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1892734381892. Fine. 1892 20 x 29.50 cm 4 pages sur un double feuillet Exceptional complete autograph manuscript of Ravachols true last testament largely unpublished unknown in this form preceding its rewriting by a third party for publication in the press. A unique testimony to the genuine thought of the anarchist icon. Four-page lined quarto manuscript entirely written in black ink and signed twice Konigstein Ravachol at the foot of each sheet. Pencil corrections within the text possibly in the hand of his lawyer. Some horizontal folds and very minor marginal tears without loss. Written in his prison cell during the second Montbrison trial that led to his death sentence this text hastily penned without punctuation or capital letters and in naïve spelling was meant to be delivered orally by Ravachol during the hearing. Ravachol was dead set on putting in his two cents for the defence not to defend himself but to explain. No luck dammit! Four words in and the judge cut him off. His statement isnt lost by Jove! Émile Pouget in Père Peinard July 310 1892. This self-styled Rocambole of anarchism was not allowed to read his statement aloud but he handed it to his lawyer Maître Lagasse and by June 23 the forbidden text appeared in the conservative newspaper Le Temps. This first publication was so faithful to the original that it preserved the author's eccentric spelling a fidelity that Émile Pouget would ironically criticise in the Père Peinard issue of July 3 1892 one week before Ravachols execution: Le Temps that opportunist bedsheet printed it as is. Like a true Jesuit it even printed it too true. Ravachol had written the thing for himself; he knew how to read it but there wasnt a word of correct spelling seeing as he knew about spelling as much as he knew about cabbage farming. Le Temps printed the thing without changing a line so its practically unreadable . Thats exactly what the bastards wanted dammit! . Im reprinting it below without changing a word just fixing the spelling. That same July 3 issue of Père Peinard included a corrected version orthographically of the statement initially published in Le Temps. This dual publication combined with Ravachols defiant bearing before the guillotine had a powerful effect on public opinion. Until then even anarchist publications had kept a certain distance from this provocative criminal suspected of using the anarchist cause for personal gain. But following his execution the testament was quickly reproduced in other newspapers and Ravachols final cry of revolt soon became a genuine anarchist anthem among libertarians worldwide. However the version circulated in the press the only known version until now the original manuscript having disappeared differs markedly from the manuscript in our possession. Indeed the style was lightly polished several turns of phrase refined and most significantly entire passages were excised including the conclusion paragraph which was fully replaced. Our manuscript with its crossings-out and revisions is likely the original version of this political testament. Written in a single burst in dense handwriting without punctuation or paragraph breaks it includes two lengthy sections expressing concerns for public health that are entirely absent from the published version. The first is a third of a page-long passage about the dangerous ingredients added to bread: no longer needing money to live thered be no fear of bakers adding dangerous ingredients to bread to make it look better or heavier since it wouldnt profit them and theyd have like everyone else and by the same means access to what they needed for their work and existence. Thered be no need to check whether the bread weighs right if the money is counterfeit or if the bill is correct. The second nearly a full page long concerns the silk-dyeing industry in which Ravachol had worked: If one reflects atten unknown
175859468Paris 1758. Fine. Paris dimanche 2 avril 1758 13.40 x 19.20 cm 2 feuillets Will of Louise-Anne de Bourbon-Condé known as Mademoiselle de Charolais copied by the hand of Jean-Baptiste-François-Joseph Count de Sade and father of the Marquis in which the latter makes her nephew Louis-François Joseph de Bourbon Prince de Conti her universal legatee. A second part concerns bequests to livery servants to chambermaids and valets to the wardrobe keeper etc. Footnote in the hand of the Marquis de Sade: ""known as Mademoiselle de Charolais"". Attached is a note sheet written in Sade's hand with a view to publishing his father's correspondence. This will was written five days before the death of Mademoiselle de Charolais whose death occurred on Friday April 7 1758 following three months of illness. The second part of the will is dated Sunday April 2 1758 while the first bears the date of Sunday April 12 1758: this is obviously an erroneous date. The entirety of this copy was written by the hand of the Count de Sade who lived with Mademoiselle de Charolais at her château of Athis-Mons from 1750 until her death. The young Count de Sade sent by his father to Paris around 1720 had as protector Louis-Henri de Bourbon Prince de Condé known as Monsieur le Duc. Upon his arrival the young man appreciated court life and ""Rare thing he pleased women without making himself hated by men: hence the number of his friends at least as high as that of his mistresses. . M. de Sade was not content with easy conquests; bourgeois women left him indifferent. Those he sought - and most often conquered - were court women not only endowed with wit and beauty but also adorned with an illustrious name credit influence or fortune capable in a word of serving his interests and putting him in good standing at court."" Lever Sade. Among his conquests figured Mademoiselle de Charolais seven years his senior sister of his protector and then royal mistress. Little desirous of marrying she preferred all her life to remain unmarried and multiplied adventures and prestigious lovers. She was notably the favorite of the Duke de Richelieu but also of Louis XV for whom she recruited numerous mistresses thus earning the sobriquet of ""royal procuress"". The carnal encounter between Mademoiselle de Charolais and the Count de Sade took place on November 24 1725 while the latter was confined to bed because of a sprain. A letter from Louise-Anne attests to this nascent adventure: ""November 24 is the most beautiful day of my life if I have regained possession of my kingdom and my sovereignty by the rights of the bed where I swore you an oath of fidelity. I count on having received yours and I now live for the prettiest king in the world."" Papiers de famille p.20. The passion was not reciprocal however and the fickle Count de Sade soon met the Duchess de la Trémoïlle. Thus distancing himself from Mademoiselle de Charolais he wrote to her by way of breaking up: ""I regarded Madam the advances you made to me as provocation of your mind and not of your heart. I did not have the honor of knowing you I owed you nothing a sprain obliged me to keep to my room I was idle there your letters were pretty they amused me I flattered myself if it were true that I had made your conquest that you might cure me of an unfortunate passion which occupies me entirely."" op. cit. p.23. In 1752 the Count de Sade was ruined by his lifestyle he had sent young Donatien to Louis-le-Grand college and lodged with his good friend Mademoiselle de Charolais at the château of Athis-Mons: ""I have retired to Mademoiselle's although it is cruel at my age to depend on someone to reduce my expenses."" Letter from the Count de Sade to his uncle the provost of L'Isle-sur-Sorgue November 11 1752. He remained with his friend accompanying her in her numerous travels across Europe until her death. The correspondence between the Count de Sade and Mademoiselle de Charolais con unknown
1949044993New York: Prentice-Hall Inc. 1949. First Edition First Printing . Hardcover. Very Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Octavo. 444 pages indexed. Hardcover bound in blue cloth. Light wear to the binding. A sound copy with secure inner hinges. SIGNED AND INSCRIBED by the author on the front flyleaf "To Thomas B. McCabe With every good wish of Herbert V. Prochnow. 2/27/51." Thomas B. McCabe 1893-1982 was the President and CEO of the Scott Paper Company for 39 years. He was also the chair of the Federal Reserve from 1948 until March 31 1951. Thus this book was inscribed by the author to the Chair of the Federal Reserve while he was in office. <br/> <br/> Prentice-Hall, Inc. hardcover
199727871Greenwich CT: Alexander Autographs. New. 1997. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE -- with a bonus offer-- . Alexander Autographs paperback
199727870Greenwich CT: Alexander Autographs. New. 1997. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE -- with a bonus offer-- . Alexander Autographs paperback
199928069Greenwich CT: Alexander Autographs. New. 1999. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . Alexander Autographs paperback
DEMO009907I4to. fine folds. 4to one page <br/><br/>On his "Bonfield" stationery. "While the story you plan would have been timely I see no reason why we can not postpone it" unknown
1895048006London: Wells Gardner Warton 1895. First Edition First Printing . Hardcover. Good/No Jacket. 4to - over 9¾ - 12" tall. Gordon Browne; W. H. Groome. Quarto. 310 pages. Scarce Limited Edition #127 / 150 Copies SIGNED by the author and by both artists. Hardcover in bluish-green cloth with cover designs in dark blue and lettering in gilt. The binding is rubbed and bumped. The spine is toned and has some scuff marks; the spine ends are a bit chipped. An attractive bookplate on front pastedown reads "Leonard James Shrubsall." Endpapers are foxed. There is a pencilled notation on the rear flyleaf. Text is toned has foxing throughout. <br/> <br/> Wells, Gardner, Warton hardcover
1970031079New Delhi: Orient Longmans 1970. 1st Edition . Hardcover. Very Good /Good. Viii 176 Pp. Book With Slight Wear Inscribed By Two Of The Editors Daughters Of The Subject To American Film Actress Marie Windsor And Her Husband Jack Hupp "With Our Love Because You Both Love Mummy". Dust Jacket With Light Wear Small Losses At Corners. <br/> <br/> Orient Longmans hardcover
1999009876Lowell MA: University Gallery at UMASS Lowell. Signed exhibition catalog. First edition. Softcover. Published: University Gallery at UMASS Lowell 1999. 4to. wrappers 8 1/2" x 11" 12pp. illustrated with color and b/w reproductions. Inscribed by Greene on title page "For Dorothy love Steve". A few mild cover stains. Near fine. . Near Fine. Soft cover. 1st. 1999. University Gallery at UMASS Lowell paperback
1999019613New York: Alfred A Knopf 1999. First Edition . Grey Cloth / Boards. Fine/Fine. As New. With A Note From Irene Gilbert Founder And Director Of The Stella Adler Academy Of Acting And Theatres In Los Angeles To Veteran Actress Marie Windsor "Dear Marie- Stella Would Want You To Have This Book-With Love Irene." The Book Itself From Windsor's Estate Is Not Marked Or Inscribed From Adler. <br/> <br/> Alfred A Knopf hardcover
0265081254.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1988020706Warner Brothers 1988. Printed Studio Wrappers. Near Fine. 75 Pp. Promotional Copy Of The Script Blue Card Wrappers With Wb Logo At Bottom Black Spine Title In Black. Inscribed "Thank You For Your Support Of The Aclu. You And This Script Are Special. Edward James Olmos" Printed Rather Than Original. <br/> <br/> Warner Brothers unknown
1928042553New York and London: Alfred A. Knopf 1928. First Edition First Printing . Hardcover. Good/No Jacket. 8vo. 297 pages. Bound in red vellum with cover and spine titles on fields of gilt. Clear removable mylar cover over the binding. The binding shows wear and has some foxing. The covers are a bit splayed out at the fore edges since the vellum is generally stiff but flexible. A little wrinkling or bubbling of the paper on the front pastedown. The text is toned at the edges especially at the fore edge. A limited edition SIGNED by Carl Van Vechten on the limitation page. This is #54 of 75 copies printed on "Inomachi Japanese Vellum. <br/> <br/> Alfred A. Knopf hardcover
28281Kaufman TX: Lone Star Autographs. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - ND -- with a bonus offer-- . Lone Star Autographs paperback
1926038757Paris: Chez Claude Aveline 1926. First Edition. Original Wrappers. Very Good. pp: xxii 55 leaves illutrated on rectos only 7 index 3 publisher's ads colophon. Bound in stiff wrappers printed in red and black glassine dust jacket chipped at spine ends. 9" x 7.5" #35 of 35 copies on velin de rives for the author and editor this is a presentation copy with a four-line inscription inked on the half-title and signed by Berthold Mahn. Interesting aside: Mahn was a camouflage artist in World War I. Chez Claude Aveline unknown
1928007214New York: Albert & Charles Boni 1928. First Edition . Grey Cloth. Near Fine/Very Good Dustjacket. 120 Pages. Beige Cloth Stamped In Red. First Printing. A Bright Copy Top Of Page Block Quite Dusty And With A Few Tiny Spots Foredge Of Page Block Aged. Violet Dust Jacket Is Aged At Edges And Heavily Browned At Spine So That Lettering Is Just Barely Readable; It Has Tiny Chips Along Some Of Top Edge Particularly The Top Edge Of The Rear Panel And At Bottom Edge Of Spine As Dust Jacket Is About 1/8" Taller Than The Book. Small Inscription "Frances From Aileen July 1928" On Endpaper Probably An Inscription To Intellectual Screenwriter Frances Marion As This Is From A Collection Books From Her Library And Inscribed To Her; And Probably From Actress Aileen Pringle Who Starred In Films In The 1920'S With Screenplays By Marion. H. L. Mencken Visited Hollywood Which He Loathed Ostensibly To See Sterling Etc. But Motivated Primarily By His Desire To Pursue His Relationship With Pringle Who Then Became Acquainted With Sterling. <br/> <br/> Albert & Charles Boni hardcover
1921025845Boston: The Cornhill Company 1921. First Edition 1st Printing. Red Cloth Gilt. Very Good/No Dust Jacket. Frontispiece Plates. Viii 179 Pp. Publisher's Red Cloth Gilt Cover And Spine With Blindstamped Border On Front And Rear Covers. Light Wear No Fraying Very Clean With No Stains Or Marks. With A Full Page Autograph Letter Signed From The Author To Edward A Dickson Evening Express City With His Return Address C/O W. A. Clark Jr. William Andrews Clark The Rare Book Collector And Philanthropist Davis Explaining That He Has Been A House Guest Of Clark. The Letter Discusses The Author And His Book Furnishing A Little Background Information. Also Included Is The Author's Signed Photograph A "Cut" Fir Publication Again Inscribed By Davis Also With His Alternate Name Wesley Hume And Again Giving His Address C/O Clark In Los Angeles. <br/> <br/> The Cornhill Company hardcover
1986048641Abbeville SC: Erskine College 1986. 1st Edition . Hardcover. Near Fine/No Jacket. 4to - over 9¾ - 12" tall. Oblong Quarto. Unpaginated. INSCRIBED by the author on the front flyleaf. Hardcover in red cloth with title in gilt on front cover and spine. Binding has light wear. Illustrations throughout. <br/> <br/> Erskine College hardcover
193964406Paris et Richelieu Paris 1939. Fine. Paris et Richelieu Paris 1939-1940 21 x 27 cm en feuillets Set of 6 autograph letters signed by André Rolland de Renéville 21 pages in black and blue ink. The letters are dated with one exception between June 28 1939 and May 27 1940 and include various addresses at the head of the pages. Folds inherent in envelopes. unknown
1962042101New York: Doubleday & Company 1962. First Edition 1st Printing. Grey Cloth. Very Good/No Jacket. Xvi 460 Pp. Grey Cloth Gilt On Blue. Stated First Edition. Personally Inscribed In Ink To Recipient A Colllector Of First Editions And Political Books By Nixon In Ink On Half Title And Dated In 1982. Light Wear Gilt Bright No Fraying. Lacking The Dust Jacket. <br/> <br/> Doubleday & Company hardcover
1963022046Laguna Beach circa 1962/1966: Wooden Horse Gallery 1963. Original Poster and Sign . Single Sheet and Large Sign. Near Fine. Sister Mary Corita. Three Items From Probably Her First Show At A Commercial Art Gallery. Small B/W Poster For Her Exhibit March 3 To April 6 At The Wooden Horse Gallery Year Not Indicated But Is 1963 With Reception For The Artist March 3 At 2-5 Pm 1963 S. Coast Blvd. Laguna Beach Year And Address Were Indeed The Same. Poster Printed In Black And White With Design Above White Space Below All With 9 Lines Of Lettering By Sister Mary Corita. With The Unique Large Wooden Sign For The Exhibit At The Gallery About 1' X 4' With Her Name Signed By Her In Painted Black Letters On White As Was The Practice At The Gallery For All Exhibiting Artists. The Poster Is Quite Scarce The Sign Is Unique. Also With A Signed Postcard Sister Mary Corita's "To Understand ." Etc. Postmarked November 1965 Addressed To Gallery Owner Jae Carmichael Of The Wooden Horse Gallery Requesting Return Of Any Unsold Prints Of Hers Signed "Smc". This Item Was Misplaced But Has Been Located And Is Now Available <br/> <br/> Wooden Horse Gallery unknown
2019043202Berkeley CA: Edition One Books 2019. First Edition First Printing . Hardcover. Very Good/No Jacket. 4to - over 9¾ - 12" tall. 4to. 218 1 pages. Taupe and green hardcover. Minimal wear to the binding. Looks nearly new although there are a couple of light scuff marks on the front cover. A sound copy and clean within. NO MUSIC CD. The front flyleaf notes this is a numbered limited edition signed by the author: "#38 / 300 Susi Lawson. 8/6/2019 - Thankyou for your support! -Susi." There is also a small drawing of a bird holding a branch. <br/> <br/> Edition One Books hardcover
0010425MGM / UA. Very Good. Octavo fine in white plastic case. <br/><br/>Jerry Maren was the Lollipop Kid part of the Lollipop Guild with the Munchkins in the film "The Wizard of Oz". A versatile performer he went on the perform as Little Oscar for the Oscar Mayer meat company and as Mayor McCheese and The Hamburglar for McDonalds Corp. He also had a walk-on in a "Seinfeld" episode. Maren was the last surviving cast member from the 1939 film. This photograph is boldly signed " Jerry / Maren / Lollipop / Kid " in black ink and undersigned by Marcella Krienzler who was married to Emil Kranzler one of the village Munchkins. Also signed by Mary Ellen St. Aubin co-owner of The Midget Club in Chicago with her Munchkin husband Parnell First Trumpeter Karl Slover; Townswoman/dancer Margaret Pellegrini and Anna Mrs. Frank Cucksey Mitchell Note: likely signed after Emil's death in 1993 at a convention at the OzCot in Chesterton Indiana. MGM / UA unknown
28252This distant cousin and namesake of Abraham Lincoln's mother was called "the mother of a million artists" for she laid the groundwork for the 1964 creation of the National Endowment for the Arts of which she was named director in 1969 along with the National Council on the Arts serving until 1977; under her direction this agency dramatically increased its budget and influence. Signed photocopies typescript 21pp rectos only 8½" X 11" n.p. Durham NC 1971 June 7. Near fine. Staple holes at upper left of each page. Copy of Hanks's Duke University Commencement Address titled ".and I lived with it for the rest of my life" -- signed boldly by Hanks in black fineline near the top of the first page. Enjoyable and of course inspirational speech double spaced naturally stressing the place of the arts in everyday life. Quite unusual. From the collection of noted Lincoln and Civil War scholar ARNOLD F. GATES 1914-93. unknown