Delpech (Mme Francois Seraphin - publisher ) [Lithographs by Hesse, Dupre, Maurin, Belliard]Biblio.com
150 résultats
56204Paris: Delpech c.1842. . A lithographic portrait on wove paper of French scientist and politician François Arago by Delpech after Antoine Maurin. Hand-tinted clothing and hair with a facsimile of Arago's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower right: "Lith de Delpech". At lower left: "Maurin signature/monogram / dessine d'apres nature par". Light foxing a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
198447166Utrecht Holland: Sub Signo Libelli 1984. Near Fine. Utrecht Holland: Sub Signo Libelli 1984. First Edition Limited to 45 copies containing two original lithographs by Buursen of which this is no. 36. Small slim quarto; original reddish-orange morocco over paper-covered boards upper cover and spine lettered in gilt;12pp.; color lithographic frontispiece and one additional plate bound in rear. Light wear at corners else Near Fine. Both plates signed with limitation in pencil by the artist. Colophon in rear inscribed and signed by Purdy. Sub Signo Libelli unknown
1952008730New York: Printed at The Spiral Press 1952. First edition. Paperback. This original Robert Frost 1952 Christmas Card is the first published appearance of this poem and is twice signed by Frost. 3875 copies were printed for 14 different names. This is one of 475 printed for the poet himself. And this particular copy is signed twice by Frost. On the title page in two lines directly below his printed name Frost wrote: Robert Frost your subject. A printed laid-in slip reads This Christmas poem though not isolationist is so dangerously near isolationist it was thought better to send it out for Independence Day instead of Christmas. Just below this print in two lines Frost initialed R. F. and dated July 4 53. <br /> <br />The binding is beige laid paper wrappers with flaps folded over thin card beneath fastened to the contents by two staples at the center fold. The covers feature a dark green printed underwater scene with six fishes invertebrates and plants. The contents printed in black and gray-green feature a frontispiece lithograph of ocean waves and a half-page lithograph of sea birds on rocks. Condition approaches near fine the binding clean tight and sharp cornered the binding staples intact and uncorroded the wraps showing just a few faint creases emanating from the spine. The contents are clean with no spotting or soiling. <br /> <br />With the permission of Frost and his publishers in 1929 The Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself the imprint Holiday Greetings from Robert Frost printed on the title page. <br /> <br />By a full decade this is the first publication of the poem Does No One But Me at All Ever Feel This Way in the Least. The poem was not published in a Frost collection until his last In The Clearing published in 1962 when Frost was nearly 90 years old. Does No One But Me is seven stanzas of six lines each in iambic pentameter. It is a complaint about the lost possibilities of the sea exacerbated by American homesickness to function as a protective boundary that could have defined and ensured the promise of greatness of a New World. What comes across most powerfully in this poem is the coalition of forces both human and natural conspiring to prevent newness. <br /> <br />By late 1952 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 was entering the final decade of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Nearly a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. He would continue writing publishing and barding around his term until his end. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. <br /> <br />References: Crane B24; Tuten and Zubizarreta; ANB <br/><br/> Printed at The Spiral Press paperback
51-3310Paris: Maeght 1964. . Folio. 38 x 28cm. page size. Original pictorial boards. Fine condition. Original lithographs by GiacomettiWoman in profile Buste de femme regardant à gauche Kornfeld 410 and Miró The Bow Cramer 89; Mourlot 420. Lithographs by Mourlot and Maeght after Braque Chagall et al. DLM édité en juillet 1964 pour l'ouverture de la Fondation Maeght à Saint Paul. Texte de Henri Maldiney. 70 pages reliées. 2 lithographies originales originales de Giacometti et Mirò. 2 lithographies en couleurs d'après les maquettes pour la Fondation Maeght d'œuvres de Braque Chagall Ubac et Tal Coat. 55 photographies des salles et de l'architecture. Tirage original. Paris: Maeght, 1964. hardcover
56232Paris: Delpech c.1842. . A lithographic portrait on wove paper of French statesman Élie-Louis 1st Duke of Decazes and Glücksbierg by Delpech after Dupre. Hand-tinted clothing with a facsimile of Decazes's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "Dupre / 1828". At right: "G. Lith. de Delpech.". An attractive image some foxing. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
56211Paris: Delpech c.1842. . A lithographic portrait on wove paper of French statesman Achille Léonce Victor Charles 3rd Duke of Broglie by Delpech after Antoine Maurin. Hand-tinted clothing with a facsimile of De Broglie's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower right: "Lith. de Delpech A Paris". At lower left: "Maurin signature/monogram / dessine d'apres nature par". Light creasing short marginal tears a very good copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
56226Paris: Delpech c.1842. . A lithographic portrait on wove paper of French painter Jacques-Louis David by Delpech after Monanteuil. Hand-tinted clothing with a facsimile of David's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "Monanteuil". At right: "G. lith. de Delpech.". A very good copy some foxing several very short marginal tears at the left side. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
56219Paris: Delpech c.1842. . A lithographic portrait on wove paper of French politician chancellor Charles Dambray by Delpech after Zéphirin Belliard. Hand-tinted clothing with a facsimile of Dambray's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "Z. Belliard". At lower right: "Lith. de Delpech". A clean and attractive image some foxing. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
56208Paris: Delpech c.1842. . A lithographic portrait on wove paper of French poet and dramatist Casimir Delavigne by Delpech after Antoine Maurin. Hand-tinted clothing and hair with a facsimile of Delavigne's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower right: "Lith de Delpech". At lower left: "Maurin signature/monogram / Lithog. d'apres nature par". Light foxing tiny marginal tears a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
1858284741858. Paris Auguste Ghio s.d. 1858. Un vol. au format in-4 ˆ l'italienne 227 x 304 mm non paginÂŽ. Reliure d'ÂŽdition de plein cartonnage cerise ˆ l'imitation de chagrin filets gras et maigres ˆ froid encadrant les plats dos lisse ornÂŽ de filets dorÂŽs fleurons dorÂŽs titre dorÂŽ en long tranches dorÂŽes. Edition originale rare. Premier tirage des 8 sur 8 lithographies originales tirÂŽes sur fond crÂme de Victor Adam. ''Victor Adam possÂŽdait une imagination extraordinaire et les connaissances techniques que peut fournir l'enseignement classique. Comme beaucoup de peintres Victor Adam s'essaya dÂs 1824 ˆ la lithographie. DÂs lors l'artiste prit un tel gožt ˆ cette expression qu'il cessa de peindre.'' in BÂŽnÂŽzit. Table : Gorges de la Mahounah - Le cheval arabe - L'affžt - Lionne - Sanglier - Lion - Chacals - Vautour fauve - Gazelles - Autruche - PanthÂre - HÂŽrisson cygnes et liÂvres. ThiÂŽbaud Bibliographie des livres franÂais sur la chasse 157 - Souhart Bibliographie gÂŽnÂŽrale des ouvrages sur la chasse la vÂŽnerie et la fauconnerie 91. DiscrÂte perte de coloration au premier plat. Large marque d'eau au second. Gardes fendues. Rousseurs dans le corps d'ouvrage et cerne claire aux derniers feuillets. b42961 unknown
033587London: M. A. Nattali. First Edition . Cloth - Hard Cover. Poor/No Jacket. sm folio. Joseph Nash. OCLC reports this work to have been published in 1838. 42 pages plus 13 plates including the frontispiece though one plate is missing from this copy. Red cloth covers are detached and worn. Spine cover is loosened and frayed though appears complete. Front free end page is detached with significant loss of paper. Fore edges of all leaves have been reinforced. Front free end page is detached though in place with original tissue guard. Frontispiece shows chipping along edges. Scattered smudges small stains and occasional small tears and creases including some damage to plates. All plates remains very attractive however and with bright and good color. Moderately scarce title. <br/> <br/> M. A. Nattali hardcover
1956023106Paris: Maurice Darantiere 1956. First Edition . Printed Heavy Wrappers. Fine/Fine Slipcase. Loose Fasciles In Heavy Paper Covers In Slipcase As Issued. #27 Of A Limited Edition Of 200 Copies. This Copy Inscribed To Wine Expert Robert L. Balzer On The Occasion Of His Visit To A Temple On 10 July 1957. Balzer Became A Buddhist Monk In The 1950'S But Continued His Active Career As A Wine Expert Teaching University Level Courses Into The 1980'S And 1990'S. Balzer's Buddhist Ordination And Travels Are Described In His Book "Beyond Conflict"1963. Monireth Prime Minister After The Japanese Occupation In Wwii Was Not Supported By The French As He Was Too Independent For Characteristically Retarded French Colonial Policy. <br/> <br/> Maurice Darantiere unknown
189529628HBDJ CIRCA 1895 1ST EDITION THUS IN GLASSINE DUSTJACKET MAY HAVE BEEN CUT AT BTM LITTLE SHORT small Tears 34 pages full-color illus. in VINTAGE ORIGINAL brown Antique BOX with edge Rub & Small Tears & TITLE LABEL SMALL MARBLELIZED LIKE WITH TITLE ON FRONT WITH GOLD GILT CLOTH CVR WITH PAPER LABEL ON SPINE CVR WITH TINY EXTREMITIES CHIPS WEAR The Hayes Lithographing Company BUFFALO NY hardcover
360244Whitcoulls Publishers 1979. ARCHIVAL REPAIR TO SLIPCASE folio blue cloth boards gilt lettering to spine gilt bird illus to front board marbled eps frontispiece xviii 261pp 48 lovely colour plates- all counted & present VG light tanning to board edges light to moderate tanning & foxing to page edges gift inscription in ink to half tite page sl foxing to prelims minor foxing to plates- isolated to edges only minor discolouration to verso of plate pgs in d/w VG minor creasing to creasing & chipping to edges light to moderate chafing & soiling/tanning all corners lightly clipped in slipcase VG- heavy scuffing & cracking to edges- considerable but tidy archival tape repairs moderate tanning & soiling other patches of scuffing/surface loss Whitcoulls Publishers 1979 hardcover
1963N5061aParis: Andre Sauret 1963. Limited/Numbered . Original Cardboard. Very Good. 4to. 183pp. EXEMPLAIRE SUR GRAND VELIN D'ARCHES. ONE OF 125 COPIES THIS COPY 55 SIGNED BY ANDRE SAURET AT COLOPHONE. Cover is an original lithograph by BRAQUE. Missing the frontispice and the title page both were original lithographs FINE PRINTING BY THE MOURLOT PRESS IN PARIS.SUPERB COLOUR ILLUSTRATIONS OF THE WORKS OF BRAQUE. A VERY GOOD AND CLEAN COPY. <br/> <br/> Andre Sauret unknown
196343686Monte Carlo: Andre Sauret 1963. Limited first edition. Softcover. vg- to near fine. 1/4125. Small folio. 12.5x9.5". 183pp. 5. Tan paper-covered slipcase housing a softcover binding with a lithographically illustrated dust jacket over stiff white cardstock wrappers. Dj protected by mylar. This is #3838 from a total limited edition of 4125 copies. The publication is a complete catalogue raisonné of George Braque's lithographs containing 3 original lithographs covers frontispiece and title page and 146 lithographic reproductions in color and b/w. The lithograph's are arranged chronologically and date from 1921-1962. Each of the reproductions is protected by a coated waxpaper guard and contains physical and historical information about the work on the opposite page. Detailed list of works at the back of the book. Text in French. Slipcase with with some light rubbing to extremities and some light stains scratches and smudges. Dj with very minor foxing. Mylar with some small chips at corners. Interior with minor sporadic foxing to a few pages with images almost entirely unaffected clean and bright. Slipcase in very good- covers and interior in overall very good to near fine. Andre Sauret unknown
1996038731Los Angeles 1996. 1st Edition . No Binding. Near Fine. Four Lithographs Hand Colored 11 1/8" X 7 5/;8" On Sheets 19 3/4 X13 3/4. <br/> <br/> unknown
56216Paris: Delpech c.1842. . A lithographic portrait on wove paper of French musician Daniel Auber by Delpech after Zéphirin Belliard from a painting by Hortense Haudebourt-Lescot. Hand-tinted clothing & hair with a facsimile of Auber's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At left: "Z. Belliard". At lower center: "Lith. de Delpech". At lower right: "Mme. Haudebourt Pinxt." Small piece from left margin some foxing a very good copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." <br/><br/> [Paris: Delpech, c.1842]. hardcover
19494261Port-Louis - Ile Maurice: Éditions Esclapon 1949. Jouvancourt Limited Edition. Hardcover. Outer Case : Fair / Inner Case Text and Lithographs : Very Good to Near Fine. Huges de Jouvancourt. No. 24 from an edition 250 copies. The colophon and publishers ad insert both state that the lithograph stones were destroyed after printing. A series of unbound signatures in a cloth backed case with a paper spine label folio size 16 inches tall pp. 12 132 8 illustrated w. head and tailpieces 13 full page lithographs inc. the internal case front cover and frontis - 11 being signed in pencil by Jouvancourt. Text in French. The prints and text are contained in an inner case with an original lithograph on front cover and all signatures remain untrimmed and unbound as issued. The outer case is worn and slightly bowed near bottom corner with soil stains and some discoloration hinges cracked lacks original ties from fore-edge label is chipped ; inner case is clean with a few small spots and a small crack to joint at foot of lower cover text with an occasional spot of soil or closed tear to leaf extremities - not affecting prints. Huges de Jouvancourt has created a beautiful set of prints to illuminate this edition of a classic French love story. "Paul et Virginie sometimes known in English as Paul and Virginia is a novel by Jacques-Henri Bernardin de Saint-Pierre first published in 1788. The novel's title characters are friends since birth who fall in love. The story is set on the island of Mauritius under French rule then named Île de France. Written on the eve of the French Revolution the novel is recognized as Bernardin's finest work. It records the fate of a child of nature corrupted by the artificial sentimentality of the French upper classes in the late eighteenth century. Bernardin de Saint-Pierre lived on the island for a time and based part of the novel on a shipwreck he witnessed there." wiki. Éditions Esclapon hardcover
2005438832White Star Vercelli 2005. First Edition. Hardcover. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight bright clean and especially sharp-cornered. Physical Description; 64 pages : illustrations ; 24 x 31 cm. Summary; David Roberts one of the most famous landscape artists of the nineteenth century published 248 gorgeous lithographs in London between 1842 and 1849 taken from sketches done in Egypt Nubia and the Holy Land. In this album some of the famous panels have been collected from those done by the great Scottish painter during his visits to Egypt. Subjects; Egypt. Egypt illustration. Egypt History. Egypt Travel and description. White Star, Vercelli hardcover
0365804428.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19633114302Barcelona: Sala Gaspar. Near Fine in Good dust jacket. 1963. First Edition; First Printing. Prints. First trade edition of this portfolio of lithographs by Joan Miro. One of 1250 copies issued in wrap-around pictorial jacket with a paper folder containing an essay by writer Joan Perucho and 4 original lithographs by Miro. 2 of lithos are on separate sheets 9 1/4" x 11 3/4" and one on folded double sheet 12" x 17". The lithos are very close to fine with trifle signs of age. The jacket also a Miro litho has damage from a 2"-inch circular chip at center of rear panel. The paper folder is afflicted by long tears with clear tape mends and traces of shelf-soiling. The Perucho essay is fine. The prints are suitable for framing. EB ; 9 1/4" X 11 1/4" . Sala Gaspar. unknown
1884060106New York: William Wood & Company 1884. 1st Edition . Hardcover. Poor. Chromolithographs B/W Illustrations. . Xi 292 Pp. Yellow Cloth Stamped In Black. First Edition December Printed At Top Of Title Page 1884 Date At Bottom Of Title Page. 8 Of 9 Chromolithographic Plates With Extra Page With Text For Each Plate. Scarce No Copy In Worldcat But At Least One Other Copy Available In The Trade And Numerous Modern Reprints Also Available. Lightly Used. However Possibly Bound When Chromolithographic Plates Were Still Wet As Some Ii Vi Viii IxHave Small Areas Of Adhesion To Facing Pages Yet No Traces Of Damp Staining. No Marks; Plate Vii Is Lacking. As Reported By William Reese & Co. Johnson Was A Member Of The Medical Department Of The City University Of New York. <br/> <br/> William Wood & Company hardcover
1929257271929. A Paris chez Fernand Mourlot 1929. Un vol. au format pt in-4 283 x 223 mm non paginÂŽ brochÂŽ sous couverture ˆ rabats rempliÂŽs et coffret cartonnÂŽ. Edition originale. Tirage unique ˆ 136 exemplaires seulement. Celui-ci comptant parmi les 13 numÂŽrotÂŽs du tirage sur Japon impÂŽrial. Il s'ouvre sur un poÂme autographe signÂŽ Philippe Chabaneix est en outre agrÂŽmentÂŽ d'un envoi autographe de ce dernier ainsi que de Pierre-EugÂne Clairin au colophon. Premier tirage des lithographies originales in et hors-texte de Clairin. ''En 1913 Clairin ÂŽtudie ˆ l'atelier Cormon ˆ Paris avant de rejoindre en 1919 l'AcadÂŽmie Ranson avec Paul SÂŽrusier qu'il suit ˆ Pont-Aven o il fait alors la connaissance de Vuillard et Maurice Denis .''. in BÂŽnÂŽzit. ''En 1919 Clairin travaille ˆ l'AcadÂŽmie Ranson o il rencontre SÂŽrusier qui le prÂŽsente ˆ Maurice Denis et Vuillard. Ce dernier surtout lui donnera des conseils pour la lithographie. DaragnÂs lui enseignera la gravure sur bois et imprimera ses planches''. Bailly-Herzberg Dictionnaire de l'estampe en France p. 70 - BÂŽnÂŽzit III Dictionnaire des peintres p. 47. Angles et coupes de l'ÂŽtui lÂŽgÂrement ÂŽlimÂŽs. Deux piqžres au premier plat. Du reste trÂs belle condition. La suite tirÂŽe en sanguine annoncÂŽe fait ici dÂŽfaut. b42961 unknown
194639144Paris: Compagnie Française des Arts Graphiques 1946. Limited First edition. Softcover. g to vg. 1/355. Quarto. 61 5 loose pages as issued. Original glassine over illustrated dust-jacket and blind wrappers. The frontispiece is a striking color lithograph of Paris. "Réminiscences" is Louise Hervieu's charming recollection of her Parisian life at the turn of the century. It is composed of the following five essays: "Réminiscences" "La petite fille de Montsouris" "Le Parc Montsouris" "La Laitière de Montsouris et les pots cassés" and "Le Marchand d'oublies." This work is splendidly illustrated throughout with one color lithograph frontispiece 4 b/w lithographic plates and 5 b/w in-text lithographs. One of 355 copies on Velin pur fil of which this is No. 327. Glassine age-toned with tiny chipping and previous owner's inscription the author's name along upper spine and sticker at tail of spine. Text in French. Glassine in fair to good- dust-jacket wrappers and interior in overall very good condition. Compagnie Française des Arts Graphiques unknown
