108 944 résultats
1920428CGZürich Vlg. M. Schwarzkopf, (um 1920). Photographie (Portrait) von M. Schwarzkopf. Format: Postkarte.
19001162AGWien, Pietro Mechetti, (um 1900). Photomechanische Reproduktion einer Lithographie von Kriehuber. Bildgrösse: 21 x 16 cm. Blattgrösse: 42 x 26,5 cm.
1903593AGMürzzuschlag, Steiermark, F.J. Böhm, 1903. Photographie (Kniestück, stehend). Format: Postkarte.
1913626AGWien, W. Weiss, 1913. Photographie (Portrait). Format: Postkarte.
1940437AGWien, Fayer, (um 1940) Photographie (Portrait). Format: 17,8 x 12,8 cm.
1900436AGUm 1900. Photographische Reproduktion (Portrait). Format: Postkarte.
1930654AGWien, Fayer, (um 1930). Photographie (Portrait). Format: 17,7 x 12,8 cm.
1930499AGWien, P. Ledermann, (um 1930). Photographische Reproduktion einer Aufnahme um 1890 (halbe Figur, sitzend). Format: Postkarte.
197647149ABKünzelsau/Thalwil/Salzburg, Sigloch., 1976. Gr.8°. 361 Seiten. Illustrierter Originalkunstlederband mit goldgeprägtem Deckeltitel und illustriertem Vor-/Hintersatz. - Ein sehr gut erhaltenes, sauberes Exemplar in fester Bindung und ohne Eintragungen.
198022480ABBielefeld, Ceres, 1980. 8°. 95 Seiten. Farbig illustrierter Originalpappband. - Ein neuwertiges, makelloses Exemplar, originalverschweißt. 1. Auflage.
198022479ABBielefeld, Ceres, 1980. 8°. 95 Seiten. Farbig illustrierter Originalpappband. - Ein sehr gut erhaltenes, makelloses Exemplar. 1. Auflage.
19744743BBWürzburg, Echter., 1974. 8°-quer. [19,5 x 21 cm]. 58 Seiten. Illustrierter Originalpappband. - Ein sehr gut erhaltenes, sauberes Exemplar ohne Eintragungen. 1. Auflage.
19710204-20(Wien,Selbstvlg. d. Museums 1971). qu.-8°. (32) S. mit zahlr., großtls. photograph. schw.-w. Abb. Illustr. Obrosch., etw. bestoßen, min. angestaubt u. fingerfleckig, insges. gut erh. [2 Warenabbildungen]
201052740e-dite 2010 Livre neuf. Photographies de Elisabeth Prouvost. In-8 broché.61 pp. Photographies en noir en regard du texte.
61757Tblisi: NKVD 1938. A magnificent grand-format presentation album ca 35cm x 42cm bound in full calf with heavy gilt titling to front cover; containing 113 original photographs including 90 large-format gelatin-silver prints most about 22cm x 29cm ca 8-1/2" x 11-1/2" a few slightly larger or smaller; four folding panoramas and 19 smaller-format portraits 10cm x 7cm ca 4-1/2" x 3". Rubbing to covers; mild staining to some of the mounts occasional surface scuffs to photographs; two of the panoramas have mended tears at folds. Overall a complete well-preserved album with the photographs in generally excellent condition. A complete list of captions translated into English is included. <br /> <br /> The movement for rural collectivization in the Soviet Union began in earnest in the late 1920s and reached its peak in the mid-1930's under the second Five Year Plan. In every Soviet state hundreds of thousands of rural peasants were moved off their own small holdings and relocated to one of the large collective farms kohlkozy or as here to State-run agricultural factories sovkhozy. State-owned farms like the one portrayed in this album operated under somewhat stricter conditions - in the words of one contemporary observer ".it is perhaps incorrect to speak of 'forced' labor in connection with the sovkhozy.but it is quite reasonable to designate this labor as 'militarized'." The fact that this farm was run by the NKVD the Soviet internal security apparatus means its residents were almost certainly present on a punitive or at least rehabilitative basis: as the agency principally responsible for ferreting out and suppressing counter-revolutionary tendencies among the vast Soviet populace the NKVD would have had little other reason to be involved in the operation of an agricultural enterprise. The use of the sovkhoz as a tool of repression especially in the early days of collectivization is well documented: the collective system was coercive and unwelcome to many if not most of the peasants whom it affected. "What is especially dangerous for the stability of the new agricultural system in Soviet Russia - introduced in such a hurry - is the fact that it was put into effect with coercive methods the system being forced on the peasantry and being accompanied by a cruel campaign against the well-to-do peasantry i.e kulaks quoted from Vladimir Timoshenko "The New Agricultural Policy of Soviet Russia" in Journal of Farm Economics v.13 no.2 April 1931.<br /> <br /> To counter some of the negative views of collectivization a large-scale propaganda campaign was initiated and some of the leading Soviet photographers of the period including Georgy Petrusov Evgeny Khaldei V. Teterin Ivan Shagin Arkady Shaikhet among others were employed to present an idealized version of life on the collective farms. The current album clearly intended to convey this sense of the rural ideal was likely produced by the Directors of the Sovkhoz Sergo Ordzhonikidze named ironically for a one-time ally of Stalin's who had been assassinated in the Great Purge for presentation to a regional state official. In more than 100 hand-captioned images the album portrays every aspect of the enterprise from fields of dairy cattle to chicken hatcheries to leisure-hour activities. The workers are uniformly happy and well-fed their surroundings ideally pastoral the machinery clean new and efficient. One can only speculate what conditions prevailed in the absence of a photographer's lens. <br /> <br /> The photographs themselves are clearly professional: technically and compositionally sophisticated they are exemplars of the form produced in an era when the Soviets had raised the photographic arts to a high level in service to their considerable propaganda needs. Of particular interest are numerous interior photographs documenting industrial activities at the farm - maintenance of the boiler rooms and garages; canning operations; the blacksmith's shop etc: even though staged these are extraordinary photographs of a depth and quality one would associate with the flagship Soviet photographic magazines of the period and there were several the most prominent being Sovetskoe Foto which ran from 1926-1977 and USSR in Construction 1930-1941. <br /> <br /> Despite our belief that these images were likely the work of one of the prominent Soviet photo-documentarians of the period attempts to match the images to a known photographer have proved fruitless. Of the names listed above these images most resemble the work of Evgeny Khaldei who would become famous for his photojournalism during the Second World War; but we find no evidence within the album attributing the work to him or any other photographer. Nonetheless a valuable documentation of pre-War Soviet agricultural life and a quite remarkable collection of images. unknown
Exposition à la Galerie Christian Arnous, du 22 mai au 29 juin 2008, exemplaire n°9 sur 30 exemplaires tirages de tête, accompagnés d'un CD avec texte, entretien et biographie. Photos libres de droits jusqu'à fin juin 2008, ENVOI AUTOGRAPHE DU PHOTOGRAPHE, Editions C.D.P., 2008, non paginé, cartonné, très bon état.
1995100111117Ouest-France 1995 30 4x1 8x24 4cm. 1995. Relié.
2010ga1197Focale C. Dressayre Album cartonné 2010 In-8 (25 x 22 cm.), format à l'italienne, album cartonné, couverture illustrée, 51 pages, photographies noir et blanc in-texte ; menus incidents aux plats, chocs au mors antérieur, intérieur frais, très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
in-folio (245x250mm), non pagine, 24 photographies noir et blanc à pleine page en héliogravure, photo d'Assia par Nora Dumas en couverture. Excellent etat. [ARCH]
Fotografie in bianco e nero di Hiroshi Takizawa. Allegato un poster stampato fronte/retro a colori (60x42 cm) L'edizione consta di alcune copie del libro a colori e altre in bianco e nero: nostra copia n. 16/50 in bianco e nero. 4to (29x21 cm). pp. 160. Firma autografa dell'Artista (Signed by the Artist). Ottimo (Fine). . Edizione originale di 50 esemplari numerati (Original edition of 50 numbered copies). . He recently focuses on stone, rock, and concrete as motif after he release a works based on dream in 2010. He uses technique of re-photograph and convert a photograph three-dimensionally because he is focus on perception of photography. "étude" is series of self-publishing as a study, and It is comprised of the snapshot of the 'raw' state before giving processing. "étude I Input / Virgin" is composed of five series, and we can see his materialistic approach to the subject. The are color and black and white edition.Hiroshi Takizawa is a photographer / artist born in 1983. He studied Counseling Psychology at Faculty of Human Sciences, Mejiro University. Takizawa has published several books with special printing methods, such as "The Concrete Is On My Mind" (2014), and "Mass" (2015) nominated for Paris Photo. Takizawa participates at numerous events including the live printing performance at Tate Modern, London (TwinEffect, 2015). Di recente Takizawa si concentra su pietra, roccia e cemento dopo aver pubblicato un lavoro basato sul sogno nel 2010. "étude" è una serie autoprodotta. "étude I Input / Virgin" è composto da cinque serie che svelano il suo approccio materialista all'argomento.Nel nostro catalogo è presente anche étude III Wall: clicca qui per accedere alla scheda.Hiroshi Takizawa è un fotografo/artista nato nel 1983. Ha studiato Counseling Psychology presso la Facoltà di Scienze Umane, Mejiro University. Takizawa ha pubblicato diversi libri con metodi di stampa speciali, come "The Concrete Is On My Mind" (2014) e "Mass" (2015) nominato per Paris Photo. Takizawa ha partecipato alla performance di stampa dal vivo alla Tate Modern, Londra (TwinEffect, 2015).
193214918In Annales de Géographie n°234 du 15 novembre 1932 ; in-8, broché ; pp. 561 à 582 et 3 planches hors-texte soit 6 photographies aériennes du capitaine Seive (Fleury).
1375965Avignon: J. Roumanille, 1897 in-12, 70 pages + [7] pages de publicités de fabricants de matériel photographiques. Broché, dos bruni, bon état. Edition originale.
1919AUB-3043Lausanne, la Concorde 1919. Bel exemplaire broché, couverture ornée d'éd., 167 pages + planches.
18869Ryerson University, 2012. Fort et dense volume broché de 235 pages, texte sur deux colonnes, nombreux clichés reproduit sur couché. Très bon état.
20091258182009 Nouveau Musée National de Monaco / Fondation Culturelle « Ekaterina » / Skira Editore - 2009 - In-4, relié, cartonnage rouge sous jaquette illustrée de l'éditeur - 352 pages - Très riche iconographie in et hors-texte en couleurs et en N&B - Publié à l'occasion de l'exposition "Étonne-moi ! Serge Diaghilev et les ballets russes", Villa Sauber, Monaco, du 09 juillet au 27 septembre 2009
