8 292 résultats
19959999_03697Hannover Stiftung Niedersachsen 1995. 1st Edition . Hardcover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Oblong crown quarto. Unpaginated. Comprising of numerous monochromatic plates. With text in English and German. HARDCOVER bound in the original publisher's full cloth with pictorial dust-jacket. In fine condition practically unused. ~ FIRST EDITION. Published to coincide with the exhibition at the same name in 1995 in Germany. ADDED: Original 4-page illustrated promotional leaflet issued by the Publisher. AND: Two press-relaseses issued by the publisher one in English the other in German and a Complimentary card from the Publisher. I-6 <br/> <br/> Hannover, Stiftung Niedersachsen hardcover
18307London: Collins 1989. First edition. Photographic plates. 4to 10 3/4 x 9 1/2 inches 223-pages. Original cloth; corners bumped else excellent in very good dust jacket which has a hint of browning to the backstrip. Inscribed on the title to Elisabeth Frink and her husband Alex Csaky "To the Csaky's with love from Eric 5th October 1989" & further signed above his printed signature. London: Collins, 1989. hardcover
20214116MACK 2021. First edition. Hardcover. Fine. Signed by Deanna Templeton to "Feed Me" see pic. Stated first edition hardcover. No dust jacket as issued. As new copy with no flaws. Large 8vo bookseller #4116. <br/><br/> MACK hardcover
1998022844Glenn Horowitz Bookseller 1998. Book. Fine. Hardcover. Signed by The Photographer. 1st Edition. In a protective clear acetate dustwrapper. Limited to two hundred copies only this is #40 signed and numbered by the photographer in red ink on the rear colophon. Glenn Horowitz Bookseller Hardcover
31886New York. Hardcover. Near Fine. 9.9x7.7x1.1in. pictorial boards; light rubbing to extremities. <br>304pp 2.28lb 9.9x7.7x1.1in hardcover
1907022785Indianapolis Indiana: The Bobbs Merrill Company 1907. Good condition. Light to moderate rubbing/wear to spine ends and corners/edges. PHOTOS AVAILABLE UPON REQUEST. Endpaper professionally renewed. Inner hinges are sound. Previous owner's name in pencil. All other pages are clean and unmarked. 1907. First Printing of the First Edition. With 95 illustrations of which 16 are full-page colored plates including a tissue-guarded frontispiece. The plates are "of unusual accuracy and beauty" per a contemporary review quoted in MacLean 276. Includes a color plate affixed to the front cover for a total of 17 color illustrations. Subtitle: "Character Studies of Native American Birds Which Through Friendly Advances I Induced to Pose for Me or Succeeded in Photographing by Good Fortune with the Story of My Experiences in Obtaining Their Pictures." Bound in the original green cloth stamped in black. 18 cm wide by 24.5 cm tall. MacLean 276 1976. MacLean A3a 1987. MacLean 3a 1995. First Edition First Printing. Hardcover. Good condition. Illus. by NOT a library discard. xxii 258pp. Great Packaging Fast Shipping. The Bobbs Merrill Company Hardcover
1979013211NY: Simon and Schuster 1979. 1st Edition. Hardcover. Near Fine/Near Fine. A behind-the-scenes look from the ad exec who managed one of the most successful advertising campaigns of the 20thC. Book is near fine. Dustjacket is price clipped with some rolling a closed tear and a small chip top edge front panel. Simon and Schuster hardcover
1979013210NY: Simon and Schuster 1979. 1st Edition. Hardcover. Near Fine/Near Fine. A behind-the-scenes look from the ad exec who managed one of the most successful advertising campaigns of the 20thC. An uncommon inscribed copy with best wishes and dated 11/ 12/79 by Rogers on the ffe. In the bottom right corner is another inscription " From me too. with love Aries" whom we might presume was Roger's assistant but we don't know for certain. Solid copy near fine in a dustjacket with trace wear spine ends. Simon and Schuster hardcover
189027844Legroce photo 1890. Very good condition. A color photo of hot springs in Whakarewarewa in Rotorua New Zealand with active steam vents surrounded by houses and laundry.<br /> <br /> Pencil caption on the verso is 'Boiling Springs in volcanic region N.Z. " Image 8.25 x 6" on board 12 x 9.75" Legroce photo unknown
15723No Place: Jennette Williams 1998 Quarto 10.25 in. by 9.75 in.; unpaginated; very good softcover; bumped corner; crisp; clean; bright. No Place: Jennette Williams, 1998 paperback
20002080202104504165Tankosha 2000. Soft Cover. Fine. Number of pages: 239p Size: 21cm Number of books: 1 Tankosha paperback
1982PT-6Norman OK.: University of Oklahoma Press 1982. Historical commentary of the region by Dr. Barnowski interlaced by strikingly vivid photographs by French-born free-lance photographer Decazes recalls the deep rooted pioneer history that shaped the land today. Approx. 200 pgs. Illustrated. Signed by Decazes. Dustjacket in mylar. Signed by Illustrator. First Edition. Hard Cover. Fine/Fine. 4to - over 9¾" - 12" tall. University of Oklahoma Press Hardcover
2000070491New York: Harry N. Abrams Inc. Publishers 2000. 144 pages colour illustrations colour maps; 25 x 35 cm. SIGNED by the photographer Macduff Everton and Mary Heebner. Fine DJ. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. "'Macduff Everton updates travel photography in the same way that Ansel Adams updated 19th-century photography of the West. He captures strange and eloquent moments in which time and the world seem to stand still.' - Andy Grundberg New York Times. Only a handful of photographers have succeeded in capturing the majestic landscapes of the American West. Now Macduff Everton takes his place among them with magnificent panoramic photographs that deserve to be viewed alongside those of Ansel Adams and Eliot Porter. Everton's lush romantic pictures - each a cinematic tour-de-force of light and color - present breathtaking views of the Grand Canyon Monument Valley Yosemite Crater Lake Mount St. Helens the Missouri Breaks Big Sur the Painted Desert and other fabled vistas of the American West. With lyrical commentaries and sketches by artist and writer Mary Heebner and an introduction on the Western landscape's importance to American history and lore by best-selling author Edmund Morris this glorious book is Everton's masterwork. / MACDUFF EVERTON is one of the world's most distinguished and prolific travel photographers. His work is widely exhibited and collected by museums around the world. He lives in Santa Barbara California with his wife Mary Heebner. MARY HEEBNER is a writer and artist whose mixed-media collages works on paper and limited edition artist's books have been exhibited and collected throughout the United States and abroad. EDMUND MORRIS is a Pulitzer Prize-winning biographer best-selling author and an astute historian and commentator on the United States his adopted country." - Publisher. SIGNED. 1st. Hardcover. Fine/Fine. Oblong. Collectible. Harry N. Abrams, Inc., Publishers Hardcover
2000018479New York: Harry N. Abrams Inc. Publishers 2000. 144 pages colour illustrations col. maps; 25 x 35 cm. ASSOCIATION/PRESENTATION COPY. Signed by Edmund Morris and dedicated to the photographer Macduff Everton/half-title page. Near-fine copy with light edgewear to boards and dust jacket. OVERSIZE! Additional shipping charges may be requested for international & priority orders. "'Macduff Everton updates travel photography in the same way that Ansel Adams updated 19th-century photography of the West. He captures strange and eloquent moments in which time and the world seem to stand still.' - Andy Grundberg New York Times. Only a handful of photographers have succeeded in capturing the majestic landscapes of the American West. Now Macduff Everton takes his place among them with magnificent panoramic photographs that deserve to be viewed alongside those of Ansel Adams and Eliot Porter. Everton's lush romantic pictures - each a cinematic tour-de-force of light and color - present breathtaking views of the Grand Canyon Monument Valley Yosemite Crater Lake Mount St. Helens the Missouri Breaks Big Sur the Painted Desert and other fabled vistas of the American West. With lyrical commentaries and sketches by artist and writer Mary Heebner and an introduction on the Western landscape's importance to American history and lore by best-selling author Edmund Morris this glorious book is Everton's masterwork. / MACDUFF EVERTON is one of the world's most distinguished and prolific travel photographers. His work is widely exhibited and collected by museums around the world. He lives in Santa Barbara California with his wife Mary Heebner. MARY HEEBNER is a writer and artist whose mixed-media collages works on paper and limited edition artist's books have been exhibited and collected throughout the United States and abroad. EDMUND MORRIS is a Pulitzer Prize-winning biographer best-selling author and an astute historian and commentator on the United States his adopted country." - Publisher. SIGNED. 1st. Hardcover. Near Fine/Very Good. Oblong. Collectible. Harry N. Abrams, Inc., Publishers Hardcover
2005Q-1560373334Farcountry Press 2005-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Farcountry Press paperback
193028599London: The Sartorial Gazette circa 1930-1933. 1930-1933. Good. - Small quarto 7-1/4 inches high by 4-7/8 inches wide softcover bound in printed brown Vol. 1 and textured green Vols. 2 & 3 wrappers with a decorative vignette on each front wrap. Unpaginated. Each brochure consists of full-page black-and-white illustrations of women's fashions. The front edges of the brochures & the bottom edges of Vols. 2 & 3 are foxed with tiny stains to the front edges of few pages. There is some foxing or soiling to the first & last pages of each brochure & the top corners of the Vol. 1 pages are bumped. Good. <p>Rare. London: The Sartorial Gazette, circa [1930-1933]. paperback
1990351068New York : Thames & Hudson 1990. 1st. Hardcover. Very Good/Very Good. 255 pages clean hardcover in a bright unclipped dust jacket. B&w photographs throughout by Bischof. His images were influenced by the major photo-movements of his time: the formal concepts of Das Neues Sehen New Vision the surrealism of Man Ray and the documentary tradition of photojournalism. From the 1940s through the early 1950s he covered World War II the bombing of Hiroshima and the Korean War for Life Paris-Match and other publications; his most famous series "Famine in India" appeared in Life in 1951. This first major compilation of Bischof's work is nicely complemented by the text a joint effort by son Marco and Swiss art historian Magnaguagno that vividly integrates biography and history. Record # 351068 Thames & Hudson hardcover
196548080Arnsberg and Dortmund Germany: Arbeitsgemeinschaft Gestaltendes Handwerk 1965. First edition. Hardcover. Near fine condition. Duodecimo 6 1/8 x 8 1/2". Unpaginated app. 100 leaves each three volumes. Original screw-bolted brown cloth with gray lettering on spines. Text printed to handmade paper in variant colors: black brown gray blue cream yellow green burnt Sienna and umbra photographs printed to glossy white paper. With lists of full and associate members of the workshop at front printed in white on black paper.<br /> <br /> Complete catalog of "Werkstattporträt Workshop Portrait" in three volumes a joint venture of the Project Group Creative Crafts for the Districts of Arnsberg and Dortmund Germany from 1961 to 1965. Participants of this project included craftsmen and women from the fields of pottery weaving embroidery bookbinding lathe work carpentry photography painting and sculpting. An extraordinary project presenting a state-of-the-art view of craftsmanship and art in Eastern Westfalia in the 1960s illustrated with 309 b/w photographs.<br /> <br /> Albert Renger-Patzsch participated in this project not only as a photographer see portrait 10 but provided one-hundred and forty-five of the three hundred and eleven photographs of works of other participants including portrait photographs for the catalogs "Werkstattportrait." Renger-Patzsch had worked as press photographer for the Chicago Tribune before publishing his title 'Crassula" with the Auriga-Verlag in the series 'Die Welt der Planze' in 1924. He had his first museum exhibition in 1927. His second book "Die Welt ist schön" became his best-known publication. During the 1930s he remained in Germany and made photographs for the German industy and in advertising. His archive was destroyed during W.W.II. In 1944 he moved to Wamel North Rhine-Westfalia and lived there for the rest of his life.<br /> <br /> The catalog is structured in twenty-nine chapters 0-271 introducing artists and craftsmen and women including one introductory chapter with eight photographs and a final chapter with six photographs. The object of the project was to further the exchange of knowledge and experience collaboration in research shared leisure time and visits of the workshops and studios of participants. Regional and national exhibitions and publications were arranged to help find buyers for the created work. The introductory chapter includes lists of full members and associate members.<br /> <br /> Each of the twenty-seven workshop portraits includes an introductory leaf for the respective participant describing the workshop or studio and the career including particulars about the techniques and material used by the artist with captions on the objects captured in eight b/w offset reproductions of photographs by Albert Renger-Patzsch and others on verso. Each set of photographs includes a portrait of the respective artist. Following each set of photographs a page with contact information of the artist and photo-credits for the work displayed.<br /> <br /> The final chapter is entitled "Workshop Portrait." It includes a brief description of the workshop taking place from April 1961 to December 1965 six b/w photographs of workshop exhibits and a list of all participants with contact information. The last page of this chapter an address by Walter Römhildt states the conclusion of this project and announces the continuation of publications of the series "werkstattforum" at his new office the "Beratungsstelle für Handwerksform bei der Handwerkskammer Hannover." Participants of the project "werkstattportait" will automatically receive those publications. <br /> <br /> Content with participating artists:<br /> <br /> portrait 0: Introduction of the project with photos by Renger-Patzsch 9 <br /> portrait 1: Hildegard Bäumer weaver Siegen photos by Renger-Patzsch 6 and Foto-Besser Siegen 3<br /> portrait 2: Ignatius Geitel Glass painter Bochum with Klischees by Titze & Lorenz Gelsenkirchen 9<br /> portrait 3: Karl Josef Hoffmann sculptor Attendorn with photos by Renger-Patzsch 9<br /> portrait 4: Anneliese Kretschmer photographer Dortmund photos by Anneliese Kretschmer 9<br /> portrait 5: Udo Dickerhoff carpenter Bochum photos by Renger-Patzsch 8 Sabine Renger 1 and Christian Bathe Münster 1; with two transparencies.<br /> portrait 6: Ingeborg and Bruno Asshoff potters Bochum photos by Renger-Patzsch 10 Dagmar Korn Düsseldorf 2 and Helmut Hering Dortmund 2<br /> portrait 7: Martha Wurm embroider Wattenscheid photos by Photo-Soeding J. Müller Soest 11<br /> portrait 8: Otto Pickhan turner Mollseifen photos by Renger-Patzsch 9<br /> portrait 9: Irmgard Timmermann weaver Soest photos by Photo-Soeding J. Müller Soest 9 H. Musmann Lage 1 and Renger-Patzsch 1<br /> portrait 10: Albert Renger-Patzsch photographer Wamel photos by Sabine Renger Wamel 1 Renger-Patzsch 11 Klischees by Titze & Lorenz Gelsenkirchen; <br /> portrait 11: Andrea Böhm picture weaver Lüdenscheid w/o photo-credits 10<br /> portrait 12: Päule Jelich goldsmith Iserlohn photos by Schmidt Lueg Iserlohn 11 and Foto Melchers Herne 1 <br /> portrait 13: Wolfgang Kruse turner Hamm photos by Schmidt Lueg Iserlohn 10<br /> portrait 14: Wolfgang Kreutter sculptor Dödesberg photos by Bert Brösel Siegen 1 Heidersberger Wolfsburg 2 Schmidt Lueg Iserlohn 9 <br /> portrait 15: Marianne Proll bookbinder Hagen photos by A. Bach Hagen 6 Renger-Patzsch 8 <br /> portrait 16: Heinz Abendroth metal smith Dortmund photos by Rolf Schmieding Dortmund 9 Dinstühler Dortmund 1; <br /> portrait 17: Liesel Bellmann sculptor Dortmund photos by Gerd Schlitzer Dortmund 4 W. von Frankenberg Dortmund 1 Rolf Schmieding Dortmund 3 and Heller Telgte 1 w/o credit 3<br /> portrait 18: Karl Jlling metal smith Mallar photos by Renger-Patzsch 10 <br /> portrait 19:Dieter Pieper goldsmithLüdenscheid photos by Werkstätten Carl Golderer Pforzheim 24 <br /> portrait 20: Marieluise Quade painter and graphic designer Lüdenscheid photos by Carl Huth Lüdenscheid 2 w/o credits 7<br /> portrait 21: Waldemar Wien sculptor Kierape 1 photos by Renger-Patzsch 13<br /> portrait 22: Christel Humpert potter Bochum photos by Renger-Patzsch10<br /> portrait 23: W. K. A. Weisheit carpenter Plettenberg-Oesterau photos by Renger-Patzsch 9<br /> portrait 24: Günter Hülshoff potter Rosemarie Hülshoff batik both Wangern photos by Renger-Patzsch 14<br /> portrait 25: Josef Severin metal smith Anröchte/Krs. Lippstadt photos by Renger-Patzsch 6 and Sabine Renger 4 <br /> portrait 26: Gisela Lohse weaver Hagen photos by Renger-Patzsch 11 <br /> portrait 27: Johannes Scharfenstein carpenter Meschede photos by Renger-Patzsch 10 and Foto-Zwietasch Kornwestheim 1<br /> "werkstattportrait" with Klischees by Tietze & Lorenz Gelsenkirchen 6<br /> <br /> Text in German. Minor wear overall with some red underlining of text in Römhildt address on last page. Translation of werkstattportrait 10: <br /> <br /> "Albert Renger-Patzsch born on June 22m 1897 graduated at the Humanistic Gymnasium studied chemistry until the preliminary examination after that he became the head of the photography department of the Folkwang Publisher in Hagen and Darmstadt. Since 1925 independent photographer in Bad Harzburg; first exhibition at Kestner-Gesellschaft in Hannover in 1925; first publication: "Die Halligen" in 1927 worked from 1929–1944 in Essen after that in Wamel near Soest. Following his title "Die Welt ist schön" he published monographs of cities and architecture books on marked-off landscapes and other topics. Renger=Patzsch works are in the collections of the MOMA New York the Eastman House in Rochester the Gernsheim Collection in London the Copper-Engraving Collection of the National Library in Paris and the Photo-Museum in Dresden. He was awarded the David Octavius Hill Medal of the G.D.L. in 1957 the Culture-Award of the German Society for Photography Cologne in 1960 and the Golden Society Medal of the Vienna Photographic Society in 1961. Renger-Patzsch is seen as the father of "Neue Sachlichkeit" in photography. In his book "Die Welt ist schön" he introduces a program with the goal to deter photography from engaging in a race with painting and reflect on its own medium. His notion that photography based on its mechanical structure is better suited to do justice to an object portrait it as an artistic individual pertains to large fields of photography today. Arbeitsgemeinschaft Gestaltendes Handwerk hardcover
69-7821Die Werstatt Berlin ©1982. 4to. Soft Cover. unpp. Black and White plates. Very good text in German. Die Werstatt, Berlin, ©1982 paperback
201251616Singapore: Work 2012. First edition. Softcover. Fine. 1/1000.Small folio. Unpaginated approx. 300 pages. Printed beige wrappers with black lettering on the front cover. Orange spine. Front and back wrappers intentionally "individually and uniquely aged" and torn for the publication by the creators. The 20th issue of the scarce Singaporean avant-garde art and photography periodical. The series was published semi-annually starting in 2000 under the direction of acclaim graphic designer Theseus Chan and continuing until the present. This issues examines the design of the previously released issues of the magazine and explores themes relating to printed materials. Each issue was printed in a limited run of only 800 to 1000 copies. The magazine won a D&AD Wood Pencil Award in 2013. In fine condition and protected in modern mylar. Work unknown
2000BOOKS024448IZurich: Scalo. Fine copy in fine dust jacket. 2000. 1st. hardcover. 4to 335 pp. . Scalo hardcover
195254018Luzern: Genossenschaft Photoausstellung 1952. First edition. 8vo. xxxii 56 2 pp. over 55 leaves of b&w plates illustrated adverts. Photo-illustrated stiff wrappers. Very good. Published as the catalogue for this major exhibition which included many of the prominent photographers working world-wide. Title and text in German French and English. Scarce with WorldCat listing only four copies; ICP being the only North American location. Genossenschaft Photoausstellung unknown
19762925New York: St. Martin s Press 1976. 1976 First edition. 8.5 x 7.5 inches. 156 pp. b/w photographs throughout. Black cloth lettered in white. Minor rubbing to lettering at foot of spine bottom board edges worn. Photographic jacket. 2-inch closed tear at top edge of rear panel with lines of creasing minor chips and tears to spine-ends scattered foxing at verso. Very Good in Good dust jacket. In mylar sleeve. 1st Edition. Hardcover. Very Good/Good. New York: St. Martin s Press, 1976. hardcover
20122093Sao Paulo Brazil: Gui Mohallem 2012. First edition limited to 1000 copies. Hardcover. Very Good/No Dj. as issued. 8vo. 170pp. Red cloth covered boards. Upper board has a 1" spot of soiling with that being the only defect. Bilingual text in Portugese in English. Brief inscription by author on title page. Color photos and text throughout. Sao Paulo, Brazil: Gui Mohallem hardcover
1987013196Boston: New York Graphic Society/Little Brown and Company 1987. This is a very good hardcover copy in a very good price-clipped dust jacket with almost no wear. Completely clean inside and out. Signed in ink by the artist Olivia Parker and briefly inscribed on the half title-page under the title. Illustrated with reproductions of Olivia Parker's photographs. 54 duotone illustrations. 12" high X 9" wide. Stated first edition and signed by the artist. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Signed by Artist. First Edition. Hard Cover. Very Good/Very Good. New York Graphic Society/Little Brown and Company Hardcover