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655 x 660 mm. Lithograph in colours, dissected into 12 sections and mounted on original cloth. First edition of the first accurate Ottoman general map of Central and Southern Iraq, Kuwait, and Khuzestan (Iran); the authoritative map used by the Ottoman Army for strategic planning during the "Mesopotamia Campaign", during which Ottoman-German forces mounted a unexpectedly strong resistance to Britain's invasion of Iraq in World War I. Examples of the present map were used by Ottoman commanders who oversaw the successful Ottoman-German defence of Baghdad at the Battle of Battle of Ctesiphon (22-25 Nov. 1915), as well as the capture of the main British army at the Siege of Kut-al-Amara (7 Dec. 1915-29 April 1916). - With text entirely in Ottoman Turkish, the map is based on the British War Office's "Lower Mesopotamia Between Baghdad and the Persian Gulf" (1911), which was itself in part based on Ottoman sources. Both maps were dramatically superior in all respects to previous efforts, forming the culmination of over three generations of reconaissance, capped by critical late-breaking discoveries. - Some light staining in margins and in lower-right quadrant, but generally in good condition. Very rare.
Oblong folio (335 x 240 mm). 16 ff. 110 albumen and silver gelatin photographs mounted in photo corners, with handwritten captions. Contemporary saddle-stitched faux crocodile leather boards with tassel. Over one hundred original photographs of R.A.F servicemen in interwar Iraq. Scenes range from the wreckage of a deadly plane crash, men driving an early tank, locals going about daily life, and servicemen entertaining themselves in their recreational time. Most photographs are captioned by the anonymous owner of the album, with a few captioned in plate; all provide a snapshot of the early days of both the R.A.F. and of modern Iraq. - Various contemporary aircraft are photographed, including a Vickers Vimy Commercial experiencing an awkward landing, the first-ever prototype of the Vickers Victoria (captioned simply, "John's plane"), the de Havilland DH.60 Moth ("Stack and his 'Mooth' aeroplane"), a Halifax II which would go on to be shot down over France during the second world war (captioned "Soap with Snipe"; it is unclear between the plane and the pilot which is Soap and which is Snipe). - One photograph of "Alan Cobham and his plane" shows Cobham (1894-1973), by then already a world-famous aviator posing with a biplane, and another five (one of which has been colorized) show Cobham's de Havilland DH.50 floatplane on the Tigris, likely en route through Baghdad on his record-breaking flight from Britain to Australia. These photos would have been taken very shortly before Cobham's engineer of the D.H.50 aircraft, Arthur B. Elliot, was shot and killed after the pair left Baghdad on the 5th of July 1926. More somberly captioned are five photographs of the "Result of the Vernon Crash", dated two weeks after the incident and showing the wreckage of the No. 45 Squadron's Vickers Vernon, which had crashed into a shed at Hinaidi, killing seven: Oswald Kempson Stirling Webb, Reginald Carey Brinton Brading, Eric Miller Pollard, Edgar Kennedy, Francis Crawford Inglis, Horace Leslie Davies, and Edgar Whittle. - Photographs of local Iraqis and scenery around Baghdad include a line of convicts, a pontoon bridge spanning the Tigris, milk sellers, farming methods, money changers, pottery shops, letter writers, butchers, an Armenian family, a flooded Baghdad North Station, the "Baghdad Bridge", falconers, copper merchants, the Kadi mosque, mourners at a funeral, a distant view of the crumbling crusader fort Qal'at al-Shaqif (captioned "Belfort Castle"), and an "oil gusher" spouting in Kirbuk district. - The remainder of the photographs are devoted to soldiers at rest and the mishaps of military life (including many lorries stuck in the mud); men play tug-of-war, and one serviceman poses with his accordion and a small dog sitting atop a stool with a pipe in its mouth. There are fancy dress parties, snapshots of the barracks and troop ships, and servicemen tromping through calf-deep mud. A thorough collection that provides a sum of daily life in interwar Iraq, ranging from the humorous to the tragic, including both military and civilian life. - Quite well preserved.
960 x 235 mm. Three albumen prints (vintage), mounted and joined. Fine photographic view of Jerusalem from Mount Olivet, assembled from three separate, conjoining images and measuring nearly a metre in length. Various buildings and sites identified by number; dated "1889" in a shaded area at lower right. From the Beirut-based studio of Tancrède Dumas, active during the period 1860-1890, with his stamp at lower left (series no. 523).
4to. 2 parts in one volume. VIII, 140 pp. (8), 315, (1) pp. 19th century cloth with giltstamped spine title. The complete text of the Arabic version by Ibn al Muqaffa of this collection of animal fables with didactic overtones designed to illustrate wise conduct, printed in the beautiful types of the "Imprimerie Royale", with an introduction and critical notes in French. The typeface, based on Arab or Turkish specimens of calligraphy and cut in Rome in the early 17th century for Savary, "was the mainstay of Arabic typography in France until the late 19th century; it also provided a model for others" (Roper, p. 145). - Spine sunned; occasional browning and foxing, but a good copy. Chauvin II, p. 11f., no. 17. Cf. G. Roper, Early Arabic Printing in Europe, in: Middle Eastern Languages and the Print Revolution. A Cross-Cultural Encounter (Westhofen 2002), pp. 129-150.
8vo. XVIII, (2), 93, (3), 8 pp. (ads). With lithographic frontispiece of "A Persian Girl" sketched on stone by the translator, printed by C. Hullmandel. With an inserted slip. Original boards, rebacked with new spine label. First English edition: a prose version by the British oriental scholar James A. Atkinson (1780-1852). "This is a specimen of Persian humour, a jeu d'esprit, founded upon female customs and superstitions. It pretends to be a grave work, and is in fact a circle of domestic observances, treated with the solemnity of a code of laws" (preface). With a fine lithographic frontispiece drawn by Atkinson, faithfully depicting a "Persian Girl" in traditional dress, with a lute and hookah by her side, her hair adorned. - Provenance: 1) Wilberforce Eames, (1855-1937), U.S. bibliographer and librarian, known as the "Dean of American bibliographers" (his ink ownership to flyleaf); 2) pencil ownership "Wm. Berrian" (?) to flyleaf; 3) bookplate of the Wisconsin Consistory Library to pastedown; 4) Quaritch notation to pastedown (sold by them). A fine copy; scarce. Wilson 10 & 123. Cat. of the Library of Wilberforce Eames (NY, Anderson Auction, 1905), no. 6247 (this copy).
565 x 780 mm. Scale 1:250,000. Showing the future border, then the dividing line through the Saudi-Kuwaiti Neutral Zone, a 5,770 km² area between Saudi Arabia and Kuwait that was left undefined when the border was established by in 1922. Partitioning negotiations finally commenced when the rulers of both countries met and decided, in October 1960, that the Neutral Zone should be divided. On 7 July 1965, the two governments signed an agreement, which took effect on 25 July 1966, to partition the Zone adjoining their respective territories. Ratification followed on 18 January 1970. "This map has been prepared from the results of the survey according to the agreement between Kuwait and Saudi Arabia for the Neutral Zone Division on 7/4/1386 corresponding to 25/7/1966". The Gulf is labelled "Arabian Gulf". - An indistinct stamp on verso. A tear to one fold; lower edge irregular. Rare; not in OCLC.
Four maps (600 x 620 mm) printed in black and brown, kept folded in a grey cloth pocket. Map of modern Syria, Iraq, Jordan and Saudi Arabia in four parts, illustrating the travels of Alois Musil in 1908-1915 and published as part of a series of books and maps by Musil. Musil "mapped the topography, collected a large number of plants and in 1911 helped make observations that led to the first general sequence of the Phanerozoic geological succession of north-west Arabia". An inset in the map shows terrain elevations for several parts of the region. - Alois Musil (1868-1944) was a Czech orientalist and explorer and professor of Oriental Studies at the University of Prague. The collection of works which includes this map was published by the American Geographical Society with funding by the American industrialist and Arabist Charles R. Crane (1858-1939). - In very good condition. Vincent, Saudi Arabia: an environmental overview, p. 9. Cf. Wright, "Northern Arabia: the explorations of Alois Musil", in: Geographical review XVII, 2 (April 1927), pp. 177-206.
8vo. Ottoman Turkish manuscript, with medical terminology mostly in Arabic. 50 pp. Black (and occasional red) ink on polished paper. 19th century marbled wrappers. A traditional pharmacological essay or pharmacopoeia, as well as a description of several ailments and medical conditions (including earache, infection of the larynx, uvular edema, malaria, jaundice, and yellow fever), with their treatment indications. Interestingly, there is a specific reference to opium ("afyon" in Turkish). The anonymous scribe was very probably a physician or medical practitioner with an imperfect knowledge of Arabic, most likely a Turk. No colophon, but likely written in the early 18th century in an Arabic-speaking Eastern province of the Ottoman Empire. - Occasional stains and smudging; some corner and edge flaws throughout with chipping to wrappers.
Folio (286 x 390 mm). Colour lithogr. title, 303 [i.e., 305], (1) p. With 7 leaves of plates, illustrated throughout (some in colour). Colour advertisement bound after p. 70. Modern red cloth with giltstamped spine title and original giltstamped cover title inset on upper board. Original edition of the Moseman Brothers' sumptuously produced sales catalogue of luxury horse tack and equipment. Dated from a printed letter (March 6, 1893), appearing on p. 67. Contains more than 1000 detailed illustrations of all items relating to the horse including halters, muzzles, halter ties, hitching weights, oils, dressings, stallion shields, boots, toe weights, bitting harness, hopples, spreaders, cart saddles, collars, riding & driving bits, whip sockets, whips, hunting crops, ornaments, chains, snaps, clothing, saddles, veterinary preparations, stable requisites such as brushes, curry cards, brooms, forks, and much more. One of the finest equestrian trade catalogues of the 19th century produced by a leading New York City concern, C. M. Moseman and Brother, offering a vast range of high-quality equestrian goods. Rare, most libraries hold copies of the late 20th century reprints only. OCLC 24193302.
8vo. 8 pp. With woodcut title vignette. Wrappers. First (and only?) printing of the letter by the Capuchin friar Pacifico Scaliger, leader of his order's mission to Persia and Armenia, written to the Capuchin Guardian of Leghorn (dated 21 May 1627), with the two mandates received from Sultan Murad IV: the first a permit to found a hospital at Aleppo, Syria (12 April 1627); the other granting the Capuchins free passage and permission to reside and teach throughout the Ottoman Empire, wherever there are Christians (26 April 1627). - Some brownstaining; old pagination in manuscript and stamped (apparently removed from an old collection). Of special interest is the title woodcut, showing a round moon within the oriental crescent. The round moon bears a crudely drawn face, incorporating the western notion of a "man in the moon", but the heavily structured lunar surface also provides a curious counterpiece to the famous woodcuts which had appeared in Galileo's groundbreaking "Sidereus Nuncius" but eighteen years previously. - Excessively rare: a single copy in library catalogues (HAB Wolfenbüttel); no records via WorldCat or in Italian libraries via SBN. OCLC 258074666 (no holding records). HAB Wolfenbüttel shelfmark M:Gv Kapsel 7 (46).
Oblong folio. (15) ff. With 5 ink wash drawings, 4 pencil drawings, 4 coloured pencil drawings, 1 pen drawing painted with watercolours, 1 pen drawing, 1 coloured lithograph and 1 photograph, all in various formats, on (12) pp. Contemporary green morocco binding, cover giltstamped with crowned monogram "PA". All edges gilt. Includes a loose pencil portrait of a young lady (192 x 262 mm) and a photograph of a castle pasted on the free endpaper. Charming collection of sketches and watercolours, including a pen-drawn genre piece with soldiers (ca. 222 x 174 mm) by the French painter André Dutertre, member of the Institut d'Égypte, and the portrait of a soldier in pencil (ca. 138 x 194 mm) by Claude Vaulot (1818-42), both signed. Dutertre is best known for his portraits of military men, especially in connection with Napoleon's campaign in Egypt, in which he participated. Of particular interest are four orientalist landscape drawings and four character studies of portraits from Kabylia (Algeria). These unsigned pieces are probably connected with the 1830 "Éxpédition de Médéa", part of the French conquest of Algeria. They include a pencil drawing of a road near Medea, a pencil drawing of a source near Mouzaïa, where a battle took place on 21 November 1830, an ink wash drawing of a military encampment in Kabylia, and the portrait of a Kabylian marabout, or holy man. This small portrait is arranged on one page with the other three portraits, two Kabyle women and one man, and a well-executed ink wash drawing of a landscape in Kabylia with the tombs of two marabouts. The collection is completed by a charming lithographed invitation to a puppet play "Theatre de Polichinelle", signed "Nouvian", a photo collage of political caricatures with a written legend, an ink wash of a peasant woman, signed "J. Chastenet", and a watercolour of a group of soldiers marching to war, their wives wringing their hands. - The photo collage is strongly faded, some pages with minor tears and foxing but all drawings and the lithograph well preserved. Spine and edges of binding scuffed.
8vo. (24), 455, (23) pp. With 4 engr. plates. Contemporary half calf with gilt title label on gilt spine. Edges sprinkled red. Extremely rare sole edition of this account of the Niebuhr expedition to Arabia in the 1760s. Produced as a cheaper alternative to the hefty 3-volume sets which appeared in German, Danish, French, and other languages, the present work was printed by the Royal press and gives a summary of the journey intended for a popular audience. Swedish interest in the expedition was elicited by the presence of the Swedish botanist and explorer Peter Forsskål in Niebuhr's caravan. After studying Arabic dialects, Forsskål was the first to scientifically describe many plants of the Arabian Peninsula, before dying in Yemen of malaria in 1763. - The plates, modeled after those of the German edition of 1772, depict a Turkish Pilgrim to Mecca; an Arab woman in a hijab, with an inset detail of a burkha; an Arab farm-girl from the 'Coffee Mountains' of southern Arabia; and an Arab nobleman of Yemen. - Binding rather rubbed; blank margin of first few leaves a little toned, otherwise a very good copy, clean and fresh. OCLC shows just 3 copies worldwide: the University of Texas, the Swedish National Library, and the Danish National Library. No copy seen at Anglo-American auction since 1999. OCLC 156793368. James Ford Bell 340.
8vo. (24), 455, (23) pp. With 4 engr. plates. Contemporary half calf with gilt title label on spine. Extremely rare sole edition of this account of the Niebuhr expedition to Arabia in the 1760s. Produced as a cheaper alternative to the hefty 3-volume sets which appeared in German, Danish, French, and other languages, the present work was printed by the Royal press and gives a summary of the journey intended for a popular audience. Swedish interest in the expedition was elicited by the presence of the Swedish botanist and explorer Peter Forsskål in Niebuhr's caravan. After studying Arabic dialects, Forsskål was the first to scientifically describe many plants of the Arabian Peninsula, before dying in Yemen of malaria in 1763. - The plates, modeled after those of the German edition of 1772, depict a Turkish Pilgrim to Mecca; an Arab woman in a hijab, with an inset detail of a burkha; an Arab farm-girl from the 'Coffee Mountains' of southern Arabia; and an Arab nobleman of Yemen. - Binding rather rubbed; some chipping to spine; blank margin of first few leaves a little toned, otherwise a very good copy, clean and fresh. OCLC shows just 3 copies worldwide: the University of Texas, the Swedish National Library, and the Danish National Library. No copy seen at Anglo-American auction since 1999. OCLC 156793368. James Ford Bell 340.
815 x 1140 mm (on 2 separate sheets). The first distance-time route map of the Ottoman Empire, one of the great masterpieces of Ottoman thematic cartography. Devised by the General Staff of the Ottoman Army and depicting the entire realm of the Sublime Porte from Albania to Yemen, it gives travel times between hundreds of locations, including various routes of the Hajj. - The map captures the scene during the middle of the rule of Sultan Abdul Hamid II (reigned 1876-1909), during which the empire still controlled vast territories in Europe, Asia and Africa, extending from the Balkans to the Arabian Peninsula. It is centred upon Anatolia but includes all the core regions of the Empire, extending from Bosnia in the northwest to the head of the Arabian Gulf in the southwest, and from Crimea and Baku in the north and east to Lower Egypt in the southwest. In the lower right corner is an inset capturing the western Gulf, including Kuwait, Bahrain, and Qatar; an inset above details the Red Sea, including Hejaz, Asir and Yemen; a larger inset in the lower left depicts Ottoman Libya as well as parts of French Tunisia and Algeria. Annotated in Ottoman Turkish throughout, the map is traversed by hundreds of lines that connect every city and town of importance, representing the main land travel routes between these centres; each segment states the estimated travel times between the points. The map also features a chart comparing distances between the principal centres: on average, the chart shows, it took 18 hours to travel from the Red Sea port of Jeddah to the holy city of Mecca. - This is the first map ever to display the distances between all significant travel points in the Ottoman Empire and would have been vitally useful to soldiers, merchants, and government bureaucrats planning their itineraries. It was also one of the only maps to give an approximately accurate notion of the times and distance along several of the most important Hajj routes, including the famous Syrian Hajj Road from Damascus to Mecca, now considered by UNESCO for World Heritage Status. - Transportation had always been one of the great challenges confronting the Ottoman Empire, an astoundingly vast realm spanning three continents and traversing some of the world's most rugged terrain. Yet the Hamidian Era marked a period of rapid modernization, including the creation of macadamized highways, railways and modern ports, and saw the rise of sophisticated cartography. The General Staff was able to draw on exhaustive highway surveys and recent itinerary records. The present map also depicts the rapidly expanding Ottoman railway system, after a wave of development had revolutionized travel in the empire's European domains, but just before an unprecedented boom in railway construction would do the same for Ottoman Asia. The Balkans are traversed by several railways: most notably as of 1888 the great port of Salonika was connected to the rest of Europe by rail, while Istanbul was linked to the European system for the first time that same year, providing the direct route for the famed Orient Express, which commenced in 1889. One will also notice the first great leg of the Anatolian Railway that connected Istanbul to Ankara on 31 December 1892, completed only a matter of weeks before the present map was issued. - Although Ottoman cartographers were producing topographic and thematic maps of the highest sophistication and diversity, every bit as impressive as those of the best German and French and British mapmakers, these works tend to be very rare today and are not nearly as well known as they deserve to be: they were almost invariably issued in small print runs, and maps intended for practical use in the field, such as the present work, tended to perish easily. Also, Turkey's switch to the Latin alphabet, in 1928, ensured that many of the surviving earlier maps were discarded, making this specimen a rare survival of an historic cartographical achievement. - Brownstains and waterstains.
Manuscript letter in Italian, opening with a duplicate of an earlier letter, in a different hand, dated 26 September 1732, written in ink on one page of a bifolium originally folded 4 more times for sending (to 8.5 x 14 cm) with the address on one side and traces of a red wax on the other. Letter in Italian concerning the cloth trade in the capital of Egypt during the last months of 1732. The letter is addressed to the Italian merchant Nicolò Caragiani in Venice, who actively traded with the Levant and correspondence with several other merchants survives. The present letter informs Caragiani on the demand in certain types of cloth, which prizes are expected to rise during the approach of Ramadan. It mentions various fabrics including silks, damask and wools and also includes the prices of coffee and pepper. The letter opens with a copy of an earlier letter, followed by the actual letter in a different hand, signed by one Michiel whose last name is unclear, but could read something like Petea or Retea. - With some faint foxing, and a tiny hole and a tear along a fold on the address side, otherwise in very good condition.
Large 4to (206 x 275 mm). XXVI pp., final blank leaf. With engraved armorial vignette to title-page and a woodcut tailpiece. Contemporary bronze-varnished wrappers. Report from the Papal consistory for the Syrian Catholic Church in Aleppo, printed in Latin and Arabic throughout, confirming the newly-elected Archbishop Basilius of the Catholic Armenian rite. With the engraved arms of Pope Pius VI on the title-page. - Some light foxing, otherwise an excellent copy. Very rare; no copy in OCLC. Canon Law Collection of the Library of Congress, p. 17, no. 189. Zenker, BO I, p. 72 ("Jan." in error for "Jun.").
8vo (135 x 90 mm). 11 pp. Ink on paper, written space 110 x 65 text area approx. Text in black with "points" in gold within the framework of various colours. Pages mounted within coloured rules. Title page in red, purple and gold (worn with some losses). Contemporary leporello binding. Devotional manuscript, bound as a leporello. Begins with "bi-hawli llah wa-quwwatihi" ("with God's power and strength"); text has been separated and continues on a previous page. Elaborately decorated title and chapter heading within ornamental borders, gilt and coloured. The name of the scribe, Muhammad Ja'far al-Lahijani (from Lâhîjân in northern Iran on the Caspian Sea), as well as the date 1246, are stated on the final page. - Partially worn and damaged; front cover shows a floral design on cloth (rubbed and chafed); the back cover is missing. Some brownstaining and chipping; a few leaves show old repairs and marginal defects.
Large 4to. (4), IX, (3), 187, (1), 508, (16) pp. With folding engr. map, folding engr. plate, and 3 (2 folding) engr. genealogical tables. Modern half calf with marbled covers, gilt. First printing of this important translation. "Showered with praise from the start" (cf. Enay). "The classic translation of the Quran [...] Sale worked from the original Arabic, but also used Marracci's Latin version, about which he said it was very precise, but too literal [...] Sale's translation is marked by a rather sober tidiness. Sale himself saw his work as a sort of defence of a much-maligned book [...] The translation's dispassionate, dry objectivity was an enormous step forward for western Quranic studies. Its deserved success was based to no little extent on the 'Preliminary Discourse', which provides a general introduction to the Quran as well as an overview of the most important Muslim denominations [...] For a century this account remained one of the principal sources from which the European educated elite drew its knowledge of all matters Quranic" (cf. Fück). - Title page slightly wrinkled and dusty. A good, very unobtrusively browned copy in an appealing modern binding. Chauvin X, 146. Schnurrer 429. Fück 104f. Enay 169. Graesse IV, 44. Ebert 11524.
8vo. (12), 114, (2), 558, (34) pp. Title-page printed in red and black. Contemporary full vellum with ms. title to spine. First printing thus. - The edition of Christian Reineccius (1668-1752) contains the Latin text of Luigi Marracci (1612-1700), to which are added a history of the Qur'an and an account of the Muslim faith. Marracci's text, published in 1698, constituted the first accurate Latin translation, the first scholarly printed Qur'an (including a much more accurate Arabic text than any previously printed). "It was a considerable progress that the Qur'an, much maligned by so many in the West possessing no familiarity at all with its content, now was made generally available" (cf. Fück). - Some browning throughout, as common; old ownership "Steph. Manno" stamped to title page. Altogether very well-preserved in an immaculate contemporary full vellum binding. Schnurrer p. 413f. Fück 95, n. 251. BM Arabic I, 896. Enay 164. Zenker I, 1396. Woolworth p. 286.
8vo. V, (1), 158, 783, (1), 26, (2) pp. Near contemporary green half calf over marbled boards, flat spine elaborately gilt. First Swedish edition: the pioneering, first complete version of the Holy Qur'an in any Scandinavian language. The translator Fredrik Crusenstolpe (1801-82) was secretary to the Swedish consul in Tanger and a philhellene who had fought against the Ottomans in the Greek War of Independence. - The publication was privately funded by the translator himself: Crusenstolpe, who detected in the Swedish mentality an ignorance and tendency toward superstition which he resented, "felt personally compelled to furnish the Swedish audience with material to rectify some of the misconceptions about the Prophet Muhammad in Swedish popular imagination [...] He described the Prophet as a rational 'Arabic founder of law' (p. iii), in compliance with a common imagery of the Prophet which emerged in the European Enlightenment" (N. S. Eggen, "On the Periphery: Translations of the Our'an in Sweden, Denmark and Norway", in: The Routledge Handbook of Arabic Translation, ed. Sameh Hanna et al.). - Covers a little rubbed, corners slightly bumped. Some browning and occasional foxing throughout. From the library of Swedish linguist Hans Hultqvist (1943-2019) with his discrete shelf mark in pencil to title-page. Very rare: OCLC lists only four holding libraries (NY Public Library, Library of Congress, Cleveland Public Library, Ohio State University). Chauvin X, 238. OCLC 2011410.
8vo. (10), 547, (1) pp. With additional engraved title page and 6 engraved plates. Contemporary vellum with handwritten spine title. Uncommon Dutch edition of du Ryer's version, in a translation by J. H. Glasemaker (previously published in 1658), with a Life of the Prophet and numerous engravings by Caspar Luyken (1672-1708). Du Ryer's 1647 French version served as the basis for further translations of the Qur'an (including English, German, and Russian), and was instrumental in introducing Europeans to the tenets of the Muslim faith. - Block somewhat loosened, but still a good copy. Chauvin X, p. 129 (phi). Cf. Schnurrer 428.
Two 4to files of ca. 30 leaves each, including distress signal code tables, tips for forced landings, colour-printed route maps, radio beacon maps, emergency airfield maps (folded), and double-sided airfield leaves dedicated to single airfields along the designated route. Original printed wrappers. Perforated and handbound with cords. Two air route books for pilots of the Royal Air Force flying from Cairo to Karachi during World War II, "designed to help [them] to execute flights vital to our fronts in all theatres of war. The information which [they] contain is therefore also of use to the enemy, and must be safeguarded at all times" (p. 1). - The books are in fact useful guides to airports along the way, the plans depicting airfields in Egypt (Cairo West, Almaza, Payne, Heliopolis, Lydda and Luxor), as well as in Bahrein, Sharjah, Jiwani, Karachi, Wadi Halfa, Khartoum, Sheikh Othman, Khormaksar, Riyan and other places. For each airfield general information like coordinates, the length of the runways, the nature of ground signals, existing hangars, repair and fuel facilities, expectable weather conditions, distances to other places, radio aids, and local currency, as well as timetables of morning and evening twilight are given. The folding plans show emergency airfields in Egypt, Palestine and Syria, Iraq, Persia, and the Arabian Gulf area, as well as the routes between the Middle East and India. - Further, the booklets include instructions on what to do after a forced landing in unknown territory, advising to ration water and attract attention of rescue aircraft through a spread-out parachute or fires, including the order: "Don't drink the compass alcohol". - There is no standard collation for the books, as they were added to with monthly supplements. With the handwritten note "Compiled 21.2.45" as well as a signature to inner covers. The "from" and "to" fields on the title-pages (i.e., the front covers) are filled out by the same hand. - Covers show some small creases and edge tears; a few small ruststains, but on the whole well-preserved specimens from wartime Royal Air Force use.
Small folio (208 x 284 mm). (2), 115, (1) pp. With 2 folding charts, 1 full-page sketch map, 84 small sketch maps and 48 b/w half-tone photo illustrations. Original black cloth printed with purple type. First edition. A confidential air route book, compiled for the use of pilots flying from Cairo to Karachi during WWII, covering the main air route of the time that passed through the Arabian Gulf at staging posts in Palestine, Iraq, Pakistan, Bahrain, Sharjah, and India. - The handbook covers all aspects for flying within the Middle East including distress signal code tables, tips for forced landings, colour-printed route maps, radio beacon maps, emergency airfield maps, and double-sided airfield leaves dedicated to single airfields along the designated route. Inserted stapled updates and small corrections show the importance of up-to-date information for navigation within the shifting sands of the country where the pilots were operating. - It is presumed that these hardbound versions were either used for office reference or as early print runs. Later, cord-bound copies were created for pilots' use in active service, presumably to minimise costs of production and tailor the information to strictly which flight the pilot was completing. - This edition is stamped number 498, suggesting a limited print-run. Boards a little water-stained and warped, two white stains to front board, otherwise good. Interior exceptionally clean and fresh. Institutionally rare: LibraryHub locates just a single holding at the IWM.
Spiral-bound album with 6 large and 11 smaller photographs (1 image included in a duplicate print). The present album of black-and-white photographs, all taken by G. F. Larsen, later Vice President of General Services at Aramco, shows camels in the Arabian desert and the locals whom they accompany. - Occasional slight staining; well-preserved in general.
Small oblong folio album. 21 original silver-gelatin photographs. Various formats, most captioned on the mount. Contemporary blue cloth with wrap-around clasp, ms. title "Saudi Arabia 1955" to spine in white ink. An interesting album of photographs taken by a British or American engineer working on a construction project in Saudi Arabia. Though the project and specific location are not named, it was probably based somewhere in the Eastern Province on the Gulf coast. It was there that Saudi Arabian oil was first discovered and, as a result, the province became the focus of the growing oil industry. Thus is it quite likely the photographer's project was part of the infrastructure supporting the industry's rapid expansion. - The images show the building site, the completed buildings, the surrounding coastal area, a traditional house, old ceramic vessels and local people. Several photographs capture the photographer's family at work and play, exploring the beaches, going shopping ("Sue wasn't happy") and riding donkeys and camels. - A few photos stained at corners.