YOURCENAR (Marguerite).Livre Rare Book
108 939 résultats
1970120568[1970 circa] 1 vol. Tirage argentique en noir et blanc, non crédité, s.d. [années 1970], 17 x 24 cm. Beau portrait de l'écrivaine.
1970120568[1970 circa] 1 vol. Tirage argentique en noir et blanc, non crédité, s.d. [années 1970], 17 x 24 cm. Beau portrait de l'écrivaine.
Paperback in good condition. Text in Korean and English. Front lower leading corner of cover is creased and bumped affecting the first few pages within; some of these pages are a little nicked on the lower edge. Spine head is a little marked and the foot has a faint abrasion. Some minor edgewear to the overall cover. All contents are sound and clear. CM Used
New English Paperback. Roy. 8vo. (24 x 16 cm). In English and Korean. 287 p. The current status and vision of Korean studies in Central Eurasia. The content of the book consists of 14 research articles on the current situation and vision of Korean Studies in Central Eurasia.
Hardcover and jacket. Unread shop stock. Very good condition. TA Used
Book is in excellent condition: new, Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind.
2001044182Kansas City MO: Young Company 2001. Book. Fine. Hardcover. Signed by Authors. 1st Edition. 4to - over 9¾" - 12" tall. UNIQUE INSCRIBED PRESENTATION COPY TO CHIEFS HEAD COACH DICK VERMEIL. Gray cloth lettered in black. As issued. First edition. Pictorial dust jacket as issued now in mylar. Fully illus. w/ b&w photographs. A collection of photographs by Kansas City Chiefs photographer Hank Young. Association/presentation copy signed by Young as "Hank" to "Carol & Dick" -- Dick Vermeil who had been hired as the coach of the Chiefs shortly before publication of this volume after leading the LA Rams to a Super Bowl victory in 2000 and his wife. Authenticity guaranteed. Young Company Hardcover
Paperback. Spine is slightly sunned and kinked. Title page is tanned. All content is clear. TS Used
195064211ABWiesbaden, Limes., 1950. 8°. [15 : 21 cm = B/H]. 320 Seiten. Mit einem Namen- und Sachregister. Schwarzer Originalleinenband mit goldgeprägter Titelei und Karten auf Vor-/Hintersatz. (Rücken angeblasst, oberes Rückenende partiell aufgerieben). - Ansonsten ein gut erhaltenes, sauberes Exemplar in fester Bindung und ohne Eintragungen. 41.-50. Tausend.
2010018987Gottingen: Steidl/ International Center of Photography 2010. This is an as new two volume set still in the publisher's shrinkwrap unopened. This monograph was jointly prepared by Steidl and the International Center of Photography to accompany the exhibition at the ICP from September 24 2010 to January 9 2011. The Mexican Suitcase contained 126 rolls of film mostly shot between May 1936 and spring 1939 that are an inestimable record of innovative war photography and of a definitive episode in Spanish history. This landmark two-volume publication reproduces all 4500 negatives from the suitcase. 12" high X 10" wide 431 pages. Large heavy books foreign shipping will be extra. This set will be securely wrapped and packed in a sturdy box and shipped with tracking. Soft Cover. As New. Steidl/ International Center of Photography Paperback
Oversize. 127 p., illus. w/ photographs by Catherine M. Young. Hardcover Very good condition good
199821616London, Both-Clibborn 1998. OLn. mit farbphotograph. illustr. OU. Über 200 S. (ohne Paginierung). Mit sehr zahlreichen meist ganzseitigen bzw. doppelseitigen farbfotografischen Abbildungen. 4°. Nahezu neuwertiges Exemplar.
1976nc706Harper & Row Broché 1976 In-4 (21,5 x 27,8 cm), broché, 203 pages, texte en anglais ; pliures au dos, mors frottés, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Young Donald Young Donald. National Parks of America. Todtri 1999.. s.l. , Todtri 1999 italiano, in quarto pp. 144 37933 Young Donald. National Parks of America. Todtri 1999. In-4. pp. 144. Cartonato con sovraccoperta. Otitmo. Ill. a colori.
ill., ril. A Modena, presso le Gallerie Estensi, dall'11 settembre 2021 al 13 febbraio 2022 è allestita "Capa in Color", la mostra curata dall'International Center of Photography (ICP) di New York che presenta al grande pubblico le fotografie a colori di Robert Capa. Il catalogo è stato edito per la prima volta in italiano per la mostra allestita a New York nel 2014 per il centenario dalla nascita del fotografo. Robert Capa è stato il fotoreporter più importante nella storia del XX secolo e ha realizzato alcune fra le fotografie più famose della seconda guerra mondiale, sulle truppe americane in Italia, sulla guerra in Spagna, sugli ebrei sopravvissuti ai campi di concentramento, sulle città bombardate. I suoi scatti più noti sono ormai proprietà della memoria di tutti: il miliziano anarchico colpito a morte nella guerra di Spagna, la sua foto forse più citata, le madri in lutto intorno alle bare dei ragazzi del liceo Sannazaro morti combattendo, i tedeschi durante le Quattro Giornate di Napoli. Nonostante Capa sia conosciuto soprattutto per le foto in bianco e nero, a partire dal 1941 e sino alla morte, nel 1954, ha usato regolarmente la pellicola a colori. Alcune di queste fotografie sono state pubblicate sulle riviste, ma nel corso degli anni il lavoro a colori di Capa è stato praticamente dimenticato. Fino ad ora. Composto da oltre 100 stampe contemporanee, da pubblicazioni e documenti personali, il volume offre dunque uno sguardo inedito sul lavoro di questo maestro della fotografia e offre al lettore un portfolio molto eterogeneo che va da immagini di vita in un resort sciistico in Svizzera a un rarissimo scatto di Pablo Picasso con il figlio, passando per un ritratto di Ernest Hemingway con il figlio fino alle sue ultime splendide foto a colori scattate in Indocina nel 1954, poco prima che trovasse la morte a causa dello scoppio di una granata. Restaurate per la prima volta le fotografie a colori di Capa si costituiscono oggi come uno dei patrimoni artistici fondamentali del '900. Traduzione di Studio Qeens, Milano.
3168Leporello. Lanesville Press, NY. Sans date. 6 panneaux , dont 4 illustrés de photographies, gravées et imprimées sur papier arches. Dim: 177 x 128 mm
3168Leporello. Lanesville Press, NY. Sans date. 6 panneaux , dont 4 illustrés de photographies, gravées et imprimées sur papier arches. Dim: 177 x 128 mm
39959Paris, Micro Application, 2004. 21 x 23, 321 pp., nombreuses illustrations en couleurs, broché, bon état.
19801041681980 Tokyo, Sebunsha, 1980, 258x213mm, 92p., 74 photographies infrarouges de Yoshiyuki, texte de Ken’ichi Yamamoto, dialogue de Nobuyoshi Araki avec le photographe. Broché, couverture noire avec titre, jaquette photographique avec titre et nom de l’auteur, bande annonce rouge réservée au premier tirage. En 1971, Yoshiyuki, intrigué de voir un couple s’enlacer dans un parc à Shinjuku par hasard, trouve l’idée de photographier des scènes érotiques nocturnes dans les lieux publics, avec le flash infrarouge. Quand tout le monde prend ces photos pour des blagues, Araki affirme: «C’est une RÉVÉLATION bien photographique!». Yoshiyuki finit par y croire, expose ses photos, les publie, puis continue... L'exemplaire présenté dans «The Photobook II» est en second tirage avec la bande annonce bleue.Réf.:Livres de nus. A. Bertolotti, Paris, Éditions de la Martinière, 2007, p.190-191, ill. The Photobook II. Parr+Badger, Londres, Phaidon, 2006, p.296-297. (104168)
19801053501980 Tokyo, sUNDAY6SHA, 1982, 258x213mm, 92p., 74 photographies infrarouges de Yoshiyuki, texte de Ken’ichi Yamamoto, dialogue de Nobuyoshi Araki avec le photographe. Broché, couverture noire avec titre, jaquette photographique avec titre et nom de l’auteur. Deuxième tirage;En 1971, Yoshiyuki, intrigué de voir un couple s’enlacer dans un parc à Shinjuku par hasard, trouve l’idée de photographier des scènes érotiques nocturnes dans les lieux publics, avec le flash infrarouge. Quand tout le monde prend ces photos pour des blagues, Araki affirme: «C’est une RÉVÉLATION bien photographique!». Yoshiyuki finit par y croire, expose ses photos, les publie, puis continue... L'exemplaire présenté dans «The Photobook II» est en second tirage.Réf.:Livres de nus. A. Bertolotti, Paris, Éditions de la Martinière, 2007, p.190-191, ill. The Photobook II. Parr+Badger, Londres, Phaidon, 2006, p.296-297. (105350)
The original Document Koen is one of the most notorious photobooks from Japan. This follow-up paperback features photos from the first section of that book with text and diagrams. "The abstract, somewhat inexplicit nature of Document Kouen (Document Park) raises few issues regarding the depiction of sex, but it does generate a whole slew of questions concerning voyeurism, privacy and stalking. It may indeed be considered a documentary book about sexual practices rather than a sex book in itself, although the voyeuristic nature of the images feeds back into both what is going on and how it was documented. To make the book, Yoshiyuki trawled the Shinjuku and Yoyogi parks in Tokyo, both notorious for nocturnal sexual activity, and photographed the 'goings-on' with infrared flash, which enabled him to get images in the dark without the flash being visible. One suspects that this was done less for reasons of concealment and more for the brittle, indeterminate aesthetic produced, for these seem to be semi-public events, with more voyeuristic spectators than people actually taking part in the various sexual activities... nominally a soft-core voyeur's manual, Document Kouen is somewhat short on titillation. It is, however, a brilliant piece of social documentation, catching perfectly the loneliness, sadness and desperation that so often accompany sexual or human relationships in a big metropolis like Tokyo."--Parr & Badger, The Photobook: A History, Volume 2, pp. 296-297 — Testi: Kimura Shinya. F.to: 12x18; pagg. 240; BN; rileg. brossura. Editore: Sunday Sha, Tokyo, 1981.
Yoshiyuki was a young commercial photographer in Tokyo in the early 1970s when he and a colleague walked through Chuo Park in Shinjuku one night. He noticed a couple on the ground, and then one man creeping toward them, followed by another. "I had my camera, but it was dark," he told the photographer Nobuyoshi Araki in a 1979 interview for a Japanese publication. Researching the technology in the era before infrared flash units, he found that Kodak made infrared flashbulbs. Yoshiyuki returned to the park, and to two others in Tokyo, through the '70s. He photographed heterosexual and homosexual couples engaged in sexual activity and the peeping toms who stalked them. — F.to: 21x26; pagg. 90; BN; rileg. brossura. Editore: Sebun-sha, Tokyo, 1980.
pagg. 112; 99 BN; rileg. brossura. Editore: Hokuso Sha, Tokyo, 1992.
Testi: Yoshioka Yasuhiro. pagg. 314; BN; rileg. brossura. Editore: Shinchosha, Tokyo , 1999.
"In The Garden of Sodom, Yoshioka pushes the process of demolishing the concept of harmony to the extreme. Here nude women are shown tied up, assaulted, entangled in tortuous and confused embraces with men and other women of all ages. These women display a varying - but always indecipherable - range of emotions; none appears, not surprisingly, in a morally positive light. The feeling one has when leafing through the book is of seeing Japanese society presented as a new Sodom. The photographer seems to have taken some pleasure in being an artist disapproved of by the establishment. As the film director Oshima said, in the eyes of society, making art had become a criminal act." Alessandro Bertolotti, Books of Nudes, pp 172-3 — pagg. 178; COL e BN; rileg. brossura con sovracoperta. Editore: Haga Shoten, Tokyo, 1971.
