIGNED BY GÖTT. Printed on fine laid paper with the lithographs on fine wove paper. 4to. Bound in publisher's vellum and boards used only for the deluxe edition. Top edge gilt other edges uncut. A bit of wear to extremities of binding internally FINE AND BRIGHT. Extremely rare if not unique in this state. <br/><br/> Georg Müller Verlag hardcover
56205Paris: Delpech c.1842. . A lithographic portrait on wove paper of French politician Jacques-Charles Dupont de l'Eure by Delpech after Antoine Maurin. Hand-tinted clothing and hair. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower right: "Lith de Delpech". At lower left: "Maurin signature/monogram / d'apres nature". Foxing mostly to right edge but a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
