Richard CorbouldBiblio.com
135 résultats
775458Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1827. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
533726Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1802 published 1806. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
772483Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
772495Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
772519Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
584998Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
605928"A.C. Corbould" in black ink March 27 1893. 4" x 6 1/4" 1 page. Very good. To Mr. Swain: In part: "Here are the touched proofs. I quite agree with you about doing on card. . .But there are 20 altogether. . ." Swain 1820-1909 wood-engraver; manager of engravings for Punch 1843-1900. Signed by Authors. No Binding. Very Good. unknown books
605928"A.C. Corbould" in black ink March 27 1893. 4" x 6 1/4" 1 page. Very good. To Mr. Swain: In part: "Here are the touched proofs. I quite agree with you about doing on card. . .But there are 20 altogether. . ." Swain 1820-1909 wood-engraver; manager of engravings for Punch 1843-1900. Signed by Authors. No Binding. Very Good. unknown
1867154542London: George Routledge and Sons 1867. New edition. Hardcover. Very good. lxxvi 610 p. 18 cm. Frontispiece portrait of Percy. 7 other engraved plates. Red leather with gold impressing. Signed college binding from J. B. Hawes Cambridge. All edges gilt. Corners bumped. Some wear to hinges and spine ends. Ink inscriptions on front endpapers one for "John Bruckmann O.M.P.S. Sunsher House 1952-53" and one for "Frederick Allison Tukker 1935." <br/><br/>"Percy's Reliques" as it is sometimes called for short is a collection of ballads and popular songs collected by Bishop Thomas Percy and originally published in 1765. Ballad collections had appeared before but Percy's Reliques seemed to capture the public imagination like no other. Not only would it inspire poets such as Samuel Taylor Coleridge and William Wordsworth to compose their own literary ballads in imitation it also made the collecting and study of oral poetry a popular pastime. George Routledge and Sons hardcover
90928London Frederick Warne & Co. Ltd. 1904 1st. ed. Tall paperback 10 x 8 inches. Pale green paper covers with red and blue lettering and green border design colour plate pasted on front. Small vignette on rear. Staples and cord binding. In very good condition. Cover darkened around edges with some minor rubbing some minor darkening and small foxing spots to pages some minor rusting from staples. Binding tight and sound. Else a very good clean and tight copy. Approx 16pp. Unpaginated. Fully illustrated in colour throughout. London, Frederick Warne & Co. Ltd. 1904 1st. ed. paperback
006516158 Fleet Street London: Ward Lock & Tyler. Hard Cover. First Edition. 8vo - over 7¾" - 9¾" Tall. no copy date; Circa mid to late Eighteenth Century. Fair/No dust jacket; Green leather gilt motif ornate trim dinging & wear to edges & corner tips oval inlaid picture of girl w/horse gilt decor spinestrip split on edges worn on head & heel of spinestrip cocked cracked front hinge All edges gilt foxing is heavier to endpapers very mild throughout text frontispiece decorated title owner's name & date 1876 neatly penned on front endpaper deocorated marginal text illustrations by modern English Artists of the day: J.C. Horsley Edward Duncan G.H. Thomas Edwin H. Corbould Birket Foster C.W. Cope Harrison Weir W.Harvey A. Solomon ETC. Printed in Colours by Edmund Evans. 168pp. . Hardcover. F. 158 Fleet Street, London: Ward, Lock, & Tyler hardcover
2013SKU0588789University of Massachusetts Press 2013-10-03. paperback. Good. 6x0x9. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking University of Massachusetts Press paperback
2013SKU0636296University of Massachusetts Press 2013-10-03. paperback. New. 6x0x9. New Textbook Ships with Tracking University of Massachusetts Press paperback
14156629032 pages including colour illustrated half title colour frontispiece title page with colour central illustration numerous black and white and full colour illustrations throughout colour illustrated frieze pasted to upper free endpaper visually attractive little book beautifully illustrated book is quite rare Published by Frederick Warne & Co hardcover
605929"A.C. Corbould" in black ink March 19 1880 86 Warwich Gardens W. 7" x 4 1/4 1 page recto only. Very good. With a small ink sketch in the text of a horse and rider. To Mr. Swain: In part: "Mr. Taylor said something about publishing 'The Tandem' and 'Small boy heading the Field' at once so that I could send the originals to an exhibition. . ." Swain 1820-1909 wood-engraver; manager of engravings for Punch 1843-1900. Signed by Authors. No Binding. Very Good. unknown books
605929"A.C. Corbould" in black ink March 19 1880 86 Warwich Gardens W. 7" x 4 1/4 1 page recto only. Very good. With a small ink sketch in the text of a horse and rider. To Mr. Swain: In part: "Mr. Taylor said something about publishing 'The Tandem' and 'Small boy heading the Field' at once so that I could send the originals to an exhibition. . ." Swain 1820-1909 wood-engraver; manager of engravings for Punch 1843-1900. Signed by Authors. No Binding. Very Good. unknown
6405164399Assouline pp. 312 . Hardback. New. Assouline hardcover
2026x-1836954034Berghahn Books 2026. Hardcover. New. 302 pages. 9.02x6.00x9.00 inches. Berghahn Books hardcover
64774-V2-3James Hogg & Sons London 1861 or 1864. With scenic illustrations by E.H. Corbould and G. Du Maurier and upwards of one hundred and thirty diagrams on wood. ; Accompanied by a copious index.Gilt stamped cloth gilt edged. IX 3 448 p. Complete with frontispice and 7 other plates. four pages of publisher's ads at the end. . -good.-Ends of spine and corners bumpedpaages mildly foxed thumping damage from page 17 to 52 ultimately resulting in a 3 cm tear and some holes in the right edge of the pages. James Hogg & Sons, London, [1861 or 1864] hardcover
182253574London: John Sharpe 1822. Very good plus. Three-volume set of Milton's two most famous epics in gorgeous contemporary binding. This set featuring beautiful woodcut engravings of Richard Westall's illustrations Westall was Queen Victoria's own drawing master includes Vol I and Vol II of PARADISE LOST and a third volume featuring PARADISE REGAINED and SAMSON AGONISTES - printed in 1816 1821 and 1822 respectively - contemporarily bound as a set in 1823 as indicated on the spine of one book. Three volumes 6.5'' x 4'' each. Contemporary maroon straight-grain morocco blind stamped boarders gilt ruling and ornamentation to front board and spine raised bands elaborately gilt-stamped spines. Gilt stamped turn-ins all edges gilt. Russet brown coated endpapers. Illustrated with engraved titles pages and section titles. Bookplates to front pastedowns. Boards with some rubbing gentle sunning to spines; Vol III: front hinge cracked but sound small spot of soil at spine head. Gilt bright. John Sharpe unknown
2026x-1041137419Routledge 2026. Hardcover. New. 232 pages. 9.18x6.12x9.45 inches. Routledge hardcover
18991325London 1899. Letter. Very good. a. 1pp dated February 24 1899 dashed off on a letter/envelope form which was preaddressed to George Pocock Esq. Royal Blind Pension Society now crossed through and addressed to to A. Chantrey Corbould Pembroke Road. Note in pencil reads: 'Dear Chantery Can you give Mr. Pulow who is a Saxon the address of Phil May his object is no doubt - to get engagement to sit for his head to any artist. Your affectionate Uncle Edward H Corbould. b. 2pp letter dated October 5 1899 to Dr. R. G. Maitland Coffin Redcliffe Square Earl's Court on watermarked paper in very rich deep ink with many personalizations and playfulness in font and pen use Letter and enveloped decorated with doodles and signed. a passage reads: 'By the way you asked me to tell you how many of the Royal Family I had as Pupils The fact was that with the exception of Prince Arthur Duke of Conwaught::::::::::Prince Leapold Duke of Albany and Princess Beatrice I taught them all. They all possessed natural talent for Original design. I hate copies!. Who would value a copy of a play or a poem by Shakespear written by the linen draper's apprentice I detest mere copies! I would far sooner have a poor original work than an admirable copy whom ever fails to possess the spirit and touch of originality My Royal Pupils were HRH Victoria Princess Royal HRH Princess Alice HRH Albert Edward Prince of Wales HRH Alfred Duke of Edinburg HRH Princess Helena and HRH Princess Louise." c. 1pp letter on Golden Crescent watermarked paper dated March 12 1901 to Dr. Maitland once more with comically illustated envelope a silly stamp character and pipe smoking smiley face. letter reads: 'As you have not as yet sent for the head of the talented cove of Ancient Greece I take the liberty of forwarding it now! I say 'now' - because just at this moment - it happens not to be raining - although prehaps a trifle of washing might improve the effect of the countenance which you thoguht might look well in your hall Yours very truly Edward Henry Courbould R.I. doodle with palette. P.S. My head will not admit of my coming to your house yet! Housed in James Tregaskis envelope. <br/><br/> Many of his Corbould's works were acquired by Queen Victoria Prince Albert and his royal pupils including an illustration of Alfred Tennyson's Morte d'Arthur presented by Queen Victoria to Princess Louise and 'Henry VI welcomed to London after his Coronation in Paris and The Iconoclasts of Basle' acquired by the Empress Frederick for the imperial collection in Berlin. unknown books
18991325London 1899. Letter. Very good. a. 1pp dated February 24 1899 dashed off on a letter/envelope form which was preaddressed to George Pocock Esq. Royal Blind Pension Society now crossed through and addressed to to A. Chantrey Corbould Pembroke Road. Note in pencil reads: 'Dear Chantery Can you give Mr. Pulow who is a Saxon the address of Phil May his object is no doubt - to get engagement to sit for his head to any artist. Your affectionate Uncle Edward H Corbould. b. 2pp letter dated October 5 1899 to Dr. R. G. Maitland Coffin Redcliffe Square Earl's Court on watermarked paper in very rich deep ink with many personalizations and playfulness in font and pen use Letter and enveloped decorated with doodles and signed. a passage reads: 'By the way you asked me to tell you how many of the Royal Family I had as Pupils The fact was that with the exception of Prince Arthur Duke of Conwaught::::::::::Prince Leapold Duke of Albany and Princess Beatrice I taught them all. They all possessed natural talent for Original design. I hate copies!. Who would value a copy of a play or a poem by Shakespear written by the linen draper's apprentice I detest mere copies! I would far sooner have a poor original work than an admirable copy whom ever fails to possess the spirit and touch of originality My Royal Pupils were HRH Victoria Princess Royal HRH Princess Alice HRH Albert Edward Prince of Wales HRH Alfred Duke of Edinburg HRH Princess Helena and HRH Princess Louise." c. 1pp letter on Golden Crescent watermarked paper dated March 12 1901 to Dr. Maitland once more with comically illustated envelope a silly stamp character and pipe smoking smiley face. letter reads: 'As you have not as yet sent for the head of the talented cove of Ancient Greece I take the liberty of forwarding it now! I say 'now' - because just at this moment - it happens not to be raining - although prehaps a trifle of washing might improve the effect of the countenance which you thoguht might look well in your hall Yours very truly Edward Henry Courbould R.I. doodle with palette. P.S. My head will not admit of my coming to your house yet! Housed in James Tregaskis envelope. <br/><br/> Many of his Corbould's works were acquired by Queen Victoria Prince Albert and his royal pupils including an illustration of Alfred Tennyson's Morte d'Arthur presented by Queen Victoria to Princess Louise and 'Henry VI welcomed to London after his Coronation in Paris and The Iconoclasts of Basle' acquired by the Empress Frederick for the imperial collection in Berlin. unknown
15800Paris, Gosselin, 1827, 1 demi veau, pièces de titre et tomaison maroquinés au dos, quelques mors frottés avec petits manques. 12 volumes in-8, portrait en frontispice, gravé par James Hopwood et Georges James Corbould ;
605930With two additional original small drawings laid down on the last leaf - both appear to be Mr. Punch. One is titled: "Finis"; the other "Adieu au revoir". All three are signed with initials. Very good light foxing. Signed by Authors. No Binding. Very Good. unknown books
