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2012350080New Haven CT: Yale University Press 2012. 1st. Hardcover. Very Good/Very Good. 269 pages illustrated throughout in color and b&w. Clean unmarked copy with only minor wear to dust jacket. Offers a mid-career assessment of Strauss's achievement to date and the first full account of her celebrated ten-year project beginning in 2001 to exhibit her photographs under an elevated section of Interstate 95 in Philadelphia. Strauss's troubling and sometimes touching images focus primarily on American working-class experience to convey what she calls "an epic narrative that reflects the beauty and struggle of everyday life." Generously illustrated this book includes nearly 200 photographs—135 of them published here for the first time. Record # 350080 Yale University Press hardcover
350104Philadelphia: Philadelphia Museum. Hardcover. Very Good/Very Good. 270 pages. Like new in publishers shrink-wrap. Illustrated throughout in color and b&w. Clean unmarked copy with only minor wear to dust jacket. Offers a mid-career assessment of Strauss's achievement to date and the first full account of her celebrated ten-year project beginning in 2001 to exhibit her photographs under an elevated section of Interstate 95 in Philadelphia. Strauss's troubling and sometimes touching images focus primarily on American working-class experience to convey what she calls "an epic narrative that reflects the beauty and struggle of everyday life." Generously illustrated this book includes nearly 200 photographs—135 of them published here for the first time. Record # 350104 Philadelphia Museum hardcover
Catalogo della mostra itinerante tenutasi a: 1. Fotomuseum, Winterthur 1 dicembre 2009 - 17 febbraio 2008 - 2. Museum Moderner Kunst Ludwing, Vienna 10 dicembre 2009 - 3 marzo 2010. Testi di Urs Stahel, Elisabeth Lebovici, Svetlana Alpers. Illustrazioni a colori e in bianco e nero. Catalogo delle opere esposte, Bibliografia . 4to (cm 30,5x25). pp. 264. . Perfetto (Mint). . . . For more than twenty years, the American artist Zoe Leonard (born in 1961, in Liberty, New York) has been practicing the art of the contemplative journey and the perceptive gaze. She trawls through nature and culture, through the (urban) landscape and the world of museums, in search of signs that might give some insight into their contrasts, similarities and inter-relationships. In her photographs, as we look down at the Niagara Falls, we see the rushing waters pour into a massive cleft in the earth's crust; we see railway tracks sweeping across the globe; we see the patterns of modern urban existence, work and life pressed into right angles and tubes. We find ourselves looking at maps and anatomical models, peering into showcases, museums and shops, watching the gender struggle, the structure of thought and memory, made aware of the balance between photographic material and photographic seeing. Da più di vent'anni, l'artista americana Zoe Leonard (nata nel 1961 a Liberty, New York) pratica l'arte del viaggio contemplativo e dello sguardo percettivo. Attraversa la natura e la cultura, il paesaggio (urbano) e il mondo dei musei, alla ricerca di segni che possano dare un'idea dei loro contrasti, somiglianze e interrelazioni. Nelle sue fotografie, quando guardiamo le cascate del Niagara, vediamo le acque impetuose riversarsi in un'enorme spaccatura della crosta terrestre; vediamo i binari della ferrovia che attraversano il mondo; vediamo i modelli della moderna esistenza urbana, il lavoro e la vita pressati in angoli retti e tubi. Ci troviamo a guardare mappe e modelli anatomici, a sbirciare in vetrine, musei e negozi, a osservare la lotta di genere, la struttura del pensiero e della memoria, resi consapevoli dell'equilibrio tra materiale fotografico e visione fotografica.
198373AgYonne La Pierre Qui Vire 1983 In 8 carré 40 pages - trés nombreuses illustrations - trés bon etat
198373AgYonne La Pierre Qui Vire 1983 In 8 carré 40 pages - trés nombreuses illustrations - trés bon etat
197968CaYonne La Pierre Qui Vire 1979 In 8 carré 38 pages - nombreuses photographies - trés bon etat
197968CaYonne La Pierre Qui Vire 1979 In 8 carré 38 pages - nombreuses photographies - trés bon etat
198183CaYonne La Pierre Qui Vire 1981 In 8 carré 67 pages - nombreuses photographies - trés bon etat
198183CaYonne La Pierre Qui Vire 1981 In 8 carré 67 pages - nombreuses photographies - trés bon etat
196311779Northampton MA: Gehenna Press 1963. 1st. Hardcover. As New. 11.6x8.9x0.6in. Signed by Authors. #84 of 350 copies signed by author and engraver; near fine slipcase with uneven fading on back panel. <br>One of the books produced by the Gehenna Press a small private press founded by Leonard Baskin to specialize in fine book production. Limited to 350 copies this edition is signed by the engraver on the front panel of the slipcase. <br>14pp 1.42lb 11.6x8.9x0.6in Gehenna Press hardcover
25365Groningen, Niemeijer, 1964 Softcover, foto-kartonomslag met flappen, 50 pp. en 100 z/w foto's, kaart achterin.
Softcover, foto-kartonomslag met flappen, 50 pp. en 100 z/w foto's, kaart achterin. In goede staat.
IN 8. BR [MOY]. 94 PP. 20 ILL EN NOIR. [BE]
190547812ABPraze, Otto., 1905. Folio. [38,5 x 30,5 cm]. 624 Seiten. Farbig illustrierter Originalhalblederband mit marmoriertem Ganzschnitt. (Ecken bestossen und aufgerieben. Rücken partiell beschabt. Hinterdeckel partiell fleckig, innen vereinzelt fleckig). - Ansonsten ein gut erhaltenes, ordentliches Exemplar in fester Bindung und ohne Eintragungen. 1. Auflage.
1999100108594Robert laffont/ Plon 1999 in8. 1999. Broché.
As New English Original bdg. Dust wrapper. Mint. 4to. (31 x 24 cm). In English and Turkish. 256 p. Color and b/w ills. 1500 copies were printed. Ziyatin Nuriev. [Calatogue of the artist]. Translation by Krustan Dyankov, Turgut Arikan.
Published on the occasion of the exhibitions at Kunsthalle, Wien; Kunstverein, Hannover; Museum der bildenden Kunste, Leipzg; Wurttembergischer Kunstverein, Stuttgart; Museion-Museum fur Moderne und Zeitgenossische Kunst, Bozen. 209 colour photographs. Texts by Franz Xaver Baier and Stephan Berg. A conversation between Marion Pfiffer Damiani and Walter Niedermayr. Text in English and German . 4to (cm 29x33). pp. 168. . Ottimo (Fine). . Prima edizione (First Edition). .
195514444o.O., ohne J., ca., 1955. 20 mont. Orig.-fotos auf karton (23 x 17,5 cm) ill. Orig. Geprägter und illustr. Leinwandkassette mit Rücken- und Deckeltitel , 20 Tafeln, 4° (=31 x 25 cm) [2 Warenabbildungen]
1998113659Chemnitz: City-Verlag. 1998. 87 Seiten. 24,5x21cm. Zustand: Sehr Gut, ungelesen; Schutzumschlag fehlt, oder es gibt keinen; Ppbd.
2008Q-1560374314Farcountry Press 2008-01-08. Paperback. New. New. In shrink wrap. Looks like an interesting title! Farcountry Press paperback
Cartonnage de l'éditeur. 50 pages. 24x28cm.
20 cm, 107 pagine, brossura editoriale Fotografie di Rino Gaion, 80 fotografie in bianco e nero di Walter Leonardi. Ottimo 881 A111
Un volume (30 cm) di 288 pagine, con numerose fotografie a colori di Zamurivic. Tradotto dall'inglese Gypsies of the world. Tela editoriale con sovracoperta illustrata. Condizioni molto buone.
ill., br. Attraverso centonove fotografie, realizzate tra il 1962 e il 1971 in Cecoslovacchia (Boemia, Moravia e Slovacchia), Romania, Ungheria, Francia e Spagna, Josef Koudelka compone la testimonianza di un mondo scomparso. Affascinato dalla cultura e dalla storia degli zingari, e cercando di catturare il significato delle loro vite, i ritratti di Koudelka possiedono un'umanità profonda e un'autenticità sconvolgente. Grazie al suo sguardo unico, le immagini di Koudelka possiedono un forte simbolismo ed emanano uno strano potere.
Br., cm22.5x22, pp 48; fotografie in nero di Angelo Artuffo.