Photographie

Autochromes du Mont Athos: Photographies en couleurs du musée Albert-Kahn

20035350Photographers: Stephane Passet & Fernand Cuville "The autochromes of Mount Athos - The first colour photographs of the century". A unique artistic material from the "Archives of the Planet" of the French Albert Kahn Museum that covers most of the monasteries of the Holy Mountain and includes shots of buildings wall-paintings monks and religious relics. The autochrome photographs of the volume are the fruit of repeated visits to Mount Athos by French professional photographers in 1913 and 1918. An exceptional luxurious. Bilingual edition French/Greek. ISBN-13 978-960-7169-71-6. Hard cover ill. mostly color plates 23X32 cm 204 pp.; net weight 2020 gr...IMPORTANT: The shipping cost is an important parameter of this order; it is NOT included in the price and depends on the actual weight and destination; you will have to approve it after the confirmation of the order. You may ask for an estimate before placing the order at: dem.siatras@gmail.com Olcos hardcover

DEMETRIUS SIATRAS · Grèce99,00 €

International Center of PhotographyBiblio.com

AUTOCHROMES Color Photography Comes of Age

198284252New York: International Center of Photography 1982. Presumed First Edition First printing thus. Single sheet printed on both sides. Very good. Format is approximate 10.25 inches by approximately 7 inches folded in the middle to create a four panel card. The front panel is a striking color image of an Arnold Genthe photograph belonging to the Library of Congress. The second panel first interior has the following text "Autochrome The Vanishing Pioneer of Color" A Lecture by Mr. Volkmar Wentzel Archivist of the National Geographic Society will be presented at The International Center of Photography on: July 13 and 14 1982 at seven o'clock p.m. For information or reservations call 212_ 869-1776. The third panel second interior has the following text: The Trustees of the International Center of Photography and ILFORD Inc. invite you to a preview of the exhibition AUTOCHROMES Color Photography Comes of Age Color photographs printed on ILFORD Cibachrome r print material. Thursday July 8 1982 from six o'clock to eight o'clock p.m. International Center of Photography 1130 Fifth Avenue New York City Please present this invitation which admits two. This exhibition organized by the Library of Congress is mad possible at the International Center of Photography through the support of ILFORD Inc. The fourth rear panel is blank. The invitation is in an envelop with the name and address of the International Center of Photography in the upper left corner. At the lower left corner is the text Invitation to: AUTOCHROMES Color Photography Comes of Age. This exhibition also was presented later at the Library of Congress. Evidence of a vanished age in nostalgic color portraits landscapes and domestic scenes will be seen in the exhibition. Prints made from Autochrome plates dating from 1907 to the mid-1930s. All produced form the turn of the century original Autochrome process developed by French brothers Auguste and Louis Lumiere. Photographs by Lumiere himself portraits and landscapes by Arnold Genthe Stefan Jasienki and Andre Meys still lifes and the first underwater color photographs are all included in this exhibition. The Autochrome Lumière was an early color photography process patented in 1903 by the Lumière brothers in France and first marketed in 1907. Autochrome was an additive color "mosaic screen plate" process. It was the principal color photography process in use before the advent of subtractive color film in the mid-1930s. Prior to the Lumière brothers Louis Ducos du Hauron utilized the separation technique to create color images on paper with screen plates producing natural colors through superimposition which would become the foundation of all commercial color photography. Descendants of photographer Antoine Lumière inventors Louis and Auguste Lumière utilized Du Hauron's 1869 technique which had already been improved upon by other inventors such as John Joly 1894 and James William McDonough 1896 making it possible to print photographic images in color. One of the most broadly used forms of color photography in the early twentieth century autochrome was recognized for its aesthetic appeal. The National Geographic Society made extensive use of autochromes and other mosaic color screen plates for over twenty years. 15000 original Autochrome plates are still preserved in the Society's archives. The collection contains unique photographs including numerous Autochromes from Paris by Auguste Léon from 1925 and by W. Robert Moore from 1936 just before WWII. International Center of Photography unknown

Ground Zero Books · États-Unis50,00 $US≈ 42,31 €

HENRY, Alan: CAHIER, Bernard & Paul-Henri (photography).Biblio.com

AUTOCOURSE 60 YEARS OF WORLD CHAMPIONSHIP GRAND PRIX MOTOR RACING.

112168Icon Publishing Worcestershire 2010. . 4to 400pp colour and black and white illustrations. A very good hardback copy in like dust jacket. . Icon Publishing, Worcestershire, 2010. hardcover

Sainsburys Books Pty Ltd · Australie100,00 $AU≈ 65,91 €

(Photography) Gubelman, Theodore (1841-1916)Biblio.com

Autograph memoir of a noted New Jersey photographer including his work as an itinerant photographer during the Civil War

1916321536Jersey City NJ 1916. Manuscript throughout. 61pp. neatly written in ink on ruled paper. Inscribed on the first page "To my only daughter Josie" and signed and dated on the final page. 12mo. Contemporary flexible leather covers. Binding worn. Manuscript throughout. 61pp. neatly written in ink on ruled paper. Inscribed on the first page "To my only daughter Josie" and signed and dated on the final page. 12mo. Born on November 9 1841 in Constance Baden-Württtemberg Germany Gubelman arrived in New York in May 1854. The following year he found work with famed mapseller J. H. Colton "as pupil to Jos. Schedler who was in charge of the engraving dept a ledding man as engraver of maps." In 1857 he relocates to Washington DC with Schedler to draw maps on boxwood for wood engraving though the following year he returned to New York working as an engraver for Forbes in New York being paid $8.00 a week. In 1858 he accepts his first job in photography:"On Dec. 20th I got a situation with Julius Brille on Chatham St. to retouch photograph & coloring the same under the tuition of Mr. Bathing a very able artist. Dr. Ehrman was also employed there as operator." Gubelman stayed in that position less than a year before moving to Memphis Tennessee to work in a family friend's grocery business. "I stayed one month in that business but it did not prove congenial to me so I secured a situation in Clark's Gallery the most noted in Memphis as a colorist" He returned to the grocery business shortly thereafter when the owner sold his interest to Gubelman's family. "The summer of 1860 was a very trying time in Memphis particularly for a good republican. The only thing to do was to keep mum a hard thing to do when you hear the most patriotic men of the nation abused like pick pockets. Homeguards were organized uniformed and drilled in the evening attending to business during the day and wearing the uniform as a protection against being pressed into the rebel army." He leaves the south under the pretense of purchasing stock for the store and smuggles himself north by flagging down a steamer on the Ohio River making his way back to Jersey City. His memoir continues: "I hired Campbell's Gallery at 60 Montgomery St he having gone into making plates for tintypes then just coming up. I improved in my chemical knowledge under Mr. Campbell done my own operating and colored photographs and made a fairly good living." In May however he enlists for 3-months service "in response to Pres. Lincoln's call for 75000." His service was largely uneventfully spending most of his time at Suffolk Virginia with the exception of being shipwrecked en route to Fortress Monroe. He mustered our honorably in September and joined by his parents moved to Trenton "where I founded the partnership Parker & Gubelman & opened a gallery on East State St. We did not succeed and due no doubt to inexperience of both of us." In May 1863 he "entered the employ of C.C. Giers at Nashville Ten. at a salary of $80 a month which was increased to $100 in Aug." After Giers retirement and a brief stint working "in a photo tent at a camp in Murfreesboro" he befriends Captain Welles who loans him $400 to open his own studio. "I located at Pulaski Ten. There was about 10000 soldiers and no photographer . There was a fine skylight on the square one flight up. I got an order from the Provost Marshal to take possession. On Jan. 11th 64 I came back to Pulaski with the needed stock and an old acquaintance who was a printer we went to work to fit up prepare chemicals that was collodion days when it took time to get in working order . In the first day I took in $37.00. By the middle of March I paid back the loan to Capt. Welles as he would take no interest I presented a gold watch to Mrs. Welles." By May however Union troops left Pulaski and Gubelman returned to Nashville with $500 in stock & $1000 in cash." He entered into partnership with his former boss Giers. "So we formed the firm C.C. Giers & Co. Mr. Giers put up $4000 cash & I $1000 in cash & $500 in stock we bought the Merrit Gallery for $5000. Mr. Giers was to have 2/3 interest." Just a few months later however with Sherman marching towards Atlanta Giers bought out Gubelman's share for $2600 and Gubelman again returned to Jersey City where he opened his own studio on Newark Avenue in May 1865. After describing the meeting his future wife his marriage and other family news Gubelman records the opening of a second gallery on Washington Street in Hoboken which would be sold two years later to Louis Nagel. He moves several times in the early 1870s but prospers: "For a number of years I was an exhibitor at the Am. Institute Fairs obtaining a number of medals. In 1878 I made an exhibit of Photo Portraits all sizes from cabinet size to 18 x 22 life size all from gelatin plates the first exhibit of its kind in this country. The same year I made an exhibit in Paris and obtained a bronze medal. All of which not only was a fine advertisement but materially helped to establish a fine reputation in every way. I was also the producer of the first photo prints of instantaneous views of yachts Steamers & Co. in N.Y. art stores." He goes into partnership in 1882 with Arthur Hargrave on W. 23rd street in New York which after several years became profitable. In 1888 he travelled with his family to Europe and while there he arranges for his son Leopold to study with Dr. Eder in Vienna "as I thought a scientific education in the photo-mechanical processes would insure his future." Gubelman profitably dissolves his partnership with Hargrave in 1892. The rest of the memoir is devoted to his European travels his family and his grandchildren. The memoir ends recording the death of his wife on April 7 1916 and with Gubelman signing and dating the memoir Jersey City May 3 1916. A pencil notation below presumably by his daughter Josie records her father's death on October 31 1916. Though unpublished the memoir is known from a transcript of a second copy of the memoir penned for his son Fred. The transcript is located at the George Eastman House though the whereabouts of the original manuscript presented to Fred is unknown though at one point belonged to his grandson Herbert Gubelman. For a detailed biography of Gubelman see Saretzky and Bilby whose article is based on a second copy of the transcript of the manuscript penned for Fred Gubelman and given to A.J. Peluso for a 1999 article in the Maine Antique Digest. Saretzky Gary D.; and Joseph C. Bilby "Photographers of the Civil War Era: Theodore Gubelman of Jersey City" in NJS: An Interdisciplinary Journal Winter 2021 unknown

James Cummins Bookseller · États-Unis3 500,00 $US≈ 2 961,35 €

Norinobu shinoyama, photography / Yukio Mishima, nagaharu Yodogawa and othersBiblio.com

Autograph sign on the cover Yukio Mishima Japanese Book

1977KOS01205757Sankei newspaper 1977. Soft Cover. Fine. KOS01205757 Sankei newspaper paperback

Potato Head Bookshop · Singapour60,00 $US≈ 50,77 €

WHITE, Clarence HBiblio.com

Autograph Letter Signed

1910604517"Clarence H. White" boldly penned in black fountain pen ink on his Clarence H. White 5 West 31st Street letterhead New York January 19 1910. 14" x 6 1/4" 3 pages on one leaf folded to make 4 sides. Together with the original holograph mailing envelope stamped with a 2 cent Washington stamp and postmarked New York N.Y. January 19 1910. Fine. To author Horace Traubel 1624 Walnut Street. Philadelphia Pennsylvania. In part: ". . . I am sending 2 prints of your portrait ordered by Gable & Sons to you . . . I am sending with them a print for you & one for Mrs. Traubel - and one for Gertrude. To you I am sure they will mean as much . . . I was sorry not to get some new negatives of Mrs. T and Gertrude but I again with their . . ." unknown

Houle Rare Books & Autographs · États-Unis850,00 $US≈ 719,19 €

Ginzburg, Ralph (editor) (Interior artwork by Friedrich Hundertwasser: Postcards from Pandemonium; Photography by Thomas Weir: VBiblio.com

Avant Garde #10 Interior artwork by Friedrich Hundertwasser--Postcards from Pandemonium; Photography by Thomas Weir--Virgin Forest.

105695New York: Avant-Garde Media 1970. Periodical Very good plus. 63pp. Black and white and color illustrations. Cover art by Thomas Weir. Interior artwork by Friedrich Hundertwasser Postcards from Pandemonium. Photography by Thomas Weir The Virgin Forest. Art. Avant-Garde Media Paperback

Burton Lysecki Books, ABAC/ILAB · Canada52,50 $US≈ 44,42 €

[Photography] Michel Frizot; Etienne-Jules Marey; Chapelle de l'Oratoire (Beaune).Biblio.com

Avant le Cinematographe: la Chronophotographie: Temps Photographie et Mouvement Autour de E.-J. Marey.

1984M13214Beaune:: Association des Amis de Marey; Ministere de la culture 1984. 1984. 8vo. 180 pp. Illus. Printed wrappers. Ink ownership signature of Robert Sonnenschein. Inscribed compliments card laid-in. Very good. Catalogue showing the pioneering photographic work of Muybridge Marey Janssen Londe and Eakins. The exhibition was held in Beaune. Association des Amis de Marey; Ministere de la culture, 1984. unknown

Jeff Weber Rare Books · Suisse50,00 $US≈ 42,31 €

Richard Avedon, The Richard Avedon Foundation, et alBiblio.com

Avedon Advertising

2019371343NY: Abrams 2019. 1st. Hardcover. Very Good/None. Hardcover 352 pages. Richard Avedon was one of the most sought-after and influential advertising photographers in America from the 1940s to the beginning of the 21st century creating work that exemplified Madison Avenue at the height of its influence in world culture. Working with a talented cadre of models copy writers and art directors Avedon made images that enticed consumers to embrace the new especially in the areas of fashion and beauty with campaigns for Revlon Chanel Calvin Klein Dior and Versace among many others. Avedon Advertising tells this story reproducing memorable ads that range from the buoyant 1940s and 1950s when post-war prosperity opened up new experiences to consumers; through the explosive ’60s; and into the era defined by celebrity culture and global brand awareness. Record # 371343 Abrams hardcover

Browsing Is Arousing · États-Unis100,00 $US≈ 84,61 €

Wilson, LauraBiblio.com

Avedon at Work: In the American West

20141125558323Austin.Texas: University of Texas Press 2014. Book. Illus. by forward by Larry McMurtry. Near Fine. Hardcover. 1st Edition. 4to - over 9¾ - 12" tall. pictorial hardcover dust jacket129 pages.llustratedInternationally acclaimed for his portraits of powerful and accomplished people and women of great beauty Richard Avedon was one of the twentieth century's greatest photographers - but perhaps not the most obvious choice to create a portrait of ordinary people of the American West. Yet in 1979 the Amon Carter Museum of Fort Worth Texas daringly commissioned him to do just that. The resulting 1985 exhibition and book In the American West was a milestone in American photography and Avedon's most important body of work. University of Texas Press Hardcover

Harry E Bagley Books · Canada50,00 $US≈ 42,31 €

Wilson, Laura & Larry McMurtryBiblio.com

AVEDON AT WORK; In the American West

200369007University of Texas Press. 2003. First. Hardcover. Near Fine in Near Fine dust jacket. Harry Ransom Humanities Research Center Imprint Series; 9 X 0.8 X 11 inches; 132 pages . 0292701934 . University of Texas Press hardcover

Books On The Boulevard · États-Unis65,00 $US≈ 55,00 €

Avedon, Richard & Brodkey, Harold ( PHOTOGRAPHY )Biblio.com

AVEDON PHOTOGRAPHS 1947-1977

197800741AVEDON PHOTOGRAPHS 1947-1977 Farrar Straus & Giroux 1978 first edition fine in like dust-wrapper. Profusely illustrated with black & white photos on virtually every page with an essay by Harold Brodkey. Published concurrently with the opening of a retrospective exhibition at The Metropolitan Museum of Modern Art. Some of those pictured within: Lauren Bacall Renata Adler Joan Baez Brigitte Bardot Cecil Beaton Marisa Berenson Gabrielle Chanel Cyd Charisse Marlene Dietrich Audrey Hepburn Katherine Hepburn Lena Horne Anjelica Houston John Houston Lauren Hutton Bianca Jagger Janis Joplin Sophia Loren Bette Midler Marilyn Monroe Jeanne Moreau Mike Nichols Suzy Parker Yves Saint Laurent Elizabeth Taylor Tina Turner Twiggy Gloria Vanderbilt Veruschka Diana Vreeland et.al. Farrar, Straus & Giroux unknown

THE FINE BOOKS COMPANY · États-Unis308,00 $US≈ 260,60 €

Avedon, RichardBiblio.com

Avedon Photographs 1947-1977

1978BOOKS001155INew York: Farrar Straus Giroux. Fine copy in nearly fine acetate wrapper. 1978. 1st. hardcover. Folio Preface by Harold Brodkey. Slight yellowing to spine of acetate wrapper. . Farrar Straus Giroux hardcover

Abacus Bookshop · États-Unis100,00 $US≈ 84,61 €

Avedon, RichardBiblio.com

Avedon: Photographs1947-1977

1978018815New York: Farrar Straus & Giroux 1978. This is a fine hardcover copy. The near fine printed mylar dust wrapper has one small chip at the base of the spine and a small repaired tear to the spine top. The mylar jacket spine toned a bit. Stated First Edition. Completely clean. Introduction by Harold Brodkey. Illustrated throughout in black & white with Avedon's portraits. 14" high X 11" wide. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . First Edition. Hard Cover. Fine/Near Fine. Farrar, Straus, & Giroux, Hardcover

Design Books · États-Unis125,00 $US≈ 105,76 €

Almond, PeterBiblio.com

Aviation: The Early Years

1998000429Germany: Konemann 0 1998. Book. Illus. by Various Contributors. As New. Hardcover. 1st Edition. 1st. ed. Hardcover with the dust jacket . Black and white photographys of the Early years of Aviation all photos from the Hulton Getty Picture Collection. Still in orginal wrap Size: 4to - over 9¾" - 12" tall. Konemann 0 Hardcover

Gibbs Books · États-Unis75,00 $US≈ 63,46 €

Almound , PeterBiblio.com

Aviation: The Early Years / Die Anfange Der Luftfahrt / Les Premieres Annees De L'aeronautique

2007031511-YGermany: HF Ullmann 2007. Book. Illus. by Various Contributors. New. Hardcover. 1st.Edition 1st.Printing 2007 Hardcover in the dust jacket 349 page book with many black & white photos of the early history of aviation . Text is in English German & French. Condition : NEW. Large heavy book and will need extra postage please inquire. Size: 4to - over 9¾" - 12" tall. HF Ullmann Hardcover

Gibbs Books · États-Unis65,00 $US≈ 55,00 €

Hutte, AxelBiblio.com

Axel Hütte: Secret Garden Misty Mountain

2002015031Berlin: Holzwarth Publications & Galerie Max Hetzler 2002. This is a fine hardcover copy with no wear at all. Completely clean. Stated first edition. Illustrated in color with many gate-fold photographs by Axel Hutte. The book was designed by Hans Werner Holzwarth. 12" high X 10" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . First Edition. Hard Cover. Fine. Holzwarth Publications & Galerie Max Hetzler Hardcover

Design Books · États-Unis135,00 $US≈ 114,22 €

(AZUMA). ARNO (Photography) & AM HAMMACHER (text) A MBiblio.com

Azuma

1971stela466Milan: Edizioni Il Polifilo 1971. 1971. Square 4to. pp. 107 4. English Italian & German text. profusely illus. in b/w. bio cloth corners bumped spine bit sunned. printed Mylar cover. Hardcover. Fine. Milan: Edizioni Il Polifilo, [1971]. Hardcover

D & E Lake Ltd. (ABAC, ILAB) · Canada99,90 $US≈ 84,53 €

The National Film Board of CanadaBiblio.com

B C Almanac H C-B : Almanac Process Series

2015017492Canada: Presentation House Gallery 2015. This is a fine softcover copy with a fine slipcase with no wear at all. Completely clean. Text in English and French. This catalog was prepared to accompany the exhibition in Canada from September 26 to November 6 2015 at Presentation House Gallery. Limited Edition of 700 copies.llustrated throughout in black & white with photographs. 8" high X 10" wide unpaginated. This book will be securely packed and shipped with tracking. . Soft Cover. Fine. Presentation House Gallery, Paperback

Design Books · États-Unis75,00 $US≈ 63,46 €

[M Laubert (photography studio in Nice).]Biblio.com

B&W Photo of French actor Geriaurch Gallaud with signed dedication.

68-4259Nice France: M. Laubert 1929. 16.5 x 11.5 cm. Sepiatone photograph. Very Good with minor creasing and wear at corners. Provenance Paul Paulet French actor from the 1930s-1970s Nice, France: [M. Laubert], 1929. unknown

Alan Wofsy Fine Arts · États-Unis50,00 $US≈ 42,31 €

Champ Elysees (Photography Studio).Biblio.com

B&W Photo of French actor Fernandel with signed dedication by him.

68-4251Paris France: Champ Elysees 1947. 17.5 x 23 cm. B&W glossy photograph. VG. Provenance Paul Paulet French actor from the 1930s-1970s Paris, France: Champ Elysees, 1947. unknown

Alan Wofsy Fine Arts · États-Unis200,00 $US≈ 169,22 €

Erpe (Nice Photography Studio).Biblio.com

B&W Photo of seated man facing two seated women.

68-4333Nice France: Erpe 1944. 16 x 22.5 cm. Sepiatone photograph mounted on board. Very Good with minor wear at corners and edges. Provenance Paul Paulet French actor from the 1930s-1970s Nice, France: Erpe, [1944.] unknown

Alan Wofsy Fine Arts · États-Unis75,00 $US≈ 63,46 €

Erpe (Nice Photography Studio).Biblio.com

B&W Photo of French actor Jean Hunebelle1933 - 2007 with signed dedication to Paul Paulet.

68-4262Nice France: Erpe 1944. 16 x 22.5 cm. Sepiatone photograph mounted on board. Very Good with minor wear at corners and edges. Provenance Paul Paulet French actor from the 1930s-1970s Nice, France: Erpe, 1944. unknown

Alan Wofsy Fine Arts · États-Unis75,00 $US≈ 63,46 €

Harcourt (Photography Studio).Biblio.com

B&W Photo of French actor Jean Berton 1906 - 1979.

68-4252Paris France: Harcourt ca. 1950. 29.5 x 23.5 cm. B&W glossy photograph. VG with minor corner creases. Provenance Paul Paulet French actor from the 1930s-1970s Paris, France: Harcourt, [ca. 1950]. unknown

Alan Wofsy Fine Arts · États-Unis100,00 $US≈ 84,61 €

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